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1910s Paintings

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Period: 1910s
Hallström’s Masterful Vision of a Northern Evening
Located in Stockholm, SE
Sunset Over Northern Waters is an oil on canvas painting by Swedish artist Carl Hallström (1850–1929). It depicts a serene Nordic sunset in which a glowing red sun hovers low over st...
Category

Romantic 1910s Paintings

Materials

Canvas, Oil

Impressionist English landscape with cows, trees during the Summertime
By George Léon Little
Located in Woodbury, CT
George Leon Little (1862–1941) English Impressionist Landscape with Cattle Oil on canvas, circa 1910 Presented in an ornate gilt composition frame This tranquil pastoral scene, pai...
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Northern Valley View – Light, Stillness and Depth in the Swedish North
Located in Stockholm, SE
In this luminous landscape, Oscar Lycke invites us to experience the serene vastness of Sweden’s northern interior. Likely painted in the region surrounding Liden along the Indalsälv...
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil, Board

Cattle in Farm Landscape - American Impressionist art landscape oil painting
Located in London, GB
This stunning Impressionist farm landscape oil painting is by one of the leading American Impressionist artists, William Samuel Horton. Horton moved to England in1918 and travelled e...
Category

American Impressionist 1910s Paintings

Materials

Oil

Moonlit Tranquility: Hugo Carlberg’s Atmospheric Nocturne, c. 1910–1913
Located in Stockholm, SE
A rare and poetic nocturne by Swedish artist Hugo Carlberg, Moonlight evokes the hushed stillness of a moonlit landscape. Silvery reflections shimmer across the water as tall trees c...
Category

Post-Impressionist 1910s Paintings

Materials

Oil, Board

Apples and Lemons by Edith LUTZ - Oil on Canvas - 64x96 cm
Located in Geneva, CH
Edith Lutz-Romani (1894-1983) was an Austrian painter active during the 20th century. Although detailed information about her life is limited, she was born in 1894 and developed her ...
Category

Academic 1910s Paintings

Materials

Canvas, Oil

Bathers, Oil on Canvas, 1914
Located in Saint Amans des cots, FR
Oil on canvas by Roger GRILLON (1881-1938), France, 1914. "Bathers". With frame: 114x94 cm - 44.9x37 inches ; without frame: 92x73cm - 36.2x28.75 inches. 30F format. Signed lower lef...
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Sunlit Forest and Distant Blue Mountains – A Northern Swedish Landscape by Lycke
Located in Stockholm, SE
This luminous landscape painting by Oscar Lycke captures the rolling hills and deep forests of northern Sweden, likely from the Sundsvall region. The foreground is dominated by lush ...
Category

Post-Impressionist 1910s Paintings

Materials

Oil, Board

Antique French Impressionist Oil Riverbank Hay Barge in Paris Pont Saint-Marie
Located in Cirencester, Gloucestershire
The Hay Barge, Paris Pont Saint-Marie French Impressionist artist, c. 1918 signed with monogram verso, dated 1918 oil on board, unframed board : 8.25 x 10.25 inches Provenance: priva...
Category

Impressionist 1910s Paintings

Materials

Oil

The Bridge Over the Sauceron at Nesles la Vallée (Val d'Oise) Maurice de Lambert
Located in SANTA FE, NM
"The Bridge upon the Sauceron at Nesles la Vallée (Val d'Oise), 1918" Maurice Walter Edmond de Lambert (French, 1873-1952) Oil on cardboard Signed and dated lower right 10 3/4 x 8 3/...
Category

Post-Impressionist 1910s Paintings

Materials

Cardboard, Oil

After the Storm
Located in Stockholm, SE
"After the Storm" is the title of this oil painting on canvas by the Swedish artist Hjalmar Berghcrantz (1889–1961). Signed and dated 1917. The artwork depicts a rugged landscape whe...
Category

Naturalistic 1910s Paintings

Materials

Canvas, Oil

Two Worlds - British Edwardian figurative interior oil painting religious art
Located in London, GB
This intriguing British Edwardian figurative interior oil painting is by noted artist Arthur Croft Mitchell. It is entitled Two Worlds verso and dated as c1910. The composition of th...
Category

Realist 1910s Paintings

Materials

Oil

Tropical Blue Water Lush Beach Scene Nicely Framed Seascape Summer Oil Painting
Located in Buffalo, NY
Antique American impressionist beach scene oil painting. Oil on canvas. Signed. Framed. Measuring 27 by 31 inches overall and 20 by 24 painting alone. In excellent original condition...
Category

