Engraving Landscape Prints
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Medium: Engraving
Map of Northumberland by Joannem Janssonium 17th century
Located in London, GB
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Category
1640s Engraving Landscape Prints
Materials
Engraving
Billingsgate
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category
Mid-19th Century Impressionist Engraving Landscape Prints
Materials
Drypoint, Laid Paper, Etching
Bindon Abbey, Dorset engraving after Samuel and Nathaniel Buck
Located in London, GB
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after Samuel Buck (1696 - 1779) and Nathaniel Buck (active 1724 - 1759)
The South View of Bindon Abbey, in the County of Dorset (1733)
Engraving
20 x 37 cm
An engraved view of Bindon Abbey, a Cistercian monastery on the River Frome in Dorset. The monastery was founded in 1149 by William de Glastonia on the site since known as Little Bindon near Bindon Hill. In 1172 the monastery moved to a site near Wool, and was supported by the house of Plantagenet. The abbey was scheduled for Dissolution in 1536, and finally dissolved in 1539. Only ruins remain.
Samuel and Nathaniel Buck...
Category
1730s Engraving Landscape Prints
Materials
Engraving
The Gate, Chelsea
Located in New York, NY
Theodore Roussel (1847-1926), The Gate, Chelsea; etching and drypoint, 1889-1890, signed on the tab and inscribed imp [also signed in the plate lowere right]. Reference: Hausberg 33, fourth state (of 4), from the total printing of about 43 impressions. In excellent condition, trimmed by the artist all around on the plate mark except for the tab, 8 1/8 x 6 1/2 inches.
A fine impression, printed on a light cream wove paper with plate tone (wiped to brighten the gate and doorway area) and substantial burr in the drypoint work.
According to Hausberg, “The gate and house behind it still stand today at No. 4 Cheyne Walk...
Category
1880s Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching
Cambridgeshire map 17th century engraving by Kip after Saxton
Located in London, GB
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William Kip (active 1598 - 1610) after Christopher Saxton (1540 - 1610).
Map o...
Category
1630s Engraving Landscape Prints
Materials
Engraving
The Old Smyth Gate, Charleston, South Carolina
By Alfred Hutty
Located in Middletown, NY
A view of the gateway to Simmons-Edwards House (14 Legare Street), also known as the Pineapple Gate House.
Etching with drypoint on watermarked "Hand Made" laid paper, signed in pen...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching, Handmade Paper
NOCTURNE: PALACES
Located in Portland, ME
Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with platetone, 1879-80. From the Second Venice Set. Signed on the tab with the butterfly in pencil. Printed in sepia on laid paper with no visible watermark. Trimmed just outside the platemark, leaving the tab. In excellent condition. As with all of the Whistler Nocturnes, each impressions of this print is different, dependng on how Whistler wiped and manipulated the platetone. 11 5/8 x 7 7/8 inches (plate and sheet, plus the tab). Framed to 20 x 16 inches.
Provenance: Collection of Thomas Jefferson Coolidge, Jr. with his collection stamp (Lugt 1429) verso; Kennedy Galleries, with its inventory number a65609 in pencil verso, and with another inscription, "FWCX" in pencil, verso.
Thomas Jefferson Coolidge, 1831-1920, was a great-grandson of Thomas Jefferson, a powerful Boston businessman, and an Ambassador to France.
In 1875 he became the manager of the largest textile mill in America, the Amoskeag Mill in Manchester New Hampshire, and had major financial interests in the textile, banking, railroad, publishing and electrical industries. In 1880 he became the President of the Atchison, Topeka & Santa Fe Railway. He was one of the founders of the United Fruit Company...
Category
1870s Engraving Landscape Prints
Materials
Drypoint, Etching
Winchester Palace, Southwark, London engraving after Samuel and Nathaniel Buck
Located in London, GB
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after Samuel Buck (1696 - 1779) and Nathaniel Buck (active 1724 - 1759)
The East View of Winchester Palace (1733)
Engraving
20 x 37 cm
An engraved view of Winchester Palace, a bishop's palace built in the 12th century. It served as the London townhouse of the Bishops of Winchester and remained in use until around 1700, when it was divided up into tenements and warehouses. The building was largely destroyed by fire in 1814.
Samuel and Nathaniel Buck...
