1980s Prints and Multiples

This reproduction of the painting titled Yellow, Blue and Orange, created by Mark Rothko in 1955, is part of a rare exhibition poster from the series "Collection of European Masters....

Paper Size: 39 x 27.5 inches ( 99.06 x 69.85 cm ) Image Size: 39 x 27.5 inches ( 99.06 x 69.85 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age ...

Roy Lichtenstein (after) Eddie Diptych: Selections from the Ileana and Michael Sonnabend Collection, Princeton University Art Museum poster, 1985 Offset lithograph Princeton Universi...

Color lithograph by Salvador Dalí (1904–1989), Don José’s Final Appearance: the Bats Symbolizing Death, from the celebrated Carmen suite inspired by Georges Bizet’s opera. The work i...

Original 1983 Andy Warhol Perrier Poster – Authentic Pop Art Masterpiece. Grade A. Preserved in mint condition, this poster is a rare find for serious collectors of Andy Warhol and...

New York — The City That Never Sleeps Experience the vibrant energy and timeless beauty of New York City through this authentic 1970s travel poster by R. Meyer. This masterpiece cap...

Jean-Pierre VIELFAURE (1930–2015) The Scarlet Arrow, 1986 Original lithograph Signed and dated in pencil Numbered /65 On vellum, 57.5 x 45.5 cm (22.64 x 17.91 in) In excellent cond...

Medium: original lithograph. Printed in 1981 for the art revue Derriere le Miroir (issue number 246) and published in Paris by the Maeght atelier. Sheet size, including margins: 15 x...

Imperial Love Offset lithograph card Hand signed, inscribed and dated 1-24-'88 with a dateline of Vinalhaven, Maine in black marker This card has been floated with translucent pocket...

Original pop art poster: American Music Festival, New York City Ballet – 1988 by Keith Haring This New York City Ballet serigraph poster from 1988 / Keith Haring features the Ameri...

Growing Tall Max Epstein, Canadian (1932–2002) Date: 1980 Screenprint, signed and numbered in pencil Edition of 295 Image Size: 28 x 18.5 inches Size: 35 in. x 23 in. (88.9 cm x 58.4...

Artist: Marc Chagall (1887–1985) (after) Title: The Soul of Elpenor (Die Seele Elpenors) Year: 1989 Medium: Lithograph on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper Paper...

Fernando Botero's painting titled National Holiday was created in 1987. This work exemplifies Botero's distinctive style, often referred to as "Boterismo," characterized by the depic...

"Evergreen", American Realist Lithograph by Chris Forrest 1980 Colorful lithograph of chickadee's perched on branches by American artist Chris Forest (b. 1946.) Three chickadee's re...

Walasse Ting masterfully recreates a peacock in full display, using an electrifying palette of bright blues and greens, with touches of yellow illuminating the background. The peacoc...

Victor ZAROU (1930-2013) Small Path in Provence, 1982 Original Lithograph Handsigned in pencil Numbered / 150 (the number you can see can be different) On Vellum 74 x 55 cm (c. 29 x...

ARTIST: Salvador Dali TITLE: The Kingdom MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 40/350 MEASUREMENTS: 29.4" x 21.45" YEAR: 1980 PUBLISHER: Le...

Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250, dedicated in homage to Aime and Marguerite Maeght) and published in Paris by the ...

Medium: offset lithograph (after Leger). Printed on Velin bouffant paper from the Papeteries de Hauteville and published by Edito-Service Geneve in 1980. This reproduces one of the o...

Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980-83 Using 6.5 million square feet of floating pink fabric, Christo and Jeanne-Claude encircled eleven islands in Miami...

AUTUMN OF THE ROOSTER is an original hand drawn, limited edition lithograph by the American master artist and collagist Romare Bearden printed using traditional hand lithography meth...

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side pr...

Keith Haring Swing Guy (Yellow), 1983 Screenprint Printed signature in the plate On heavy paper 100 x 70 cm (c. 40 x 28 in) Created by Haring for the Montreux Jazz Festival Excelle...

Original Andy Warhol vintage poster with Michael Jackson for Time Magazine March 1984. This vintage poster created by Andy Warhol was the image used for the cover of Time Magazine ...

Richard Estes Salzburg Cathedral, 1983 Silkscreen in colors on Fabriano Cottone Pencil signed and numbered 248/250 on the front Silkscreen in colors on Fabriano Cottone, signed in pe...

ROMARE BEARDEN 1970-1980 THE LAMP Vintage 1984 Commemorative Poster - Brown v. Board of Education 30 Years later: "The Politics of Excellence", printed in 4-color offset lithography...

