Symbolist Art

Barong Temple Wood Sculpture Bali 19Th Century Measurements: 32″hight, 21″width, 20″depth. Rare Barong (king of spirits, host of the good) 19Th Century ...

"Weddigen" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe...

Venus in Muschelwagen is a superb black and white etching on paper, realized in 1907 by the German artist Eduard Einschlag (Leipzig 1879 -1945), after Max Klinger (Leipzig 1857 - Gro...

"Ex Libris RS" is an original woodcut artwork on creamy paper by Michel Fingesten, Early 20th Century. Hand-signed on the lower right and with notes in pencil. In excellent conditio...

Original woodcut print on paper. Very good conditions. Includes passepartout. Image Dimensions : 10.7 x 11.3 cm Michel Fingesten (Butzkowitz, 1884 - Cerisano, 1943) was a Czech pai...

MASTERPIECE Finely cut and assembled cotton paper. Handpainted LISTING =================================== 1 Handcrafted paper artwork =================================== DIMENSIONS =================================== 24" x 24" x2 " in or 60 x 60 x 5 cm =================================== DETAILS =================================== Time of Preparation: 2 months Made: Guadalajara, Jalisco - México Artisan: Manuel de la Peña...

Na Kumuwaiwai Hohonu, Underwater Spirt - Hawaiian Symbolist Figurative Hawaiian symbolist nocturnal figurative of glowing whispy figure underwater with mountains and red coral garden by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

Mystical and mysterious, a mythological Ondine rests beside an ethereal forest pond in this majestic, original oil on canvas by French Symbolist Pierre-Amédée Marcel-Béronneau. A stu...

Le Vice Suprême is an original etching on Japanese paper realized by Félicien Rops in 1883, signed on plate and monogrammed in red pencil on bottom cent...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Oil and oil stick Whether the subject matter is figuration or nature, Audrey Anastasi approaches all her subjects directly and unabashedly. In this pa...

Image dimensions: 17.7 x 13.5 cm. One Thousand and One Night - the Harem is an amazing black and white héliogravure on paper, realized in 1906 by the Aus...

"Lockung" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, ...

"Dante" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, a...

"Woman & Rabbit" Charcoal on Paper Painting 20" x 20" inch by Ahmed Saber * Due to the Ministry of Culture policy + COVID situation, handling time (paperwork) may take up to 1-3 month. AHMED SABER - BIO Ahmed Saber is an Egyptian artist...

"Rosenwalzer" is an original colored héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, a p...

"Harmonie" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe...

"Sankt Franziskus" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). F...

Figures is an original drawing in pencil on brownish paper realized by an Anonymous artist of the XX century. With the drawing on the rear. With the stamp on the lower right" Mouli...

MASTERPIECE Finely cut and assembled cotton paper. Handpainted LISTING =================================== 1 Handcrafted paper artwork =================================== DIMENSIONS =================================== 24" x 24" x2 " in or 60 x 60 x 5 cm =================================== DETAILS =================================== Time of Preparation: 2 months Made: Guadalajara, Jalisco - México Artisan: Manuel de la Peña...

"Lugenbrucke" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From M...

Die Versuchung des Heiligen Antonius is an original lithograph on simili japanese paper, realized by Alfred Kubin in 1922, Hand-signed, edition of 100 copies. Ref.: Arnason & Wheel...

"Introduktion - Incipit Redemptio" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – V...

"Schutzengraben" is an original colored héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe,...

oil on canvas on heavy duty stretcher framing recommended but not required. By in large Basso is self taught. (after initially attending the School of Visual Arts taking evening cour...

"Divina Commedia" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (A...

"Minotauros" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Map...

"Karfreitagszauber" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). F...

Georges Antoine Rochegrosse (1859-1938) Studies of men, Pencil on paper 23 x 41.5 cm Signed lower right In good condition In a modern mount 41 x 52.5 cm Provenance: Estate of the...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His favorite theme is the dialogue between the human being and his creator. Gilbert Pauli's messages are universal, without any racial, religious or even cultural reference, with the sole purpose of love for man. From 1986, he worked relentlessly and in a self-taught way to discover the different painting and sculpture techniques: first gouache, followed by dry pastel. These lead him to watercolor, and oil, through charcoal and acrylic. He died in Geneva in 2020 and the Gijsel Gallery...

"Weihnacht" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Map...

"Der Gute Hirte" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). Fro...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Amor, Tod und Jenseits, (Cupid, death and afterlife) is an original etching and aquatint on paper Chine collé, realized by Max Klinger in 1881, plate XII from “Intermezzi” Opus IV,...

"Auferstehung" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From M...

"Verfuhrung" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Ma...

Photography has always occupied a central place in Debra Pearlman’s work, as direct street photography and as source material for paintings and photo-based objects. The subjects are ...

