Sandra Jones Campbell

"Life Is Just A Shell Game" contemporary expressionist Serigraph

2005

"Life Is Just A Shell Game" is from Sandra Jones Campbell's series inspired by her unique social observations. It features her unique blend of modernism and expressionistic style, al...

"Pammy Serves Spam To Her Fans In The Hammock (During A Meteor Shower)" is an impressive large painting from Sandra Jones Campbell's recent collection, "Setting The Scene," a series ...

"Seat Taken, Until Tiger Finishes His Martini" is from Sandra Jones Campbell's recent collection, "Please Be Seated," a series that displays her unique vision of the world and is inf...

"Margo Is A Real Drag After 10:30 is from Sandra Jones Campbell's upcoming collection, "Nocturne," a series that displays her unique vision of the world and is informed by her curren...

"Lawn Chairs, Porch Light Communion" is from Sandra Jones Campbell's recent collection, "Please Be Seated," a series that displays her unique vision of the ...

"Doorway To The Garden" is an beautiful hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist painting captures...

Signed and numbered 20/20 Silkscreen print on Somerset enhanced velvet fine art paper 330 gsm 29.7 x 42 cm Framed (matte black wooden frame, black mount, UV anti-reflective museum ...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction." The shocking imagery of juxtaposed human and natural forms with mechanical elements, using clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11. The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process. This work "The Hot Dog...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction." The shocking imagery of juxtaposed human and natural forms with mechanical elements, using clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11. The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process. This work "Moving Woman" has been conceived while Aptekar was working on a monumental piece of 23 x 45 x 17 feet titled "The Defeat of the City of Plutonium: A Holocaust Prevented". The strong image of a human female naked body depicted as being one of the building parts...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...

Artist: Estelle Ginsburg, American Title: Women in Interior #7 Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150 Image Siz...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (rosa)', 1975 Lithograph on paper 24.5 x 20.9 in. (62 x 53 cm.) Edition of 75 ID: BUR1102-...