2010s More Prints

BARBARA KRUGER Untitled (Flag), 2020 Screenprint in colours, on cotton Published by Artists Band Together In the original black envelope Sheet: 56.0 x 53.5 cm (22.0 x 21.0 in)

Ai Weiwei
 Money (£), 2020 Litho-print on Somerset paper 11.69 x 8.27 in
, 29.7 x 21.0 cm Edition of 840 comes with COA In this work, Chinese contemporary artist Ai Weiwei deconstru...

Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One and Robbie Conal to create a series of anti-Bush/anti-war posters for the street-art campaign: Be The Revolution. In 2005, Fairey accepted a residency at the Contemporary Museum in Honolulu, Hawaii, where he created murals and prints that reveal a dramatic combination of constructivist style with distinctly traditional Hawaiian themes and influences. Amanda Fairey gave birth to the couple’s first child, Vivienne in June 2005, she is the namesake of punk fashion legend Vivienne Westwood. Vivienne would be the model for Fairey’s “Vivi La Revolucion” print of 2008. Fairey's street-art, was featured with that of Dan Witz...

OKLA 2021 Catalog: Limited edition of 100 copies signed by artist Ed Ruscha This fully illustrated catalogue documents the landmark exhibition as installed at Oklahoma Contemporary...

Artist: Jonas Wood Title: Large Shelf Still Life Year: 2017 Medium: Poster Technique: Offset lithograph printed in colours on wove paper, the full sheet printed to the edges Classifi...

Jonas Wood VOTE, 2018 6-color screenprint on Coventry rag paper Hand signed, dated and numbered from the limited edition of 300 by Jonas Wood on the front 20 3/10 × 14 3/5 inches Unf...

"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...

Invader Rubik Camouflage, 2023 Diasec-mounted Giclée on aluminium composite panel Hand-signed by artist 100 x 100 cm Edition of 812 Invader, the pseudonymous French street artist, h...

Set of 4 drawings Bauhaus from "23", Print series. 2022 by Rodrigo Spinel Gliceé printed on Hahnemule Fiber Matt paper, intervened by the artist. Edition of 10 Framed Overall frame...

San Giovanni Stained Glass, brutalist architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 2018 for a sp...

Santa Maria delle Grazie, religious icon church architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 20...

Banksy, ПТН ПНХ! (FCK PTN!)- Ukraine Stamp and Postcard, 2023 offset lithographic postcard with stamp and inkstamp from the unnumbered edition of 1,000 issued by The National Post O...

Ben Eine
 Stand Up, 2020 1 layer blend with black overlay screen print on Somerset printmaking paper hand-signed, numbered and blind stamp on the front 50 x 5...

Ben Eine
 Rise Up, 2020 1 layer blend with black overlay screen print on Somerset printmaking paper
 50 x 50 cm (19.69 x 19.69 in) Edition 6 of 150 hand-signed...

Pedro Friedeberg, Mexican (Born 1936 - ) Silkscreen Signed Lower Right and Numbered 48/50 in roman numerals Lower Left. Beautifully Framed Under Plexiglas in Pedro's style, black ...

The artist describes this project: “I paint and draw flowers, not only out of mesmerized wonder for their presence on earth, but also as a rebellion against the labels of “decorative”, “inconsequential” and “superficial” that have been equated historically to the art of women...

This is from the "Other People's Conversations" ongoing series. Using Text In Art Printed on Glossy Paper and mounted onto acid free foamcore

A timeless palette of neutrals. This art print has hand painted brush and pencil strokes added to give it a unique quality. A fusion of digital and hand painted elements add distinc...

David Shrigley, They Were Too Long, 2020 Off-set lithograph Open edition, unframed 60 x 80 cm (23.62 x 31.5 inches) Printed on 200g Munken Lynx paper by Narayana Press in Denmark...

Paste-up print mounted on aluminium. Hand-Signed by the artist, lower right on recto 70 x 50 cm Edition of 75 Ben Eine is a British street artist and typographer known for his disti...

Hand-pulled screenprint composed of six colours on Somerset 310 GSM, with a gloss finish and cut edges, with a blind stamp. 12
 Hand-Signed, dated, and numbered by the artist, on rec...

A timeless palette of neutrals. This art print has hand painted brush and pencil strokes added to give it a unique quality. This fusion of digital and hand painted elements add disti...

Color lithograph, Edition 30. Jacquette also creates compelling images of the landscape and the sea from the air or atop hills or mountains. In this colorful print she depicts a view of the Maine...

A colourful bowl of fruit against a white background. A giclée print of Lucy Routh's original painting. Bold, bright and fresh with a sense of space and simplicity. This is Lucy Ro...

A timeless palette of neutrals. This art print has hand painted brush and pencil strokes added to give it a unique quality. This fusion of digital and hand painted elements add disti...

The artist describes this project: “My paintings and prints propel the viewer into an unstable world through a perspective that shimmies between representation and abstraction. I ad...