Watercolor, mixed media, using resists. This is from the God and Goddess Series, Morgan's Supreme Being, nearly 200 deities both new and new takes on tra...

Chute d’un Ange is an original drypoint on laid paper realized by Félicien Rops, hand monogrammed and inscribed "Ah! N'insultez jambs une femme qui tombe!". In very good conditions....

Menashe Kadishman, Sheep Head, turquoise,symbolist work, Acrylic on canvas, Israeli artist, Israeli art,

French School beginning of the 20th century Portrait of an officier, 1915 Wax crayon on paper signed "E Rousselet" and dated 1915 lower right 51.5 x 31.5 cm In quite good condition, ...

"Kirchenrauber" is a Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, a ...

"Die Tanzerin Gertrud Bodenwieser" is an original colored héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1...

ISMAEL GONZÁLEZ DE LA SERNA Spanish, 1898 - 1968 HARLEQUIN AND HIS DOG Signed and dated I. de la Serna, 1955 Oil on cardboard 42 X 27-1/2 i...

Hawaiian Symbolism Flowering Tree and Acolytes Symbolism Landscape Symbolic landscape with four figures worshiping flowering tree by Marguerite Louis Blasingame (American; 1906-1947)...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Ex Libris is an original woodcut print realized by Michel Fingesten. Hand-signed on the lower center and hand written notes. Mint conditions. Sheet Dimension: 17.3 x11 Ex Libri...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under Boris Schatz. Abba Pfeffermann (later Abel Pann), born in Latvia or in Kreskowka, Vitebsk, Belarus, was a European Russian Jewish artist who immigrated to Ottoman Palestine and settled in Jerusalem. He was married to Esther Nussbaum. Pann's youngest son was killed in the 1947–1949 Palestine war. After that loss, he turned to painting scenes of the Holocaust. He died in Jerusalem in 1963. Pann studied the fundamentals of drawing for three months with the painter Yehuda Pen of Vitebsk, who also taught Marc Chagall. In his youth, he traveled in Russia and Poland, earning a living mainly as an apprentice in sign workshops. In 1898 he went south to Odessa, where he was accepted into the Academy of Fine Arts. In 1903, he was in Kishinev, where he documented the Kishinev pogrom with drawings; an effort that is thought to have contributed to his self-definition as an artist who chronicles Jewish history. Still in 1903, he moved to Paris, where he rented rooms in La Ruche, a Parisian building (which still exists) where Modigliani, Chagall, Chaim Soutine and other Jewish artists also lived. Pann studied at the French Academy under William-Adolphe Bouguereau. He earned his living primarily by drawing pictures for the popular illustrated newspapers of the era. In 1912, Boris Schatz, founder and director of the Bezalel Academy of Arts and Design visited Pann in Paris and invited him to come work in Jerusalem. In 1913, after traveling in Southern Europe and Egypt, Pann arrived in Jerusalem, where he had decided to settle for life. Pann went to see Schatz and it was decided that he would head the painting department at the Bezalel Academy for several months while Schatz embarked on an extensive overseas fund-raising trip. According to Haaretz art critic Smadar Sheffi, a work form this period with the simple title "Jerusalem" shows a cluster of buildings at sunset "with a sky in blazing orange." The painting is "more expressive and abstract that is typical of his work," and Sheffi speculates that "the encounter with the city" of Jerusalem was a "strong emotional experience" for the artist. Pann returned to Europe to arrange his affairs before moving permanently to the British Mandate of Palestine, but was caught on the continent by World War I. Pann's wartime paintings would prove to be among "the most important" of his career. He made many posters to support the French war effort. He also made a series of fifty drawings showing the extreme suffering of Jewish communities caught in the fighting between Germany, Poland and Russia. Art critic Smadar Sheffi regards them as "the most important part of his oeuvre." These "shocking" drawings put modern viewers in mind of depictions of the Holocaust. Pann's drawings were intended as journalistic documentation of the fighting and were successfully exhibited in the United States during the War. According to Pann's autobiography, the Russians, who were allied with the French, refused to allow a wartime exhibition of the drawings in France. According to The New York Times, the drawings were published in Paris during the war, but the government intervened to block their distribution on the grounds that they "reflected damagingly upon an ally" (Russia). Upon his return to Jerusalem in 1920, Pann took up a teaching position at the Bezalel Academy and wrote that he was about to embark on his life-work, the painting and drawing of scenes from the Hebrew Bible. He returned briefly to Vienna, where he met and married Esther Nussbaum and purchased a lithographic press, which the couple brought home to Jerusalem. Pann began work on a series of lithographs intended to be published in an enormous illustrated Bible, and although that series was never completed, he is widely admired for the series of pastels inspired by Bible stories that he began in the 1940s. The iconography of these works is linked to the 19th century orientalism. He was part of a movement of contemporary Jewish artists interested in Biblical scenes, including Ephraim Moses Lilien...

