More Prints

Turquoise Roof is a limited edition hand-pulled serigraph no. 111 / 260 signed by the artist in excellent condition. Published by Aspen Mountain Graphics. sheet size 28 x 36 image 25 x 32.75 For American artist William Hook ( b. 1948- ) art was a central focus in his family home and he began his career in art at an early age.. He studied at several prestigious art schools in the US and abroad. His work has been featured in magazines such as Southwest Art, Art of the West, U. S. Art, American Artist and Focus Santa Fe. The book... Leading the West... by Donald Hagerty features William Hook as one of the most notable influences on the western art scene. Publishers Harper-Collins and North Light have included his work in numerous books written about the contemporary art process in Europe and America. Hook’s paintings can be found in the permanent collections of the Denver Art Museum, the Tucson Art Museum, the University of New Mexico, the FORBES Museum, NYC, and the Genesee Museum, NY as well as in many corporate and private collections. His work has also been featured in prints for the New Mexico Symphony, Music from Angel Fire...

12.5" x 24" Limited Edition Print of 495 Hand Signed by Bob Dylan This song of longing for an absent love was written in 1962 and appeared on The Freewheelin’ Bob Dylan – a kind of ...

The Mock Turtle's Story is from Lewis Carroll's Alice's Adventures in Wonderland as interpreted by Salvador Dali and published by Maecenas ( a Random...

Original exhibition poster; TAPIES GALERIE MAEGHT Unbacked, fine condition. Antoni Tapies was a Spanish painter, sculptor, and art theorist who became one of his generation's most famous European artists. Tàpies was perhaps the best-known Spanish (Catalan) artist to emerge in the period since the Second World War. An original lithograph exhibition poster by Spanish artist Antonie Tapies (1923-2012) titled "Galerie Maeght Expo 79", 1979. This original exhibition poster was produced for Tapies's exhibition at Galerie Maeght in 1979. Printed and published by Art Adrien Maeght in Paris, France in 1979. Reference: Catalogue Raisonne: Galfetti Ref. 719 - Los carteles de Tapies No.83. Experience art history with this original vintage exhibition poster from the celebrated Antoni Tàpies 1979...

Original AIRS DE CHANCE Loterie Nationale French vintage poster. Translated, it means, "In the moonlight, my friend Pierrot, lend me your money to win the jackpot." Linen-backed original French lottery...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Alexander Calder (1898-1976) - Hommage à San Lazzaro Lithograph from 1975. Edition 371/575 (Photocopy of t...

This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.63" high and 29" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Petra. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211969422, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Julia" first released on the Beatles "White Album" in 1968 and written about John's mother. This lim...

Vivid color monotype by American Abstract Expressionist artist Helen Frankenthaler, signed by the artist in pencil, lower right. Printed and published in collaboration with Tyler Graphics...

Thrill Pier, vintage seaside amusements clowns photograph from Richard Heeps Jersey Shore series. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to a...

Pablo Picasso (1881-1973) - Jacqueline en espagnole Lithograph from 1967. The edition of 223/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second o...

Color lithograph with aluminum leaf, Ed. 30 In "Scattered Seed I" and "Scattered Seed II" her new lithographs, Liu has juxtaposed portraits of late 19th/early 20th century Chinese prostitutes - derived from photographs of the time - with images of dandelions rendered from close-up photographs she took at national parks and historic sites around the Western US, including Mount Rushmore, Devil...

Henri Matisse (1869-1954) - Appolon Lithograph from 1958. Dimensions of work: 52.5 x 35.5 cm. Plate signed. Publisher: Tériade, Paris. Each copy of this Lithograph was originall...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche III Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpen...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle ...

SHARE Paco Pomet (b. 1970, Granada, Spain) lives and works in Granada, Spain. He uses his precise observation to reflect the humour and realism, emphasizing the aggressiveness, assa...

Winston Churchill 'We shall never surrender.' Original vintage poster 50 x 34 cm 'We shall not flag or fail, we shall go on to the end. We shall fight on the seas and oceans, we sh...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Pablo Picasso (1881-1973) - L'atelier de Cannes Lithograph from 1958. On Arches paper. Dimensions of work...

Original vintage poster: VINAIGRERIES GENERALS BORDEAUX BASTIDE, FRANCE. A more unique vintage poster that is round. The poster features a sun in the middle in deep red, with th...

