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Paintings For Sale
Pink and White Bliss, Oil Painting
Located in San Francisco, CA

Artist Comments
Loose brushwork and bold palette knife techniques lend an impressionistic quality to this lush bouquet of roses. The rich texture brings the painting to life, w...

Category

21st Century and Contemporary Impressionist Paintings

Materials

Oil

1930's French Impressionist Reclining Lady in White Dress Reading Pastel
Located in Cirencester, Gloucestershire
Reclining Woman Reading by Cécile HERTZ-EYROLLES (1875-1974) pastel on board, glass covering board : 12 x 16 inches Provenance: private collection, the artists estate, France Conditi...
Category

Mid-20th Century Post-Impressionist Paintings

Materials

Pastel

Hunt Slonem "Score Field of Dreams" Blue and Gold Butterflies
Located in Houston, TX
Hunt Slonem "Score Field of Dreams" Blue and Gold Butterflies A pair of butterflies gestured in white on a gold and blue scored background in a vintage frame Unframed: 10 x 8 inches...
Category

2010s Neo-Expressionist Paintings

Materials

Oil, Panel

Clementine Small Pocket Painting 2c, original painting, contemporary
Located in Deddington, GB
Pocket Small Clementine 2c is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque ...
Category

2010s Contemporary Paintings

Materials

Oil

Antique impressionist oil painting of geese by Louise de Ladeveze-Cauchois
Located in AIGNAN, FR
A truly beautiful impressionist oil on canvas of geese in a farmyard. This exceptional painting is by French artist Louise de Ladevèze-Cauchois (see more about this artist below) an...
Category

Late 19th Century French School Paintings

Materials

Oil

Contemporary impressionist landscape nature watercolor painting on paper
Located in VÉNISSIEUX, FR
This artwork "My love for Paul Cezanne" , inspired by Paul Cezanne, presents a vibrant and abstract interpretation of a tranquil landscape, characterized by energetic brushstrokes an...
Category

2010s Abstract Impressionist Paintings

Materials

Paper, Watercolor

"Salvador Dalí"
Located in Edinburgh, GB
I was inspired to paint this picture by girls. on a nudist beach, they froze on the mat. Like a city in the steppe. As a result, I met them, they became my muses, I repeatedly painte...
Category

21st Century and Contemporary Surrealist Paintings

Materials

Oil

'Shimmer III' Unique Painting
Located in New York, NY
‘Shimmer III’ is a signature gestural butterfly painting by Hunt Slonem. Butterflies can be found throughout Slonem’s Neo-expressionist body of work. The background of the painting i...
Category

2010s Neo-Expressionist Paintings

Materials

Oil, Wood

Antique American School Modernist Framed Abstract Landscape Oil Painting
Located in Buffalo, NY
Impressive early American modernist abstract landscape oil painting. Framed. Oil on canvas. Image size, 12H by 16L.
Category

1940s Modern Paintings

Materials

Canvas, Oil

Alpine Mountain Hut Vintage Landscape Painting by 20th Century German Artist
Located in Preston, GB
Alpine Mountain Hut - Vintage Landscape Painting by 20th Century German Artist, Fritz Haupt Art measures 11 x 9 inches Frame measures 15 x 13 inches This exquisite painting by F....
Category

20th Century Realist Paintings

Materials

Canvas, Cotton Canvas, Oil

Scala of Heaven-original abstract wildlife interior oil painting-modern art
Located in London, Chelsea
Nathan Neven's "Scala of Heaven" is a mesmerizing wildlife interior painting that seamlessly fuses the majestic presence of an elephant and two elegant ostriches with the opulence of...
Category

21st Century and Contemporary Abstract Expressionist Paintings

Materials

Canvas, Oil

Scottish Mountainous Landscape Tranquil Loch Antique Scottish Oil Painting
Located in Cirencester, Gloucestershire
Scottish Mountain Landscape By Alex Fraser, Scottish School, late 19th century Oil on canvas, unsigned, framed Framed: 13 x 20 inches Canvas: 10 x 18 inches Provenance: Private colle...
Category

19th Century Victorian Paintings

Materials

Oil

Springtime in the Camargue
Located in London, GB
'Springtime in the Camargue' by Yves Brayer (circa 1960s). The Camargue region in the South of France is a stunning expanse of wetlands that boasts a unique blend of landscapes and w...
Category

