More Prints

10th Anniversary New Orleans Jazz and Heritage Festival Poster, 1979 by John Martinez Fifth in the series by John Martinez. The grand marshal returns for the Jazz Festival's 10th anniversary; as does the "cut paper" technique first seen in the 1977 poster...

Type II Tutti Frutti, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, p...

This print presents a fictitious encounter between contemporary colonial forces and Native Americans who are defenders of immigrant refugees and displaced populations. The artist de...

Salvador Dali (1904-1989) - Lady Godiva Lithograph from 1970. Edition of 187/256. Dimensions of work: 68 x 50 cm Publisher: Simeon Wajntraub. On B.F.K Rives paper as stated in t...

Pablo Picasso (1881-1973) - Four original lithographs - A Los Toros series Lithograph from 1961. Dimensions of work: 31 x 25 cm. Reference: Bloch 1014-1017; Cramer 113. Printed by...

This artwork titled, "La Deesse de Cythere" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dali 1904-1989. It i...

Original " LIDO REVUE BONJOUR LA NUIT CHAMPS ELYSEES BLUEBELLS GIRLS" vintage poster by the artist Rene Gruau. (Hello the Night). This poster features 30 Bluebell girls at the Lid...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Chrome Tutti Frutti, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, pe...

Artist: Pablo Picasso (after) Title: La Corrida (The Bullfight) Medium: Aquatint in colors on Arches wove paper Date: 1956 Edition: 104/200 Printer by Atelier Crommelynck Paris Publi...

This proof depicts one of Jim Dine's signatures motifs, a deep red heart, which drips down the page. Along the right side of the heart, hand-drawn text reads: “Red design for satin h...

Type II Tutti Frutti, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, p...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of pink, yellow, red, turquoise, silver, and gold. Printed with metallic ink that catches light differently from each angle, complementing the poster’s lime green and red text. The top of the poster reads “Let us move forward with a strong and active faith.” It was at this 1980 convention that Jimmy Carter was nominated for reelection. This large poster was printed by Petersburg Press in 1980, and features Frank Stella’s Polar...

Dear Artist, 2014 etching 38 x 28 cm - sheet 44 x 35 cm - Framed hand-signed, dated and numbered by the artist Edition 17 of 20 published by Shafer Editions

Rare Limited Edition Serigraph of John Lennon's most famous self portrait. originally drawn in 1968, this limited edition was released by Bag One Arts (The Lennon Estate) in 1995, a...

Mother India, photograph from Richard Heeps series 'The Ambassador's Window', a pilgrimage from Kerala in the South to Meerut in the North, the birthplace of his Grandfather. As boo...

ARTIST: Salvador Dali TITLE: Don Quixote MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 80/100 MEASUREMENTS: 30" x 22" YEAR: 1966 FRAMED: No CONDITION:...

Original Sports d'Hiver (winter sports) skiing vintage poster. Archival linen-backed lithograph in very good condition, ready to frame. The blank area at the bottom would be used to indicate various ski locations or ski events that would be taking place. This gave this poster more various uses than just having it printed for one location. A large scale original ski poster that is great for your ski lodge and in the reasonable price category for original and antique skiing posters...

AILA Blue, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal pas...

'1-4 Morchella Lutescens 5-7 Morchella Abietina' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific...

Original vintage French poster: Mi Careme de Nantes carnaval poster. Printer: Jagueneau - Nantes, France. Over 50 years old, Linen ...

Pablo Picasso (1881-1973) - Matadores Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle d'A...

ARTIST: Salvador Dali TITLE: Memories of Surrealism The Eye of Surrealist Time MEDIUM: Etching on Japon Paper SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: A XXX/XL MEASU...

Original: FORGOTTEN ISLAND OF SANTOSHA vintage surfing poster. Artist: Bill Ogden. Size: 27" x 39 3/4". Year: 1974. Original One Sheet from Austra...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

This 21.25" x 37.5" framed Japanese woodblock print, depicts a busy scene that includes many figures within, and upon a large boat. The boat takes up the majority of the horizontal c...

'1. Heliconius erato 2. Heliconus vesta 3. Heliconus sylvanus' Late 19th century colour lithograph of butterflies.

Artist: Pablo Picasso Title: La Pique (I) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame Size: 18 1/4" x 20 3/4" Sheet Size: 9 1...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of ...

'1. Castnia eudesmia 2. Castnia huebneri 3. Synemon catocaloides 4. Neocastnia nicevelli' Late 19th century colour lithograph of butterflies.

Photograph from From Richard Heeps acclaimed series Ordinary Places, a bible on a brown side chair taken from above at the Chapel at the Fleetwood's Fisherman's Mission. It was Rich...

This artwork titled "Hana" 1982 Is an original lithograph by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and numbered 199/250 in pencil by the artist. With the blind stamp of the artist and printer. The image size is 19.5 x 26 inches, the sheet size is 22 x 30 inches, framed size is 33 x 41 inches. Custom framed in a dark wood frame, with fabric matting. the artwork is in excellent condition, the frame is in very good condition, it has minor restorations, barely visible. About the artist: Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222) His parents were Carl Nelson...

