Alberto Giacometti Art

Medium: original lithograph. Printed in 1961 for the art revue Derriere le Miroir (issue number 127) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 278 mm). There is p...

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

Lithograph, 1963. Signed and numbered 23 of an edition of 100 in pencil. Dimensions: 57 x 41 cm. Published by Einaudi, Turin. Reference: Lust 39.

Lithograph on vélin realized by Giacometti for Derrière le Miroir n. 127, in 1961. Ref. lust 152; ADG (Alberto Giacometti's Database) 334 Very good condition.

Alberto Giacometti The Search , ca. 1968 Restrike Etching unsigned comes with COA from publishers 25.4 × 20.3 cm 51 x 40.5 cm (framed)

Artist: Alberto Giacometti Medium: Lithographic Poster, 1969 Dimensions: 26 x 19.5 in, 66 x 49.5 cm Arches Paper - Excellent Condition A This lithographic poster for an exhibitio...

The work is registered and archived at the Fondation Giacometti in Paris under no. 4578. Only seven pieces of this brooch are known. Six pieces face to the right and one piece to th...

Medium: original lithograph. Catalogue reference: Lust 100. Printed for Derriere le Miroir (issue number 98) and published in Paris in 1957 by Maeght. Sheet size: 15 x 22 inches. The...

Untitled By Alberto Giacometti Alberto Giacometti was a Swiss sculptor and painter known for his distinctive, elongated figures that convey a sense of existential loneliness and h...

Medium: original lithograph. Printed in 1952 for the art revue Verve (Volume 7, Number 27-28) and published in Paris by Teriade. Size: 13 7/8 x 10 3/8 inches (352 x 263 mm). There is...

Homme assis et personnage is a pencil drawing realized by Alberto Giacometti on a page of Louis Guilloux's "La merveille", published in "Les Lettres Nouvelles", n°7, septembre 1953, p. 779. Giacometti sketched a male portrait in his typical style. The man is in profile and on the right side of the page there is a small study of a standing figure. Following Fondation Giacometti, it was realized by the author on September 1953. As James Lord...

Medium: original lithograph. Catalogue reference: Lust 1. Executed in 1931, this is the first lithograph created by Giacometti. This impression is from the second edition, printed in...

Medium: original lithograph. Executed for Derriere le Miroir (No. 148) in 1964, and published in Paris by Maeght. This lithograph was published on the occasion of the inauguration of...

Alberto GIACOMETTI Studio with the Stove, 1956 Original etching On Arches vellum 32.5 x 25 cm (c. 13 x 10 inches) REFERENCES: - Eberhard W. Kornfeld et la Fondation Giacometti...

Artist: Alberto Giacometti Title: Annette Facing Front Portfolio: Derriere le Miroir Tenth Anniversary Edition Medium: Etching Date: 1956 Edition: 2000 Frame Size: 19 1/2" x 14 1/4" ...

ALBERTO GIACOMETTI 1901-1966 Borgonovo 1901-1966 Chur, Switzerland (Swiss) Title: The Pointing Man, in the Studio L’homme qui pointe dans l’atelier, 1951 Technique: Original Hand ...

Alberto Giacometti (Swiss, 1901 - 1966) Small Standing Nude, 1959 Etching on paper Edition: 47/50 Hand signed and numbered below the image Image size 15.0 x 8.0 cm Frame size 42.5 x...

Alberto Giacometti Mother, 1956 Original lithograph On wove paper 31.5 x 24.5 cm (c. 12.4 x 9.6 inches) Edited by San Lazaro in 1956 Excellent condition