1960s Paintings

Materials

Canvas, Oil

Portrait of a Lady Jane Wood in Pink Dress c.1750 oil painting Fine Carved Frame
Located in London, GB
This work formed part of an ancient collection of family heirlooms of the Wood family of Bracon Ash, Norfolk. This painting, along with another (also with Titan Fine Art at the time of writing), of our sitter’s sister, descended within the family for around 275 years until recently dispersed; they are exquisite examples of Georgian portraiture in England and represents the best of the artist’s work. They are held in their original carved and gilded frames, which are absolute top quality and condition and magnificent works of art in their own right. The sitter’s daughter, Ann, was famously married on board the Foudroyant, off Naples, in a lavish ceremony in 1799, with Lord Nelson himself giving away the bride. The sitter is Jane Wood. Her father was Thomas Wood (1682-176) and Dorothy Huby (1700-1759) and the family lived in Norwich, which in 1720 was a city second in importance only to London. Jane was baptised 14 Oct 1727 at Bracon Ash and had many siblings. Her aunt, also Jane (died in 1756 in Bruges, aged 79) was a Franciscan nun. A portrait of her younger sister, Dorothy Wood (1730-1759), is also with Titan Fine Art at the time of writing. In 1758 Jane married Knipe Gobbet (1730/5-1791) who was Sheriff in 1768 (and Mayor in 1771) of the City of Norwich, and later Lieutenant-Colonel of the West Norfolk Regiment, in which corps he had served in for many years. Knipe was born at his family seat, Tacolneston Hall, to parents George Gobbet (Sheriff in 1710) and Ann. The couple bought and lived in a house in Norwich (later known as Gurney’s Bank House) until 1778 before moving to another one at 10 St Stephen’s Street, Norwich. Later, they inherited the family seat of Tacolnestan Hall and lived there for the remainder of their lives. Knipe Gobbet was a prominent individual. In 1779 he gave the corporation of Norwich 100 pounds to be disposed of as they might think proper and soon after that he was presented with a handsome field tent, marquee, and camp equipage, in testimony of their esteem for his dedication to the defence and service of this country at a time when threatened by an invasion. Although Jane was baptised a Roman Catholic Knipe was a prominent local wine merchant, JP, Alderman, sheriff, mayor and Lieutenant. Roman Catholics may have paid lip service to religious conformity as they were excluded from certain areas of public life before the Catholic Emancipation Act of 1829. The couple had many children, most of which were schooled at the Order of the Immaculate Conception of Our Lady, in Paris. Their oldest daughter, Anne (1760-1817) first married Peter Bottalini of London 27 Oct 1783 at Tacolneston Hall. They had one son together. She later met Dr William Compton (1733- 1824), who was Chancellor of Ely and the next collateral male relation to the Earl of Northampton, and on 9th July 1799, they married in a famous and lavish ceremony on board the Foudroyant, off Naples, where the bride was given away by the Right Hon. Lord Nelson himself (Ann and William then spent many years on the continent where they were British residents of Posilipo Naples). The marriage document, signed by Lord Nelson, Lady Emma Hamilton, Captain Thomas Hardy, and others descended within the family, until sold in a recent sale that raised worldwide interest. It accounts: 'This is to certify that, on board the Foudroyant lying in Naples Bay, on the ninth of July 1799 the marriage between William Compton & Mrs Anne Bottalin, widow, was solemnized by me S. G. Comyn HM. Chaplain to the Right Honble Lord Nelson, H.M.S. Foudroyant, in the presence of'. With the following autograph signatures: Sir William Hamilton (1731-1803), Lady Emma Hamilton (1765-1815), Horatio Nelson, Viscount Nelson (1758-1805); Sir John Thomas Duckworth (1747-1817), Sir Thomas Masterman Hardy (1769-1839), John Rushout, 2nd Baron Northwick (1769-1859), Josiah Nisbet (1780-1830), John Tyson, William Compton and Anne Bottalin, and 2 others” The document sheds light on Nelson's lesser-known side of his character. William Compton ... received "a great many favours and kindnesses" from Nelson, and most especially "the kind interest" taken in sealing his union with a wife who made him "the happiest of mortals". Anne, the aforesaid spouse, said that the admiral's "good heart" had made her "as happy as I can possibly be on this earth" ... Midshipman Parsons remembered those days nostalgically, noting Emma's "graceful form" bending over her harp to bestow "heavenly music" upon the diners on the quarterdeck and the large-decked galley, flush with opera singers, that glided alongside to serenade the sunset of each day'. Our sitter’s other children were: 1) Thomas, who died in 1762, aged four, of a small-pox inoculation, 2) Dorothy (died suddenly of apoplexy 21st Nov 1813). She came to the convent 19th July 1777 and returned to England 23 March 1779, 3) Frances (baptised 22 Feb 1763), who came to the convent when she was nine years old, and eventually married and her surname became Negri, 4) Jane, is thought to have married Juan Manuel Martinez in 1784, 5) and a further possible daughter, Mary. Jane died in 1790 and her husband one year later. Tacolneston has an ancient history of which according to the Domesday Book, Edward I granted a weekly market to be held on a Wednesday at the manor of Tacolneston and two annual fairs. The church was rebuilt in 1503 and is dedicated to All Saints. The earliest view of Tacolneston is a print of 1781 when it belonged to Knipe Gobbet Esq. John Theodore Heins (1697-1756) was a painter whose work, at his best, shows detail of an exceptionally high quality. His portraits of Anna Maria Kett nee Phillips and her husband Henry Kett, painted in 1741, are exceptional and evidence that he had the ability to portray a likeness on par with some of the best portraitists in England at the time. Heins appears to have originated in Germany but moved to the UK and settled in Norwich around 1720. From 1720 to his death in 1756, Heins built up a fine reputation as a portrait painter and painted many members of prominent Norfolk families right up to his last year. He was commissioned in 1732 to paint a portrait of the Mayor of Norwich, Francis Arnam and also the previous year's Mayor Robert Marsh...
Category