Category
1730s Engraving Landscape Prints
Materials
Engraving
"New York - Taken from the Northwest angle of Fort Columbus, Governor's Island"
Located in New York, NY
New York - Taken from the north west angle of Fort Columbus Governor's Island, 1846
Engraved by Henry Papprill after a sketch by F. Catherwood, published by Henry J. Megarey
Hand-colored engraving on paper
Image 16 x 26 1/2 inches
Henry A. Papprill (1816–1903) was a British engraver. Noted as an aquatint engraver from 1840. His plates were published from 1840 till 1883 mainly by Ackermann of the Strand.
Papprill was born in Holborn, London. Lived for much of his life at Wharton Street, Lloyd Square, London. Papprill is thought to have been based in New York City for brief period in the mid-1840s. His work in the USA appears to classify him as an American engraver but he was based and gained his reputation and bulk of his work in England.
He produced a series of works for Ackermann & Co from 1840 beginning with four plates called "The Jolly Squire", with verses, after James Pollard.
In the following years Papprill engraved a number of military plates for Ackermann as well a series of engravings of New York (1846-9) for H.I.Megarey (published in New York). The most notable of these are: "The North West Angle of Fort Columbus, Governor's Island" (the Catherwood-Papprill view) and New York from the Steeple of St. Paul's Church, Looking East, South & West." (The Hill-Papprill view) listed in the American Historical Prints - Early Views of American Cities, etc: I.N.Phelps Stokes & Daniel C. Haskell. New York Public Library 1932.
Papprill also produced for Ackermann a series of sporting prints after G. H. Laporte between 1860 and 1865. These were entitled: Racing, Hunting and Coursing. He also produced a series of shipping prints...
Category
1840s Engraving Landscape Prints
Materials
Aquatint, Engraving, Paper
Steps to the Grand Canal, St. Mark's in the distance, Venice.
Located in Middletown, NY
A lovely view of Venice from the water.
Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching
David Loggan Clare College Cambridge engraving 1690
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
Clare College Cambridge...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance.
A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Archival Paper, Drypoint, Etching
The Helmsman
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category
1920s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Tiempo Antico vulgarmente detto della Salute
Located in Wilton Manors, FL
Giovanni Battista Piranesi (1720-1778)
Tempio antico volgarmente detto della Salute su la Via d'Albano, cinque miglia lontan da Roma... (Ancient Temple popularly known as the Temple of Health on the Via d'Albano five miles outside Rome...), from Vedute di Roma...
Category
18th Century Rococo Engraving Landscape Prints
Materials
Engraving
Map of Oxfordshire coloured 18th century engraving by Thomas Kitchin
Located in London, GB
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Category
1760s Engraving Landscape Prints
Materials
Engraving
Downing College, Cambridge engraving by Samuel Sparrow after Henry Barker
Located in London, GB
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Category
1810s Engraving Landscape Prints
Materials
Engraving
Clare College, Cambridge 1690 aerial view engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1690s Realist Engraving Landscape Prints
Materials
Engraving
Cambridgeshire map 17th century engraving by John Speed
By John Speed
Located in London, GB
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John Speed (1551 or 1552 - 1629)
Map of Cambridgeshire
Engraving with later hand colouring
39 x 53 cm
A beautifully coloured map of Cambridgeshire, with an antique description...
Category
1610s Engraving Landscape Prints
Materials
Engraving
Trees and Snow II
By Peter Milton
Located in Palm Springs, CA
Medium: lift-ground etching and engraving
Edition: 15
Year: 1961
Plate: zinc 9 x 15 inches (22.9 x 38.1 cm)
Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm)
Signed, titled and number...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Etching, Engraving
Set of 4 Ancient Greek Monuments Pantheon Athens Antique French Engravings Set
Located in Cirencester, Gloucestershire
Set of 4 Antique French Black & White Engravings
Ancient Greek views and monument landmarks including the Pantheon, Athens.
each paper : 9 x 12 inches...
Category
19th Century Renaissance Engraving Landscape Prints
Materials
Engraving
17th century etching black and white landscape harbor ruins figures scene
Located in Milwaukee, WI
"Harbour Scene" is an engraving by Claude Gellee (Le Lorrain). The artist signed the piece in plate lower left.
