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Attributed to Alfred Mills (English, 1776-1833) " The Dentist ", 1806 Hand Colored Engraving Published by Bowles & Carver Sight Size: 6 3/4" x 8 5/8" Overall Size: 14 3/4" x 15 ...

Adolphe Leon Willette (French, 1857-1926) "Le Courrier Français Illustré / Dans Tous Les Kiosques" English translation: "The Illustrated French Courier / In All Newsstands" Le Cou...

The Horizontal 'Spots' by Damien Hirst is a multi-color woodcut in his signature palette formed with series unique colors. This exquisite piece is created in a limited edition of onl...

The minimalist's dream, the large-scale iconic contemporary pop art Horizontal 'Spots' with multi-color dots by Damien Hirst is one of fifty-five limited edition woodcut prints on So...

The vertical Spots 'Gly-Gly-Ala' by Damien Hirst is a multi-color woodcut in his signature palette formed with series unique colors. This exquisite piece is created in a limited edit...

Yayoi Kusama Infinity Nets (1986). Edition 61/100 Screenprint [2 screens, 2 colors] Signed, titled, dated and numbered 61/100 in pencil by the artist 28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...

Artist: Roy Lichtenstein Title: Cathedral #2 Portfolio: Cathedral Series Medium: Lithograph in colors on Special Arjomari paper Year: 1969 Edition: 71/75 Sheet Size: 48 5/16" x 32 3/...

Artist: Roy Lichtenstein Title: Haystack #4 Portfolio: Haystack Medium: Lithograph and screenprint on Rives BFK paper Year: 1969 Edition: 93/100 Sheet Size: 20 1/2" x 30 3/4" Image S...

Artist: Mr. Brainwash Title: Balloon Girl Medium: Unique silkscreen on paper Date: 2023 Edition: One of a kind Frame Size: 36 3/4" x 29 1/4" Sheet Size: 30" x 22" Signature: Hand sig...

This original screenprint in colours is hand signed in pencil by the artist "Andy Warhol" at the lower right corner. It is also hand-numbered in pencil from 372 the edition of 2,000...

Artist: Mr. Brainwash Title: Charlie Chaplin Medium: Unique silkscreen on paper Date: 2023 Edition: One of a kind Frame Size: 36 1/2" x 29" Sheet Size: 30" x 22" Signature: Hand sign...

Artist: Alexander Calder Title: Plate 1 Portfolio: Derriere le Miroir #173 Medium: Lithograph Year: 1968 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image...

Artist: Roy Lichtenstein Title: Spray Can Portfolio: 1¢ Life Medium: Lithograph on white wove paper Year: 1963 Edition: 2000 Frame Size: 21 1/4" x 19 1/4" Sheet Size: 16" x 11 1/2" I...

Artist: Salvador Dali Title: Angel of Dada Surrealism Portfolio: Memories of Surrealism Medium: Etching and photolithograph Date: 1971 Edition: AP XIV/XXV (artist's proof 14/25, asid...

See Me As I Really Am, 2022 David Shrigley Linocut, on Somerset 300 gr Signed, dated and numbered from the edition of 100 Sheet: 50 × 65 cm (19.7 × 25.6 in)

Original vintage travel poster for Monte Carlo featuring an elegant pin-up style image by the French painter Jean Gabriel Domergue (1889-1962) of a young blonde lady sitting on a div...

Artist: Banksy Title: Flower Thrower Triptych Medium: Screenprinted triptych on Micron board Year: 2019 Edition: 268/300 Frame Size: 34 3/4" x 27" (left panel), 42" x 29 3/4" (centra...

Original vintage travel advertising poster for the World Fair event held in New York at Flushing Meadows-Corona Park from 30 April 1939 to 31 October 1940. Great Art Deco design by J...

Young wood owl 1952 Ed. 500 pcs White earthenware clay, partly polychromed and glazed H. 25 cm Inscribed underside : Edition Picasso, Madoura Picasso - Catalogue of the edited cerami...

