Alberto Giacometti Art

Artist: Alberto Giacometti Title: Annette Facing Front Portfolio: Derriere le Miroir Tenth Anniversary Edition Medium: Etching Date: 1956 Edition: 2000 Frame Size: 19 1/2" x 14 1/4" ...

Alberto Giacometti Mother, 1956 Original lithograph On wove paper 31.5 x 24.5 cm (c. 12.4 x 9.6 inches) Edited by San Lazaro in 1956 Excellent condition

Alberto Giacometti (Swiss, 1901 - 1966) Small Standing Nude, 1959 Etching on paper Edition: 47/50 Hand signed and numbered below the image Image size 15.0 x 8.0 cm Frame size 42.5 x...

Medium: original lithograph. Catalogue reference: Lust 100. Printed for Derriere le Miroir (issue number 98) and published in Paris in 1957 by Maeght. Sheet size: 15 x 22 inches. The...

Pair of Expressionist patinated bronze table lamps based on Giacometti's 'Tête de Femme' (Head of a Woman) from the Rockefeller Collection By: ...

1960's original etching of "The Search" by Alberto Giacometti. The Collector's Guild Ltd. Certificate of Authenticty attached to back of frame. Plain wood frame with slightly raised bevel; no mat. "Alberto Giacometti (October 10, 1901-January 11, 1966) - The son of Swiss impressionist painter Giovanni Giacometti, he was born in Stampa in the Bregaglia Valley. He displayed a talent for painting art and sculpture at an early age and with his father's guidance he made his earliest drawings, paintings and sculpture using his family for models. By age ten he had progressed from a simple illustration of Snow White to a detailed copy of Rembrandt's Good Samaritan. His first bust, made when he was just thirteen, was of his younger brother, Diego, who would become his lifelong assistant. Alberto spent six months when he was eighteen as a student at the Ecole Des Arts et Metiers in Geneva. He visited Venice with his father where he first experienced paintings by Tintoretto. He stayed a short period in Italy, where he studied Byzantine Mosaics and Baroque architecture. On the way home they visited a church in Padua filled with frescoes by Giotto where he had his first experience with an almost hallucinatory vision giving him a challenge to portray the world according to his own desires rather than the conventional ones. He went to Paris in 1922 to study with Rodin's pupil Bourdelle and settled in the tiny Montparnasse studio where he worked the rest of his life. He allied with the surrealists, until he wearied of creating what he called "these mental reconstructions." He sought, through his sculpture, to probe for the essence of life, but was never satisfied with the search. During this period he started the usual figures and busts at typical sizes and after several months of work the figures had shrunk to the size of a pin. One of the great bohemians, Giacometti loved to haunt cafes until late at night. His dingy studio, lit by a dusty studio window and bare light bulbs, heated by a potbellied stove, was strewn with cigarette butts. He traveled little, except to Switzerland at Christmas and New Years. He left Paris in December 1941 for Switzerland, but Diego stayed behind in Paris to take care of the studio. Giacometti's extremely personal conception of space and figuration matured after the Second World War and he developed still further his elongated and isolated figures with a suggestion of existentialist tragedy, skeletal and emaciated groups which created their own spatial environment in a unique way. Between 1940 and 1945 he produced works on a miniature scale which nevertheless created a symbolic impression of magnitude. It was during the years in Geneva that he met Annette Arm. She moved in with him and abided by his request that she not change the way he lived. She became his model, his muse and after a few years, his wife. He continued to make nocturnal visits to cafes and to use prostitutes for his models. His personal life has been described (perhaps wrongly) as dealing with impotence, a foot fetish...

Medium: original lithograph. Catalogue reference: Lust 1. Executed in 1931, this is the first lithograph created by Giacometti. This impression is from the second edition, printed in...

After Alberto Giacometti - Dessin 1 - large format lithograph on rag paper in period giltwood frame under glass ( original old framers label on back - Empire Artist's Materials / 831...

Five gold-tone metal door handles of branch-form and in the manner of Alberto Giacometti (Swiss, 1901-1966). 1.5" H x 4.75" W x 8" D.

A wonderful sketched lithograph by famed Swiss artists/sculptor Alberto Giacometti. The lithograph was printed in Paris by Mourlot Freres in 1964 and was issued in an edition of ...

Medium: original color lithograph. Printed in 1952 for the art revue Verve (Volume 7, Number 27-28) and published in Paris by Teriade. Size: 13 7/8 x 10 3/8 inches (353 x 263 mm). There is a black and white original Giacometti lithograph...

"Annette" is an original black and white lithograph by Alberto Giacometti. It depicts the bust of a nude woman in scratchy lines. Annette was Alberto's wife and frequently modeled fo...