18th Century Old Masters Paintings

Materials

Canvas, Oil

Portrait of a Lady, Dorothy Wood in Blue Dress c.1750 painting Fine Carved Frame
Located in London, GB
This work formed part of an ancient collection of family heirlooms of the Wood family of Bracon Ash, Norfolk. This painting, along with another (also with Titan Fine Art at the time of writing) of our sitter’s sister, descended within the family for around 275 years until recently dispersed; they are exquisite examples of Georgian portraiture in England and represents the best of the artist’s work. They are held in their original carved and gilded frames, which are absolute top quality and condition and magnificent works of art in their own right. By tradition the sitter is Dorothy Wood. She was baptised 2nd June 1726, one of several children of Thomas Wood (1682-176) and Dorothy Huby (1700-1759). Her aunt, Jane Wood (1677-1756), was a Franciscan nun in Bruges. In 1758 her sister, also Jane (1727–1790), whose portrait is also with Titan Fine Art at the time of writing, married Knipe Gobbet (1730/5-1791) who was Sheriff in 1768 (and Mayor in 1771) of the City of Norwich, and later Lieutenant-Colonel of the West Norfolk Regiment, in which corps he had served in for many years. Although the Wood family were Roman Catholics Knipe was a prominent local wine merchant, JP, Alderman, sheriff, mayor and Lieutenant. Roman Catholics may have paid lip service to religious conformity as they were excluded from certain areas of public life before the Catholic Emancipation Act of 1829. Their oldest daughter, Anne (1760-1817) famously married Dr William Compton (1733-1824), the Chancellor of Ely and the next collateral male relation to the Earl of Northampton, in 1799, in a lavish ceremony on board the Foudroyant, off Naples, where the bride was given away by the Right Hon. Lord Nelson himself. The marriage document, signed by Lord Nelson, Lady Emma Hamilton, Captain Thomas Hardy, and others descended within the family, until recently sold, in a sale that raised worldwide interest, for £20,160. It accounts that William Compton received "a great many favours and kindnesses" from Nelson, and most especially "the kind interest" taken in sealing his union with a wife who made him "the happiest of mortals". Anne, the aforesaid spouse, said that the admiral's "good heart" had made her "as happy as I can possibly be on this earth" ... Midshipman Parsons remembered those days nostalgically, noting Emma's "graceful form" bending over her harp to bestow "heavenly music" upon the diners on the quarterdeck and the large-decked galley, flush with opera singers, that glided alongside to serenade the sunset of each day'. Our sitter died unmarried around 1759. John Theodore Heins (1697-1756) was a painter whose work, at his best, shows detail of an exceptionally high quality. His portraits of Anna Maria Kett nee Phillips and her husband Henry Kett, painted in 1741, are exceptional and evidence that he had the ability to portray a likeness on par with some of the best portraitists in England at the time. Heins appears to have originated in Germany but moved to the UK and settled in Norwich around 1720. From 1720 to his death in 1756, Heins built up a fine reputation as a portrait painter and painted many members of prominent Norfolk families right up to his last year. He was commissioned in 1732 to paint a portrait of the Mayor of Norwich, Francis Arnam and also the previous year's Mayor Robert Marsh...
Category

18th Century Old Masters Paintings

Materials

Canvas, Oil

Large Victorian Scottish Highlands River Landscape Sandy Beaches Oil Painting
Located in Cirencester, Gloucestershire
The Highland River Scottish school, mid 19th century oil on canvas, framed Framed: 27 x 37 inches Canvas: 20 x 30 inches Provenance: Private collection, UK Condition: overall very go...
Category

Mid-19th Century Impressionist Paintings

Materials

Oil

"You are my force " (figurative acrylic portrait women on canvas)
Located in VÉNISSIEUX, FR
Embracing my roots and my cultural background through having a special spiritual connection to the women I depict on my canvases. The theme of women, womanhood and femininity is at t...
Category

2010s Contemporary Paintings

Materials

Acrylic, Canvas

Dusk Forest Scene, Catskills by Lockwood DeForest (American, 1850-1932)
Located in New York, NY
"Dusk Forest Scene, Catskills," 1875 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 7 inches. The work is signed by DeForest, and dated May 13, 1875 at lower right. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...
Category

19th Century Hudson River School Paintings

Materials

Oil, Board

Gimcrack with jockey up, wearing the colours of 1st Earl Grosvenor
Located in Stoke, Hampshire
John Nost Sartorius (London 1759-1828) Gimcrack with jockey up, wearing the colours of Richard Grosvenor, 1st Earl Grosvenor Inscribed and signed 'Gi...
Category

18th Century Old Masters Paintings

Materials

Oil

Contemporary abstract figurative oil painting of a woman on canvas 'Love life"
Located in VÉNISSIEUX, FR
This contemporary figurative painting, titled "Love Life", depicts a woman in a dress and is created by French artist Natalya Mougenot. It is part of her “Women” series, which explor...
Category

2010s American Impressionist Paintings

Materials

Oil, Canvas

BIRD'S -EYE VIEW
Located in CÓRDOBA, ES
Mixed media on watercolour paper. by artist Daria Kusto The magic flow reality... Shipped well protected, unframed Curated by Art Reserve & Angel Rivas We can do commissioned work...
Category

2010s Neo-Expressionist Paintings

Materials

Permanent Marker

Portraits of Francis Wood, and John Wood of Hollin Hall, Yorkshire (Pair))
Located in West Sussex, GB
A Superb pair of oval portraits with full provenance. Portrait of John Wood Esq of Hollin Hall, Yorkshire; Portrait of Francis Wood. Circa 1710. Oils on canvas:29 x 24 in. Frame: 37...
Category

