Gaetano Pompa

The Golden Hind - Etching by Gaetano Pompa - 1970s

1970s

The Imaginary Animalis an artwork realized by Gaetano Pompa (1933, Forenza- 1998) in 1970s. The artwork is  an aquatint and etching on paper. Hand signed on the left corner. Editio...

The Imaginary Boats  is an artwork realized by Gaetano Pompa (1933, Forenza- 1998) in 1970 s. The artwork is  an aquatint and etching on paper. Hand signed on the left corner. Edit...

The Visionary Tree  is an artwork realized by Gaetano Pompa (1933, Forenza- 1998) in 1970s. The artwork is  an aquatint and etching on paper. Hand signed on the left corner. Editio...

Image dimensions: 22 x 16 cm. This artwork by Henry Moore is hand signed, numbered and dated. This original aquatint is from an edition of 100 prints. This wonderful etching represe...

Woman is a contemporary artwork realized by Man Ray in 1968. Black and white aquatint. Initials of the artist on the lower margin. Numbered in the lower left. Edition of 30/99. R...

Edition 37 of 50 prints, numbered and hand signed. Image dimensions: 43x58 cm. Wonderful proof on vélin in full margins, numbered lower left and signed lower right in pencil. Realize...

Richard Ernst Artschwager (1923–2013) was an American painter, sculptor, illustrator, print maker, and furniture designer. Known for its stylistic independence, his work has associat...

Edition of 35, sold unframed. This print is part of the ‘Berkeley:Suite’ series, which includes various layered combinations of McArthur Binion’s 1970s self-portrait, a snapshot of...

Signed, titled artist proof. Edition of 135. Royal Palm with Turkish Design maintains the interplay between the twodimensionality of the architectural rendering and the modeled line work of the palm. The addition of a subtle fade of sky-like blue in the upper left-hand corner works with the atmospheric marks to further emphasize the illusion of volume in the palm. Conversely, by bordering the upper half of the print with a pattern from an early Ottoman brocade, Smith-Harrison reminds us that we are not to take a representation of three dimensions as realism. The small medallion in the lower center of the print, although it also is taken from an Ottoman brocade, doubles as an architectural element. The shape resembles the glyph-like mark used to represent a palm tree in plan view drawings. The ornate, curvilinear large medallion is the third of the Ottoman elements. Placed in the lower left of the print, both the shape and the etching in deep reds and blues create an allusion to a polychrome roundel. Both the shape and the placement provide balance to the colonnade and the angular rendering in the center of the right side of the print. David Smith-Harrison studied at Utah State University and served as studio assistant to Adrian Van Stuchelen and Moishe Smith. In 1983 he traveled in Europe and studied at the Art and Design Faculty of South Glamorgan Institute in Cardiff, Wales. Before leaving for Europe, Smith-Harrison began an intense professional association as a studio assistant to artist Trevor Southey. Smith-Harrison’s imagery is distinctive for its meticulous and studied execution and rigorous, demanding craftsmanship. The results are generally rich in subtle articulations and poetic spirit. His work is located in private collection in Japan, Taiwan, Republic of China, Spain and the United States. COLLECTIONS: The Fine Arts Museums of San Francisco, Achenbach Foundation for the Graphic Arts, SF, CA Long Beach Museum of Art, Long Beach, CA Springville Museum of Art, Springville, UT Tama Art University Museum, Tokyo, Japan Utah State University, Logan, UT Brigham Young University Southwest Texas State University, San Marcos, TX Cadence Corporation, San Jose, CA Cooper and Lybrand, St. Louis. MO George Lucas, Lucasfilms Ltd., San Raphel, CA Michael Richards...

This piece titled "Space Oddity" is a limited edition piece by Kate VanVliet and is made from hand-colored intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece ...

Bait, 1999 Paula Rego Etching with aquatint, on Somerset Velvet Signed and numbered from the edition of 75 From the deluxe edition of The Children's Crusa...

A color intaglio created by the artist in 2012, this original etching is hand-signed, dated and numbered in pencil, measures 21 x 16 in. (53.3 x 40.6 cm), unframed and is from the ed...