Artist: Erhard Ratdolt (German, 1442-1528) Title: "Vol. 6, page 10-11", "Vol. 6, page 6-7", and "Vol. 6, 28-29" Portfolio: Breviarium Pataviense Year: 1490 (First edition) Medium: Set of Three Original Incunabula Leaves on watermarked laid paper Limited edition: Unknown Printer: Erhard Ratdolt, Ausburg, Germany Publisher: Friedrich von Öttingen and Christoph von Schachner, Passau, Germany Reference: Hain No. 3875; Bod-Inc No. B-542; GW No. 5426; Weale/Bohatta No. 335; Schreiber No. 3615 Sheet size (each): approx. 12.5" x 8.88" Condition: "Vol. 6, page 10-11", "Vol. 6, page 6-7", and "Vol. 6, 28-29" all have scattered wormholes, staining, foxing, and soiling about their sheets. The latter two have remnants of tape at their edges. "Vol. 6, 28-29" has heavier staining to its sheet and edge wear about. Have been professionally stored away for decades. They are all otherwise strong impressions in overall fair condition with strong colors Extremely rare Notes: Comes from Ratdolt's six volume "Breviarium Pataviense", (1490) (First edition), which consists of 378 pages of Gothic texts in Latin with red rubricated initials, psalms, readings, hymns, and woodcut engraved illustrations. Printed in Augsburg by Erhard Ratdolt on May 12, 1490. There was a subsequent printing on November 27, 1490. Both "Vol. 6, page 10-11" and "Vol. 6, 28-29" have a bow and arrow watermark in the center of their sheets. Some information and old prices inscribed in pencil to their sheets. Breviary is a liturgical book in the Roman Catholic Church that contains the daily service for the divine office, the official prayer of the church consisting of psalms, readings, and hymns that are recited at stated hours of the day. Biography: Erhard Ratdolt (1442–1528) was an early German printer from Augsburg. He was active as a printer in Venice from 1476 to 1486, and afterwards in Augsburg. From 1475 to 1478 he was in partnership with two other German printers. The first book the partnership produced was the Calendarium (1476), written and previously published by Regiomontanus, which offered one of the earliest examples of a modern title page. Other noteworthy publications are the "Historia Romana of Appianus" (1477), and the first edition of "Euclid's Elements" (1482), where he solved the problem of printing geometric diagrams, the "Poeticon astronomicon", also from 1482, "Haly Abenragel" (1485), and "Alchabitius" (1503). Ratdolt is also famous for having produced the first known printer's type specimen...

Artist: Erhard Ratdolt (German, 1442-1528) Title: "Preface Page" and "Page CVI - 106" Portfolio: Missale Frisingense Year: 1492 (First edition) Medium: Set of Two Original Incunabula Leaves on watermarked laid paper Limited edition: Unknown Printer: Erhard Ratdolt, Ausburg, Germany Publisher: Sixtus of Tannberg, Freising, Germany Reference: Hain No. 11303; Weale/Bohatta No. 396; Schreiber No. 4699; Pell No. 7944 Sheet size (each): approx. 11.94" x 8.13" Condition: "Preface Page" has the occasional wormhole. Remnants of tape, a tape and a paper clip stain along its edge. Minor foxing and soiling mainly in margins. "Page CVI - 106" has remnants of tape and a small stain along its left edge. Light foxing and soiling about its sheet with some general edge wear. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition with strong colors Very rare Notes: Comes from Ratdolt's one volume "Missale Frisingense", (1492) (First edition), which consists of 576 pages of Gothic texts in Latin with red rubricated initials, music, and woodcut engraved illustrations. Printed in Augsburg by Erhard Ratdolt on March 17, 1492. "Preface Page" has a bull's head and cross watermark in the upper center of its sheet. Some information and old prices inscribed in pencil to their sheets. A missal is a book that contains the prayers, chants, biblical readings, and rubrics for celebrating Mass. The first missals were found in monasteries in the 12th and 13th centuries. The term missale is Latin for "Mass book". Biography: Erhard Ratdolt (1442–1528) was an early German printer from Augsburg. He was active as a printer in Venice from 1476 to 1486, and afterwards in Augsburg. From 1475 to 1478 he was in partnership with two other German printers. The first book the partnership produced was the Calendarium (1476), written and previously published by Regiomontanus, which offered one of the earliest examples of a modern title page. Other noteworthy publications are the "Historia Romana of Appianus" (1477), and the first edition of "Euclid's Elements" (1482), where he solved the problem of printing geometric diagrams, the "Poeticon astronomicon", also from 1482, "Haly Abenragel" (1485), and "Alchabitius" (1503). Ratdolt is also famous for having produced the first known printer's type specimen...