Early 18th Century Old Masters Paintings

Materials

Oil

Portrait of a Lady, Marie-Madeleine de Chamillart in Landscape Fine oil painting
Located in London, GB
This work, offered by Titan Fine Art, formed part of the collection of paintings and family heirlooms of Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) and his wife, Baroness Marguerite (née d’Harcourt) de Cabrol de Moute (1915-2011). The couple had unimpeachable and enviable family backgrounds, and were descendants of ancient princelings; together they were one of the most prominent high-society couples of the twentieth century and counted the Duke of Duchess of Windsor amongst their closest friends. This portrait is that of Marie-Madeleine de Chamillart (died 28 May 1751) nee Nicolas de Lusse. She had a daughter, Anne, in 1692. In 1700 she married Clément Chamillart (1663-1708), President of the Accounts of the King's Chamber. The couple had a daughter, Madeleine (born 1701), who married Louis, the only son of Guillaume de Guitaut and Antoinette de Vertamont in 1719. Guillaume de Guitaut resided at Château d'Époisses in Burgundy France and his descendants still live today. A portrait of our sitter is still held at the Château. Clément Chamillart died in 1708 and our sitter remarried Jean-Baptiste de Johanne de la Carre (1678-1726), marquis de Saumery, maréchal de camp, in 1713. This marriage produced two daughters, Marguerite (died 1729) and Marie Madeleine (born 1720). Much of the beauty of this elegant portrait resides in its graceful composition – it is a fine example of French portraiture. Beautifully and meticulously rendered throughout, the sitter has been depicted three quarter length in an outdoor setting beside a potted orange tree. The lady is shown in a blue dress with silver detailed décolletage and large voluminous sleeves turned over to reveal elaborately detailed lining. The sumptuous fabrics convey a sense of wealth and prestige. The portrait is striking in its portrayal of the sumptuous fabrics and their decorative richness. The prominent sprig of orange blossom that she is holding is a traditional representation of marriage and eternal love in art, but it also alludes to youth and freshness, and by virtue of the great expense and difficulty with which it was often grown, to great wealth. In accordance with the sitter's age and the style of clothing and hair with the curls on the forehead, this portrait can be dated to the 1720s. Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) was the son of Roger de Cabrol de Moute and Helen Mary de Lassence. He was one of the more engaging personages in that delightful social constellation of social figures who animated what has become known as "Cafe Society" which was international but inevitably most at home in Paris from the 1920's until the 1960's. He married Marguerite d'Harcourt (1915-2011), known as Daisy, in Paris in 1937, the only daughter of Étienne, Marquis d'Harcourt, and his wife, Marie de Curel. The Harcourt family belongs to the circle of the oldest families in France; the founder of the family, Bernard le Danois, received the seigniory of Harcourt in the tenth century, following the conquest of Normandy. In the 11th century, his descendants took part in the conquest of England alongside William the Conqueror. Later, the Harcourt family was divided into a French branch and an English branch, which successively received the titles of barons, viscounts, and counts. Marguerite "Daisy" Marie Brigitte Emmanuelle Ghislaine d'Harcourt, Baronne de Cabrol was one of the last survivors of twentieth century French high society. Through her mother, Daisy was a descendant of the great industrial family of Wendel, with iron and steel enterprises in Lorraine; she also descended from Nicolas Soult, one of Napoleon's Marshals and three times Prime Minister of France. The couple became friends of the Duke and Duchess of Windsor in 1947, and were invited to the Chateau de la Croë, their rented house on Cap d'Antibes. There they found the exiled Windsors living in unusual post-war luxury, serving delicious food and providing fresh sheets every day. Daisy suspected that the Windsors were bored, but, having nothing else to do, were condemned to an endless round of social engagements. She and Fred were among the few allowed to see the Duchess laid out after her death in 1986. Daisy was a considerable hostess, giving a ball every year for her charity, L'Essor, to which le tout Paris would come. One of these, in 1954, was at the Palais des Glaces, in Paris (later used in the film Gigi), at which she entertained Charlie Chaplin, the Begum Aga Khan and the Windsors. According to Nancy Mitford...
Category

18th Century Old Masters Paintings

Materials

Canvas, Oil

British Original Impressionist Watercolor Sandy Beach Coastal Landscape
Located in Cirencester, Gloucestershire
Coastal Landscape by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed paper dimensions: 11 x 15 inches condition: very good and read...
Category

Early 2000s Impressionist Paintings

Materials

Watercolor

Esquisse Pour Tableau L'Opéra By Marc Chagall
Located in New Orleans, LA
Marc Chagall 1887-1985 Russian Esquisse pour L'Opéra (Study for the Opéra) Signed "Chagall Marc" (lower left) and signed and inscribed "Marc / pour Vava / 1953 / Chagall" (en vers...
Category

20th Century Post-Impressionist Paintings

Materials

Canvas, Oil

"The wild flowers of Provence" (contemporary small floral painting on canvas)
Located in VÉNISSIEUX, FR
Dear art lover, I enjoy working on floral and nature compositions. This one was inspired by my trip to Arles, Provence ( south of France) where Vincent Van Gogh lived for one year. ...
Category

