1980s More Prints

Original 1984 Levi's 501 Jeans by Andy Warhol Vintage Pop-Art Poster. Archival linen backed in excellent condition, ready to frame. Add a distinctive touch of pop art to your coll...

Original pop art poster: American Music Festival New York City Ballet – 1988 by Keith Haring. This New York City Ballet serigraph poster from 1988 / by Keith Haring features the A...

Original Vintage 1981 Cappiello Exhibition Poster held at the Paris Grand Palais. Celebrating the Iconic Artwork of Leonetto Cappiello. Linen backed in very good condition without an...

Original poster: Chopstix Sequences. Printed on woven paper. Horizontal print of a hand holding a chop stix or both in various positions. Behii...

Sam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...

Artist: Keith Haring Title: Pop Shop I (3) Size: 12 × 15 in (30.5 × 38.1 cm) Medium: Silkscreen in colors on wove paper Edition: 151 of 200 Year: 1987 Notes: Hand signed, numbered, a...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of pink, yellow, red, turquoise, silver, and gold. Printed with metallic ink that catches light differently from each angle, complementing the poster’s lime green and red text. The top of the poster reads “Let us move forward with a strong and active faith.” It was at this 1980 convention that Jimmy Carter was nominated for reelection. This large poster was printed by Petersburg Press in 1980, and features Frank Stella’s Polar...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. This red and black lithograp...

Yayoi Kusama Dots Infinity (1986). Edition 58/100 Screenprint [2 screens, 2 colors] Signed, titled, dated and numbered 58/100 in pencil by the artist 28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...

Kandinsky's Exhibition Poster is a a vintage offset print realized in the late 20th Century. An offset poster depicting one of the masterpiece of the artist. Includes frame Very g...

Offset lithograph on cream wove paper. Signed, dated, titled, numbered 148/300 by the artist in pencil. A striking, significant image by one of the leading African American artists ...

This poster was made to advertise American Pop artist Keith Haring’s exhibition at Tony Shafrazi Gallery in 1984. The composition features a nude figure in the center with their back...

Jim Dine, Monotypes et Gravures, Galerie Maeght, Paris, 1983. Vintage Offset Lithograph Poster American contemporary pop art. A colorful heart quilt in a rainbow of colors. Jim Dine...

Yayoi Kusama Sunflowers Edition 52/100. Screenprint [11 screens, 10 colors, 11 runs]. image: 52.8 x 45.4 cm. sheet: 61 x 53.5 cm. Published in 1989 on Izumi paper by Ishida Ryoichi....

This poster was made to advertise American Pop artist Keith Haring’s exhibition at Tony Shafrazi Gallery in 1989. It features a series of colored “bubbles” with several illustrated a...

A blank coloring book designed and printed by American Pop artist Keith Haring. This copy is signed and dated in pen by the artist and features several illustrations in the artist’s ...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in black, gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

A superb impression of this color screenprint on white wove paper. Signed and numbered XC/CCC in pencil by Soulages. Published by the Olympic Games Committee, Lausanne. From the "Off...

This work is hand signed by the artist "Gerhard Richter" in black chalk pastel across the lower image. It was published by Verein zur Förderung moderner Kunst e.V, Goslarin a limited...

Yayoi Kusama Flower, Edition 100/100. Lithograph [3 plates, 3 colors, 3 runs], Collage. Image: 22.3 x 15.5 cm. Sheet: 35.5 x 27.5 cm. Published in 1982 on on Velin d' Arches paper by...

Pastel Landscape: Impressionist Farmhouse is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the American artist Nell Revel Smith...

TAPESTRY OF SPRING by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 1...

Jules Olitski Elegy, September 11, 2001, 2002 Silkscreen on wove paper Edition 103/108 Signed, titled and numbered in graphite pencil 103/108 on the front Framed Jules Olitski is hon...

GIARDINO SEGRETTO is a hand drawn limited edition lithograph created in 1988 by the Iowa born artist, Jim Buckels who is known for his dream-like ima...

Artist: Andy Warhol Title: Paolo Uccello, St. George and the Dragon, 1460 (Details of Renaissance Paintings) Medium: Screenprint on Arches Aquarelle Cold Pressed paper Date: 1984 Ed...