"Annette" is an original black and white lithograph by Alberto Giacometti. It depicts the bust of a nude woman in scratchy lines. Annette was Alberto's wife and frequently modeled for his sculptures and drawings. 10" x 7 1/4" art 21 1/4" x 18 5/8" frame Alberto Giacometti (1901-1966) was born in Borgonovo, a Swiss municipality, to the post-impressionist painter Giovanni Giacometti. In 1922 he moved to Paris to study under the sculptor Antoine Bourdelle, an associate of Auguste Rodin. It was there that Giacometti experimented with cubism and surrealism and came to be regarded as one of the leading surrealist sculptors. Among his associates were Joan Miró, Max Ernst, Pablo Picasso, Bror Hjorth and Balthus. Between 1936 and 1940, Giacometti concentrated his sculpting on the human head, focusing on the sitter's gaze. He preferred models he was close to, his sister and the artist Isabel Rawsthorne (then known as Isabel Delmer). This was followed by a unique artistic phase in which his statues of Isabel became stretched out; her limbs elongated. Obsessed with creating his sculptures exactly as he envisaged through his unique view of reality, he often carved until they were as thin as nails and reduced to the size of a pack of cigarettes, much to his consternation. A friend of his once said that if Giacometti decided to sculpt you, "he would make your head look like the blade of a knife." After his marriage to Annette Arm in 1946 his tiny sculptures became larger, but the larger they grew, the thinner they became. Giacometti said that the final result represented the sensation he felt when he looked at a woman. In 1962, Giacometti was awarded the grand prize for sculpture at the Venice Biennale, and the award brought with it worldwide fame. Even when he had achieved popularity and his work was in demand, he still reworked models, often destroying them or setting them aside to be returned to years later. The prints produced by Giacometti are often overlooked but the catalogue raisonné, Giacometti - The Complete Graphics and 15 Drawings by Herbert Lust (Tudor 1970), comments on their impact and gives details of the number of copies of each print. Some of his most important images were in editions of only 30 and many were described as rare in 1970. In his later years Giacometti's works were shown in a number of large exhibitions throughout Europe. Riding a wave of international popularity, and despite his declining health, he travelled to the United States in 1965 for an exhibition of his works at the Museum of Modern Art in New York. As his last work he prepared the text for the book Paris sans fin...

Alberto Giacometti's "Nu Assis", seated nude, is an original lithograph numbered 40 of 75. It is from 1961 and is signed lower right. 22" x 30" art 31 1/4" x 39 1/4" framed "Alber...

Hand signed and numbered by the artist. Etching on wove paper. Lust 185. Published by Galerie Beyeler, Basel. Edition 52/150. Artwork is in overall excellent condition. White spot...

Rare vintage original poster published by the famous Paris Gallery Claude Bernard pour an historic exhibition of Jean Dubuffet in the sixties (1964) about the Hourloupe series. Jean ...

Alberto Giacometti - Portrait Engraving (after the drawing) Published in the deluxe art review, XXe Siecle 1956 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. From the art Re...

Alberto GIACOMETTI Studio with the Turntable, 1964 Original etching On Arches vellum 56.5 x 38 cm (c. 22.2 x 15 inches) REFERENCES: - Eberhard W. Kornfeld et la Fondation Giac...

Alberto Giacometti, Swiss (1901 - 1966) - Histoire de rats (Selft portrait), Year: 1947 (Printed 1995), Medium: Etching on Arches, Image Size: 5.5 x 3.5 inches, Size: 8 x 6.5 in. (2...

ALBERTO GIACOMETTI 1901-1966 Borgonovo 1901-1966 Chur, Switzerland (Swiss) Title: Nude with Flowers Nu aux fleurs, 1960 Technique: Original Hand Signed and Numbered Lithograph on ...

Alberto Giacometti - Original Lithograph 1964 Dimensions: 38 x 28 cm From the journal Derrière le Miroir No. 148, 1964 Edition: Foundation Maeght at Saint Paul Alberto Giacometti...

Alberto GIACOMETTI The Charcoal Stove, 1956 Original etching On Arches vellum 38.5 x 28 cm (c. 15 x 11 inches) In very good condition

Derriere Le Miroir is a suite of original lithographs realized by Alberto Giacometti in 1961. The artwork is an interesting edition of the French art periodical “Derriere Le Miroir”...

Alberto Giacometti, Swiss (1901 - 1966) - Histoire de rats (Diane Bataille VII), Portfolio: Georges Bataille. Histoire de rats, Year: 1947 (Printed 1995), Medium: Etching on Arches,...

Artist: Alberto Giacometti Title: Figura Portfolio: Derriere le Miroir 148 Medium: Lithograph Year: 1964 Edition: Unknown Sheet Size: 13" x 9" Signature: Unsigned

First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...

Alberto Giacometti, Swiss (1901 - 1966) - Ex Libris Edmond Bomsel, Year: 1961, Medium: Etching on Japon, signed 'AM' in the plate, Size: 4.5 x 3.5 in. (11.43 x 8.89 cm), Provenance:...

Alberto Giacometti, Swiss (1901 - 1966) - Histoire de rats (Diane Bataille II), Year: 1947 (Printed 1995), Medium: Etching on Arches, Image Size: 5.5 x 3.5 inches, Size: 8 x 6.5 in....

Alberto Giacometti, Swiss (1901 - 1966) - Histoire de rats (Alexandre Kojeve), Year: 1947 (Printed 1995), Medium: Etching on Arches, Image Size: 5.5 x 3.5 inches, Size: 8 x 6.5 in. ...

Signed by the artist lower right, from Les Douze Portraits du célèbre Orbandale