Henri de Toulouse-Lautrec

Eros Vanne - Cupid Exhausted

1894

PIERRE AUGUSTE RENOIR (French, 1841-1919) FEMME AU CEP DE VIGNE (Woman By The Grapevine) c. 1904 (Stella 45, Roger-Marx 20). First version, only state....

PIERRE-AUGUSTE RENOIR LOUIS VALTAT 1904 (19) Lithograph, signed in the plate. 11 3/4 x 9 3/8 inches, sheet 13 x 9 3/4 inches. From "Twelve Original Lithographs by Pierre-Auguste Re...

CAMILLE PISSARRO (French 1830- 1903) MARCHE AUX LEGUMES A PONTOISE, 1891 (D. 97ii/ii) Etching and aquatint, Unsigned as published in Le Peintre-graveur Illlustre: Pissarro, Sisley,...

LEVON WEST (1900 – 1968) CHANGING FLIES c. 1930 Etching and drypoint, signed in pencil and no. 28. Image, 13 1/8 x 8 3/8 inches, sheet 17 1/4 x 11 5/8 full margins with deckle edge...

CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...

PIERRE-AUGUSTE RENOIR (French, 1841 - 1919) BAIGNEUSE DEBOUT A MI JAMBES (D., S. 23) Etching, 1910, a later impression on laid paper, the only state. Full margins with deckle edge...

Artist: Marc Chagall, Russian (1887 - 1985) Title: Ahaseurus banishes Vashti from “Dessins pour la Bible” Verve Vol. X, Nos. 37-38, Editions de la Revue Verve, Paris, 1960 Year: 1960...

Artist: Urbain Huchet (1930) Title: Dimanche a Deauville Year: Circa 1990 Medium: Lithograph on Arches paper Edition: 110/300, plus proofs Size: 15.5 x 25 inches Condition: Good Insc...

Artist: Théophile Alexandre Steinlen, Swiss (1859-1923) Title: La Triennale: Exposition d'Art Francais Year: 1916 Medium: Lithograph, signed in the plate Image Size: 56 x 48 inches F...

Pierre Auguste Renoir (1841-1919) Maternity, 1910 Original lithograph Signed in the plate Edition of 100 copies On China paper size c. 60 x 49 cm (c. 23.6 x 19.3 in) In a beautiful ...

"Study 6" - 1975 Figurative Lithograph on Paper Abstract figurative lithograph by Jim Smyth (American, b. 1938). The nude figure is seen with one hand above her head, holding a cloth, as she gazes down. Numbered, titled, signed and dated along bottom. "5/12", "Study 6", "Smyth 75." Presented in a brown mat. Mat: 16"H x 12"W Paper: 10 1/2"H x 8"W Image:9 1/4"H x 6 1/2"W Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld...

"1921 Blue And Gold" - UC Berkeley Yearbook Color Lithograph "1921 Blue And Gold" 1921 University of California Berkeley Color Lithograph by Pedro Lemos (American, 1882-1952). A Greek woman sits, holding a long blank script on her lap while a Greek man leans over her shoulder, as he dips a feather in ink, as to write on the script. The man is wearing a gold laurel crown...