Items Similar to Untitled #1
Want more images or videos?
Request additional images or videos from the seller
1 of 13
Thomas NozkowskiUntitled #12008
2008
About the Item
Thomas Nozkowski
Untitled #1, 2008
Color etching with aquatint on Hahnemühle paper
Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collection labels, and gallery label back
Printed and published by Simmelink/Sukimoto Editions, Olympia, Washington
Frame included: Elegantly floated and framed with die cut window flap on the back to reveal signature and edition
Signed and numbered 5/35 in graphite on the back. Die cut window flap on the back of the frame reveals signature
Elegantly floated and framed
Measurements:
Frame:
14 inches vertical by 17 inches horizontal by 1.25 inches
Artwork:
10.6 inches x 13.75 inches
Printed and published by Simmelink/Sukimoto Editions, Olympia, Washington
De-accessioned from Deutsche Bank Art Collection (with original label on back)
- Creator:Thomas Nozkowski (1944, American)
- Creation Year:2008
- Dimensions:Height: 14 in (35.56 cm)Width: 17 in (43.18 cm)Depth: 1.25 in (3.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent. Elegantly floated and framed with die cut window flap on the back to reveal signature and edition.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745212487232
Thomas Nozkowski
Thomas Nozkowski (March 23, 1944 – May 9, 2019) was an American contemporary painter.[1] He achieved a place of prominence through his small scale paintings and drawings that push the limits of visual language. Nozkowski was born in Teaneck, New Jersey and raised in Dumont,[2] where he graduated from Dumont High School in 1961.[3] He spent his youth in the New Jersey suburbs, admiring New York culture from afar before moving there after graduating high school. When he was a senior in high school he won a scholarship to attend a painting class at New York University's School of Education, where he studied with Robert Kaupelis and Hale Woodruff.[2] While he earned his BFA at Cooper Union, Nozkowski was making sculptures. He graduated in 1967. He later transitioned to painting, and exhibited some of his earliest works in group shows at the storied Betty Parsons Gallery.[4]
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2007
1stDibs seller since 2022
299 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- Meduse (Medusa) Scarce mid century modern abstract expressionist Signed/N FramedBy Stanley William HayterLocated in New York, NYStanley WIlliam (Bill) Hayter Meduse, 1958 High Viscosity Etching & Engraving Pencil signed, titled and numbered from the edition of 50 (10/50) on th...Category
Mid-20th Century Abstract Expressionist Abstract Prints
MaterialsEtching, Aquatint, Mixed Media, Pencil, Graphite
- Alice in GraylandLocated in New York, NYAlan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...Category
1970s Abstract Expressionist Abstract Prints
MaterialsMixed Media, Handmade Paper, Etching, Aquatint, Screen
- Pull Out All Flags (Engberg Banach 263) iconic abstract expressionist work 33/50By Robert MotherwellLocated in New York, NYRobert Motherwell Pull Out All Flags (Engberg, Banach 263), 1980 Aquatint and etching in colors, on German Etching paper, with full margins Hand-signed by artist, Pencil signed and n...Category
1980s Abstract Expressionist Abstract Prints
MaterialsMixed Media, Etching, Aquatint, Pencil, Graphite
- Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), mixed media FramedBy Stanley BoxerLocated in New York, NYStanley Boxer Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), 1979 Etching, aquatint, engraving and drypoint on hand colored TGL handmade paper Edition 16/20 Pencil sign...Category
1970s Abstract Expressionist Abstract Prints
MaterialsEngraving, Drypoint, Etching, Aquatint, Mixed Media, Pencil, Graphite
- Buoy Landscape IV, Mixed media signed/n limited edition Ab Ex relief printBy Sam GilliamLocated in New York, NYSam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...Category
1980s Abstract Expressionist Abstract Prints
MaterialsMixed Media, Pencil, Graphite, Drypoint, Etching, Aquatint, Screen
- Untitled #2By Thomas NozkowskiLocated in New York, NYThomas Nozkowski Untitled #2, 2008 Color etching with aquatint on Hahnemühle paper Signed and numbered 5/35 in graphite on the back. Die cut window flap on the back of the frame reve...Category
Early 2000s Abstract Expressionist Abstract Prints
MaterialsEtching, Aquatint
You May Also Like
- Triptych of Three Monumental Etchings by Mimmo PaladinoBy Mimmo PaladinoLocated in Long Island City, NYA set of three monumental etchings by Italian contemporary artist, Mimmo Paladino. Each nicely framed in black. Artist: Mimmo Paladino Title: Si...Category
1990s Abstract Expressionist Abstract Prints
MaterialsGold Leaf
- Senza Titolo IBy Sam FrancisLocated in London, GB125.5 x 135.5 cms (49.41 x 53.35 ins) Edition of 58 Signed in pencil, inscribed 'Bon a tirer'. Published by 2RC Edizioni d'Arte, Rome Printed by Vigna Antoniniana, Rome, with t...Category
1980s Abstract Expressionist Abstract Prints
MaterialsAquatint, Color, Etching
- Senza Titolo IIIBy Sam FrancisLocated in London, GB125 x 135.5 cms (49.21 x 53.35 ins) Edition of 76 76 numbered impressions and 14 artist's proofs Fabriano Rosaspina paper Signed in pencil, inscribed 'Bon a tirer'. Published ...Category
1980s Abstract Expressionist Abstract Prints
MaterialsAquatint, Color, Etching
- Folsom Street Variation III (Primaries)By Richard DiebenkornLocated in New York, NYSuperb color work by American Abstract Expressionist master Richard Diebenkorn, from a limited edition of 60. Signed by Diebenkorn and numbered in pencil. Published by Crown Point ...Category
Late 20th Century Abstract Expressionist Abstract Prints
MaterialsAquatint
- Bridge in Merida, Aquatint Etching by Diana Gonzalez GandolfiLocated in Long Island City, NYAn Etching with Hand Coloring on paper, signed, numbered and dated in pencil by Argentinian/American artist, Diana Gandolfi.Category
1980s Abstract Expressionist Abstract Prints
MaterialsEtching, Aquatint
- Jean Miotte - Abstract Composition - Original Aquatint EngravingBy Jean MiotteLocated in Collonge Bellerive, Geneve, CHJean Miotte - Rare Original Aquatint Engraving Title: Abstract Composition Dimensions: 76 x 56 cm Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War...Category
1970s Abstract Expressionist Abstract Prints
MaterialsAquatint
Recently Viewed
View AllMore Ways To Browse
Dior Vertical
Bear Etching
Vertical Flap
Abstract Art Ceramic Plate
Miro Galerie Maeght
Rose Medium Plate
Alexander Calder Derriere Le Miroir
Jean Arp Signed
Pablo Picasso Ceramic Plates
Serigraph Op Art
Monotype Black Frame
Warhol 1978
Alexander Calder Mobile
Joan Miro Original Lithograph Signed
Miro Maeght Gallery
Retro Rainbow Print
Vintage Bilbao
Art Posters Miro