Printed in an incredibly small edition of just 30, Shoes was one of the first image subjects Kusama took up in her 1980s print editions, alongside hats and pumpkins. It combines her ...

Chair Duet by Hunt Slonem, 1951 - Date: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 175, AP 30 Image Size: 22 x 25 inches Size: 26 in. x 28 in. (66.04 cm x 71.12...

Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250, dedicated in homage to Aime and Marguerite Maeght) and published in Paris by the ...

This rare exhibition poster features Pierre Bonnard’s La Terrasse, created around 1918–1920, and published as part of the Collection of European Masters for the Kunstsammlung Nordrhe...

Interiors I: Family Reunion 1984 Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107] Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...

Historically scarce -- hand signed museum invitations by Lichtenstein from MoMA, where the artist attended himself, rarely surface, especially when framed and preserved at this level...

Barbara Kohl-Spiro, American (1941 - ) - Mensch, Year: 1980, Medium: Screenprint on Arches, signed, titled and numbered in pencil, Edition: 100, Image Size: 29 x 21 inches, Size:...

Offset lithograph poster Signed exhibiton poster for the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Hand signed, dated '88 and inscribed 'To Osc...

Offset lithograph card Provenance: Collection of Dan Pope, CBS News photographer who amassed an impressive collection of signed artist cards during the 1980s-1990s, acquired directly...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Joan MIRO Espana, Surrealist figure, 1982 Original lithograph in colors (atelier Arte, Maeght) Printed signature in the plate On thin paper 95 x 60 cm (c. 37.4 x 23.6 in) Referenc...

Vintage poster realized in occasion of Gino Marotta's Exhibition at Galleria Rondanini, Rome, in 1982. Limited edition of 1000. Very good condition.

Signed in graphite, lower right, 'Pegge Hopper' (American, born 1936) with number and limitation, lower left, '235/300' and created circa 1985. Sheet dimensions: 47 H x 35.5 W inches...

Watermelon is a colored lithograph realized by the Sicilian artist Renato Guttuso in 1982. The artwork is from  XXeme Siècle Paris/New York; Printer Graphis Arte Livorno/Roma. Not ...

Offset lithograph poster Boldly signed in black marker by Ed Ruscha on the front This is one of only 23 hand signed posters that the artist contributed to the Venice Art Walk in 1988...

Abstract yellow and black Rene Ricard print with hand painted poetry on handmade paper. Printed in black ink at the top of the sheet and framed with a thin line, the artist's loose h...

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side pr...

Andy Warhol - SPORTSWEAR JEANS INTERN. (Hand Signed by Warhol), from the estate of Warhol's last boyfriend Offset lithograph cover page Hand signed by Warhol in the front Provenance:...

Jean-Claude PICOT (1933-) French Riviera : The Provençal Market, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Coated pap...

Signed and numbered (7/50) in pencil, recto Offset lithograph on wove paper 10 x 8.5 inches (25.4 x 21.6 cm) This artwork is offered by CLAMP, New York.

"Baia delle Zagare, 1970" is a beautiful offset realized by Franco Fontana. Rondanini Galleria D'arte Contemporanea - Roma. Coloured poster from a photograph by Franco Fontana (Mod...

Marc Chagall (1887-1985) Lovers with a Bouquet, 1984 Original color lithograph Signed with the artist's stamp Justified EA (artist proof) On Arches vellum, 56 x 43 cm (c. 22 x 17 in) Authenticated by the artist's studio dry stamp REFERENCES: Sorlier / Mourlot catalogue raisonné...

"Water in swimming pools changes its look more than any other form. If the water surface is almost still and there is a strong sun, then dancing lines with the color of the spectrum ...

This reproduction poster of La Serrure by Leonor Fini captures the enigmatic and symbolic nature of the original artwork. Leonor Fini was known for her surreal and fantastical imager...

David Hockney My Mother (Bridlington), 1988 Four Color Lithograph on T.H. Saunders Waterford 250 gram paper. Autographed Also accompanied by a separate signed Certificate of Authenti...

Michel DELACROIX Paris : la Tour Eiffel Lithograph Printed signature in the plate On wove paper 47 x 57 cm (c. 19 x 23 inch) Lithographic poster for the artist personal exhibition a...

QUILTING TIME is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. QUILTING TIME by th...

Two panels stage a private argument between figuration and abstraction in Tel Aviv Museum Print. The left is built from Lichtenstein's own late 1980s vocabulary of self quotation, a ...

Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-signed by artist, Hand signed and dated in ink on the front. One of only 100 the artist signed in 1981 for the St. Louis Art Museum. with Artist's copyright (unnumbered) Frame included (vintage frame) This rare 1981 offset lithograph poster depicting Roy Lichtenstein's "Apple" is one of only 100 prints the artist signed for the Saint Louis Art Museum on the occasion of this 1981 ten year survey. It is extremely rare. It is held in the original vintage wood frame to preserve provenance. The gallery reserves the right to remove the glass for safe shipping. Measurements: Framed: 37 inches x 27 inches Sheet alone: 34.25 inches x 25 inches Roy Lichtenstein: A key figure in the Pop art movement and beyond, Roy Lichtenstein grounded his profoundly inventive career in imitation—beginning by borrowing images from comic books and advertisements in the early 1960s, and eventually encompassing those of everyday objects, artistic styles, and art history itself. Referring to Lichtenstein’s equalizing treatment of the subjects he chose for his art, Richard Hamilton, a fellow Pop artist, wrote in 1968: “Parthenon, Picasso or Polynesian maiden are reduced to the same kind of cliché by the syntax of the print: reproducing a Lichtenstein is like throwing a fish back into water.”1 Lichtenstein later recalled that 1961, the year he completed Girl with Ball, marked a break with both his own abstract style and “prevailing taste” in the art world. “Although almost anything seemed to be fair subject matter for art,” he recalled, “commercial art and particularly cartooning were not considered to be among those possibilities.”2 The figure from Girl with Ball came from a printed advertisement for the Mount Airy Lodge, in Pennsylvania’s Pocono Mountains, and he based another painting, Drowning Girl, on a comic book cover. In these two paintings and throughout his other work, Lichtenstein would copy the source image by hand, adjusting its composition to suit his narrative or formal aims, and then trace this altered sketch onto the canvas, aided by a projector. In this rigorously manual process, he used perforated templates to replicate and often exaggerate the dot patterning commonly used in printing imagery. Known as Ben-Day dots, this patterning became a signature element of his style, which incorporated the look of mechanical reproduction into the fine-art world of painting. His transformations of the source image typically included reducing the color palette to saturated primaries, eliminating incidental details, heightening contrasts, and “emphasizing the pictorial clichés and graphic codes of commercially printed imagery.”3 In Drowning Girl, for example, Lichtenstein cropped out much of the original scene and modified the statement in the text bubble, amplifying this image of a damsel in distress. Lichtenstein soon turned his attention from the clichés of commercial print culture to the aesthetic clichés of high art.4 With bold, graphic simulations of brushstrokes in prints like Brushstroke and Brushstrokes, for example, he parodied the autographic mark-making of Abstract Expressionism. Yet where Jackson Pollock had been seen to imbue his skeins of paint with a bravura energy and force, Lichtenstein turned that device into something clichéd, commercial, and reproducible. “Visible brushstrokes in a painting convey a sense of grand gesture; but in my hands, the brushstroke becomes a depiction of a grand gesture,” he later said.5 Art history proved an enduringly rich field for Lichtenstein’s transformations. Concurrent with his Brushstrokes series were explorations of the landscape genre and, in 1969, two volleys at Claude Monet. Monet had also worked serially, devoting multiple canvases to a sustained study of the changing sun as it moved across the facade of the Rouen Cathedral or haystacks in a field. With his Cathedral Series and Haystack Series, Lichtenstein reprised those motifs in his signature Ben-Day dots, making Impressionism, in his words, “industrial.”6 In Artist's Studio “The Dance”, Henri Matisse’s Dance...

After Marc CHAGALL Circus Offset vintage poster, 1982 On heavy paper 66 x 46 cm / 26 x 18" INFORMATION : Vintage poster for the exhibition "25 livres illustres" at Patrick Cramer Ga...

Celebrate a piece of New York City's culinary history with this stunning poster by Ken Keeley, featuring the iconic Carnegie Deli. Renowned for its photorealist style, Keeley's artwo...

A black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, a ship, Venus sculpture, greek urns, and snakes, printed in black o...

Signed, titled and numbered by the artist from an edition of 60. Nostalgic scene of a lakeshore cabin with boat. Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940....

Artist: Andy Warhol Medium: Screenprint on Lenox Museum Board Title: Dracula Portfolio: Myths Year: 1981 Edition: AP 6/30 Framed Size: 48 1/4" x 48" Sheet Size: 38" x 38" Reference: ...