L’agonie is an original colored etching on paper realized by Félicien Rops in 1886, 3rd state of colours proof n°8, from Pellet éditeur, inscribed in p...

Le Calvaire is an original etching, soft ground and colour héliogravure on Japanese paper, realized by Félicien Rops in 1882, signed on plate, plate from Les Sataniques In very ...

Image dimensions: 11.5 x 9 cm. Ex Libris is an original woodcut print realized by Michel Fingesten. Hand-signed on the lower center and hand written notes. Mint conditions. Sheet Dimension: 15 x 20 Ex Libris is a Latin phrase meaning a bookplate that identifies the owner of the book into which it is pasted. In this artwork there is an entrance to a church, with a crucifix and two initials at the bottom "G" and "B". Behind the door of the church a large human face is the background. Michel Fingesten (Butzkowitz, 1884 - Cerisano, 1943) was a Czech painter...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Das Grausen is a lithograph realized after a work by Alfred Kubin in 1903, Hand-signed and titled, plate from Faksimiledrucke nach Kunstblättern, edition H. Von Weber. Included a...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under Boris Schatz. Abba Pfeffermann (later Abel Pann), born in Latvia or in Kreskowka, Vitebsk, Belarus, was a European Russian Jewish artist who immigrated to Ottoman Palestine and settled in Jerusalem. He was married to Esther Nussbaum. Pann's youngest son was killed in the 1947–1949 Palestine war. After that loss, he turned to painting scenes of the Holocaust. He died in Jerusalem in 1963. Pann studied the fundamentals of drawing for three months with the painter Yehuda Pen of Vitebsk, who also taught Marc Chagall. In his youth, he traveled in Russia and Poland, earning a living mainly as an apprentice in sign workshops. In 1898 he went south to Odessa, where he was accepted into the Academy of Fine Arts. In 1903, he was in Kishinev, where he documented the Kishinev pogrom with drawings; an effort that is thought to have contributed to his self-definition as an artist who chronicles Jewish history. Still in 1903, he moved to Paris, where he rented rooms in La Ruche, a Parisian building (which still exists) where Modigliani, Chagall, Chaim Soutine and other Jewish artists also lived. Pann studied at the French Academy under William-Adolphe Bouguereau. He earned his living primarily by drawing pictures for the popular illustrated newspapers of the era. In 1912, Boris Schatz, founder and director of the Bezalel Academy of Arts and Design visited Pann in Paris and invited him to come work in Jerusalem. In 1913, after traveling in Southern Europe and Egypt, Pann arrived in Jerusalem, where he had decided to settle for life. Pann went to see Schatz and it was decided that he would head the painting department at the Bezalel Academy for several months while Schatz embarked on an extensive overseas fund-raising trip. According to Haaretz art critic Smadar Sheffi, a work form this period with the simple title "Jerusalem" shows a cluster of buildings at sunset "with a sky in blazing orange." The painting is "more expressive and abstract that is typical of his work," and Sheffi speculates that "the encounter with the city" of Jerusalem was a "strong emotional experience" for the artist. Pann returned to Europe to arrange his affairs before moving permanently to the British Mandate of Palestine, but was caught on the continent by World War I. Pann's wartime paintings would prove to be among "the most important" of his career. He made many posters to support the French war effort. He also made a series of fifty drawings showing the extreme suffering of Jewish communities caught in the fighting between Germany, Poland and Russia. Art critic Smadar Sheffi regards them as "the most important part of his oeuvre." These "shocking" drawings put modern viewers in mind of depictions of the Holocaust. Pann's drawings were intended as journalistic documentation of the fighting and were successfully exhibited in the United States during the War. According to Pann's autobiography, the Russians, who were allied with the French, refused to allow a wartime exhibition of the drawings in France. According to The New York Times, the drawings were published in Paris during the war, but the government intervened to block their distribution on the grounds that they "reflected damagingly upon an ally" (Russia). Upon his return to Jerusalem in 1920, Pann took up a teaching position at the Bezalel Academy and wrote that he was about to embark on his life-work, the painting and drawing of scenes from the Hebrew Bible. He returned briefly to Vienna, where he met and married Esther Nussbaum and purchased a lithographic press, which the couple brought home to Jerusalem. Pann began work on a series of lithographs intended to be published in an enormous illustrated Bible, and although that series was never completed, he is widely admired for the series of pastels inspired by Bible stories that he began in the 1940s. The iconography of these works is linked to the 19th century orientalism. He was part of a movement of contemporary Jewish artists interested in Biblical scenes, including Ephraim Moses Lilien...