Patrick Rubinstein is a French contemporary artist, born in 1960 in Paris. He belongs to the movement of Op Art and Kinetic art. He is the inventor of the movement Kinetic Pop Art,...

Artist: Gene Davis Title: Royal Curtain Medium: Screenprint on Arches paper Date: 1980 Edition: 188/250 Frame Size: 35" x 26 1/2" Sheet Size: 29 3/4" x 21 3/4" Signature: Hand signed...

Artist: Roy Lichtenstein Title: Reflections on Soda Fountain Medium: Screenprint on Rives BFK paper Year: 1991 Edition: AP 30/30 Sheet Size: 36 3/4" x 38...

Gift, 2024 David Shrigley Linocut printed in black Signed, dated and numbered from the edition of 100 Sheet: 32 × 42 cm (12.5 × 16.5 in)

"Campbell's Soup I: Vegetable Soup" is a Post War screen print on paper by Andy Warhol in 1968. It is edition 198/250. The artwork is 40 x 28 1/2 inches and weighs less than 50 lbs. It is signed in ballpoint pen, verso, "Andy Warhol" and stamped verso, "198/250". With Campbell's Soup Can, Andy Warhol takes as his subject a ubiquitous staple food found in millions of American homes and turns it into high art. With the unique candor he displayed in the best of his early Pop art works...

'Sweet William' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Free...

'Clove Carnation' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Fr...

'Picotees' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand ...

'Torch Lily' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehan...

'Tacsonia' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand ...

'Tacsonia' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand ...

'Ranunculus' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehan...

'Oriental Poppy' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Fre...

'Cactus' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand an...

'Sunflower' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand...

'Crimson Mallow' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Fre...

'Peony' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand and...

'Pansies' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand a...

'Single Dahlia' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Free...

'Tulip' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand and...

'Primula or China Primrose' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Profe...

'Passion Flower' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Fre...

'Minor Convolvulus' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of ...

'Poet's Daffodil' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Fr...

'Polyanthus Narciss' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of...

'Gloxinia' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand ...

Sister Mary Corita Kent (American, 1918-1986) He Repeated the Letters of the Alphabet... Color Screenprint 22.5 x 38.75 inches Signed Lower Right Sister Mary Corita Kent, once the n...

Yayoi Kusama Tulipe (I), A.P. from the Edition of 60. Screenprint [8 screens, 8 colors, 11 runs]. Lamé [3 colors] Image: 45.5 x 38 cm. Sheet: 65x 50 cm. Provenance: Ravenel Art Auct...

Screenprint in colours, 2009, on Arches wove paper. Hand signed and numbered 069/299 in brown crayon. Published by Pictures on Walls, London, with the artist's blindstamp. Certific...

Original vintage travel advertising poster - Nice Travail et Joie / Work and Happiness H. Matisse - featuring colourful artwork by the renowned French artist Henri Matisse (1869-1954...

Artist: Mr. Brainwash Title: Balloon Girl Medium: Unique silkscreen on paper Date: 2023 Edition: One of a kind Frame Size: 36 3/4" x 29 1/4" Sheet Size: 30" x 22" Signature: Hand sig...

