Items Similar to Ara con Tripode - Etching by V. Feoli After B. Nocchi - 1821
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Pietro FontanaAra con Tripode - Etching by V. Feoli After B. Nocchi - 18211821
1821
About the Item
Image dimensions: 33.7 x 48.6 cm.
“Ara con tripode” (Ara with tripod) is a beautiful black and white burin and etching on paper, realized by the artist Vincenzo Feoli, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Vincenzo Feoli incise in Roma”.
This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXVIII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
Original Title: Ara con Tripode di quindecemviri, e la corona degli Arvali
Translated Tite: Ara with tripod representing fifteen men, and the Arvali's crown
This old master’s original prints shows a beautiful piece of the Borghese's collection, the commemorative ara with the tripod with the decorations of a crown, the Arvali's Crown. The Arvali was an ancient Roman priestly college twelve members chosen for life among the members of the patrician families, who devoted themselves to the worship of the Goddess Dia, an archaic Roman divinity, later identified with Ceres, and of Marmar or Mavors, later identified with Mars, who protected the earth, the fields and the crops.
In excellent conditions with some light signs of the time, with some sporadic minor stains along the margins, a usual yellowing of the paper at the edges, this beautiful etching has preserved still today his beauty and his fresh impression.
Illustrazioni de' Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David).
«Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate.
Vincenzo Feoli (Rome, 1750 - 1831)
Vincenzo Feoli was an Italian engraver and a talented translator of topographic, architectural and archaeological drawings, whose professional capacity seems to have been recognized by his contemporaries. He engraved illustrative plates for the main publishing projects of his era. His first known artworks today date back to the first years of the decade 1790-1799, when he should have been over 40 years old. This led Rossella Leoni to postpone the date of his birth of about ten years.
Bernardino Nocchi (Lucca, 1741 - Rome, 1812)
Bernardino Nocchi moved to Rome in 1769 with his colleague Stefano Tofanelli, entering the school of Niccolò Lapiccola where he developed a baroque style with neoclassical suggestions. Bernardino Nocchi was noticed by Pope Pius VI, who in 1780 entrusted him with the painting of the Sacred Apostolic Palaces and then in 1785 with the Print Room of the Vatican Library. But he also works outside the capital, in Gubbio where in 1797 he realizes the transit of St. Joseph in the Church of San Secondo, in Spoleto, in Lucca and in Catania. Returning to Rome, Nocchi painted some of his best paintings: Prince Camillo Borghese in 1799 , The apotheosis of Saint Prudenziana, Saint Novato and Saint Timothy in 1803 and Pius VII in 1807.
- Creator:Pietro Fontana (1762 - 1837)
- Creation Year:1821
- Dimensions:Height: 17.45 in (44.3 cm)Width: 23.23 in (59 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Pietro Fontana
An Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen and is best known for his complete series of engravings of the neoclassical sculptures of Canova. He became a member of the Accademia di San Luca.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,822 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Ships From: Grasse, France
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Ancient Roman Fresco Herculaneum - Etching by Carlo Oratij - 18th CenturyLocated in Roma, ITAncient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Oratij in the 18th Century. Signed on the plate. Good conditions. The e...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
- Ancient Roman Relief - Original Etching - 18th CenturyLocated in Roma, ITAncient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous Artista in the 18th century. ...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
- Ancient Roman Statue - Original Etching by Vincenzo Campana - 18th CenturyBy Vincenzo CampanaLocated in Roma, ITAncient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th Century. Signed on the plate on the low...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
- Ancient Roman Statue - Original Etching by G.Casanova - 18th CenturyLocated in Roma, ITAncient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by G.Casanova in the 18th century. Signed on the plate on the lower right...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
- Animal Figures for Antiquities - Original Etching - Mid-18th CenturyLocated in Roma, ITAnimal Figures for the Antiquities of Herculaneum Exposed, original etching from the mid-18th century, made by Various Old Masters. In very good condition, except for some stains al...Category
18th Century Old Masters Figurative Prints
MaterialsEtching
- Ancient Roman Relief - Original Etching by Vincenzo Campana - 18th CenturyBy Vincenzo CampanaLocated in Roma, ITAncient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th century. Signed on the plate on the lower...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
You May Also Like
- Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state)By Giovanni Benedetto CastiglioneLocated in Chicago, ILBearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state), 1645-50 Etching on laid paper 152 x 184 mm.; 6 x 7 1/4 inches References: Bellini 45 Bartsch 52 Note...Category
17th Century Old Masters Figurative Prints
MaterialsLaid Paper, Etching
- The SingersBy Adriaen van OstadeLocated in Chicago, ILThe Singers (4th State), 1667 Etching printed with tone 240 x 190 mm.; 9 1/2 x 7 1/2 inches Provenance: W. Benoni White (Lugt 2592) Karl Herweg (not in Lugt) References: Godefroy 19 IV/VII Hollstein 19 IV/VII Pelletier, Georgia Museum of Art, 1994: nos. 46 and 47 Notes: A very fine impression of the rare 4th state (of seven) of this major Van Ostade. Godefroy illustrates differences between this 4th state and the following 5th state. In the latter state, there are several “escaped lines”, going obliquely from left to right, directly above the central post. These lines are not visible in the 4th state. Ostade was one of the most important of the printmakers within the Rembrandt circle. His prints, avoiding religious subjects, depicted beggars, peasants and artisans. Combining great artistic sensitivity with thorough mastery of the medium of etching, Ostade etchings present a unique artistic panorama of life in seventeenth-century Holland. Pelletier (S. William Pelletier, Adrian Van Ostade...Category
17th Century Old Masters Figurative Prints
MaterialsEtching
- The Hunchbacked Fiddler (3rd State)By Adriaen van OstadeLocated in Chicago, ILThe Hunchbacked Fiddler (3rd State), 1654 Etching 266 x 113 mm.; 6 1/2 x 4 7/16 inches Watermark: Fleur-de-lys in a Crowned Shield References: Godefroy 44 III/VI Hollstein 44 III/VI Pelletier, Adrian van Ostade...Category
17th Century Old Masters Figurative Prints
MaterialsEtching
- Descending from the Cross, by TorchlightBy Rembrandt van RijnLocated in New York, NYRembrandt Harmensz. van Rijn 1606 Leiden – Amsterdam 1669 The Descent from the Cross by Torchlight 1654 etching and drypoint; sheet 213 x 163 mm (8 3/8 x 6 7/16 inches) Bart...Category
17th Century Old Masters Figurative Prints
MaterialsDrypoint, Etching
- Ancient Roman Architectural Frieze: An 18th C. Piranesi EtchingBy Giovanni Battista PiranesiLocated in Alamo, CAThis framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...Category
Early 18th Century Old Masters Figurative Prints
MaterialsEtching
- Peasant with a Crooked BackBy Adriaen van OstadeLocated in Middletown, NYEtching on on laid paper, adhered along left sheet edge to archival wove paper. A rich inking impression in very good condition. From the Picart Edition of 1710. - Ex-collection Fer...Category
Late 17th Century Old Masters Portrait Prints
MaterialsLaid Paper, Etching