Impressionist 1910s Paintings

Materials

Oil, Canvas

Four Hooded Crows in a Winter Landscape, c. 1910–1915
Located in Stockholm, SE
This quietly atmospheric painting by Jon Loman captures a group of four hooded crows in a snow-covered winter landscape. Three of the birds perch on a rustic wooden fence, while the ...
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Aprilafton, Delsbo (April Evening, Delsbo), c. 1910
Located in Stockholm, SE
Oscar Lycke’s Aprilafton, Delsbo (“April Evening, Delsbo”), c. 1910, is a luminous oil painting that masterfully captures the gentle transition from winter to early spring in the rur...
Category

Post-Impressionist 1910s Paintings

Materials

Canvas, Oil

Moonlight over the Lake, 1912, By Swedish Artist Wilhelm Dahlbom
Located in Stockholm, SE
We are pleased to present this exquisite piece by Swedish artist Wilhelm Dahlbom, entitled "Moonlight, Idö, 1912". This work captures the serene reflection of moonlight on water, the...
Category

Romantic 1910s Paintings

Materials

Canvas, Oil

Antique American Impressionist Sun Dappled River Landscape Framed Oil Painting
Located in Buffalo, NY
Very nicely painted and impressive early 1900s American school landscape painting. Oil on canvas. Framed. Excellent ready to hang condition.
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Antique American Marine Seascape Oil Painting Crashing Surf Atlantic Coast Maine
Located in Portland, OR
A fine antique seascape oil painting on panel by the celebrated marine artist, Frederick Judd Waugh (1861-1940), depicting the Atlantic of the coast of Maine, circa 1910. The painting is finely executed with bold and decisive brush strokes with crisp edges, one can almost hear the roar of the ocean as the surf crashes upon the rocks. The painting is signed lower right "Waugh" and is housed in the original carved & gilded frame. Condition is very good indeed, this fine seascape by one of America's most acclaimed late 19th early 20th century marine artists is ready to grace your wall. The painting will be accompanied with a certicificate of authenticity & provenance. Frederick Judd Waugh was an American artist, primarily known as a marine artist. During World War I, he designed ship camouflage for the U.S. Navy, under the direction of Everett L. Warner. Waugh was the son of a well-known Philadelphia portrait painter, Samuel Waugh. He studied at the Pennsylvania Academy of Fine Arts with Thomas Eakins, and at the Académie Julian in Paris with Adolphe-William Bouguereau. After leaving Paris, he moved to England, residing on the island of Sark in the English Channel, where he made his living as a seascape painter. In 1898 he was recorded as living in Heath and Reach, Bedfordshire. In 1908, Waugh returned to the U.S., settling in Montclair Heights, New Jersey. He had no studio until art collector William T. Evans (a railroad financier and President of the dry goods firm, Mills Gibbs Corporation) offered him one in exchange for one painting a year. In later years, he lived on Bailey Island, Maine, and in Provincetown, Massachusetts. Waugh’s marinescapes were highly acclaimed, garnering him the Popular Prize at the Carnegie International Exhibition for five years in a row, a feat accomplished by no other artist. In 1914, he was a judge of the art exhibit on Monhegan Island, Maine during the 1914 Ter-Centenary celebration of the Voyage of Captain John Smith. In addition to his marinescapes, Waugh sometimes published work in periodicals, such as The Green Sheaf, to which he contributed at least one illustration. He also produced paintings and sketches on legendary and mythological themes; see, for instance, his 1921 sketch “Levitation in Dream No. 3”, and his c. 1912 painting “The Knight of the Holy Grail”. In 1918, Waugh was recommended to serve as a camouflage artist (or camoufleur) for the U.S. Navy, as a member of the Design Section of its marine camouflage unit. That section was located in Washington, D.C., and was headed by American painter Everett L. Warner. According to a biography of Waugh, “Many large ships, including the Leviathan, were painted according to his designs. Though the enterprise was of course a team effort in which no man played a solo part, he had every reason to be proud of his record. Only one ship with his system of camouflage was lost during the war”. Waugh was known to produce literary work, publishing a short poem in Pamela Colman Smith’s short-lived periodical The Green Sheaf; a fairy tale in The English Illustrated Magazine; and, in 1916, the book The Clan of Munes...
Category

