Jane McNichol

Blue Celadon

2005

This unique monotype print by Jane McNichol was made during the artist's second visit to Manneken Press in 2005. McNichol, a New York City-based painter, works en plein aire, from sk...

This unique monotype print by Jane McNichol was made during the artist's second visit to Manneken Press in 2005. The monotype was made using oil-based inks and printed on Somerset Sa...

This unique monotype print by Jane McNichol was made during the artist's second visit to Manneken Press in 2005. The monotype was made using oil-based inks and printed on Somerset Sa...

This unique monotype print by Jane McNichol was made during the artist's second visit to Manneken Press in 2005. The monotype was made using oil-based inks and printed on Somerset Sa...

This unique monotype print by Jane McNichol was made during the artist's second visit to Manneken Press in 2005. The monotype was made using oil-based inks and printed on Somerset Sa...

"Bouquet (peony, yellow, jade)" is a unique collagraph print from a series published by Manneken Press in 2019. In collagraph printmaking the artist adds to the plate to create the image rather than carving into it, as in relief printing, or etching into it, as in intaglio printing. Howe painted the image of a bouquet of flowers in a vase with sweeping, fluid brushstrokes strokes, directly onto the plate, using a thick gel medium. Carborundum grit was added to create the texture necessary to hold the ink. Different colors were used for each impression printed from the plate, creating a series of unique but related prints. Like all of Howe's works, her monotypes have a strong, vibrant, spontaneous energy and a sensuous sensibility. Referencing her personal garden located in the Hudson Valley, flowers dissolve into abstract flurries of brush marks and fields of commingled colors. The artist balances abstraction with representation in gestural prints which are process-based while retaining an affinity with the observed subject matter. Catherine Howe is widely admired for her painterly works that reference both the baroque and nature. Drawing from nature, Howe’s paintings is influenced by New York School abstraction, as well as rococo and 17th century Dutch still life paintings. Catherine Howe received an MFA from SUNY Buffalo in 1983. Her paintings have been exhibited extensively in New York, and the United States, including solo exhibitions at New York Academy of Art, Winston Wächter...

Artist: Scott Sandell, American (1953 - ) Title: Club Montauk Medium: Mixed Media on Thin Wove Paper, signed, titled Size: 57.5 x 37 in. (146.05 x 93.98 cm)

Monotype EV edition variée 1/4, with heavy hand coloring: mixed media, featuring satin wedding shoes. Signed front in pencil by Kim Frohsin, who is strongly associated with the Bay ...

Unframed. Although this looks like a screen print or woodcut, it is a form of 19th-century lensless photography. The normal color of a cyanotype (blueprint) is dark blue and white....

Unframed. Although this looks like a screen print or woodcut, it is a form of 19th-century lensless photography. The normal color of a cyanotype (blueprint) is dark blue and white....

Unframed. This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but wit...

Unframed. Although this looks like an etching or block print, it is a cyanotype, a type of 19th century cameraless photography also known as blueprints or sun prints. No ink or pai...