Items Similar to Eschatos #28, Surreal Landscape Serigraph by Clarence Carter
Want more images or videos?
Request additional images or videos from the seller
Clarence Holbrook CarterEschatos #28, Surreal Landscape Serigraph by Clarence Carter1977
1977
About the Item
Artist: Clarence Holbrook Carter, American (1904 - 2000)
Title: Eschatos 28
Year: 1977
Medium: Serigraph, signed and numbered in pencil
Edition: 200, 30 AP
Size: 26 in. x 34 in. (66.04 cm x 86.36 cm)
- Creator:Clarence Holbrook Carter (1904-2000, American)
- Creation Year:1977
- Dimensions:Height: 26 in (66.04 cm)Width: 34 in (86.36 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Minor wear consistent with age and history.
- Gallery Location:Long Island City, NY
- Reference Number:1stDibs: LU46612922972
Clarence Holbrook Carter
Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers, scores of awards and solo exhibits, and streams of praise flowing from pens of the top art critics. Over the course of his 60+ year career Carter evolved from an exceptionally fine American Scene painter capable of evoking deep reservoirs of mood, into an abstractionist with a strongly surrealist bent. While his two bodies of work seem at first to be worlds apart, owing to their different formal vocabularies, they, in fact, explore virtually the same subject: the nexus between life and death and the transition from earth to spirit. The early work finds its expressive power through specific people, events, and landscapes—most of which are drawn from his experiences growing up in the river town of Portsmouth, Ohio—while the later work from the 1960s on evokes potent states of being through pure flat shape, color and form that read as universals. As his primary form he adopted the ovoid or egg shape, endowing it with varying degrees of transparency. Alone or in multiples, the egg moves through Carter’s landscapes and architectural settings like a sentient spirit on a restless quest. Born and raised in southern Ohio along the banks of the mercurial Ohio River and its treacherous floods, Carter developed a love of drawing as a child, and was encouraged by both his parents. He was self-directed, found inspiration all around him, and was strongly encouraged by the fact that his teenage work consistently captured art prizes in county and state fairs. Carter studied at the Cleveland School of Art from 1923-27, where he trained under painters Henry Keller, Frank Wilcox and Paul Travis. Returning to Cleveland in 1929, Carter had his first solo show, and through Milliken taught studio classes at the Cleveland Museum of Art from 1930-37. In 1938, he moved to Pittsburgh to teach at the Carnegie Institute of Technology until 1944. Carter’s American Scene paintings of the ’30s and ’40s, which launched his artistic star, are the works for which the artist remains best known. During and immediately after World War II, Clarence Carter realized his attraction to bold pattern, dramatic perspective and eye-catching hard-edged design was a poor fit with the prevailing style of Abstract Expressionism. Fortunately, these same hallmarks of his style were prized within the realm of commercial art. Around 1964 Carter acknowledged a need to break from the confines of representational painting. Once Carter had found a potent symbol in the egg, he used it to create an astounding body of imagery for the rest of his life. Among the most ambitious of all his later paintings were his Transections, a theological term meaning to cross, specifically between life and death.
About the Seller
4.8
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1979
1stDibs seller since 2014
2,702 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Long Island City, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Pilgrimage #4, Screenprint by Clarence Holbrook CarterBy Clarence Holbrook CarterLocated in Long Island City, NYArtist: Clarence Holbrook Carter, American (1904 - 2000) Title: Pilgrimage #4 Year: 1977 Medium: Serigraph, signed and numbered in pencil Edition: 200, 30 AP Size: 26 in. x 34 in. (6...Category
1970s Surrealist Landscape Prints
MaterialsScreen
- The Faucet, Surrealist Screenprint by Doug WebbBy Doug WebbLocated in Long Island City, NYArtist: Doug Webb, Turkish (1946 - ) Title: Faucet Year: 1985 Medium: Serigraph, signed and numbered in pencil Edition: AP 75 Size: 29.5 in. x 36 in. (74.93 cm x 91.44 cm) Frame: 31 ...Category
1980s Surrealist Landscape Prints
MaterialsScreen
- Valley Hose, Surrealist Screenprint by Charles MagistroBy Charles MagistroLocated in Long Island City, NYArtist: Charles Magistro Title: Valley Hose Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 300 Paper Size: 30 x 35 inchesCategory
1980s Surrealist Landscape Prints
MaterialsScreen