2010s Abstract Expressionist Paintings

Materials

Oil, Cotton Canvas

Fine 1950's English Oil Grand Interior Room Scene Ancestral Portraits signed
Located in Cirencester, Gloucestershire
The Guildhall, Worcester English School, mid 20th century indistinctly signed verso oil on canvas canvas: 20 x 24 inches provenance: private collection, UK condition: very good and sound condition The Worcester Guildhall was originally built as a meeting place for Worcester merchants around 1227. As with many other guildhalls, it became the centre for civic administration, a role it maintained after the merchant guild had disappeared. The present Worcester Guildhall is a superb Queen Anne building, begun in 1722 by Thomas White, a pupil of Sir Christopher Wren. White was badly paid for his efforts, and he died in poverty in 1738, bestowing the money he was owed on the Worcester Royal Infirmary. The city finally paid its debt in 1753. The exterior of the Guildhall is brick, dressed with stone. White himself is said to have carved the figure of Queen Anne over the entry, as well as those of Charles I and II, a reminder of the city's long history of royal support. The interior is superb, boasting exceptional period decoration. The Tourist Information Centre is now located in the Guildhall. HISTORY In 1227 Henry III granted the citizens of Worcester a royal charter granting them the right to establish a guild of merchants. The guild was responsible for controlling trade in the city, but their meeting place gradually became the main centre of administration for city government and acted as a courthouse. So, in effect, the Guildhall was the town hall, and though the city guilds have long since vanished, the Guildhall name lives on. The medieval guild merchants would not recognise the building that faces onto High Street now. Their guildhall was a large timber-framed building, occupying the same site, with a piazza for shops fronting the street, courts of justice at each end, and a prison to the north of the building. Part of the prison was a cell called 'the peephole', which gained a notorious reputation. There was a gaoler's house, and attached to it an alehouse from which the gaoler sold ale at extremely high prices to any prisoner who could afford the cost. In 1717 the city administration decided on a new Guildhall, and they knew just who to call; upon to build it. Thomas White was not an architect in the way we think of it today, but a stonemason. In 1705 he had carved a statue of Queen Anne to stand in front of the medieval Guildhall and was made a Freeman of the City. The total cost of the fashionable new red-brick building was £3727. The Corporation only put forward £800, and the rest had to be raised by public subscription. The centre section of the new Guildhall was finished by 1724 and has remained almost unchanged since then. The central facade is a wonderful example of early Georgian style, with three bays flanked by Corinthian pillars. Over the entrance is a huge carving incorporating the Hanoverian royal arms. White's earlier statue of Queen Anne was placed in a niche over the door, and on either side were statues of Charles I, depicted holding a church, and Charles II, with an orb and royal sceptre. On the rooftop are figures of Labour, Peace, Justice, Plenty, and Chastisement. North and south wings were added within a few years of the central block. The south wing was used as a judge's lodging when the assizes were taking place, but throughout the rest of the year it housed a coffee shop. The most striking external feature of the Guildhall is a set of iron gates...
Category

Mid-20th Century Modern Paintings

Materials

Oil, Canvas

Pekingese Family of Dogs - Oil on Canvas by F.V. Rossi - 1939
By Filiberto Vitaliano Rossi
Located in Roma, IT
Pekingese Family of Dogs is an original artwork realized in 1939 by Filiberto Vitaliano Rossi. Original oil on canvas. Hand-signed and dated on the lower right corner. Good conditions, except for some micro-holes on the canvas, very thin. Beautiful artwork representing several Pekingese dogs...
Category

1930s Paintings

Materials

Oil

Lord Paul Ayshford Methuen Corsham Court 1957 oil painting Modern British Art
Located in London, GB
Paul Ayshford Methuen, 4th Baron Methuen of Corsham (1886 -1974) Corsham Court Oil on board Signed and dated 1957 9×11 inches A view of Corsham Court, Methuen's own house - where he invited the Bath School of Art after their premises were bombed during the war. Painter, zoologist and landowner, he was the first child of Field Marshal Paul Sandford Methuen, 3rd Baron. After Eton and reading Engineering and Zoology at New College, Oxford, he worked in the Transvaal Museum in Pretoria collecting and describing southern African species. He served with the Royal Wiltshire Yeomanry in both the First and Second World Wars, moving to the Procurement and Fine Art branch...
Category

1950s Impressionist Paintings

Materials

Oil

'Ebren Ha Dor, Tremenus'. Framed contemporary landscape, rural sky blue nature
Located in Penzance, GB
'Ebren Ha Dor, Tremenus'. Contemporary landscape painting, Cornwall Original Artwork. Framed ready to hang _________________ The dancing light and rapidly changing skies, hung high a...
Category

2010s Naturalistic Paintings

Materials

Ink, Watercolor, Handmade Paper

Still-Life Flowers Picart 17th Century Paint Oil on canvas Old master Flemish
Located in Riva del Garda, IT
Jean-Michel Picart (Antwerp, 1600 - Paris, 1682) Still Life of Flowers Oil on canvas 85 x 73 cm. In frame 100 x 88 cm. Provenance: Galerie Fischer Auktionen, Lucerne (Switzerland), 26-12-2014, lot 1015 (catalogue page 25)* Est: CHF 17,000-25,000 The sumptuous still life on offer here is the work of Jean-Michel Picart (Antwerp, 1600 - Paris, 1682), an artist of Flemish origin who occupied a significant place in Paris during the Grand Siècle as a master in the field of floral still lifes: with its saturated colours, dazzling light and masterful compositions, the painting represents one of the finest examples of his production. After his apprenticeship in Antwerp, according to sources a pupil in the workshop of Frans Francken Il, around 1625 Picart moved to Paris, where he remained for the rest of his life, and had a brilliant career His appreciation is evidenced by the great success his still lifes enjoyed in the second half of the 17th century, sought after by many French collectors and by King Louis XIV himself, who appointed him court painter in 1671. Numerous works by the Flemish painter were in fact kept in the royal palaces of Versailles and Marly, as reported in an inventory of the time: the bedroom of the king, the queen and the king's mother were all decorated with paintings by Picart, as were the bedrooms of the Palais Royal and the palace of Fontainebleau. Initially he painted still lifes in a refined and sober style, such as those of Louise Moillon or Lubin Baugin, later he moved towards a more charged art and baskets, vases and curtains with a baroque effect accumulated in his paintings, bringing him closer to Jean-Baptiste Monnoyer. List of works Flowers in a Glass Vase , Saint-Étienne , Musée d'Art Moderne Basket of Peaches...
Category

17th Century Old Masters Paintings

Materials

Oil

"Cafe Cluny" Impressionistic West Village Restaurant Oil Painting on Wood Panel
Located in New York, NY
"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...
Category

2010s American Impressionist Paintings

Materials

Oil, Wood Panel

"A World in a Flower" figurative oil painting girl nature dreamy meditation zen
Located in Kowloon, Hong Kong
"A World in a Flower" is a Buddhist saying, similar meaning like what William Blake's poem says, to see a world in a grain of sand, and a heaven in a wild flower. Hold infinity in th...
Category