Realist 1910s Paintings

Materials

Panel, Oil

Winter Sunset - The Lys - Neo-Impressionist Landscape Oil by Jenny Montigny
Located in Marlow, Buckinghamshire
Signed oil on artist's board riverscape circa 1910 by Belgian neo-impressionist painter Jenny Montigny. The piece depicts a view of the River Lys in winter as the sun sets. The river...
Category

Post-Impressionist 1910s Paintings

Materials

Oil, Board

The Yellow Hat - American School
Located in North Clarendon, VT
Fun early 20th century American Impressionist painting of a woman in a fancy hat. Heavy impostor, oil on artist board. Faint writing on verso - might be a signature. 16" x 12" housed...
Category

American Impressionist 1910s Paintings

Materials

Oil

Antique American Impressionist Winter River Snow Covered Landscape Oil Painting
Located in Buffalo, NY
Antique American impressionist landscape oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent conditio...
Category

Impressionist 1910s Paintings

Materials

Oil, Board

Antique Scottish Oil Painting Highland Path with Cattle Atmospheric Landscape
Located in Cirencester, Gloucestershire
Highland Path with Cattle by Henry Hadfield Cubley (British 1858-1934) signed, dated verso 1915 oil on canvas, framed Framed: 32 x 21.5 inches Canvas : 30 x 20 inches Inscribed verso...
Category

Victorian 1910s Paintings

Materials

Oil, Canvas

'Sunny Afternoon', Chicago Impressionist, Paris, Grande Chaumiére, Woman Artist
Located in Santa Cruz, CA
Signed lower left, 'Pauline Palmer' (American, 1867-1938) and painted circa 1915, two years after the artist's first solo exhibition at the Art Institute of Chicago. Exhibited: Chicago Galleries Association and titled, 'Sunny Yards' (attached, partial label from original frame) A staunch proponent of pure Impressionism at the turn of the twentieth century, Pauline Palmer influenced the world of American art far beyond her Midwestern art community. Primarily known for her landscapes and portraits, Palmer rejected the waves of modernism that hit the United States in the teens and twenties, remaining true to the traditions of Impressionism. In 1923, she established the Association of Chicago Painters and Sculptors as an alternative to the increasing number of institutions celebrating Abstraction and Cubism. Pauline Palmer was enrolled at the Art Institute of Chicago from 1893 to 1898, and studied with some of the most prominent artists of the period, including William Merritt Chase and Frank Duveneck. Following her graduation, Palmer moved to Paris and attended the Académie de la Grande Chaumiére and the Académie Colarossi, where she studied under Raphael Collin. While in France, she exhibited with success including at the Paris Salon each year from 1903-06 and, again, in 1911. Her principal teacher and friend in Paris was the American Impressionist, Richard Emil Miller, whose shimmering handling of light made a profound impression upon her. Palmer also traveled extensively throughout Europe, a rite of passage for aspiring artists of her time. Returning to Paris, she studied with Gustave Courtois and Lucien Simon, both exemplars of compositional structure. Upon her return to the United States, Palmer set up her first American studio in the legendary Tree Studios building in Chicago. The artist's husband, Dr. Albert Palmer, whom she had married in 1891, both supported and encouraged his wife's artistic development. The couple kept a summer home in Provincetown, Massachusetts, where she made friends with many of the Portuguese fishermen's families, often using their children and the routines of their daily lives as subject matter for her painting. Pauline Palmer exhibited widely and with success, including in Italy, France, Norway and throughout the United States. Her works were shown at the National Association of Women Painters and Sculptors and, beginning in 1899, she exhibited at the Art Institute of Chicago for twenty-seven consecutive years. Over the course of her long career, she exhibited over 250 paintings at the Art Institute of Chicago, including at two solo exhibitions. She was the recipient of numerous prizes, medals and juried awards including nearly all the AIC's major awards, purchase prizes and honorable mention citations. Palmer also received a gold medal from the Colarossi Academy in Paris. Involved in numerous artist organizations, she was a member of the Chicago Municipal Art League, the Chicago Art Guild, the Chicago Arts Club and a charter member of the Chicago Women's Salon. Elected the first woman president of the Chicago Society of Artists, she went on to serve as president of both the Art Institute Alumni Association and the Chicago Association of Painters and Sculptors. Considered by the Modernists of her day to be a traditionalist, Pauline Palmer remained true to her artistic vision and she continues to be regarded as one of the leading women of American Impressionism. Her light-filled, colorful compositions captured landscapes and scenes of American daily life with unusual freshness and seeming effortlessness. Celebrated during her life as "Chicago's Painter Lady," Palmer was honored twelve years after her death by a posthumous retrospective at the Art Institute of Chicago and the establishment of an annual scholarship awarded in her honor by the Art Institute of Chicago. (with thanks to Hali Thurber) CHRONOLOGY 1867, Born in McHenry, IL 1885, Moves to Chicago to teach art 1891, Marries Dr. Albert Elwood Palmer 1893, Exhibits, World's Columbian Exposition, Chicago 1896, First exhibits at the Art institute of Chicago 1898, Exhibits at Exposition in Omaha, NE 1899, First exhibit, Pennsylvania Academy of Fine Arts 1900-1902, Studies with various artists in Paris 1901, Exhibits at Exposition in Buffalo 1903-1906, Exhibits at Paris Salon 1904, Exhibits at Universal Exposition in St. Louis, 1907, Four prizes at the Art Institute of Chicago 1911, Exhibits at the Paris Salon 1911, Exhibits at the Expositione de Belle Arti, Naples 1913, Solo exhibition, Art Institute of Chicago 1915, First prize, Society of Western Artists 1917, Opens first American studio in Chicago 1918, First woman president, Chicago Society of Artists 1918-1929, holds position of president for 11 years 1918-1921, Silver medals, Society of Chicago Artists 1921, Silver medal at Peoria Society of Allied Artists 1927, President, The Art Institute Alumni Association 1929-1931, President, Chicago Association of Painters and Sculptors 1938, Dies, Trondheim, Norway AWARDS 1904, Universal Exposition in St. Louis, bronze medal 1907, Art Institute 's Chicago Artists' Exhibition 1915, Society of Western Artists exhibition, first prize 1918, Society of Chicago Artists, silver medal 1921, Peoria Society of Allied, silver medal Solo Exhibitions: 1913, Art Institute of Chicago 1939, Art Institute of Chicago, memorial exhibition Union League Club of Chicago, memorial exhibition Group Exhibitions: 1893, World's Columbian Exposition in Chicago 1896, Art institute of Chicago 1898, Exposition in Omaha, NE 1899, Pennsylvania Academy of Fine Arts 1899-1926, Art Institute of Chicago 1901, Exposition in Buffalo 1903-06 Paris Salon 1904, Universal Exposition in St. Louis 1911, Paris Salon 1911, Expositione de Belle Arti, Naples 1915, Exposition in San Francisco 1950, Chicago Galleries Association 1984, Lakeview Museum of Arts and Sciences, Peoria Memberships: 1918-29, First woman President,Chicago Society of Artists 1927, President of The Art Institute Alumni Association 1929-31, President of Chicago Association of Painters and Sculptors Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. X, page 523; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. XXVI, page 129; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. III, page 2512; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 708; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. II, page 1047; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 326; Pauline Lennards Palmer...
Category