A very good impression of this color lithograph with Chine applique. One of ten Roman numeral artist's proofs, aside from the edition of 50. Signed and numbered IX/X in pencil by Mot...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Photograph from From Richard Heeps acclaimed series Ordinary Places, a bible on a brown side chair taken from above at the Chapel at the Fleetwood's Fisherman's Mission. It was Rich...

Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 30 1/4 × 40 1/2 inches Unframed Commissioned by the Mr. and Mrs. Albert A. List Graphic Fund for The Jewish Museum, New York Signed, numbered and dated in graphite pencil on the front; bears publishers' blind stamp front left corner. Commissioned by the Mr. and Mrs. Albert A. List New Year's Graphic Fund for The Jewish Museum, New York. During the 1980s, various artists were commissioned to create a print celebrating the Jewish New Year. This is the silkscreen renowned sculptor Nancy Graves created to celebrate the year 5745 of the Jewish Calendar, beginning in September 1984 (Rosh Hashanah). This work was published in a limited edition of 90. The number 90 has special significance in Jewish gamatria (numerology) for several reasons, including the fact that it equals five times life - or Chai. The number for Chai, meaning "Life " s 18, and 18 x 5 = 90. This is a magical number in Judaism. All of the works were published in editions that were multiples of 18, or the Life. In her lifetime, Nancy Graves did not receive the renown or acknowledgement that her ex-husband and former Yale School of Art classmate Richard Serra did, but she is finally getting the recognition she richly deserves. Biography: Nancy Graves (1939 – 1995) is an American artist of international renown. A prolific cross-disciplinary artist, Graves developed a sustained body of sculptures, paintings, drawings, watercolors, and prints. She also produced five avant-garde films and created innovative set designs. Born in Pittsfield Massachusetts, Graves graduated from Vassar College in 1961. She then earned an MFA in painting at Yale University in 1964, where her classmates included Robert Mangold, Rackstraw Downes, Brice Marden, Chuck Close, as well as Richard Serra with whom she was married from 1964 to 1970. Five years after graduating, her career was launched in 1969 when she was the youngest artist — and only the fifth woman — to be selected for a solo presentation at the Whitney Museum of Art. Graves’ work was subsequently featured in hundreds of museum and gallery exhibitions worldwide, including several solo museum exhibitions. She was awarded commissions for large-scale site-specific sculptures and her work is in the permanent collections of major art museums. A frequent lecturer and guest artist, her work was widely documented during her lifetime. In 1991 she married veterinarian Dr. Avery Smith. Graves travelled extensively and was fully engaged with the cultural and intellectual issues of her times. Her brilliant career and life were cut short by her untimely death from cancer at age 54. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps, commingling scientific exactitude with abstraction. Resuming sculpture in the late 1970s, Graves was among the first contemporary artists to experiment with bronze casting. She re-invigorated the traditional lost wax technique by assembling cast found objects into unique improbably balanced sculptures, with bright polychrome surfaces and distinctive patinas. Throughout the 1980s Graves became widely recognized for her increasingly large and graceful open-form sculpture commissions. At the same time, she also expanded her drawing, painting, and printmaking practice and made large gestural watercolors. Then, in the late 1980s she created wall-mounted works that combined her explorations of sculpture, painting, form and color. In these large-scale pieces, she mounted high relief polychrome sculptural elements to the surfaces and edges of painted shaped canvases so that patterned shadows were cast onto the paintings and surrounding wall. By the 1990s Graves was casting in glass, resin, paper, aluminum, and bronze, combining these varied materials and colors into daring sculptures with moving parts. As she proceeded in all the media she mastered, Graves increasingly re interpreted and transmuted forms sourced from her own earlier artwork — rather than from outside research — creating elaborate compositions that form a layered a-temporal archaeology of her own visual production. Nancy Graves’ pioneering art...

Sadao Watanabe (1913-1996) Limited Edition Stencil Print on Hand Made Paper Title: The Last Supper. Created 1980. No. 35 of the edition of 80. Image size: 18"h x 21 1/2"w. Sheet si...

Marc Chagall - Summer's Dream - Original Handsigned Lithograph 1983 Printed by Mourlot Dimensions: 48 x 65 cm Handsigned in pencil Justified EA (Epreuve D'artiste, Artist proof) asi...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of ...