Henri Matisse (1869-1954) - Femme Nu Photogravure from 1952. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure sh...

Ed Ruscha Actual Size (Spam), 2024 UV pigment print with yellow silkscreen details and a matte varnish seal, printed on 410gsm Somerset Tub Sized Radiant White paper. Individually nu...

'Telephone VII' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography featuring a vintage telephone on a nightstand combines gorgeous pastel c...

Chu Teh-Chun (1920-2014) - Composition abstraite Lithograph from 1960. Edition 60/60. Dimensions of work: 63.5 x 48.5 cm. Hand signed. Publisher: Galerie de France, Paris. Dime...

Tamara de Lempicka (1894-1980) - The Blue Scarf, 1930 Giclée from 2023. The edition no. 2 out of 100. Dimensions of work: 70 x 52.5 cm. Publisher: Chelsea Green Editions. High-q...

Jean Carzou (1907-2000) - Le débarquement Lithograph from 1966. Dedicated to Pierre Sorlier, on Arches paper. Dimensions of work: 77.7 x 62.2 cm. Hand signed. The work is in Exc...

Tamara de Lempicka (1894-1980) - Saitn Moritz, 1929 Giclée from 2023. The edition no. 3 out of 100. Dimensions of sheet: 70 x 52.5 cm Dimensions in frame: 87.5 x 69.8 cm Publish...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Refrence: Cramer 112; Orozc...

'Telephone VII' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography featuring a vintage telephone on a nightstand combines gorgeous pastel c...

Bernard Berthois-Rigal (French, b. 1927) La Nef de Lysimaque, c. 1970s/80s Aquatint Sight: 22 1/4 x 32 in. Framed: 32 x 41 1/4 x 1 3/8 in. Edition 36 of 95 Numbered lower left, signe...

"View of A Morai or Burial Place of Atooi, One of the Sandwich Islands (Kauai, Hawaii)" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the a...

Mixed media, archival pigment and silkscreen on 410gsm Somerset Satin paper 111.8 × 78.7 cm Edition of 95 hand-signed and numbered by the artist James McQueen, born in 1977, is a Br...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Day Tripper" first released as a single by the Beatles in December, 1965...

Pablo Picasso (1881-1973) - La Pique Lithograph from 1961. Dimensions of work: 31 x 25 cm. Reference: Bloch 1014; Cramer 113.IV. Printed by Atelier Fernand Mourlot, Paris. The wo...

LUDWIG SANDER Untitled geometric abstraction Artists Proof, aside from the regular edition of 90 Hand signed and annotated AP on the front Elegantly matted and framed in white wood m...

Original Soccer vintage sports poster. Linen backed in very good condition, ready to frame. Printed by Ortega Company in Valencia. This type of untitled vintage poster was commonly printed and the date of an upcoming game and team would be added at the bottom of the poster. Soccer games were played quite often, allowing the local team to advertise their events without reprinting a new poster for each game or event. This poster was printed as a full lithograph, so it was expensive to produce. There is no specific designation of which two teams are being shown here in this antique poster The poster has a nickname of ‘heads-up,” as two of the players are in the air as they position themselves to control the soccer ball. Valencia two main clubs, FC València and Levante UD, attract hordes of fans to their matches. Both clubs play in the First Division of La Liga...

Original vintage poster: YOU Buy a Liberty Bond. Linen Backed World War 1 bonds poster. Archival linen backed in good condition; ready to frame. Artist: C . R. Macauley created...

Carlos Ruano Llopis (1878-1950) Original Vintage Bullfighting Poster March 1953 107cm x 53cm Carlos Ruano Llopis was born in 1878 in Orba, Spain ...

Franz Graw Bull Color Offset Lithograph Year: 2023 Size: 11.81 x 15.74 inches (30 x 40 cm) Edition: 100 Signed and numbered in pencil COA provided Franz Graw (b. 1964) is a Düsseld...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Refrence: Cramer 112; Orozc...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Nowhere Man," first released on "Revolver" by the Beatles in 1965. This limited edition was releas...

Pablo Picasso (1881-1973) - Mother and Child Lithograph from 1946. Dimensions of work: 48 x 32.8 cm Publisher: Pantheon. The work is in Excellent condition. Fast and secure shi...

HARBINGER OF SPRING is an original limited edition, hand drawn lithograph(not a photo reproduction or digital print) by the American artist/illustrator Mel Hunter, printed using hand...

Pablo Picasso (1881-1973) - Femme nue Lithograph, pochoir from 1962. An unnumbered copy from a limited edition of 262. Dimensions of work: 48.5 x 36 cm Publisher: Leda, Éditions ...

Bitter Campari Sign, Italian architecture street photography from Richard Heeps series, A Short History of Milan. 'A Short History of Milan' began in Nov...

ARTIST: Salvador Dali TITLE: Lyle Stuart Tarot Prints Wheel of Fortune MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 100/250 MEASUREMENTS: 22.87" x 17...

'Algen I' (Seaweeds) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standar...