Prints and Multiples

Takashi Murakami Flowers Skateboard Decks: set of 3 works: Vibrant Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus E...

Creatures is a screen print realized by Axel Hartenstein in the mid-20th Century. In good condition. The artwork is depicted through vivid tone colors with soft strokes in a well-ba...

The work of controversial post-Abstract Expressionist artist Larry Rivers is in the collection most Major Museums. In 2021 a work of his sold at Sotheby's for over 2 Million Dollars....

Medium: original lithograph. Catalogue reference Mourlot 98. Printed in 1950 at the Mourlot atelier and published as the frontispiece of the Picasso Lithographe II catalogue raisonné...

Carter, Clarence Holbrook (American, 1904-2000). OLIVE TREES, CAPRI. Aquatint in colors, 1932. Titled,signed and dated in pencil. 5 1/2 x 6 7/8 inches (p...

the painting is being offered with a work and authenticity certificate

Very little need to be said of the legendary Picasso. This original Etching "Pour Roby" (For Roby) is a classic example of his genius. Picasso or...

Peintre au Travail is an artwork realized by Pablo Picasso in 1963. Etching, Aquatint and drypoint on BFK Rives paper. Hand Signed lower right. Numbered on the lower margin. Editi...

large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BAC...

large scale original photograph from a series of conceptual motivational messages on iconic Americana signs in landscape of the American West YES by Frank Schott 48 x 67 inches (122 x 171cm) signed edition of 7 29 x 40 inches (74 x 102cm) signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity _______________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...

Pablo Picasso The Woman with a Hair Net (La Femme à la Résille) 1956 Original lithograph in colors Hand signed in red pencil and numbered 32/50 from the ed...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the...

KAWS: HOLIDAY JAPAN Mount Fuji Ceramic Plate Set (Set of 4): This standout KAWS ceramic plate set was published by All Rights Reserved to commemorate t...

KAWS: HOLIDAY JAPAN Mount Fuji Ceramic Plate Set (Set of 4): This standout KAWS ceramic plate set was published by All Rights Reserved to commemorate t...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...

large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE H-O-P-E by Christian Stoll Focusing in on this epic photograph work, you will find yourself lost in the artwork's details. Reminiscent of the appropriation artwork of Vik Muniz, Christian Stoll arranges everyday objects to spell letters of the alphabet. Only at close inspection does the viewer realize he/she is looking at an actual photograph, created in camera rather than with digital manipulation. _________________________ Artwork can be installed vertically or horizontally and across multiple walls 4 individual photographs individual artwork size 24 x 24 inches (61 x 61cm) horizontal artwork...

observation of a Mediterranean beach scene in Nice, France, on a hazy summer day Nizza by Frank Schott 48 x 75.5 inches (122 x 192cm) edition of 7 signed 44 x 69 inches (122 x 17...

Hand Gilded Original work with foil leaf and spray paint. 22 x 26 inches with deckled edges 22kt Gold Leaf & Silver Leaf Astronaut Black Metallic, Gold Chrome, Silver Chrome, Copper ...

large scale highly detailed photograph of European beach Nizza by Frank Schott 44 x 69 inches (112 x 175cm) signed edition of 10 48 x 75.5 inches (122 x 192cm) signed edition of 7...

11 Colour Original Lithographic Print Printed on 270g Velin Arches Paper Torn handmade edges Edition of 75 + 10 Artist's Proofs

Hand Gilded Original work with foil leaf and spray paint. 22 x 26 inches with deckled edges 21k Moon Gold Leaf & Holographic Pigment Powder Astronaut Silver Chrome & Black Marble Sp...

Hand Gilded Original work with foil leaf and spray paint. 22 x 26 inches with deckled edges 18kt Lemon Gold Leaf & 12kt White Gold Leaf Astronaut Gold Ch...