American Impressionist 1910s Paintings

Materials

Oil, Illustration Board

La Danse Macabre
Located in West Hollywood, CA
Belgian Symbolist artist Jan Frans DeBoever (1872 - 1948), created symbolist/allegorical paintings throughout his lifetime. He centralized on allegorical and literary subjects, generally depicting the constant struggle of good vs. evil. This is consistently reflected by images of beautiful women interacting with skeletons, gargoyles and demons. La Danse Macabre...
Category

Symbolist 1910s Paintings

Materials

Mixed Media

Saint Roch with Saint Jerome + Saint Sebastian - British Edwardian oil painting
Located in London, GB
This superb religious figurative oil painting is by noted artist Wilfred de Glehn. Although some experts rank de Glehn alongside Sargent, he is considered as something of a late British Renoir, for his deft use of sunlight and shadow. Indeed he was good friends with John Singer Sargent and collaborated with his on some projects. This painting, painted circa 1910 is of three saints, from left to right they are Saint Jerome, Saint Roch and Saint Sebastian. It is based on a work attributed to 16th century artist Alessandro Oliverio. Saint Jerome was a biblical translator and monastic leader and is depicted in red, holding books. Saint Roch and Saint Sebastian were known as the Plague saints - Plague saints offered hope and healing before, during, and after times of plague. A specific style of painting, the plague votive, was considered a talisman for warding off the plague. It portrayed a particular saint as an intercessor between God and the person or persons who commissioned the painting – usually a town, government, lay confraternity, or religious order to atone for the "collective guilt" of the community. Rather than a society depressed and resigned to repeated epidemics, these votives represent people taking positive steps to regain control over their environment. Paintings of Roch represent the confidence in which renaissance worshipers sought to access supernatural aid in overcoming the ravages of the plague. The thirteenth-century Saint Roch (or Rocco), whose death is still commemorated in Italy, is especially invoked against the plague. He attended plague victims in public hospitals in Italy according to traditional accounts of his life. Images attributed to the Spanish historical painter Nicolás Borrás in the Royal Cornwall Museum, or other works in institutions from The National Gallery to the Wallace Collection, show him baring his thigh to show the mark of the plague, as he is in this painting. Saint Roch is also the patron saint of dogs, after one carried food to him in the prison where he died...
Category

