Items Similar to Tribute to Cezanne : Estaque Bridge - Original etching, SIGNED (Orozco #776)
Want more images or videos?
Request additional images or videos from the seller
1 of 11
George BraqueTribute to Cezanne : Estaque Bridge - Original etching, SIGNED (Orozco #776)1950
1950
About the Item
Georges Braque
Tribute to Cezanne : Estaque Bridge
Original etching with aquatint (Crommelynck workshop)
Signed in pencil
Numbered /150
On BFK Rives vellum 56 x 73 cm (c. 22 x 29 in)
REFERENCES : Catalog raisonne Orozco "The complete prints of Georges Braque" #EAS776
Very good condition : small manipulation marks and yellowing in the margins
- Creator:George Braque (1882 - 1963, French)
- Creation Year:1950
- Dimensions:Height: 22.05 in (56 cm)Width: 28.75 in (73 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU464312622932
George Braque
Georges Braque was born on May 13, 1882, in Argenteuil-sur-Seine, France. Braque grew up in the town of Le Havre, and studied evenings at the Ecole des Beaux-Arts there from about 1897 to 1899. Braque left for Paris to study under a master decorator to receive his craftsman certificate in 1901. From 1902 to 1904, Braque painted at the Académie Humbert in Paris, where he met Marie Laurencin and Francis Picabia. By 1906, Braque's work was no longer Impressionist but Fauve in style. After spending the summer of that year in Antwerp with Othon Friesz, he showed his Fauve in the 1907 Salon des Indépendants in Paris. His first solo show was at Daniel-Henri Kahnweiler's gallery in 1908. From 1909 forward, Braque collaborated with Pablo Picasso in developing Cubism, and by 1911, their styles had become extremely similar. In 1912, they started to incorporate collage elements into their paintings and to experiment with the papier collé (pasted paper) technique. Their collaboration lasted until 1914. Braque served in the French army during World War I and was wounded in battle. Upon recovering, he developed a close friendship with the artist Juan Gris. After World War I, Braque's work became less and less schematic and more free. His fame grew in 1922 as a result of an exhibition at the Salon d'Automne in Paris. In the mid-1920s, Braque designed the decor for two Sergei Diaghilev ballets. By the end of the decade, he had returned to a more realistic interpretation of nature, although Cubist elements always remained present in his work. In 1931, Braque made his first engraved plasters and began to portray mythological subjects. His first important retrospective took place in 1933 at the Kunsthalle Basel. In 1937 he won First Prize at the Carnegie International in Pittsburgh. During World War II, Braque remained in Paris. His paintings at that time, primarily still lifes and interiors, became more somber. In addition to paintings, Braque also made lithographs, engravings, and sculpture. From the late 1940s, he treated various recurring themes, such as birds, ateliers, landscapes, and seascapes. In 1954, he designed stained-glass windows for the Varengeville Church. During the last few years of his life, Braque's ill health prevented him from undertaking further large-scale commissions, but he continued to paint, print lithographs, and design jewelry. He died on August 31, 1963, in Paris.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2010
1stDibs seller since 2016
3,276 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Paris, France
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Landscape with a Mountain Lake - Original etching with aquatintBy Louise BourgeoisLocated in Paris, FRLouise Bourgeois (1911-2010) Landscape with a Mountain Lake Original etching with aquatint Unsigned On vellum 60.5 × 73.5 cm (c. 24 x 29 in) Authenticated with the blind stamp of Chalcographie du...Category
21st Century and Contemporary Modern Landscape Prints
MaterialsEtching, Aquatint
- Main Street of a Traditional French Village - Original etchingBy Maurice de VlaminckLocated in Paris, FRMaurice de VLAMINCK Main Street of a Traditional French Village, 1951 Original etching with aquatint Printed signature in the plate On vellum 33 x 43 cm (c. 13 x 17 in) REFERENCES ...Category
1950s Modern Landscape Prints
MaterialsAquatint, Etching
- Provence : Sainte Victoire Mountain - Etching and aquatint engraved by J. VillonBy Paul CézanneLocated in Paris, FRPaul CÉZANNE (after) Provence : Sainte Victoire Mountain Etching and aquatint Engraved by Jacques Villon after the painting of Cezanne Signature printed in the plate On Arches vellu...Category
1950s Impressionist Landscape Prints
MaterialsEtching, Aquatint
- London Tower Bridge Viewed from the Thames - Original etching - 1910By Paul-Adrien BourouxLocated in Paris, FRPaul-Adrien BOUROUX London Tower Bridge Viewed from the Thames Original etching with aquatint Printed signature in the plate On Japan paper 28 x 19 cm (c. 11 x 8 inch) Excellent co...Category
1910s Post-Impressionist Landscape Prints
MaterialsAquatint, Etching
- Versailles : The Fountains - Original etching, Handsigned and Ltd to 45 proofsBy François HoutinLocated in Paris, FRFrançois HOUTIN Versailles : The Fountains, 1985 Original etching Handsigned in pencil Numbered / 45 in roman numbers On vellum 25 x 33 cm (c. 10 x 13 inch) Excellent conditionCategory
1980s Modern Landscape Prints
MaterialsEtching
- The Blacksmith's House - Handsigned Etching, Limited / 150By Jean-Emile LaboureurLocated in Paris, FRJean-Emile LABOUREUR The Blacksmith's House Original etching Handsigned Limited edition to 150 copies On vellum Van Gelder 27.5 x 30.5 cm Authenticated by the dry stamp of the editor Marcel Guiot (Paris) REFERENCES : Catalog raisonne by Sylvain Laboureur (son of the artist) #391 The etching is part of the set 'Cahier de...Category
1920s Modern Landscape Prints
MaterialsEtching
You May Also Like
- Twixt Dawn and DayBy Sir Frank ShortLocated in Storrs, CTTwixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...Category
Early 20th Century Modern Landscape Prints
MaterialsAquatint
- San Marco [Venice].By William Walcot R. E. Hon. R. I. B. A.Located in Storrs, CTWilliam Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...Category
Early 20th Century Modern Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- Chelsea Old Church, LondonBy William Walcot R. E. Hon. R. I. B. A.Located in Storrs, CTChelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...Category
Early 20th Century Modern Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- Ludgate HillBy William Walcot R. E. Hon. R. I. B. A.Located in Storrs, CTLudgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...Category
Early 20th Century Modern Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- Shadows of Venice. (Il Ponte di Rialto, Venezia)By John Taylor ArmsLocated in Storrs, CT1930. Etching and aquatint. Fletcher catalog 229 state g ii. 10 1/8 x 12 (sheet 11 5/8 x 16 1/2). Italian Series, plate #16. Edition 140 (+ 14 trial proofs). Illustrated: Dorothy Noy...Category
1930s American Modern Landscape Prints
MaterialsEtching, Aquatint
- Shadows of VeniceBy John Taylor ArmsLocated in Middletown, NYEtching and aquatint on antique laid paper, wide margins. Signed, dated and inscribed "Edition of 100" in pencil, lower margin. Second state (of 2)....Category
Mid-20th Century American Modern Landscape Prints
MaterialsAquatint, Laid Paper, Etching
Recently Viewed
View AllMore Ways To Browse
George Braque Etchings
Orozco Prints
Georges Braque Pencil Signed
Tribute To Cezanne
Chinese Tiffany Studio
Picasso White Clown In Frame
Prince Charles Lithograph
Quarter Moon
Samuel Clements
1839 David Roberts
Ink Well Tiffany
Liber Veritatis
Southwest Block Print
Tiffany Chinese New Year
Touchstone Publishers
Anna Harley
Chris Keegan
Christo Javacheff