Artist: Hijack Title: Puzzled Medium: Unique silkscreen on Archival Fine Art Paper Size: 22 x 30 Inches Edition: 38 of 45 Year: 2006 Notes: "Puzzled," released as an edition of 45 w...

De la serie Suite Ravensburg. Impresión en serigrafía sobre papel japonés Torinoko.

De la serie Suite Ravensburg. Impresión en serigrafía sobre papel japonés Torinoko.

Artist: Martin Whatson x Pez Title: Behind the Curtain - Migration Size: 18 9/10 × 31 1/2in (48 × 80 cm) Medium: Giclee Print On 300 Gsm somerset satin Paper Edition: of 5 Year: 2018...

Louise Bourgeois (After) I had a flashback of something that never existed, 2020 Fine bone china 10 1/2 in diameter | 26.7 cm diameter Edition of 175 Printed signature and edition d...

De la serie Suite Ravensburg. Impresión en serigrafía sobre papel japonés Torinoko.

De la serie Suite Ravensburg. Impresión en serigrafía sobre papel japonés Torinoko.

Chiharu Shiota Connection with Universe (2019) Edition 25/40 Lithograph 30 × 40 cm

De la serie "Valle de Lágrimas" Serigrafía e impresión con tintas pigmentadas sobre papel. Edición de 5 ejemplares firmados y numerados con lápiz al frente de la pieza.

De la serie "Valle de Lágrimas" Serigrafía e impresión con tintas pigmentadas sobre papel.

Libro de artista en dos tomos, impreso en serigrafía y tintas pigmentadas.

De la serie "Valle de Lágrimas" Serigrafía e impresión con tintas pigmentadas sobre papel. Edición de 5 ejemplares firmados y numerados con lápiz al frente de la pieza.

De la serie "Valle de Lágrimas" Serigrafía e impresión con tintas pigmentadas sobre papel. Edición de 5 ejemplares firmados y numerados con lápiz al frente de la pieza.

Damien Hirst The Currency set of 4 (Yellow, Pink, Purple & Blue), 2022 Offset lithograph on thick semi-gloss poster paper of Damien Hirst's Currency project currently on display at ...

Color monotype with collage. Kushner recently completed a series of monotypes, many with collaged decorative papers. He worked from still-lives of flowers, fruits, pitchers and Bett...

Chuck Sperry lives in the Haight-Ashbury district of San Francisco, where he’s made his particular style of rock poster designs for over 15 years. He operates Hangar 18, a silkscreen print studio, located in Oakland. Sperry works in San Francisco, but exhibits internationally from Athens to Argentina, Bristol to Belgrade (visited Belgrade at the invitation of The Cultural Minster of Serbia). By conducting workshops and lectures all over the planet, Sperry’s tutelage has inspired a new generation of rock poster and silkscreen artists worldwide. His artwork has been exhibited at leading San Francisco art institutions including the San Francisco Museum of Modern Art and the Yerba Buena Center for the Arts; his prints have been archived by the Achenbach Graphics Arts Council, The Oakland Museum of California, San Francisco Public Library (Main Branch), the United States Library of Congress, and the Rock and Roll Hall of Fame. He has brought his rock artistry to projects for Goldenvoice, Live Nation, Virgin Megastore, Guitar Center, Random House, Harper Collins, Harvard University Press, Nylon, and Wired. Released in early 2009, the documentary film “American Artifact...

"Both a celebration of nature and a cautionary tale. Waves are beautiful and represent a powerful, hypnotic rhythmic cycle, but when energized by a storm, waves can be incredibly des...

Visual poems, the works in Vicuña’s PALABRARmas series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña t...

A delicate dance of grey and pink. This one-of-a-kind Giclée print is a high-quality reproduction of an original artwork printed on archival paper. Hand painted strokes and embellish...

Artist: Nikki Maloof Title: Dismemberment Size: 24 x 20 Inches Medium: Archival Pigment Print Edition: 3/25 Year: 2021 Notes: Hand Signed and Number...

Rainbow Apartments, Italian architecture photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in ...

Joanna Irvin Greenwich Window 1 Etching A/P Image: 15 x 10 Mount 27.0 x 22.0 cm Joanna Irvin - Joanna was born in Aberdeen and spent her childhood in Scotland and Ireland. She stud...

49 Via Dezza at Sunset, Gio Ponti Italian architecture photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in...

Archival Pigment Print Artifacts of homesteading era, Nebraska All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"...

11.4in x 33.5in Unframed 9-layer screenprint on Somerset Tub Sized 600gsm paper. Finished with Individually signature, dated and numbered. For American conceptual artist Hank Willis...

Santa Maria delle Grazie, religious icon church architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 20...

San Giovanni Stained Glass, brutalist architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 2018 for a s...

'Brutalist Symphony', photograph by Richard Heeps from the London's Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of t...

Archival Pigment Print Street filled with bamboo shops All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Editio...

Robert Indiana Four Seasons of Hope (Complete set of 4) Screen print on paper Edition of 125 Hand signed and numbered in pencil Mint condition in the original blue silk portfolio case

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

'Brutalist Symphony', photograph by Richard Heeps from the London's Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of t...