Old Masters 1910s Paintings

Materials

Oil

At the Claremont (View of the Hudson River and Palisades), Ida Sedgwick Proper
Located in New York, NY
Ida Sedgwick Proper At the Claremont (View of the Hudson River and Palisades) circa 1912 Signed lower right Oil on canvas 45 1/4 x 57 1/2 inches Exhibited New York, Heterodoxy, Malv...
Category

American Impressionist 1910s Paintings

Materials

Oil, Canvas

French school Windmill scene Oil painting Signed
Located in Zofingen, AG
➡️Windmills scene from Grandin⬅️ Probably Louis Grandin born à Chevresis - Monceau ( Aisne ) France. Mentioned in the book "Society of French Artist " in le Salon 1936 This painti...
Category

Impressionist 1910s Paintings

Materials

Gesso, Oil, Wood Panel, Stretcher Bars

Sunset Over the Lake, 1919 by Swedish Artist Carl Kjellin (1862-1939)
Located in Stockholm, SE
"Sunset Over the Lake" by Carl Kjellin is a Nordic Light painting capturing the ephemeral beauty of a lake at sunset. The vibrant canvas, dominated by a b...
Category

Post-Impressionist 1910s Paintings

Materials

Canvas, Oil

19th C. American Impressionist Gouache of Colorado Mountains in Spring
Located in Denver, CO
This original circa 1910s plein air field study by renowned Colorado landscape artist Charles Partridge Adams captures the serene beauty of the Rocky Mountains in a masterful display...
Category

American Impressionist 1910s Paintings

Materials

Gouache

View Over Häggvik, Nordingrå. A UNESCO World Heritage-listed Area
Located in Stockholm, SE
Carl Johansson (1863–1944) was a Swedish painter renowned for his evocative landscapes, particularly those capturing the striking natural beauty of northern Sweden. His works reflect...
Category

1910s Paintings

Materials

Oil, Wood Panel

Antique Italian Coastal Mediterranean Seascape Framed Summer Panoramic Painting
Located in Buffalo, NY
Nicely painted Italian seascape painting. Oil on board. Nicely framed. Signed.
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Les Vacances - Post Impressionist Figures in Landscape Oil by Pierre Montezin
Located in Marlow, Buckinghamshire
Signed oil on canvas figures in riverscape circa 1910 by sought after French impressionist painter Pierre Eugene Montezin. The work depicts women dressed in summer dresses and sunhat...
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Monochromatic Delicate Impressionist Landscape " A Forest Scene"
Located in Miami, FL
Danish-American artist Søren Emil Carlsen paints a post-impressionist landscape that blurs the line between representation and abstraction. With its open composition, the artist capt...
Category

Post-Impressionist 1910s Paintings

Materials

Canvas, Oil

Antique American Impressionist Expressive Young Woman Oil Painting Portrait
Located in Buffalo, NY
Very finely painted late 19th or early 20th century portrait painting. Oil on canvas. In excellent original condition. Handsomely framed in a giltwood molding. Excellent conditio...
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

20th century English River landscape of Bisham Abbey on the Thames, Fisherman
Located in Woodbury, CT
Alfred Augustus Glendening Senior (English, 1840–1921) View along the Thames at Bisham Abbey, oil on canvas, circa 1910 Signed Bottom right This beautifully observed riverscape by A...
Category

Victorian 1910s Paintings

Materials

Canvas, Oil

'Bacchanal', Paris Salon Modernist Oil, Royal Academy, Charlottenborg, Benezit
Located in Santa Cruz, CA
Signed lower right, 'Ludvig Jacobsen' (Danish, 1890-1957) and dated 1926. An exceptional early twentieth-century figural work by this notable Danish modernist and follower of Wattea...
Category

