1980s More Prints

This is an offset lithograph card hand signed by Ellsworth Kelly on the bottom front the work depicted in the card is Red over Yellow (Rouge sur Jaune), from Suite of Twenty-Seven Li...

Original Vintage 1981 Cappiello Exhibition Poster held at the Paris Grand Palais. Celebrating the Iconic Artwork of Leonetto Cappiello. Linen backed in very good condition without an...

Original pop art poster: American Music Festival New York City Ballet – 1988 by Keith Haring. This New York City Ballet serigraph poster from 1988 / by Keith Haring features the A...

'Nice Pool' 60 x 60" inches / 152 x 152 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in 2025 Limited to 150 prints only (regardless of ...

Kandinsky's Exhibition Poster is a a vintage offset print realized in the late 20th Century. An offset poster depicting one of the masterpiece of the artist. Includes frame Very g...

Artist/Designer; Manufacturer: David Hockney (British, b. 1937) Marking(s); notes: signed, blind stamp; SP aside from the edition of 1000; 1980 Materials: lithograph on Arches paper ...

PRINCES KEPT THE VIEW is an original limited edition lithograph printed using hand drawn lithography techniques on archival Arches printmaking paper, 100% acid free, by the Iowa born artist Jim Buckels. PRINCES KEPT THE VIEW presents a finely detailed fantasy landscape scene depicting a Mediterranean cliff-side villa beside a moonlit lake featuring classic architectural details including terracotta roof tiles, off-white stucco walls, stone balustrade balconies and stone walled terraces. The highly sought-after, limited edition lithograph - PRINCES KEPT THE VIEW was printed in shades of aqua, light blue, green, terracotta, beige, taupe gray, black and white creating a calm, yet mysterious ambience. PRINCES KEPT THE VIEW is a beautifully detailed, picturesque Mediterranean landscape any fantasy traveler would love to explore. Print size - 26.75." x 31.5" Large off square size, impressive handcrafted limited edition lithograph, unframed, excellent condition, pencil signed by Jim Buckels Edition size - 350, plus proofs Year published - 1990 Printer - J K Fine Art Editions Co. NY JIM BUCKELS Artist statement- "On one level, I think of myself as a decorative artisan, or at best a scene painter. I don't mind this distinction, because many of my heroes never achieved much more. It's a modest but honorable aspiration. The artists who have influenced me are quite dissimilar and usually less prominent in the pantheon of art history: Canaletto, the Flemish scene painters, the Hudson River artists...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. This red and black lithograp...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. In this rainbow print, Ricar...

Artist: Keith Haring Title: Pop Shop I (3) Size: 12 × 15 in (30.5 × 38.1 cm) Medium: Silkscreen in colors on wove paper Edition: 151 of 200 Year: 1987 Notes: Hand signed, numbered, a...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of pink, yellow, red, turquoise, silver, and gold. Printed with metallic ink that catches light differently from each angle, complementing the poster’s lime green and red text. The top of the poster reads “Let us move forward with a strong and active faith.” It was at this 1980 convention that Jimmy Carter was nominated for reelection. This large poster was printed by Petersburg Press in 1980, and features Frank Stella’s Polar...

Jules Olitski Elegy, September 11, 2001, 2002 Silkscreen on wove paper Edition 103/108 Signed, titled and numbered in graphite pencil 103/108 on the front Framed Jules Olitski is hon...

This poster was made to advertise American Pop artist Keith Haring’s exhibition at Tony Shafrazi Gallery in 1984. The composition features a nude figure in the center with their back...

Bat in the meadow. 1982. Paper, linocut, 20x34 cm imprint size 10x25,5 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and ...

Yayoi Kusama Dots Infinity (1986). Edition 58/100 Screenprint [2 screens, 2 colors] Signed, titled, dated and numbered 58/100 in pencil by the artist 28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...

A blank coloring book designed and printed by American Pop artist Keith Haring. This copy is signed and dated in pen by the artist and features several illustrations in the artist’s ...

This poster was made to advertise American Pop artist Keith Haring’s exhibition at Tony Shafrazi Gallery in 1989. It features a series of colored “bubbles” with several illustrated a...

ARTIST: Salvador Dali TITLE: The Vision of The Angel of Cap Creus - The Thumb MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine for DALART EDITION NUMBER: 216/350 MEASUREMENTS: 21.2" x 29.9" YEAR: 1980 FRAMED: Yes, museum quality gold frame...

Carlos Rodriguez Cardenas (Cuba, 1962) 'Artista de la Calidad', 1988 silkscreen on paper 25.6 x 19.7 in. (65 x 49.8 cm.) Unframed ID: ROD-201 Hand-signed by author

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of ...

Original poster: Chopstix Sequences. Printed on woven paper. Horizontal print of a hand holding a chop stix or both in various positions. Behii...

Yayoi Kusama Sunflowers Edition 52/100. Screenprint [11 screens, 10 colors, 11 runs]. image: 52.8 x 45.4 cm. sheet: 61 x 53.5 cm. Published in 1989 on Izumi paper by Ishida Ryoichi....