Jacob Lawrence (1917 - 2000) The Capture of Marmelade (from The Life of Toussaint L'Ouverture series), 1987 Color screenprint on Bainbridge Two Ply Rag paper Sheet 32 1/8 x 22 1/16 inches Sight 29 3/4 x 19 1/4 inches A/P 1/30, aside from the edition of 120 Signed, titled, dated, inscribed "A/P" and numbered 1/30 in pencil, lower margin. Literature: Nesbett L87-2. A social realist, Lawrence documented the African American experience in several series devoted to Toussaint L’Ouverture, Frederick Douglass, Harriet Tubman, life in Harlem, and the civil rights movement of the 1960s. He was one of the first nationally recognized African American artists. “If at times my productions do not express the conventionally beautiful, there is always an effort to express the universal beauty of man’s continuous struggle to lift his social position and to add dimension to his spiritual being.” — Jacob Lawrence quoted in Ellen Harkins Wheat, Jacob Lawrence: The Frederick Douglass and Harriet Tubman Series of 1938 – 40. The most widely acclaimed African American artist of this century, and one of only several whose works are included in standard survey books on American art, Jacob Lawrence has enjoyed a successful career for more than fifty years. Lawrence’s paintings portray the lives and struggles of African Americans, and have found wide audiences due to their abstract, colorful style and universality of subject matter. By the time he was thirty years old, Lawrence had been labeled as the ​“foremost Negro artist,” and since that time his career has been a series of extraordinary accomplishments. Moreover, Lawrence is one of the few painters of his generation who grew up in a black community, was taught primarily by black artists, and was influenced by black people. Lawrence was born on September 7, 1917,* in Atlantic City, New Jersey. He was the eldest child of Jacob and Rosa Lee Lawrence. The senior Lawrence worked as a railroad cook and in 1919 moved his family to Easton, Pennsylvania, where he sought work as a coal miner. Lawrence’s parents separated when he was seven, and in 1924 his mother moved her children first to Philadelphia and then to Harlem when Jacob was twelve years old. He enrolled in Public School 89 located at 135th Street and Lenox Avenue, and at the Utopia Children’s Center, a settlement house that provided an after school program in arts and crafts for Harlem children. The center was operated at that time by painter Charles Alston who immediately recognized young Lawrence’s talents. Shortly after he began attending classes at Utopia Children’s Center, Lawrence developed an interest in drawing simple geometric patterns and making diorama type paintings from corrugated cardboard boxes. Following his graduation from P.S. 89, Lawrence enrolled in Commerce High School on West 65th Street and painted intermittently on his own. As the Depression became more acute, Lawrence’s mother lost her job and the family had to go on welfare. Lawrence dropped out of high school before his junior year to find odd jobs to help support his family. He enrolled in the Civilian Conservation Corps, a New Deal jobs program, and was sent to upstate New York. There he planted trees, drained swamps, and built dams. When Lawrence returned to Harlem he became associated with the Harlem Community Art Center directed by sculptor Augusta Savage, and began painting his earliest Harlem scenes. Lawrence enjoyed playing pool at the Harlem Y.M.C.A., where he met ​“Professor” Seifert, a black, self styled lecturer and historian who had collected a large library of African and African American literature. Seifert encouraged Lawrence to visit the Schomburg Library in Harlem to read everything he could about African and African American culture. He also invited Lawrence to use his personal library, and to visit the Museum of Modern Art’s exhibition of African art in 1935. As the Depression continued, circumstances remained financially difficult for Lawrence and his family. Through the persistence of Augusta Savage, Lawrence was assigned to an easel project