Lithograph 'Anette' made by Alberto Giacometti. Especially created by the artist in 1964 for Made for the book titled "Prints from the Mourlot Press" published in Paris, 1964 The b...

Medium: original lithograph. Printed in 1961 for the art revue Derriere le Miroir (issue number 127) and published in Paris by Maeght. Size: 15 x 11 inches (379 x 278 mm). There is p...

Medium: original lithograph. Executed for Derriere le Miroir (No. 148) in 1964, and published in Paris by Maeght. This lithograph was published on the occasion of the inauguration of...

Homme assis et personnage is a pencil drawing realized by Alberto Giacometti on a page of Louis Guilloux's "La merveille", published in "Les Lettres Nouvelles", n°7, septembre 1953, p. 779. Giacometti sketched a male portrait in his typical style. The man is in profile and on the right side of the page there is a small study of a standing figure. Following Fondation Giacometti, it was realized by the author on September 1953. As James Lord...

Print by Alberto Giacometti (Swiss, 1901-1966) titled "Caroline". The figure's formality and disproportionately small head are hallmark characteristics of Alberto Giacometti's portr...

Selection of modernist lithographs or gallery wall, French, circa 1960s. From top left to right, they are: 1) Joan Miro color lithograph, from Derriere Le Miroir, circa 1960s. Seen at upper left. It measures 18.5" H x 25.5" W framed. Newly framed in clean lined black lacquer gallery frame under conservation grade glass. 2) SOLD Alberto Giacometti lithograph...

Wonderful etching 'Annette De Face' by Alberto Giacometti in 1955, original black and white etching, framed with matte behind glass. This is an unsigned, unnumbered impression from t...

First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...

ALBERTO GIACOMETTI 1901-1966 Borgonovo 1901-1966 Chur, Switzerland (Swiss) Title: The Pointing Man, in the Studio L’homme qui pointe dans l’atelier, 1951 Technique: Original Hand ...

Alberto GIACOMETTI Studio with the Stove, 1956 Original etching On Arches vellum 32.5 x 25 cm (c. 13 x 10 inches) REFERENCES: - Eberhard W. Kornfeld et la Fondation Giacometti...

Alberto GIACOMETTI The Charcoal Stove, 1956 Original etching On Arches vellum 38.5 x 28 cm (c. 15 x 11 inches) In very good condition

Alberto Giacometti - Portrait Engraving (after the drawing) Published in the deluxe art review, XXe Siecle 1956 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. From the art Re...

Derriere Le Miroir is a suite of original lithographs realized by Alberto Giacometti in 1961. The artwork is an interesting edition of the French art periodical “Derriere Le Miroir”...

Alberto Giacometti - Original Lithograph 1964 Dimensions: 38 x 28 cm From the journal Derrière le Miroir No. 148, 1964 Edition: Foundation Maeght at Saint Paul Alberto Giacometti...

Artist: Alberto Giacometti Title: Figura Portfolio: Derriere le Miroir 148 Medium: Lithograph Year: 1964 Edition: Unknown Sheet Size: 13" x 9" Signature: Unsigned

Alberto GIACOMETTI Studio with the Turntable, 1964 Original etching On Arches vellum 56.5 x 38 cm (c. 22.2 x 15 inches) REFERENCES: - Eberhard W. Kornfeld et la Fondation Giac...

ALBERTO GIACOMETTI 1901-1966 Borgonovo 1901-1966 Chur, Switzerland (Swiss) Title: Nude with Flowers Nu aux fleurs, 1960 Technique: Original Hand Signed and Numbered Lithograph on ...

"Annette" is an original black and white lithograph by Alberto Giacometti. It features the nude torso of a woman in an interior. lithograph in black on Rives wove paper 10" x 7 1/2...

Hand signed and numbered by the artist. Etching on wove paper. Lust 185. Published by Galerie Beyeler, Basel. Edition 52/150. Artwork is in overall excellent condition. White spot...

Alberto Giacometti's "Nu Assis", seated nude, is an original lithograph numbered 40 of 75. It is from 1961 and is signed lower right. 22" x 30" art 31 1/4" x 39 1/4" framed "Alber...

Medium: original lithograph. Printed in 1961 for the art revue Derriere le Miroir (issue number 127) and published in Paris by Maeght. Size: 15 x 11 inches (379 x 278 mm). There is p...

Medium: original lithograph. Printed in 1961 for the art revue Derriere le Miroir (issue number 127) and published in Paris by Maeght. Size: 15 x 11 inches (379 x 278 mm). There is p...

Signed by the artist lower right, from Les Douze Portraits du célèbre Orbandale

Hand signed and numbered in pencil. Edition of 200 on Arches. Artwork is in excellent condition. Certificate of Authenticity is included. Additional images are available upon request...