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Clarence Holbrook CarterBlue and Red Space1971
1971
About the Item
Blue and Red Space
Ilk Screen, 1971
Signed and dated lower right (see photo)
editioned lower left (see photo)
Edition: 75 (75/75)
Sheet size: 22 1/8 x 29 7/8"
Image: 21-7/8 x 29-5/8"
Clarence Holbrook Carter
From Wikipedia, the free encyclopedia
Clarence Holbrook Carter (March 26, 1904 – June 4, 2000) born in Portsmouth, Ohio, was an American artist.
Education
Carter studied at the Cleveland School of Art from 1923 to 1927, and earned key patronage from William Millikin, the director of the Cleveland Museum of Art. Millikin arranged for Carter study in Italy with Hans Hofmann in Capri, Italy, for the summer of 1927.[1]
Career
Throughout the 1930s and 40s he was known for his paintings of rural America and the burden brought on by the Great Depression. By the end of World War II he had adopted a more surrealist approach to painting. In 1949, he was elected into the National Academy of Design as an Associate member, and became a full member in 1964.
Collected works
Carter's work is found in the collections of the Whitney Museum of American Art; the Museum of Fine Arts, Boston; the Hirshhorn Museum and Sculpture Garden, Washington D.C.; the James A. Michener Art Museum; the Cleveland Museum of Art; the Smithsonian American Art Museum, Washington D.C.; the Carnegie Museum of Art, Pittsburgh, PA; the Yager Museum of Art & Culture, Oneonta, New York; and many others.
References
1. ^ "CLARENCE HOLBROOK CARTER (1904-2000)". D.Wigmore Fine Art, Inc. Archived from the original on 2017-09-28. Retrieved 2017-12-05.
• Carter, Clarence Holbrook; James A. Michener; Gimpel & Weitzenhoffer (New York, N.Y.); Bodley Gallery (New York, N.Y.) Clarence Carter : a joint exhibition 30 April through 1 June, 1974 Gimpel & Weitzenhiffer Gallery ... and Bodley Gallery (New York : Gimpel & Weitzenhoffer) OCLC: 6540063
• Trapp, Frank; Douglas Dreishpoon; Ricardo Pau-Llosa. Clarence Holbrook Carter (New York : Rizzoli, ©1989) ISBN 0-8478-0975-7
- Creator:Clarence Holbrook Carter (1904-2000, American)
- Creation Year:1971
- Dimensions:Height: 22.13 in (56.22 cm)Width: 29.88 in (75.9 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
Clarence Holbrook Carter
Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers, scores of awards and solo exhibits, and streams of praise flowing from pens of the top art critics. Over the course of his 60+ year career Carter evolved from an exceptionally fine American Scene painter capable of evoking deep reservoirs of mood, into an abstractionist with a strongly surrealist bent. While his two bodies of work seem at first to be worlds apart, owing to their different formal vocabularies, they, in fact, explore virtually the same subject: the nexus between life and death and the transition from earth to spirit. The early work finds its expressive power through specific people, events, and landscapes—most of which are drawn from his experiences growing up in the river town of Portsmouth, Ohio—while the later work from the 1960s on evokes potent states of being through pure flat shape, color and form that read as universals. As his primary form he adopted the ovoid or egg shape, endowing it with varying degrees of transparency. Alone or in multiples, the egg moves through Carter’s landscapes and architectural settings like a sentient spirit on a restless quest. Born and raised in southern Ohio along the banks of the mercurial Ohio River and its treacherous floods, Carter developed a love of drawing as a child, and was encouraged by both his parents. He was self-directed, found inspiration all around him, and was strongly encouraged by the fact that his teenage work consistently captured art prizes in county and state fairs. Carter studied at the Cleveland School of Art from 1923-27, where he trained under painters Henry Keller, Frank Wilcox and Paul Travis. Returning to Cleveland in 1929, Carter had his first solo show, and through Milliken taught studio classes at the Cleveland Museum of Art from 1930-37. In 1938, he moved to Pittsburgh to teach at the Carnegie Institute of Technology until 1944. Carter’s American Scene paintings of the ’30s and ’40s, which launched his artistic star, are the works for which the artist remains best known. During and immediately after World War II, Clarence Carter realized his attraction to bold pattern, dramatic perspective and eye-catching hard-edged design was a poor fit with the prevailing style of Abstract Expressionism. Fortunately, these same hallmarks of his style were prized within the realm of commercial art. Around 1964 Carter acknowledged a need to break from the confines of representational painting. Once Carter had found a potent symbol in the egg, he used it to create an astounding body of imagery for the rest of his life. Among the most ambitious of all his later paintings were his Transections, a theological term meaning to cross, specifically between life and death.
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