7 3/4" x 9 5/8" art
18 1/8" x 20 1/4" frame
Biography
Claude Lorra...
Category
Mid-17th Century Old Masters Engraving Landscape Prints
Materials
Engraving
Southill in Bedfordfloire (English Castles and Landscapes)
Located in Columbia, MO
T. Hearne
Southill in Bedfordfloire (English Castles and Landscapes)
Hand-colored engraving by W. Watts
7 x 5 inches, 10.25 x 8.25 (framed)
Category
18th Century Engraving Landscape Prints
Materials
Etching, Engraving
Christ Church, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Les Piler, by JMM Mathieux-Marie
Located in Palm Springs, CA
Signed, titled and numbered, from the edition of 180. The base and parapets of a bridge.
Mathieux-Marie was born in Paris in 1947 and has been honored throughout his career with awa...
Category
1970s Contemporary Engraving Landscape Prints
Materials
Drypoint
Jardin d'Evasion, François Houtin
Located in Palm Springs, CA
Signed and titled in pencil by the artist from the edition of 80. This is a great example of the texture and tone that can be achieved with drypoint.
In keeping with the best Italia...
Category
1980s Contemporary Engraving Landscape Prints
Materials
Drypoint
Statue d'Homme d'État
Located in Middletown, NY
Wood engraving on extremely fine onion skin paper, signed in ink and numbered 13/35. 10 3/4 x 7 inches (272 x 177 mm), full margins. From the special ...
Category
Late 19th Century French School Engraving Landscape Prints
Materials
Engraving, Handmade Paper
The Monument of London in Remembrance of the Dreadful Fire of 1666
Located in Middletown, NY
Bowles, Thomas III (after John Donowell)
John Bowles & Richard Wilkinson, 1751.
Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (...
Category
Mid-18th Century English School Engraving Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
Carrieri
Located in Palm Springs, CA
Signed and numbered in pencil from the edition of 9. Finely detailed Black and white landscape of trees along the top of a rocky outcropping.
Veronique Bonnardel was born in 1961 i...
Category
Early 2000s Contemporary Engraving Landscape Prints
Materials
Engraving
ON THE ISLAND
By Thomas Willoughby Nason
Located in Portland, ME
Nason, Thomas. ON THE ISLAND. BPL 213. Wood engraving, 1937. Inscribed "Ed. 80" and signed and dated in pencil. 5 3/8 x 10 inches (image), 10 1/4 x 13 1/2 inches (sheet). In excellen...
Category
1930s Engraving Landscape Prints
Materials
ABS, Engraving, Woodcut
'Soaring Steel' — 1920s Realism, Chicago Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Soaring Steel', drypoint, 1929, edition 100, Chamberlain and Kingsland 79. Signed, titled, and numbered '64/100' in pencil. Annotated '48.00' in pencil, in the artist's hand, bottom right margin. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 3/8 to 1 7/8 inches), in excellent condition. Matted to museum standards, unframed.
The subject of the print is the construction of the Daily News Building in Chicago, Illinois.
Image size 12 1/4 x 9 1/2 inches (311 x 241 mm); sheet size 15 1/2 x 12 3/8 inches (394 x 314 mm).
Impressions of this work are held in the collections of the Art Institute of Chicago, Boston Public Library, Crystal Bridges Museum of American Art, Museum of Modern Art, New York Public Library, University of Michigan Museum of Art, Smithsonian American Art Museum, and the Western Australia Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm...
Category
1920s American Modern Engraving Landscape Prints
Materials
Drypoint
University of Oxford Oxonia Illustrata 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Old Masters Engraving Landscape Prints
Materials
Engraving
Map of Northumberland by Joan Blaeu
Located in London, GB
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Category
1660s Engraving Landscape Prints
Materials
Engraving
Trees (Trees in Circle)
Located in Fairlawn, OH
Trees (Trees in Circle)
Etching & drypoint with monotype inking, 1953-1955
Signed in pencil
An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...
Category
1950s Abstract Engraving Landscape Prints
Materials
Drypoint, Etching, Monotype
Fountains of Rome
Located in Middletown, NY
A charming scene with romping dogs and spectators watching the cascading water play a trick on an unsuspecting man who is sprayed as he descends the steps, as the fountain was design...
