Piero Dorazio

Untitled Mid Century Modern Geometric Abstraction

1967

Jennifer Hilton Interstate 2 (Reader's Digest Association Art Collection), 1988 Monotype on paper Signed and titled in pencil by the artist on lower right front. Reader's Digest Association (RDA) corporate art collection label with inventory number on the back This is a unique work Frame Included - original wood frame with plexiglass Jennifer Hilton is a master printmaker, lithographer and longtime art professor at various museums and universities including: Assistant Professor, Montserrat College of Art Faculty, Danforth Museum of Art Faculty, Worcester Art Museum Department of Visual and Performing Art Clark University This impressive, monotype features overlapping geometric shapes of varying opacity, creating a beautiful depth and intrigue of pictorial elements. An excellent work to have for any collector of geometric abstraction. This work was de-accessioned from the prestigious Reader's Digest Art Collection, who originally acquired it from the Bess Cutler...

Sean Scully Coloured Wall, 2003 Colored lithograph on Zerkal Copperplate deluxe paper with deckled edges with publisher's blind stamp verso Hand signed, titled and numbered 51/150 b...

KIMBER SMITH Untitled Abstract Expressionist Geometric Abstraction, 1967 Lithograph on Rives paper 25 × 19 3/5 inches Signed in silver...

Frank Stella Empress of India I (Axsom 27, Gemini 81), 1968 Lithograph in colors with varnish on Lowell paper Signed, dated & numbered 89/100 in pencil, lower right. GEMINI G.E.L. bl...

Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...

John Newman (b.1952) Color Double, 1990 Color Lithograph Signed, annotated, and dated in graphite pencil on the front. Edition of 2 (PP II, aside from the regular edition of 32) 27 × 19 3/4 inches Unframed A rare signed Printers Proof, aside from the regular edition of only 32 John Newman received his Masters of Fine Arts degree from the Yale School of Art...

Lithograph Optical Pop Art Attrib. Victor Vasarely, 1970s with frame

Paul Kelpe, Untitled (Abstract Composition), lithograph, 1937, edition unknown but small. Signed and dated in pencil. A fine, richly-inked impression, with all the nuanced texture an...

Alexander CALDER Les Travestis du Reel, 1979 Original vintage lithograph poster Printed in Atelier Arts-Litho Printed signature in the plate 82 x 57 cm (c. 32.2 x 22.4 in) Excelle...

Alfred Manessier Construction of the Bridge in Red Stone lithograph after a painting Printed in Mourlot workshop Printed signature in the plate On Arches vellum 50 x 65 cm (c. 20 x ...

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed on the lower margin. Edition of XII/XXX.

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed on the lower margin. Edition of XVIII/XXX.