Elektronik, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and...

Fishing Hut, Southwold, harbour architecture photograph from Richard Heeps' series, On-Sea. The modest fishing hut becomes a work of art set against a blue sky in the sunshine. This...

90 Minutes A Side, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

Punk rock ignited a lot of creative and philosophical things for me, and punk principles continuously remind me that speaking truth to power and questioning authority is paramount in life. The Dead Kennedys, The Clash, Black Flag, and the Circle Jerks are just a few of the groups that referenced injustices such as police brutality and abuse of power in their songs, inspiring me to speak out about the same subjects through my art. I have made a lot of lasting friendships through punk rock and its cultural offshoots. One of those friends is Sean Bonner, who began ordering my prints in the '90s while he was art director for punk label Victory Records. Sean designed the package for the Bad Brains...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Salvador Dali (1904-1989) - Clavilegnio Lithograph from 1972. The edition of 187/250. Dimensions of work:...

Artist: (after) Robert Indiana (American, 1928-2018) Title: "LOVE" Portfolio: Banner, Multiples Calendar for 1970 *Issued unsigned Year: 1969 Medium: Original Screenprint on smooth w...

Artist: Keith Haring Title: Double Man Size: 22 x 30 in. (55.9 x 76.2 cm) Medium: Lithograph in colors on wove paper Edition: 34 of 85 Year: 1986 Notes: S...

GIARDINO SEGRETTO is a hand drawn limited edition lithograph created in 1988 by the Iowa born artist, Jim Buckels who is known for his dream-like ima...

A La Queue (Join the Queue) original etching from the series Naughty Dogs of Paris showing a line of five dogs of various breeds trailing a small Chihuahua on a leash who is turning her head towards the queue. This original etching is in excellent condition, hand signed by the artist and published by Sidney Lucas. paper size 13.75 x 29.25 image size 8.50 x 24 Boris O'Klein ( 1893-1985 ) immigrated to France from Russia with his family when he was a young boy. He settled in Paris after World War I and became a prolific artist well known for his watercolors and etchings of dogs getting into mischief. His images are often risque and are considered very humorous. They have been referred to as the Naughty or Dirty Dogs of Paris.

Calder Exhibition Poster is an artwork realized by Alexander Calder in 1976 Mixed colored serigraph. Fair conditions with some tears along the margin. This beautiful and colored p...

Seafront Shelters, are a typical of the British Seaside, they are part of a Seaside Towns identity, with nods to various architectural heritage. Photograph from Richard Heeps', On-Se...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...

"A Canoe of the Sandwich Islands, the Rowers Masked" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is Plate 65 in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admiralty sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell. This famous image of ten Hawaiian rowers transporting a priest who is carrying a feather-covered image of Kukailimoku, the Hawaiian god of war. The priests and paddlers are all wearing gourd masks in their double-hulled canoe with an upright lateen woven sail. Each hull was shaped from a single large Koa log harvested from island rainforests, where they were carved before being transported to the coast. This engraving is presented in a Koa wood frame and a white mat. There are occasional faint spots, but the print is otherwise in very good condition. Koa is the same wood as was used to make the canoe. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. The frame measures 20.75" high, 26.75" wide and 0.88" deep. There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mat (LU117324682022, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included. Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...

'Nepenthes' (Tropical Pitcher Plant) Plants are numbered with a key to the varieties below the image. Antique English botanical chromolithograph.

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche LII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in f...

Wassily Kandinsky (1866-1944) - Intime Mitteilung (Message intime) Etching and aquatint in color from 1925. The editon of 52/300. Dimensions of work: 57 x 45 cm. Monnogramed and ...

A very good impression of this color screenprint on Saunders Waterford paper. Signed, dated and numbered 199/250 in pencil. Published by the artist, New York. From the same titled se...

Marc Chagall - Original Lithograph Frontispiece for André Dunoyer de Segonzac, and Julien Cain. "Humanisme Actif: Mélanges d'Art et de Littérature Offerts à Julien Cain." Paris: H...

Heidler & Heeps Vinyl Collection Fifteen Piece Rainbow Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifull...