Original vintage exhibition poster for Picasso The Graphic Work / Das Graphische Werk at the Kupferstichkabinettes Berlin in the Nationalgalerie (the Museum of Prints and Drawings pa...

Artist: Mr. Brainwash Title: Balloon Girl Medium: Unique silkscreen on paper Date: 2023 Edition: One of a kind Frame Size: 36 3/4" x 29 1/4" Sheet Size: 30" x 22" Signature: Hand sig...

Indians of North America 1936 Jo Mora Lithograph Paper size: 31 7/8 x 24 1/4 inches Image size; 30 1/4 x 22 7/8 inches These are the original lithographs from the Jo Mora Estate from Jo Mora Jr. THESE ARE NOT REPRODUCTIONS! FREE SHIPPING LOWER 48 Joseph Jacinto Mora 1876 – 1947 Mora was born in Montevideo, Uruguay, and was the son of Domingo Mora, a well-known painter and sculptor who brought his family to the United States in the mid 1890s and then became a teacher in New York at the Art Students League. Joseph and his artist brother Luis Mora (1874-1940) grew up being much influenced by the creative atmosphere of their father’s studio. In 1904, he returned to Arizona and New Mexico and lived with Hopi and Navajo tribes, learning their languages and painting depictions of their ceremonies, especially the Kachina ceremonial dances. One of the results of his Western travels was a series of humorous maps that were spoofs of the national parks and that were made into posters. In the 1930s, the maps sold for 25 cents each and were distributed through souvenir shops at the parks. He also painted a watercolor series, “Horsemen of the West” and wrote two books, “Trail Dust and Saddle Leather” and “Californios.” Joseph Mora died in Pebble Beach on October 10, 1947. Devoting his life to exploration of subjects as diverse as vaqueros, Hopi Kachina figures, the Arizona landscape, and California missions, Joseph Mora also excelled as a writer, photographer, designer, children’s book illustrator, and map maker. “Apart from the bread and butter commissions that he referred to as “pot-boilers,” Mora has left a vast legacy of fine artwork. His contributions to public sculpture and architectural decorations, which are numerous and diverse, gaze calmly at the world from buildings in Los Angeles, San Francisco, Salinas, San Jose and Portland. Mora’s dioramas and large-scale figures are permanently in Monterey and Sacramento, California and Claremore and Bartlesville, Oklahoma. His drawings, paintings and photographs are cherished in private collections and private institutions across the country and first editions of his books are highly valued. But in the final analysis, Mora’s most important works may be his cartes. In these entertaining maps, Mora combined his encyclopedic knowledge of history, his writing, drawing, and cartooning skills, his fine sense of design, and his sense of playfulness to create an art form uniquely his own. Mora’s cartes are still captivating more than fifty years after their completion, and they exemplify the popular, entertaining, direct, and informative art at which Mora excelled.” Betty Hoag McGlynn • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Original vintage poster - The New Yorker - featuring the iconic View of the World from 9th Avenue magazine cover by the notable American artist Saul Steinberg (Saul Erik Steinberg; 1...