Category
Early 17th Century Old Masters Engraving Landscape Prints
Materials
Engraving, Etching, Laid Paper
'Manhattan Old and New' —1920s Realism, Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed.
A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition.
The subject of the print is the lower Manhattan cityscape just before the Depression.
Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm).
Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...
Category
1920s American Modern Engraving Landscape Prints
Materials
Drypoint
The Divinity School, University of Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
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Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
The First Map of Oxford engraving by William Williams after Ralph Agas
Located in London, GB
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William Williams (active 1724 - 1733) after Ralph Agas (c. 1540 - 1621)
The First Map of Oxford (1733)
Engraving
47 x 54 cm
In 1578, Ralph Agas drew the first ever map of Oxford, studded with the first colleges of the University. In 1733 it was engraved by William Williams for publication in the Oxonia Depicta, a book of illustrations depicting similar views as David Loggan's volume of engravings.
Ralph Agas was an English surveyor and cartographer. He was born in Suffolk and lived there throughout his life, although he travelled regularly to London. He began to practise as a surveyor in about 1566, and has been described as "one of the leaders of the emerging body of skilled land surveyors". regular work consisted of drawing up local estate maps...
Category
1730s Engraving Landscape Prints
Materials
Engraving
Fountains of Rome; Fontana e castello dell'Acqua
Located in Middletown, NY
Rome: Giovanni Giacomo De Rossi, 1625.
Etching and engraving on cream laid paper, 8 3/8 x 11 1/4 inches (222 x 286 mm), full margins. In good condition with some light yellow discol...
Category
Early 17th Century Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Etching
Equestrian Scene
Located in Belgrade, MT
This lithograph is a piece from my private collection of 20th Century School of Paris era artists. It is hand signed by the artist and numbered, Guilde de la Gravure, and is in very ...
Category
Early 20th Century Contemporary Engraving Landscape Prints
Materials
Oil, Engraving, Lithograph
Christ Church, Oxford 18th century engraving by John Dadley after Edward Dayes
Located in London, GB
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Category
1790s Engraving Landscape Prints
Materials
Engraving
Jesus College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1690s Realist Engraving Landscape Prints
Materials
Engraving
Diptych of Silks, Classic Blue Sensual Shapes, Cyanotype on Watercolor Paper
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
Details:
+ Title: Late Night Adventurous Duo (of Silks)
+ Year: 2022
+ Edition Size: 20
+ Stamped and Certificate of Auth...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Photographic Film, Emulsion, Watercolor, C Print, Color, Engraving, Lith...
Cambridge University 18th century engraving by Jan Kip after Whitehand
Located in London, GB
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Category
18th Century Realist Engraving Landscape Prints
Materials
Engraving
Ludgate Hill
Located in Middletown, NY
Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching, Aquatint
Sutton Nicholls - Framed 18th Century Engraving, Devonshire Square
By Sutton Nicholls
Located in Corsham, GB
A bird's eye view of Devonshire Square, engraved by British master Sutton Nicholls. Published according to the act of Parliament in 1754 for Stow's Survey of London. This detailed en...
Category
Early 18th Century Engraving Landscape Prints
Materials
Engraving
John Harris After Thomas Badeslade - 18th Century Engraving, Deane House
Located in Corsham, GB
A delightful bird's eye view of Deane House Kent, engraved by John Harris after an original drawing by British illustrator Thomas Badeslade. The engraving shows a detailed view of th...
Category
Early 18th Century Engraving Landscape Prints
Materials
Engraving
Magdalen College, Oxford Tower and Bridge 18th century engraving by James Basire
Located in London, GB
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Category
1790s Engraving Landscape Prints
Materials
Engraving
Pembroke College, Oxford 1705 engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Pembroke College, Oxford (1705)
Engraving
31 x 44 cm
Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Dark Beach Sunrise, Blue Nautical Cyanotype, Watercolor Paper, Vertical Seascape
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
"Dark Beach Sunrise" is a handmade cyanotype print portraying beautiful sunrise reflection on the beach.
Details:
+ Titl...
Category
2010s Realist Engraving Landscape Prints
Materials
Marble
'The East River', Brooklyn Bridge — Mid-Century Realism, New York City
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...
