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Joe TilsonGlastonbury, Labyrinth, Peat - Original Etching on Paper by Joe Tilson - 19761976
1976
About the Item
Glastonbury, Labyrinth, Peat is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English Pop artist Joe Tilson, and published by La Nuova Foglio, a publishing house of Macerata, as the dry-stamp reports on the lower right corner.
Hand-signed, dated and numbered in pencil on the lower margin. Edition of 100 prints. In excellent conditions.
This plate is from the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson.
A copy of this same print is part of the collection at the Tate Gallery in London.
This contemporary original print, composed by three different etchings with a superb final effect, is a beautiful piece to purchase and preserve in your house, as well as to admire everyday!
- Creator:Joe Tilson (1928, British)
- Creation Year:1976
- Dimensions:Height: 19.69 in (50 cm)Width: 13.78 in (35 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Joe Tilson
Joe Tilson (1928 – Present) Tilson was born on 24th August, 1928 in London, England. Tilson served in the Royal Air Force from 1946 – 49, after which he studied at St Martin’s School of Art (1949-1952) and the Royal College of Art (1952 – 1955). He won the Rome Prize for graduation, taking him to Italy from 1955 - 1957. From 1958 – 1963, Tilson taught at St Martin’s School of Art, the Slade School of Fine Art, University College London and the School of Visual Arts, New York. During the 1960s, Tilson’s artistic career took off as he attracted attention for his unique wooden reliefs and constructions, prints and paintings in the emerging British Pop Art style. He held his first solo exhibition at the Marlborough Galley, London in 1962. In 1977, Tilson joined the Waddington Galleries, exhibited at the Alan Cristea Gallery and the Giò Marconi Galleries in Milan. At the Venice Biennale in 1964, Tilson’s work began to gain international popularity, earning him a retrospective at the Boyman’s Museum, Rotterdam later that year. Growing anti-consumerist feeling in the 1970s pushed Tilson to begin to incorporate a wider variety of materials in his work, including stone, straw and rope to create a timeless feel to his work. This body of work was called Alchera, and was a huge success. Tilson was made a Royal Academician in 2002 which was celebrated with a retrospective exhibition in the same year at the Royal Academy entitled Joe Tilson: Pop to Present. Tilson is collected internationally, including at the Arts Council England, London; the British Library, London; Christchurch College, Oxford; the Ludwig Múzeum, Budapest; the Tate, London; Royal Academy of Arts, London; Scottish National Gallery of Modern Art, Edinburgh; The Royal Collection; Victoria and Albert Museum, London; Museum of Modern Art (MoMA), New York and the Yale Centre for British Art, New Haven
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