Stencil Print by Sadao Watanabe, hand colored on hand-made washi paper. This image depicts the flames of fire seen on the day of Pentecost from the book of Acts. Artist’s chop mark a...

Donald Judd New York 1988: A rare 1980s announcement card published on the occasion of Judd's "Untitled 1988" exhibition at Brooke Alexander, Inc.; 476 Broome Street, New York, NY. F...

Beverly Pepper (1922-2020) was an internationally renowned artist, known for her large-scale outdoor sculptures. Although Pepper was raised and educated in New York, by her late tw...

Presenting an authentic edition work by the esteemed artist Victor Vasarely, renowned for his distinct artistic style and captivating visual language. This limited edition piece offe...

Artist: Keith Haring Title: Double Man Size: 22 x 30 in. (55.9 x 76.2 cm) Medium: Lithograph in colors on wove paper Edition: 34 of 85 Year: 1986 Notes: S...

Abstract yellow and black Rene Ricard print with hand painted poetry on handmade paper. Printed in black ink at the top of the sheet and framed with a thin line, the artist's loose h...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Screenprint in colors on Wove Paper. Reference Littmann, K, & Haring K. Keith Haring, Editions on Paper 1982-1990: The Complete Printed Works, Cantz, Stuttgart, 1997, p.97. Hand num...

NEW DECO by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on brown colored archival printmaking paper, 100% acid ...

Robert Longo (b. 1953) Gretchen and Eric, from Men in the Cities, 1985 Two lithographs on rag paper Each signed, dated and numbered in pencil to lower margin Edition 27 of 48 (matchi...

Color 3-D lithograph in Plexiglas box. Edition 75 Red Grooms and Master printer Bud Shark began their many print collaborations in 1981 with “Mountaintime”, followed in 1982 by their first three-dimensional lithograph, “Ruckus Taxi...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 21 x 18 inches Size: 29.5 x 2...

Artist: Keith Haring Title: Growing I Size: 40 1/8 x 29 7/8 in. (101.9 x 75.9 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full margins. Edition: 85 of 100 Year:...

Artist: John Cedarstrom Title: Water Lily Flower Year: circa 1980 Medium: Serigraph, signed in pencil Edition: AP Paper Size: 23 x 31.5 inches

Walter Darby Bannard Siciliian Magician, 1980 Silkscreen on wove paper Pencil signed, titled and dated by the artist on the front Unframed Provenance: Bart Gallery, Providence, RI Th...

Ruscha's work often involves simple, repetitive motifs that invite viewers to explore deeper meanings and associations. In this lithograph, the imagery of fish and circles could symb...

Artist: Andy Warhol Title: Mother and Child Portfolio: Cowboys and Indians Medium: Screenprint on Lenox Museum Board Date: 1986 Edition: 30/250 Sheet Size: 36" x 36" Signature: Hand ...

BEYOND EARTHS BEAUTY is an original hand drawn lithograph(not a photo reproduction or digital print) by the American woman artist Eileen Seitz, printed using hand lithography techniques on archival Arches paper 100% acid free. BEYOND EARTHS BEAUTY depicts a lush, brightly colored island landscape bursting with colorful tropical plants...

Yayoi Kusama Infinity Nets (1986). Edition 57/100 Screenprint [2 screens, 2 colors] Signed, titled, dated and numbered 61/100 in pencil by the artist 28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...

Summer Sky, limited edition lithograph, landscape, desert, turquoise, orange

Cloudy Day Prairie II, by John Hogan, New Mexico Landscape Color Etching, blues edition 13/50 matted and framed John Hogan A graduate of Northeast Louisiana State University with a...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Original poster: Blame It On The Movies!. The Reel Music of Hollywood. Theater performance of Blame it on the Movies! Acid-free archival linen-backed original; ready to frame. ...

"Griders" is Craig McPherson's rainy night scene showing the view from his former studio in Washington Heights in NYC. The image is the companion pi...

Hand numbered 198/200, signed and dated on the recto in the lower right margin. Provenance: Martin Lawrence Gallery, Los Angeles, 1993 and Private coll...

Composition is a lithograph, realized by Ossip Zadkine stamped on the lower right. Numbered, edition 34/65 The artwork represents an abstract composition through strong strokes in...