- Great American Canyon, Screenprint by Charles MagistroBy Charles MagistroLocated in Long Island City, NYGreat American Canyon Charles Magistro, (1942) Date: 1980 Screenprint, signed and numbered in pencil Edition of 300, AP 45 Image Size: 24 x 28 inches Size: 30 in. x 34 in. (76.2 cm x...Category
1980s Surrealist Landscape Prints
MaterialsScreen
- Eschatos #23, Surreal Landscape by Clarence CarterBy Clarence Holbrook CarterLocated in Long Island City, NYThe sublime, or the amalgamation of the terrifying and the awe-inspiring, is encapsulated by the crashing wave that dominates this surrealist landscape. Artist: Clarence Holbrook Ca...Category
1970s Surrealist Landscape Prints
MaterialsScreen
- Eschatos #21By Clarence Holbrook CarterLocated in Long Island City, NYArtist: Clarence Holbrook Carter, American (1904 - 2000) Title: Eschatos 21 Medium: Serigraph, signed and numbered in pencil Edition: 200, 30 AP Size: 23 in. x 29 in. (58.42 cm x 73....Category
1970s Surrealist Landscape Prints
MaterialsScreen
You May Also Like
- Under The Blue UmbrellaLocated in London, GBSilkscreen print. Produced in 2016, pressed on heavy quality stock paper. This series is limited to 50 pieces. Hand signed and numbered by Mehdi.Category
2010s Surrealist Landscape Prints
MaterialsScreen
- Large Surrealist Photo Realist Silkscreen Lithograph Print Swan DreamsLocated in Surfside, FLBorn in Stoke-on-Trent in 1953, Frederick Phillips studied Fine Art at Burslem College of Art when Arthur Berry was Head of the Fine Art (Painting) ...Category
1990s Surrealist Animal Prints
MaterialsLithograph, Screen
- Little Jungle, Katie Edwards, Limited Edition Print, Surrealist Landscape ArtBy Katie EdwardsLocated in Deddington, GBKatie Edwards Little Jungle Limited Edition 3 Colour Silkscreen Print Edition of 100 Mounted Size: H 40.5cm x W 30.5cm x D 0.5cm Sold Unframed (Please note that in situ images are pu...Category
21st Century and Contemporary Surrealist Landscape Prints
MaterialsPaper, Screen
- Anne Storno, London Stride, Affordable Art, London Print, Surrealist PrintBy Anne StornoLocated in Deddington, GBAnne Storno London Stride Limited Edition Print Screenprint on Paper Size of the image: H:39 cm x W:58 cm Size of the paper: H:50 cm x W:70 cm Inspired by Pop art and Surrealist wor...Category
21st Century and Contemporary Surrealist Figurative Prints
MaterialsPaper, Screen
- "Blue Lagoon", Whimsical Beach Landscape with Figure, Lizard, Volcanoes & PlanesLocated in Soquel, CAWhimsical and vivacious limited editions screen-print on paper depicting a smiling nude figure lounging on a beach next to a fantastical orange and purple striped iguana, with volcanos erupting in the distance and several airplanes flying through the night sky by Phoebe Cole...Category
1980s Surrealist Figurative Prints
MaterialsPaper, Ink, Screen
- The City 's ConscienceBy Anatole KrasnyanskyLocated in San Francisco, CAThis artwork titled "The City 's Conscience" 2006 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and numbered 45/495 in black ink by the artist. The artwork size is 24 x 17.5 inches, framed size is 29.5 x 23 inches. Custom framed in a wooden black and gold frame, with fabric liner. It is in excellent condition. About the artist: Anatole Krasnyansky (born in 1930; Kiev, Ukraine) is a Ukrainian-American artist who has gained prominence by pioneering a new watercolor technique. Krasnyansky added paper texture as a component of his watercolors. With this new process, Krasnyansky added texture and depth to the watercolor medium and expanded its expressive possibilities to a level usually associated with oil painting. Biography He was born in Kiev, growing up and living during the times when Ukraine was a part of the U.S.S.R. Krasnyansky received master's degrees in fine art and architecture. He found that the freedom of expression that he needed in his artwork could not be found within the strictures of the Soviet Union and moved to the United States in 1975. In the U.S., Krasnyansky found valuable use for his knowledge of architecture, design and his imagination. and found success in multiple artistic pursuits. Almost surreal, Krasnyansky’s figures are recognizable form while incorporating elements of his Eastern heritage, the cubist ideas of Picasso and Braque, and as well as American culture. Accomplishments Krasnyansky began working as a scenic artist for ABC and CBS, including the production of two Academy Awards shows. He became a set designer for Universal Studios (credits including The Blues Brothers and Battlestar Galactica...Category
Late 20th Century Surrealist Landscape Prints
MaterialsScreen
Recently Viewed
View AllRead More
Chryssa’s 1962 Neon Sculpture Was Way ahead of the Art-World Curve
By working with lettering, neon and Pop imagery, Chryssa pioneered several postmodern themes at a time when most male artists detested commercial mediums.
7 Exciting Works by Female Artists from the RoGallery Auction
Prints by these modern and contemporary visionaries are relatively affordable — for now.