2010s Contemporary Paintings

Materials

Oil

Space Junk 15 - Original One of a Kind Artwork on Canvas
Located in Los Angeles, CA
Ricky Hunt’s work is influenced by Egyptian hieroglyphs, graffiti, and his tumultuous past that led to a paradigm shift in his creative life. He covers the canvas with unique imagery...
Category

21st Century and Contemporary Contemporary Paintings

Materials

Canvas, Acrylic

Mid Century French Post Impressionist Oil on Canvas Man Working in Fields
Located in Cirencester, Gloucestershire
Working in the Fields by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 21 x 26 inches very good condition provenance: from the a...
Category

Mid-20th Century Post-Impressionist Paintings

Materials

Canvas, Oil

Painting Male Portrait 19thC
Located in Milan, IT
Oil on Canvas. French school of the late 1700s-early 1800s. Portrait of a gentleman in elegant bourgeois dress. The canvas has slight tears and is in need of cleaning. It is presente...
Category

19th Century Other Art Style Paintings

Materials

Oil

“water bearer”, abstract, blue, red, gold, orange, pink, black, acrylic painting
Located in Natick, MA
Sandra Cohen’s “water bearer” is an 18 x 9 x 2 inch abstract diptych consisting of two 9 x 9 x 2 inch acrylic paintings on canvas, in steel blue, red, orange, gold, pink and black. T...
Category

2010s Abstract Paintings

Materials

Acrylic, Canvas

Make Yourself Known, Contemporary Art, Abstract Painting, 21st Century
Located in Mexico City, MX
Contemporary Art, Abstract Painting Acrylic on canvas 150 x 100 cm 2024 Signed and dated on the side About the Artist Painting was always present in Ana Valdes's life, but it was ...
Category

2010s Abstract Paintings

Materials

Canvas, Acrylic

California Seascape -- Mid Morning Overcast
Located in Soquel, CA
Gorgeous Northern California seascape titled, "Mid Morning Overcast" by Jean Gronbeck (American, 20th Century). Presented in a wooden frame. Signed "J. G...
Category

1970s American Impressionist Paintings

Materials

Canvas, Oil

Abstract Sky - Oil Painting 201s by Giorgio Lo Fermo
Located in Roma, IT
Abstract Sky is an original oil on canvas on canvas realized by Giorgio Lo Fermo in the 2000s. Hand-signed by the artist on the back. The artwork represents an abstract landscape:...
Category

2010s Abstract Paintings

Materials

Oil

On the French Coast - 20th Century English Impressionist Figurative Oil Painting
By Walter John Beauvais
Located in Sevenoaks, GB
A beautiful 20th century oil on panel by the very popular English impressionist artist Walter John Beauvais. This work depicts fashionable ladies walking on a promenade by the French coast. This superbly executed impressionist study is signed with monogram lower left and presented in a painted wood frame. Artist: Walter John Beauvais (British, 1942-1988) Title: On the French Coast Medium: Oil on panel Size: 23 x 19 inches (58 x 48 cm) including the frame Walter John Beauvais was born in 1942 near Windsor, Berkshire, England. He was a grandson of French artist and lithographer Charles Henri Beauvais (1862-1909) and son of Arnold Beauvais (1886-1984), artist and one time President of the London Sketch...
Category

1970s Impressionist Paintings

Materials

Oil

GENEVIEVE ZONDERVAN (1922-2013) SIGNED FRENCH SURREALIST OIL PAINTING - FRAMED
Located in Cirencester, Gloucestershire
"Surrealist Landscape" by Geneviève Zondervan (French 1922-2013) oil painting on canvas, framed dated '99' signed lower corner framed: 19.25 x 14 inches A fine 20th century surreal...
Category

Late 20th Century Surrealist Paintings

Materials

Oil

"Late Night at the Studio", contemporary, interior, factory, blue, oil painting
Located in Natick, MA
“Late Night at The Studio” by Catherine Picard-Gibbs is an Expressionist interior factory scene in a palette of teal-blue and yellow. This evocative 18 x 24 inch oil on panel painting focuses on light pouring out from the haunting depths of an empty hallway. This textural artwork is framed in a silver crackle floater frame with a black interior, making the framed size 19 x 25 x 1.5 inches. Catherine Picard-Gibbs paints with bold brush strokes, using vibrant colors to show emotion and movement in landscapes and urban scenes. Her inspiration comes from the nuance and drama of her everyday world. Her evocative works have been featured throughout Massachusetts, in New York, and in the Midwest. Picard-Gibbs is represented by Fountain Street Gallery...
Category

2010s Expressionist Paintings

Materials

Oil, Board

Contemporary abstract impressionist seascape seaside acrylic painting on paper
Located in VÉNISSIEUX, FR
This artwork "When the blue sky meets the blue sea" is a captivating example of abstract expressionism, where vibrant color and dynamic brushwork coalesce to evoke an emotive landsc...
Category

2010s Abstract Expressionist Paintings

Materials

Paper, Oil

1921 Large French POINTILLIST IMPRESSIONIST Garden Painting Mother W/ Daughter
Located in New York, NY
Here we have a beautiful period 1921 charming oil painting by Emile Ancelet. Painting depicts a mother and child in a landscape. Painted almost Like a ...
Category

Early 20th Century Pointillist Paintings

Materials

Oil

Guinovart. 34Thoughtful Man Black and White. drawing on cardboard
Located in CORAL GABLES - MIAMI, FL
Guinovart. Thoughtful man. black and white. drawing on cardboard Josep Guinovart i Bertran (Barcelona 1927-2007) was a painter, draftsman and engraver from Catalonia, Spain. After ...
Category