Cloudy Day Prairie II, by John Hogan, New Mexico Landscape Color Etching, blues edition 13/50 matted and framed John Hogan A graduate of Northeast Louisiana State University with a...

A very good impression of this color lithograph with Chine applique. One of ten Roman numeral artist's proofs, aside from the edition of 50. Signed and numbered IX/X in pencil by Mot...

BEYOND EARTHS BEAUTY is an original hand drawn lithograph(not a photo reproduction or digital print) by the American woman artist Eileen Seitz, printed using hand lithography techniques on archival Arches paper 100% acid free. BEYOND EARTHS BEAUTY depicts a lush, brightly colored island landscape bursting with colorful tropical plants...

Original Victor Victoria vintage movie poster. Professional archival linen backed and in very good condition, ready to frame. NSS: 820018 • Original 1982 release poster • Size...

Artist: Keith Haring Title: Growing I Size: 40 1/8 x 29 7/8 in. (101.9 x 75.9 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full margins. Edition: 85 of 100 Year:...

GIARDINO SEGRETTO is a hand drawn limited edition lithograph created in 1988 by the Iowa born artist, Jim Buckels who is known for his dream-like ima...

Artist: Keith Haring Title: Double Man Size: 22 x 30 in. (55.9 x 76.2 cm) Medium: Lithograph in colors on wove paper Edition: 34 of 85 Year: 1986 Notes: S...

Bernard Buffet (1928-1999) - Sumo Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellent condition.

Abstract yellow and black Rene Ricard print with hand painted poetry on handmade paper. Printed in black ink at the top of the sheet and framed with a thin line, the artist's loose h...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. Here, Ricard traverses visual art, text, and the pleasure of sculptural trompe-l’œil with this printed drawing of melancholy hand-written and typed love poetry, composed with natural earthen shades of antique white and brown. Monet Portrait of Jeanne Duval...

Summer Sky, limited edition lithograph, landscape, desert, turquoise, orange

NEW DECO by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on brown colored archival printmaking paper, 100% acid ...

Artist: Gene Davis Title: Royal Curtain Medium: Screenprint on Arches paper Date: 1980 Edition: 60/250 Frame Size: 35" x 26 1/2" Sheet Size: 29 3/4" x 21 3/4" Signature: Hand signed ...

Bridget Riley offset lithograph postcard Boldly signed in black marker by Bridget Riley A scarce collectible when hand signed by the artist Provenance: Acquired from an internationa...

Photograph from From Richard Heeps acclaimed series Ordinary Places, a bible on a brown side chair taken from above at the Chapel at the Fleetwood's Fisherman's Mission. It was Rich...

Color 3-D lithograph in Plexiglas box. Edition 75 Red Grooms and Master printer Bud Shark began their many print collaborations in 1981 with “Mountaintime”, followed in 1982 by their first three-dimensional lithograph, “Ruckus Taxi...

TAPESTRY OF SPRING by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 1...

Robert Longo (b. 1953) Gretchen and Eric, from Men in the Cities, 1985 Two lithographs on rag paper Each signed, dated and numbered in pencil to lower margin Edition 27 of 48 (matchi...

Screenprint in colors on Wove Paper. Reference Littmann, K, & Haring K. Keith Haring, Editions on Paper 1982-1990: The Complete Printed Works, Cantz, Stuttgart, 1997, p.97. Hand num...

Bernard Buffet (1928-1999) - La cérémonie du thé Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellen...

Sam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...

Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 30 1/4 × 40 1/2 inches Unframed Commissioned by the Mr. and Mrs. Albert A. List Graphic Fund for The Jewish Museum, New York Signed, numbered and dated in graphite pencil on the front; bears publishers' blind stamp front left corner. Commissioned by the Mr. and Mrs. Albert A. List New Year's Graphic Fund for The Jewish Museum, New York. During the 1980s, various artists were commissioned to create a print celebrating the Jewish New Year. This is the silkscreen renowned sculptor Nancy Graves created to celebrate the year 5745 of the Jewish Calendar, beginning in September 1984 (Rosh Hashanah). This work was published in a limited edition of 90. The number 90 has special significance in Jewish gamatria (numerology) for several reasons, including the fact that it equals five times life - or Chai. The number for Chai, meaning "Life " s 18, and 18 x 5 = 90. This is a magical number in Judaism. All of the works were published in editions that were multiples of 18, or the Life. In her lifetime, Nancy Graves did not receive the renown or acknowledgement that her ex-husband and former Yale School of Art classmate Richard Serra did, but she is finally getting the recognition she richly deserves. Biography: Nancy Graves (1939 – 1995) is an American artist of international renown. A prolific cross-disciplinary artist, Graves developed a sustained body of sculptures, paintings, drawings, watercolors, and prints. She also produced five avant-garde films and created innovative set designs. Born in Pittsfield Massachusetts, Graves graduated from Vassar College in 1961. She then earned an MFA in painting at Yale University in 1964, where her classmates included Robert Mangold, Rackstraw Downes, Brice Marden, Chuck Close, as well as Richard Serra with whom she was married from 1964 to 1970. Five years after graduating, her career was launched in 1969 when she was the youngest artist — and only the fifth woman — to be selected for a solo presentation at the Whitney Museum of Art. Graves’ work was subsequently featured in hundreds of museum and gallery exhibitions worldwide, including several solo museum exhibitions. She was awarded commissions for large-scale site-specific sculptures and her work is in the permanent collections of major art museums. A frequent lecturer and guest artist, her work was widely documented during her lifetime. In 1991 she married veterinarian Dr. Avery Smith. Graves travelled extensively and was fully engaged with the cultural and intellectual issues of her times. Her brilliant career and life were cut short by her untimely death from cancer at age 54. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps, commingling scientific exactitude with abstraction. Resuming sculpture in the late 1970s, Graves was among the first contemporary artists to experiment with bronze casting. She re-invigorated the traditional lost wax technique by assembling cast found objects into unique improbably balanced sculptures, with bright polychrome surfaces and distinctive patinas. Throughout the 1980s Graves became widely recognized for her increasingly large and graceful open-form sculpture commissions. At the same time, she also expanded her drawing, painting, and printmaking practice and made large gestural watercolors. Then, in the late 1980s she created wall-mounted works that combined her explorations of sculpture, painting, form and color. In these large-scale pieces, she mounted high relief polychrome sculptural elements to the surfaces and edges of painted shaped canvases so that patterned shadows were cast onto the paintings and surrounding wall. By the 1990s Graves was casting in glass, resin, paper, aluminum, and bronze, combining these varied materials and colors into daring sculptures with moving parts. As she proceeded in all the media she mastered, Graves increasingly re interpreted and transmuted forms sourced from her own earlier artwork — rather than from outside research — creating elaborate compositions that form a layered a-temporal archaeology of her own visual production. Nancy Graves’ pioneering art...

"Griders" is Craig McPherson's rainy night scene showing the view from his former studio in Washington Heights in NYC. The image is the companion pi...

Claire Seidl Description Without Place (Hand Signed), 1986 Lithograph and silkscreen. Hand signed, dated and numbered from the edition of 65 by the artist. 28 × 38 1/2 inches Unfram...

Original prerelease Indiana Jones and the Last Crusade 1 sheet movie poster that was rolled and not folded. Artist: Drew St4uzan. Size: 27" x 40". Linen backed. Excellent co...

Artist: John Cedarstrom Title: Water Lily Flower Year: circa 1980 Medium: Screenprint, signed in pencil Edition: AP Paper Size: 23 x 31.5 inches

Etude Du Corps Humain D'après Ingres is a precious colored lithograph realized by Francis Bacon in 1984. Colored lithograph on Arches paper. Hand-signed by the artist on the lower r...

Bernard Buffet (1928-1999) - Katsura Rikyu-Kyoto Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellen...

Jim Dine, Monotypes et Gravures, Galerie Maeght, Paris, 1983. Vintage Offset Lithograph Poster American contemporary pop art. A colorful heart quilt in a rainbow of colors. Jim Dine...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

This photo-lithographic poster was printed at the Atelier Mourlot in Paris in 1982 with the permission of the Matisse estate to promote the works by Henri Matisse at the Galerie Dina...

Secret Writing / Poe Tighe O’Donoghue, American (1942–2023) Date: Circa 1985 Aquatint Etching, signed and numbered in pencil Edition of 99 Image Size: 1...

88.3 x 69.9 cms (34.7 x 27.51 ins) Edition of 100

86.4 x 71.8 cms (34 x 28.25 ins) Edition of 17 Paper: Somerset Textured Proofs: 9 AP, I CTP (on handmade paper) Signed right, under image; numbered left, under image; publisher's chop lower right Publisher: The Litho Shop Inc., Santa Monica, California Printed by Jacob Samuel...

PLAINS OF JUPITER is a hand drawn color lithograph by the British painter Harold Hitchcock printed using hand lithography on archival Arches paper 100% acid free. In the dreamy, roma...

Original "Sam the Olympic Eagle" Linen-backed poster with holding the Olympic torch for the 1984 XXIII Olympiad Los Angles. The Olympic poster was sponsored by Buick. Excellent condition original L.A. Olympics poster. Created in 1980 for the 1984 World Olympics. This 1984 Olympics poster...

Marc Chagall - Summer's Dream - Original Handsigned Lithograph 1983 Printed by Mourlot Dimensions: 48 x 65 cm Handsigned in pencil Justified EA (Epreuve D'artiste, Artist proof) asi...

A very good impression of this color soft-ground etching, etching and aquatint on White Rives BFK paper. Signed, dated and numbered 55/60 in pencil, lower margin. Printed and publish...