Rare Grey cover version of Dirty Funker Future featuring the iconic Banksy Radar Rat artwork on both sides of album cover. Limited edition of only 500 made in 2008. Banksy used the R...

Vintage Las Vegas set of three framed artworks from Richard Heeps Dream in Colour series. Featuring a classic yellow Cadillac on the Las Vegas Strip ...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Linen-backed original “ Suddenly Last Summer “ vintage movie poster. Excellent condition with restored original fold marks as issued during conservation linen-backing. NSS 60/4. ...

Marc Chagall - Original Lithograph The Red Rider From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1957 See Mourlot 191 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Pablo Picasso (1881-1973) - L'homme au mouton Lithograph from 1967. The edition of 500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the publ...

'Hardy Phloxes' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

'Forstinsekten II Kafer' (Forest Insects - Beetles) German chromolithograph, circa 1895. 245mm by 155mm (sheet)

Bernard Buffet (1928-1999) - La cérémonie du thé Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellen...

Clare Halifax J is for (Blue) Jay Limited Edition 3 Colour Silkscreen Print Edition of 75 Image size H 22 x W 22cm Sheet Size: H 27 x W 25cm x D 0.1cm Sold Unframed Please note that ...

This is an engraving of a tomb monument rubbing that has been highlighted with gold color on a dark grey to black background. The rubbing is of a brass plaque on a stone slab. It has...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Salvador Dali (1904-1989) - Le chavelier de la mort Lithograph from 1972. The edition of 187/250. Dimensi...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Pablo Picasso (1881-1973) - Head of a Woman Lithograph from 1946. Dimensions of work: 48 x 32.8 cm Publisher: Pantheon. The work is in Excellent condition. Fast and secure shipm...

Color engraving, representing 99 maritime flags in 1756, bearing the inscription: Made in the Cartes de la Marne depot for the service of the Roy's vessels by Order of M. de Machault Keeper of the Seals of France, by Sr. Bellin Engineer of the Navy. 1756 Gravure en couleurs, représentant 99 pavillons maritimes en 1756, portant l'inscription : Fait au dépôt des Cartes de la Marne pour le service des vaisseaux du Roy par Ordre de M. de Machault garde des Sceaux de France, par Sr. Bellin Ingénieur de la Marine 1756 Includes early marine flag...

Untitled  is an artwork realized by Dorothea Tanning in 1974. Colored lithograph. Good conditions. Printed by  Atelier Pierre Chave in Vence, France. This lithograph was realized ...

This print features Johns's exuberant hatching in orange, white, bright green, and purple atop collaged newsprint. Printing on translucent parchment makes the image particularly vibr...

Patrick Heron was a painter, textile designer and writer on art. He was born in January 1920 in Leeds, the son of T.M. Heron, founder of Cresta Silks and a Christian sociologist. Fr...

Artist: Pablo Picasso Title: Monogram "J" with Design (Plate VII) Portfolio: Carmen Medium: Etching on Montval wove paper Date: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: N...

Original Beat Back the Hun with Liberty Bonds vintage military poster.. Artist F. Strothmann. Original World War 1 antique vintage poster; archival linen backed and ready to fram...

'171. Coprinus picaceus 172. Coprinus atramentarius' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of Frenc...

Jean Dubuffet Banque de L'Hourloupe Original Card with a title card Original edition of 350 numbered sets with 30 hors commerce Dimensions: 25 x 16 cm Screen printed by Kelpra Studios, London Editions Alecto, London 1967 Jean Dubuffet (1901 - 1985) Jean Dubuffet was born on July 31, 1901, in Le Havre, France. He attended art classes in his youth and in 1918 moved to Paris to study at the Académie Julian, which he left after six months. During this time, Dubuffet met Raoul Dufy, Max Jacob, Fernand Léger, and Suzanne Valadon and became fascinated with Hans Prinzhorn's book on psychopathic art. He traveled to Italy in 1923 and South America in 1924. Then Dubuffet gave up painting for about ten years, working as an industrial draftsman and later in the family wine business. He committed himself to becoming an artist in 1942. Dubuffet's first solo exhibition was held at the Galerie René Drouin, Paris, in 1944; the Pierre Matisse Gallery gave him his first solo show in New York in 1947. During the 1940s, the artist associated with André Breton, Georges Limbour, Jean Paulhan, and Charles Ratton...