Category
1940s American Modern Engraving Landscape Prints
Materials
Drypoint
City Hall Tower, Rothenburg, Germany.
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
(after) John Constable mezzotint "Summer Evening"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). This impression was printed in 1831 on laid paper for the "English Landscape" series. Image size: 5 1/2...
Category
1830s Engraving Landscape Prints
Materials
Mezzotint
Rycote House, Oxfordshire engraving by Henry Winstanley
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Henry Winstanley (1644 - 1703)
Rycote House, Oxfordshire
Engraving
19 x 44 cm
...
Category
Early 17th Century Engraving Landscape Prints
Materials
Engraving
View of Emden, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of a bird's-eye View of Embden, Germany entitled " Emuda, vulgo Embden vrbs Frisia orientalis primaria" by Georg Braun & Franz Hogenberg, in volume II of their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575.
This is a beautifully colored and detailed map of Emden, a seaport in northwestern Germany, along the Ems River and perhaps portions of over Dollart Bay, near the border with the Netherland. The map depicts a bird's-eye view of the city from the southwest, as well as a view of the harbor and an extensive system of canals. Numerous ships of various sizes, as well as two rowboats containing numerous occupants are seen in the main waterway in the foreground and additional boats line two canals in the center of the city. Two men and two women are shown on a hill in the foreground on the right, dressed in the 16th century style of nobility. Two ornate crests are included in each corner. A title strap-work cartouche is in the upper center with the title in Latin. The crest on the right including Engelke up de Muer (The Little Angel on the Wall) was granted by Emperor Maximilian I in 1495.
This is an English translation of an excerpt of Braun's description of Embden: "In Emden, the capital of East Frisia, rich merchants live in very fine houses. The city has a broad and well-situated harbour, which in my opinion is unique in Holland. Frisia and the whole of the Netherlands, for the ships can anchor here right under the city walls. They have also extended the harbour as far as the New Town, so that up to 400 ships can now find shelter here when the sea is rough."
The emphasis on the harbor and waterways within the city highlights the importance of Emden's place as a seaport at this time. Embden developed from a Dutch/Flemish trading settlement in the 7th-8th centuries into a city as late as late 14th century. In 1494 it was granted staple rights, and in 1536 the harbour was extended. In the mid-16th century Emden's port was thought to have the most ships in Europe. Its population then was about 5,000, rising to 15,000 by the end of the 16th century. The Ems River flowed directly under the city walls, but its course was changed in the 17th century by the construction of a canal. Emden has canals within its city limits, a typical feature of Dutch towns, which also enabled the extension of the harbor. In 1744 Emden was annexed by Prussia and is now part of Germany. It was captured by French forces in 1757 during the Seven Years' War, but recaptured by Anglo-German forces in 1758. During the Napoleonic French era, Emden and the surrounding lands of East Frisia were part of the short-lived Kingdom of Holland.
References:Van der Krogt 4, 1230, State 2; Taschen, Braun and Hogenberg...
Category
16th Century Old Masters Engraving Landscape Prints
Materials
Engraving
'Mountain Trees' — 1930s Southwestern Regionalism
Located in Myrtle Beach, SC
Bertha Landers, 'Mountain Trees', etching and drypoint, c. 1938, edition not stated but small. Signed and titled in pencil.
A fine, richly-inked impres...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Mezzotint Etching Botanical Print 'Mantle' Signed AP Jungle Image
By Richard Hricko
Located in Surfside, FL
Richard Hricko has exhibited internationally in museums, galleries and juried competitions, including the National Academy Museum in New York, Glynn Vivian Art Museum in Wales, and G...
Category
20th Century Contemporary Engraving Landscape Prints
Materials
Mezzotint, Etching
St. Michael's Mount, Cornwall: A Framed 19th C. Engraving After Myles Foster
Located in Alamo, CA
This beautiful 19th century framed hand-colored engraving is entitled "St. Michael's Mount, Cornwall" by J. Saddler after an original painting by the British artist Myles Birket Fost...
Category
Mid-19th Century Romantic Engraving Landscape Prints
Materials
Engraving
L'échappée belle
Located in PARIS, FR
It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the...
Category
21st Century and Contemporary Contemporary Engraving Landscape Prints
Materials
Engraving, Linocut
Engraving landscape prints for sale on 1stDibs.
Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available
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