with the W.P.A., and still under the influence of Seifert, Lawrence became interested in the life of Toussaint L’Ouverture, the black revolutionary and founder of the Republic of Haiti. Lawrence felt that a single painting would not depict L’Ouverture’s numerous achievements, and decided to produce a series of paintings on the general’s life. Lawrence is known primarily for his series of panels on the lives of important African Americans in history and scenes of African American life. His series of paintings include: The Life of Toussaint L’Ouverture, 1937, (forty one panels), The Life of Frederick Douglass, 1938, (forty panels), The Life of Harriet Tubman, 1939, (thirty one panels), The Migration of the Negro,1940 – 41, (sixty panels), The Life of John Brown, 1941, (twenty two panels), Harlem, 1942, (thirty panels), War, 1946 47, (fourteen panels), The South, 1947, (ten panels), Hospital, 1949 – 50, (eleven panels), Struggle: History of the American People, 1953 – 55, (thirty panels completed, sixty projected). Lawrence’s best known series is The Migration of the Negro, executed in 1940 and 1941. The panels portray the migration of over a million African Americans from the South to industrial cities in the North between 1910 and 1940. These panels, as well as others by Lawrence, are linked together by descriptive phrases, color, and design. In November 1941 Lawrence’s Migration series was exhibited at the prestigious Downtown Gallery in New York. This show received wide acclaim, and at the age of twenty four Lawrence became the first African American artist to be represented by a downtown ​“mainstream” gallery. During the same month Fortune magazine published a lengthy article about Lawrence, and illustrated twenty six of the series’ sixty panels. In 1943 the Downtown Gallery exhibited Lawrence’s Harlem series, which was lauded by some critics as being even more successful than the Migration panels. In 1937 Lawrence obtained a scholarship to the American Artists School in New York. At about the same time, he was also the recipient of a Rosenwald Grant for three consecutive years. In 1943 Lawrence joined the U.S. Coast Guard and was assigned to troop ships that sailed to Italy and India. After his discharge in 1945, Lawrence returned to painting the history of African American people. In the summer of 1947 Lawrence taught at the innovative Black Mountain College in North Carolina at the invitation of painter Josef Albers. During the late 1940s Lawrence was the most celebrated African American painter in America. Young, gifted, and personable, Lawrence presented the image of the black artist who had truly ​“arrived”. Lawrence was, however, somewhat overwhelmed by his own success, and deeply concerned that some of his equally talented black artist friends had not achieved a similar success. As a consequence, Lawrence became deeply depressed, and in July 1949 voluntarily entered Hillside Hospital in Queens, New York, to receive treatment. He completed the Hospital series while at Hillside. Following his discharge from the hospital in 1950, Lawrence resumed painting with renewed enthusiasm. In 1960 he was honored with a retrospective exhibition and monograph prepared by The American Federation of Arts. He also traveled to Africa twice during the 1960s and lived primarily in Nigeria. Lawrence taught for a number of years at the Art Students League in New York, and over the years has also served on the faculties of Brandeis University, the New School for Social Research, California State College at Hayward, the Pratt Institute, and the University of Washington, Seattle, where he is currently Professor Emeritus of Art. In 1974 the Whitney Museum of American Art in New York held a major retrospective of Lawrence’s work that toured nationally, and in December 1983 Lawrence was elected to the American Academy of Arts and Letters. The most recent retrospective of Lawrence’s paintings was organized by the Metropolitan Museum of Art in 2020, and was accompanied by a major catalogue. Lawrence met his wife Gwendolyn Knight...