1950s Abstract Paintings

Materials

Mixed Media

Harvesting Cotton - Original Oil Painting - 1981
Located in Roma, IT
Harvesting Cotton is an original contemporary artwork realized in 1981. Mixed colored oil on canvas Hand signed and dated by the artist on the lower margin Included a brown wooden...
Category

1980s Contemporary Paintings

Materials

Oil

Impressionist Nude, Atmospheric Colour, Oil Painting
Located in Cirencester, Gloucestershire
Impressionist Nude, Atmospheric Colour, Oil Painting By French artist Garnvault, 20th Century Signed by the artist verso Oil painting on canvas, unframed Canvas size: 15 x 21.5 inche...
Category

20th Century Impressionist Paintings

Materials

Oil

Before The Hot Day Brightens To Blue (Mevagissey Harbor, Cornwall). Original Oil
Located in Sutton Poyntz, Dorset
Gyrth Russell. Canadian ( b.1892 - d.1970 ). Before The Hot Day Brightens To Blue (Mevagissey Harbor, Cornwall). Oil On Canvas. Signed Lower Right. Image size 22.4 inches x 34.8 inches ( 57cm x 88.5cm ). Frame size 28.5 inches x 40.6 inches ( 72.5cm x 103cm ). Available for sale; this original oil painting is by Gyrth Russell and dates from post WWII. The painting is presented and supplied in a 1960s frame (which is shown in these photographs). The painted surfaces have benefitted from cleaning and conservation, which took place on our instruction, supervision and approval. This vintage painting is now in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with the Howard Roberts Gallery, Cardiff. Considered one of the best coastal painters of the 20th century, Gyrth Russell was born in Halifax, Nova Scotia in April 1892. He was the youngest of 8 children. His father was a Canadian MP and a Supreme High Court Judge for Nova Scotia. At the age of fourteen, Russell began his artistic career at Halifax School of Art, and quickly graduated to the School of Art at Boston, Massachusetts. His first job was as a draughtsman in the Public Works Department of Canada, in Halifax. It was during this period he saw and sketched the cable ship Mackay Bennett returning to her Halifax Station, her decks piled high with coffins containing bodies found after the Titanic Disaster. In 1911 Russell left Canada to study at the Academie Julian and Academie Calorossi in Paris. In 1914 at the outbreak of War, he left France for London where he was commissioned, under the command of Lord Beaverbrook, as an official War Artist for the Canadian Sector, and spent most of 1918 in Northern France painting the landscapes and coasts travelled by the Canadian military during the conflict. During the course of the First World War he worked with amongst others, Augustus John, William Orpen & Frank Brangwyn, who greatly influenced him. Many of his earliest works are of landscapes and coasts travelled by the Canadian military in the conflict. During the War Russell also made etchings and poster prints for sale to help popularize and support the war effort abroad. He took part in the Canadian War Memorial Exhibition in London in 1919. Between the Wars, Russell earned his living as an artist in film studios, designing Railway Posters, Lecturing and Writing. He also illustrated books on the geography of Nova Scotia and Western Britain. Russell enjoyed considerable success between the Wars, exhibiting extensively at the major galleries, and was elected to membership of the Royal Society of British Artists, the Royal Institute of Painters and Watercolorists, the Royal Institute of Oil Painters and the Royal Society of Marine Artists as well as being an active member of the Langham...
Category

Mid-20th Century Impressionist Paintings

Materials

Canvas, Oil

Pierre Auguste Renoir Portrait de femme - Berthe Poret
Located in Los Angeles, CA
PIERRE-AUGUSTE RENOIR (1841-1919) Portrait de femme - Berthe Poret bears signature (lower left) oil on canvas 17 15/16 x 14 3/4 in (45.5 x 37.4 cm) Painted between 1862-1863 Footnotes This work will be included in the forthcoming Pierre-Auguste Renoir Digital Catalogue Raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc. Provenance Berthe Poret Collection, France (acquired from the artist in 1863). Thence by descent to the previous owner. Private collection (acquired from the above in 1947). O'Hana Gallery, London (acquired circa 1955). Michael Mathias Collection, US (acquired through Emmanuel Javogue Fine Arts, Miami in 1998). Simic Galleries, Carmel, by 2000. Private collection, Texas (acquired circa 2007). Private collection, Atlanta. Acquired from the above by the previous owner in February 2019. Exhibited London, O'Hana Gallery, Cezanne to Picasso "Oeuvres de jeunesse," April 12 - May 16, 1956, no. 13 (titled 'Portrait of Mlle. Berthe Poret'). Paris, Galerie Drouot - Provence, Exposition, June 1 - July 31, 1959. Edmonton, The Provincial Museum of Alberta, Edouard Cortes (1882-1969), Paris and French Countryside Revealed, June 9 - September 3, 2001. Literature G-P. & M. Dauberville, Renoir, Catalogue raisonné des tableaux, pastels, dessins et aquarelles, vol. I, 1858-1881, Paris, 2007, no. 440 (illustrated p. 453; titled 'Portrait de Mademoiselle Berthe Poret' and dated circa 1863). One of the earliest known paintings by Renoir...
Category

1860s Paintings

Materials

Canvas, Oil

Colorful Symphony, Oil Painting
Located in San Francisco, CA

Artist Comments
Artist Lisa Elley shows her signature palette knife trees textured with deep impasto strokes. The foliage exhibits subtle movement and richness in colors. Lisa'...

Category

21st Century and Contemporary Impressionist Paintings

Materials

Oil

Grow Wild, Oil Painting
Located in San Francisco, CA

Artist Comments
Artist Jeff Fleming notes that wildflowers are not meant to be cut and arranged into bouquets; they should be respected and enjoyed in their natural environment...

