Items Similar to Girls and Pigs - Etching by William Ward After George Morland - 1797
Want more images or videos?
Request additional images or videos from the seller
1 of 5
George MorlandGirls and Pigs - Etching by William Ward After George Morland - 17971797
1797
About the Item
Image dimensions: 38.2 x 45.7 cm.
Girl and Pigs is an original etching, hand-colored, d'après George Morland.
Interesting artist's proof by William Ward (engraver) the official artist of the Royal Academy, of the Duke of York and Prince of Wales. D'après the famous English artist George Morland (1763 - 1804).
Title on plate at the centre, signatures on plate on the lower margin.
- Creator:George Morland (1763 - 1804, English)
- Creation Year:1797
- Dimensions:Height: 16.42 in (41.7 cm)Width: 20.48 in (52 cm)Depth: 0.04 in (1 mm)
- Medium:
- Period:1790-1799
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
George Morland
George Morland (26 June 1763 in London – 29 October 1804 in Brighton) was an English painter. His early work was influenced by Francis Wheatley but after the 1790s he came into his own style. His best compositions focus on rustic scenes: farms and hunting; smugglers and gypsies; and rich, textured landscapes informed by Dutch Golden Age painting.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,830 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Ships From: Rome, Italy
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- The Horse - Etching by Antonio Tempesta - 1610sBy Antonio TempestaLocated in Roma, ITThe Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. Image Dimensions: 5 x 7 / 8 x 10 c...Category
Early 17th Century Figurative Prints
MaterialsEtching
- Goat - Etching by Antonio Tempesta - 1610sBy Antonio TempestaLocated in Roma, ITGoat is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...Category
Early 17th Century Figurative Prints
MaterialsEtching
- Mule - Etching by Antonio Tempesta - 1610sBy Antonio TempestaLocated in Roma, ITMule is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cre...Category
Early 17th Century Figurative Prints
MaterialsEtching
- Dog - Etching by Antonio Tempesta - 1610sBy Antonio TempestaLocated in Roma, ITDog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In good conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...Category
Early 17th Century Figurative Prints
MaterialsEtching
- The Horse - Etching by Antonio Tempesta - 1610sBy Antonio TempestaLocated in Roma, ITThe Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including ...Category
Early 17th Century Figurative Prints
MaterialsEtching
- The Bird - Etching by Miguel Angel Ibarz - Mid-20th CenturyLocated in Roma, ITThe Bird is an original contemporary artwork realized by Miguel Angel Ibarz (Barcelona, 1958). Original etching on paper. Hand-signed in pencil on the lower right. Good condition...Category
Mid-20th Century Contemporary Figurative Prints
MaterialsEtching
You May Also Like
- Man & Beast by Orovida Pissarro - EtchingBy Orovida PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Man & Beast by Orovida Pissarro (1893-1968) Etching 27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches) Signed and dated lower right, orovida 1924 Inscribed lower left, Final state no 12/40 and titled lower centre Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...Category
1920s Post-Impressionist Animal Prints
MaterialsEtching
- The Hunting Prince by Orovida Pissarro - EtchingBy Orovida PissarroLocated in London, GBThe Hunting Prince by Orovida Pissarro (1893 - 1968) Etching 15 x 20 cm (5 ⅞ x 7 ⅞ inches) Signed and dated lower right Orovida 1926 Inscribed lower left Trial proof no.14 and titled lower middle Provenance: Private collection, Europe Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...Category
1920s Animal Prints
MaterialsEtching
- Belgian sheep dogs II and III. Contemporary Figurative Etching Print, AnimalsBy Pawel ZablockiLocated in Warsaw, PLContemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts three dogs standing in line, each in different pose. Artist's unique technique o...Category
2010s Contemporary Figurative Prints
MaterialsEtching, Paper
- Sketch II. Contemporary Figurative Etching Print, Animal, Horse, Polish artistBy Pawel ZablockiLocated in Warsaw, PLContemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts a horse on a monochromatic backroung. Artist's unique technique of printmaking c...Category
2010s Contemporary Figurative Prints
MaterialsPaper, Etching
- Three sketches for new runs. Contemporary Figurative Etching Print, AnimalsBy Pawel ZablockiLocated in Warsaw, PLContemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts three scenes with equestrians. Artist's unique technique of printmaking creates ...Category
2010s Contemporary Figurative Prints
MaterialsPaper, Etching
- Tofcia II and Tofcia III. Contemporary Figurative Etching Print, Animals, DogsBy Pawel ZablockiLocated in Warsaw, PLContemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts dog Tofcia in dynamic poses viewed from the side. Artist's unique technique of p...Category
2010s Contemporary Figurative Prints
MaterialsPaper, Etching