Damien Hirst’s ‘Suiko’ is laminated giclée print on aluminum composite panel and is one in a series of five mesmerizing prints in ‘The Empresses’ series...

'The Century Atlas. Africa. Southern Part' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 40cm by 29.5cm.

Signed KAWS ONE Artist Book 2001: Rare hand graffiti-signed KAWS ONE artist book, Tokyo, Japan, 2001. A rare early monograph documenting KAWS’ seminal New York bus ad “interruption...

This piece is an original linoleum cut in color by Pablo Picasso, 1962. It is hand signed and numbered 40/50 from the edition of 50; there were also 35...

A beautiful poster by Miro for his exhibition at the Japanese National Museum in Japan in 1966. A little jewel, this beautifully printed lithograph is in mint condition. The second p...

Stunning and iconic portrait of Picasso's wife, Jacqueline Roque, signed in pencil by Picasso and numbered in pencil from the limited edition o...

This is a hand-colored folio sized lithograph entitled "Calothorax Yarrelli", Yarrell's Wood-star Hummingbirds by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three green, white, grey, and a little blue colored hummingbirds amid green cactus plants with white and pink colored flowers. The hummingbirds are augmented by gum-arabic paint, which gives them an iridescent appearance in areas in which it is used. This beautiful Gould hand-colored hummingbird lithograph is in excellent condition. The original descriptive text page from Gould's 19th century publication is included. There are several other unframed Gould hummingbird...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with wa...

Artwork is signed and numbered by Peter Maxcomes. Comes with a certificate of authenticity. Museum Quality.

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O l by Erik ...

'The Century Atlas. Washington' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 29.5cm by 40cm.

'The Century Atlas. Vermont and New Hampshire' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 40cm by 29.5cm.

Salvador Dali (1904-1989) Hell 18 - The Deceivers woodcut with the printed signature Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10") REFERENCES : Field p. 189 à...

'The Century Atlas. Idaho and Wyoming' Inset map of 'Yellowstone National Park'. Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corn...

'The Century Atlas. Georgia' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 40cm by 29.5cm.

large scale original photograph from the body of works 'Persephone', a series of environmental still-life photographs of timeless palimpsest impressions Persephone VI by Erik Pawass...

large scale original photograph from a series of conceptual motivational messages on classic Americana billboard signs in iconic landscape of the American West YES by Frank Schott ...

'The Century Atlas. German Empire, Southwestern Part' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse...

On Land (2006) by Frank Schott, large scale photograph of classic red wooden row boat in dry California desert landscape 26.5 x 40 inches (67 x 102...

Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867. Accompanied by a sheet of descriptive text. ...

Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867. Accompanied by a sheet of descriptive text. ...

Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867. Accompanied by a sheet of descriptive text. ...

mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from Christian Stoll‘s body of works titled 'Hemisphere' Hemisphere I by Ch...

'The Century Atlas. New Jersey' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 40cm by 29.5cm.

'The Century Atlas. Kansas.' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 29.5cm by 40cm.

Pablo Picasso signed & numbered aquatint, "Sculpteur et Sculpture " (from Sable Mouvant), 1965. In excellent condition, whilst it is housed in the original frame and buckram rabbet t...

Mikio WATANABE The War or the Peace Original etching Signed in pencil Numbered / 90 ex On vellum 45 x 58 cm (c. 18 x 25 inch) Excellent condition

a large scale photograph of lush emerald green nature oasis, a highly detailed observation of the soothing natural beauty of the California redwood forest Redwoods (hexaptych) by Er...

large scale original photograph from the body of works 'Persephone', a series of environmental still-life photographs of timeless palimpsest impressions Persephone III by Erik Pawa...

an homage to Caspar David Friedrich, towering thunder clouds over the Mediterranean Sea, captured with a large format camera to allow epic scale photogr...

large scale original photograph from a series of conceptual motivational messages on classic Americana signs in landscape of the American West BACK ...

From Christian Stoll's body of works BURST (2015), an abstract exploration of high speed photographs capturing mesmerizing explosions of caleidoscopic color 27 x 40 inches (68 x 102...

Bold in color and whimsy, etching colored with watercolor, pastel and acrylics by Ana May, 2012 features an anthropomorphized camel smoking a cigarette. Signature at bottom right. Th...

Peter Handel - "Karina On Stool". Giclée on Hahnemühle Velvet, handsigned. High-quality art print after the original painting: Peter Handel transforms nude photographs painterly i...

Next Sign (2010) by Frank Schott from a series of works capturing conceptual roadside signs in iconic American landscapes captured with a large format camera to allow epic scale p...