Category

21st Century and Contemporary Impressionist Paintings

Materials

Oil

A Selfie, A Pink Unicorn, Paparazzi! What Does It Take To Get Noticed?
Located in Chicago, IL
In the age of social media, we are vying for attention 24/7. Bruno Surdo explores this idea in this large scale painting entitled "A Selfie, A Pink Unicorn, Paparazzi? What Does It ...
Category

21st Century and Contemporary Contemporary Paintings

Materials

Canvas, Oil

Portrait of an Owl Beautiful Original British Oil Painting on Canvas framed
Located in Cirencester, Gloucestershire
Portrait of an Owl British School, second half 20th century oil on canvas, framed framed: 18 x 14 inches canvas: 14 x 10 inches Provenance: private collection, UK Condition: very goo...
Category

Late 20th Century English School Paintings

Materials

Oil, Canvas

Serene countryside morning with wild flowers, rustic fence & soft, misty light
Located in Preston, GB
Serene countryside morning with wildflowers, rustic fence & soft, misty light by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 22 x 18 inches Frame measures 28...
Category

20th Century English School Paintings

Materials

Oil, Board

Pierrot the Musician Singing Little Girl Clown Paris
Located in Soquel, CA
Pierrot the Musician Singing Little Girl Clown Paris Pretty street musician "Pierrot by French artist Santini Poncini (unknown) (French/Italian, B-20th...
Category

1950s Impressionist Paintings

Materials

Oil, Stretcher Bars, Linen

Edmund Pick Morino Still Life With Chicken
Located in Lake Worth Beach, FL
Still Life With Chicken, Oil on canvas singed and dated 1923, from the Collection of Bass Museum Of Art. Canvas size 14 1/5x17 1/4 framed 21 3/8 x 23 7/8 Edmund Pick-Morino was the ...
Category

1920s Expressionist Paintings

Materials

Canvas, Oil

Post War Abstract Deviations Interior Woman at Windowsill Painting
Located in New York, NY
Bert de Beul is a Belgian Postwar & Erie Postwar contemporary artist who was born in 1961. Numerous key galleries and museums such as IKOB – Museum of Contemporary Art have featured ...
Category

Late 20th Century Post-War Paintings

Materials

Oil, Canvas

Paintings for Sale: Shop Abstract Paintings, Landscape Paintings, Still-Life Paintings and Other Fine Art on 1stDibs

Painting is an art form that has spanned innumerable cultures, with artists using the medium to tell stories, explore and communicate ideas and express themselves. To bring abstract paintings, landscape paintings, still-life paintings and other original paintings into your home is to celebrate and share in the long tradition of this discipline.

When we look at paintings, particularly those that originated in the past, we learn about history, other cultures and countries of the world. Like every other work of art, paintings — whether they are contemporary creations or works that were made during the 19th century — can often help us clearly see and understand the world around us in a meaningful and interesting way.

Cave walls were the canvases for what were arguably the world’s first landscape paintings, which depict natural scenery through art. Portrait paintings and drawings, which, along with sculpture, were how someone’s appearance was recorded prior to the advent of photography, are at least as old as Ancient Egypt. In the Netherlands, landscapes were a major theme for painters as early as the 1500s. Later, artists in Greece, Rome and elsewhere created vast wall paintings to decorate stately homes, churches and tombs.

Today, creating a wall of art is a wonderful way to enhance your space, showcase beautiful pieces and tie an interior design together.

No matter your preference, whether you favor Post-Impressionist paintings, animal paintings, Surrealism, Pop art or another movement or specific period, arranging art on a blank wall allows you to evoke emotions in a room while also showing off your tastes and interests. A symmetrical wall arrangement may comprise a grid of four to six pieces or, for an odd number of works, a horizontal row. Asymmetrical arrangements, which may be small clusters of art or large, salon-style gallery walls, have a more collected and eclectic feel.

Download the 1stDibs app, which includes a handy “View on Wall” feature that allows you to see how a particular artwork will look on a particular wall, and read about how to arrange wall art. And if you’re searching for the perfect palette for your interior design project, what better place to turn than to the art world’s masters of color

On 1stDibs, you’ll find an expansive collection of paintings and other fine art for your home or office. Browse abstract paintings, portrait paintings, paintings by emerging artists and more today.

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With a Show at MoMA, Marlon Mullen Paints Pictures That Are beyond Words

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The Vibrant Beauty of Orphist Art Supersedes Its Perplexing Name

This kaleidoscopic early-modern art style has long deserved another look. Now, the Guggenheim museum is doing just that.

The 50 Most Expensive Paintings Ever Sold

Curious about the most expensive paintings in the world? Discover the stories behind these masterpieces as well as the staggering prices they fetched.

Ludwig Bemelmans Captures the Thrilling Sight of Coney Island at Night

The ‘Madeline’ creator and Carlyle Hotel legend was in a New York state of mind in the 1940s when he produced this exuberant and rare oil painting.

Art Brings the Drama in These Intriguing 1stDibs 50 Spaces

The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.

Welcome (Back) to the Wild, Wonderful World of  Walasse Ting

Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.

In Francks Deceus’s ‘Mumbo Jumbo #5,’ the Black Experience Is . . . Complicated

Despite the obstacles, the piece’s protagonist navigates the chaos without losing his humanity.

With Works Like ‘Yours Truly,’ Arthur Dove Pioneered Abstract Art in America

New York gallery Hirschl & Adler is exhibiting the bold composition by Dove — who’s hailed as the first American abstract painter — at this year’s Winter Show.

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