Evolution of the Cowboy, 1933 Original Lithograph Excellent condition, came directly from Jo Mora Jr. Unframed!! Original version was called Evolution of the Cowboy, 1933 or referred today as "Sweetheart of the Rodeo", Images from the poster were used for "Sweetheart of the Rodeo", the sixth album by American rock band the Byrds and was released on August 30, 1968. It was hated when released, today it is considered one of the great classics. This is an original lithograph from the Jo Mora Estate from Jo Mora Jr. Joseph Jacinto Mora (October 22, 1876 – October 10, 1947) was a Uruguayan-born American cowboy, photographer, artist, cartoonist, illustrator, painter, muralist, sculptor, and historian who wrote about his experiences in California. He has been called the "Renaissance Man of the West". Early life Mora was born on October 22, 1876, in Montevideo, Uruguay. His father was the Catalan sculptor, Domingo Mora, and his mother was Laura Gaillard Mora, an intellectual born in the Bordeaux region of France. His elder brother was F. Luis Mora, who would become an artist and the first Hispanic member of the National Academy of Design. The family entered the United States in 1880 and first settled in New York City, and then Perth Amboy, New Jersey. Jo Mora 1931 Yosemite map Jo Mora studied art at the Art Students League of New York and the Cowles Art School in Boston. He also studied with William Merritt Chase. He worked as a cartoonist for the Boston Evening Traveller, and later, the Boston Herald. In the spring of 1903, Mora arrived in Solvang, California. He stayed at the Donohue Ranch. He made plans to travel to the Southwest to paint and photograph the Hopi. He spent time at the Mission Santa Inés; those photographs are now maintained by the Smithsonian Institution. Mora visited many Spanish missions in California that summer by horseback. He followed the "Mission Trail", also called the "Kings Highway". In 1904, Mora visited Yosemite. Later, in 1904, to 1906, visited Arizona where he took photographs, painted and otherwise recorded the daily life of these Native Americans. Because the Hopi and other tribes have voiced their concerns more recently about photographs depicting religious ceremonies, the tribal nation should be contacted before they are used. He learned the Native languages and made detailed drawings of what he observed. Career In 1907, Mora wrote and illustrated the comic strip Animaldom. In 1907, Mora returned to California and married Grace Needham. Their son, Joseph Needham Mora, was born on March 8, 1908. The Moras moved to San Jose, California, where Mora continued his work. On 22 February 1911, the Native Sons of the Golden West Building, in San Francisco, with six terra cotta panels, by Domingo Mora and his son, Jo Mora, was dedicated. In 1915, he served on the International Jury of Awards at the Panama–Pacific International Exposition and displayed six sculptures.[9] In 1915-16 two of his sculptural commissions were revealed: the bronze memorial tablet with the profile of the late Archbishop Patrick W. Riordan for the Knights of Columbus and the Cervantes Monument in San Francisco's Golden Gate Park.[10][11] By 1919, he was sculpting for the Bohemian Club, including the Bret Harte Memorial plaque, completed in August 1919 and mounted on the outside of the private men's club building in San Francisco. Carmel-by-the-Sea In 1921, the Mora family relocated to Carmel-by-the-Sea, California, the largest art colony on the West Coast, making it their primary residence. He constructed a Craftsman-style home, which is located on the west side of San Carlos Street, the third house south of 1st Avenue. Mora received a commission for the bronze and travertine Cenotaph, for Father Junípero Serra in the Memorial Chapel at the west end of Mission Carmel. Mora was a director of the Carmel Art Association as early as 1934. His sculptures were exhibited between 1927 and 1934 in various galleries in Carmel. Jo Mora is a serious sculptor, a responsible amateur actor; when mixed up with pen and ink, a humorist! Comic strips was once his trade. He was famous at it. That was years ago but his art of cartooning bloomed again when in recent years he produced the well known Mora Map of the Monterey Peninsula. Most successful with bronze statue creations which decorate many gardens in East and West. If he has a specialty in figures it is cowboys. He knows his West. Jo Mora will ever be famed for his portrayal of Pancho Lopez, The Bad Man, at Carmel Playhouse. He does everything well and is handsome while doing it. He is happily married-alas! — Carmel Pine Cone During the Great Depression, Mora created the "Carmel Dollar" as part of Carmel's program, offering unemployed residents scrip for public service, exchangeable for groceries and essentials; a three-cent stamp on the certificate's back acknowledged their efforts. When full, merchants accepted the certified scrip for goods or a dollar. Architect Robert Stanton...

This original screenprint in colours is hand signed and dated in pencil "K. Haring 88" (Keith Haring 1988) at the lower right corner. It is also hand numbered in pencil from the edit...