Sandra Jones Campbell Art

The Bolshevik Era (1917-1921) was a life and death struggle for the Bolsheviks and their ideology. The propaganda poster was everywhere, as the Bolsheviks struggled to win the Civil War against the Whites and fought the Poles over control of the Ukraine and parts of modern day Belarus. The early Soviet poster - an incredible 3600 designs - was remarkable for its revolutionary fervor and biting wit. Powerful visual symbols were invented, like the red star and hammer and sickle. These four posters are as follows: 1." May 1st All Russian Subbotnik " is a Russian poster promoting the first all Russian Subbotnik held on May 1st, 1920 in which Vladimir Lenin was in attendance. "Subbotnik" were weekend days of unpaid, volunteer community service work following the October Revolution which eventually became obligatory. By Russian artist Dmitry Moor 2. " Anniversary of Vsevobuch--Develop and Learn to Defend Freedom"    celebrates the second anniversary of the implementation of universal military training and says ‘2nd Anniversary of Vsevobuch, Develop and Learn How To Defend Freedom. Artist unknown 3." Devil Doll "    The Devil Doll' (January 1920) shows a soldier pointing his bayonet at a looming monster in the first panel. However, in the second it turns out to be the weak and insignificant enemies of the state behind a pathetic mask and cloak.  Russian artist Dmitri Moor 4. " Forward to defend the Ural"    ’By Russian artist A. Petroff ( pseudonym for Alexander Aspit ) from the ´´Plakate der Russichen Revolution 1917 - 1929´´ Dmitry Moor was a Russian graphic artist, poster designer and cartoonist, also known as D. Moor ("Д. Моор"). During the 1900s and 1910s he was a comic pioneer, making satirical comics ridiculing the Czarist regime and censorship. Under the Soviet regime he became one of the most celebrated propaganda artists. Both during the First and the Second World War he ridiculed the German army. In his work Moor often made use of sequential illustrated narratives or comics. He was the house cartoonist of magazines like Budilnik and later Bezbozhnik. Alexander Petrovich Apsit was born in Riga on 25th March, 1880. He moved to Saint Petersburg in 1894 and attended art school and became a student of Lew Dmitriew-Kawkaski. Aspit worked for various Russian magazines and on the outbreak of the First World War was employed by the government to design war posters. After the Bolshevik Revolution Apsit was commissioned by the State Publishing House to design revolutionary posters.

This bold screen print depicts a scene from the 1950s, set in a jazz coffee house in Greenwich Village called Nick's, which Simon patronized while in high school. The original stone ...

Gracious ballerina, in a moment of silence and meditation. Part of my "Nude in Interior" series Original painting, one a kind. No need for frame. Shipping directly from the artist's studio, stretched, wide stretcher. 15.7x15.7x2in / 40x40x5cm "As a woman artist I’ve been preoccupied with the female form and imagery. My goal is to capture the nude’s relation to the surrounding space and the solitary moments. My interest turned from depicting the space to depicting the atmosphere, and the feeling a woman adds to the environment: warmth, joy, a feeling of power and control, or the opposite – sadness, despair. The human figure is more present than ever in my paintings." Paula Craioveanu

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (verde)', 1975 Lithograph on paper 24.5 x 20.9 in. (62 x 53 cm.) Edition of 75 ID: BUR1102...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (carmín)', 1975 Lithograph on paper 20.9 x 24.5 in. (53 x 62 cm.) Edition of 75 ID: BUR110...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (azul)', 1975 Lithograph on paper 24.5 x 20.9 in. (62 x 53 cm.) Edition of 75 ID: BUR1102-...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (rosa)', 1975 Lithograph on paper 24.5 x 20.9 in. (62 x 53 cm.) Edition of 75 ID: BUR1102-...

At the center of "Await For Desire" stands a young woman, her expression laden with introspection. Her captivating gaze invites viewers to explore the depths of their own desires and longings. Mayowa's depiction of the woman symbolizes the human capacity for introspection and the journey of self-discovery. Her youth suggests a sense of innocence as if she is at the precipice of embarking on a profound exploration of her desires, dreams, and aspirations. The rose flower held gently in the young woman's hand adds a layer of intrigue to the artwork. Roses have long been associated with love, desire, and beauty. In this context, the rose becomes a metaphor for the desires that lie within each of us, waiting to be explored and embraced. The delicacy with which the young woman holds the rose signifies the fragility and vulnerability of these desires. The petals, beautifully rendered by Mayowa, exude a sense of purity and grace, mirroring the young woman's own essence. The title of the artwork, "Await For Desire," suggests a period of patient waiting and introspection. Mayowa invites viewers to contemplate the nature of desire and the role it plays in shaping our lives. The young woman's expression implies a moment of deep reflection as if she is on the cusp of a significant realization or decision. This evokes a sense of intrigue, urging viewers to reflect on their own desires, their significance, and the choices that emerge from such introspection. Akingbade Mayowa...

Excelsior by Simon Tozer [2021] limited_edition and hand signed by the artist Screenprint on Paper Edition number of 30 Image size: H:23 cm x W:30 cm ...

Signed and numbered 20/20 Silkscreen print on Somerset enhanced velvet fine art paper 330 gsm 29.7 x 42 cm Framed (matte black wooden frame, black mount, UV anti-reflective museum ...

The title of the painting, "African Radiant," captures the essence of the woman's beauty and spirit. She exudes a sense of joy and inner radiance that is infectious, and her confident gaze and proud stance suggest a deep sense of pride in her heritage and culture. Overall, "African Radiant: Celebration of Beauty and Joy" is a powerful celebration of the beauty and resilience of black African women. It invites viewers to revel in the richness and diversity of African culture and appreciate the strength and joy inherent in the African spirit. Shipping Procedure: Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde...

The eagle, a symbol of strength, freedom, and keen observation, has been revered across cultures and throughout history. With its piercing eyes, commanding presence, and unparalleled aerial prowess, it embodies the beauty and grace of nature. In "My Dear Lady," Bright Toh ingeniously combines the eagle's regal qualities with the elegance and vulnerability of the human form, seamlessly merging the earthly and the ethereal. One cannot help but be immediately drawn to the artwork's vibrant color palette. Bright Toh's deliberate choice of bold hues, such as royal blues, fiery reds, and golden yellows, electrifies the composition and infuses it with energy. The juxtaposition of these vivid colors creates a striking contrast against the serene background, amplifying the visual impact of the artwork and making it a feast for the eyes. The positioning of the eagle-headed human...