Post-Impressionist 1910s Paintings

Materials

Canvas, Oil

Antique American Impressionist Seal Rocks California Coastal Seascape Painting
Located in Buffalo, NY
Nicely painted early American impressionist seacape painting by Elmer Ellsworth Garnsey (1862 - 1946). Oil on board. Framed. Signed verso. Image s...
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Henry Sené (1889-1961) "By the river" Original painting Post Impressionist, 1916
Located in New York, NY
Artist: Henry Sené (French, 1889-1961) Title: By the River Date: 1916 Medium: Oil on thick paper Dimensions: 14 x 9 cm l 5 1/2 x 3 1/2 in. Frame: 20 x 15 cm l 7 7/8 x 5 9/10 in. Sign...
Category

Impressionist 1910s Paintings

Materials

Paper, Oil

Anemones - Belgian Impressionist Still Life, Antique Flowers Floral Oil Painting
Located in Sevenoaks, GB
A very beautiful early 20th century impressionist oil on board still life depicting colourful anemones in a blue vase by Victor Simonin. This important and very fine work was exhib...
Category

Impressionist 1910s Paintings

Materials

Oil, Board

Antique American School Impressionist Landscape Nicely Framed Oil Painting
Located in Buffalo, NY
Impressive early American impressionist landscape painting. Oil on board. Housed in a period impressionist giltwood frame. Excellent condition.
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Early 20th Century Seascape of Capri, Amalfi Coast
Located in Soquel, CA
Luminous early 20th Century seascape of Capri on Amalfi Coast by Albert Wenk (German, 1863-1934), 1913. Signed and dated lower left corner. Cond...
Category

Post-Impressionist 1910s Paintings

Materials

Linen, Oil, Stretcher Bars

Les Semailles - Neo Impressionist Figurative Oil Painting by Achille Lauge
Located in Marlow, Buckinghamshire
Signed figurative oil on canvas circa 1915 by French neo-impressionist painter Achille Lauge. The piece depicts a view of a farmer sowing seeds in field on a bright spring day. Sign...
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Couronne de Margherite - Belle Epoque Oil Painting Portrait French Flower Girl
Located in Gerrards Cross, GB
‘La Couronne de Marguerite’ by Édouard-Louis-Lucien Cabane (1857-1942). The painting – which depicts a young French beauty wearing a crown of daisies – is signed by the artist and ...
Category

French School 1910s Paintings

Materials

Oil

A Rare Winter Landscape With Clouds by Sam Uhrdin (1910)
Located in Stockholm, SE
This atmospheric landscape from 1910 offers a rare glimpse into a lesser-known side of Sam Uhrdin’s work. Painted before his formal art education, the canvas reveals an emerging arti...
Category

Post-Impressionist 1910s Paintings

Materials

Canvas, Oil

The Grand Canal Venice Antique 1910 Signed Oil Painting on Canvas Many Boats
Located in Cirencester, Gloucestershire
Shipping on the Grand Canal, Venice signed & dated 1910 oil on canvas, unframed canvas: 13 x 18 inches provenance: private collection, Europe condition: basic good condition though w...
Category

Victorian 1910s Paintings

Materials

Oil, Canvas

Antique American Impressionist Flower Garden Landscape Framed Oil Painting
Located in Buffalo, NY
Antique American impressionist flower garden landscape oil painting. Oil on canvas. Framed. No signature found.
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Antique American 1918 Stratford Connecticut Framed Impressionist Oil Painting
Located in Buffalo, NY
Early American impressionist landscape painting. Framed. Possibly signed verso. Oil on board.
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Antique Masterful Frame American Winter Impressionist Snowy Landscape Painting
Located in Buffalo, NY
Very finely painted winter impressionist landscape by Allen Dean Cochran (1888 - 1971). Oil on canvas. Housed in a spectacular, period, gold giltwood frame. Signed.
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Early 20th century English Antique portrait of a Polo Pony
Located in Woodbury, CT
This early 20th-century portrait of a Polo Pony by the esteemed English artist George Paice is an exquisite representation of equine artistry, showcasing Paice’s remarkable skill in ...
Category

Victorian 1910s Paintings

Materials

Oil, Board

Impressionist Antique American Oil Painting Philadelphia Female Artist 1918
By Clara Elizabeth Sackett
Located in Buffalo, NY
A stunning impressionist oil painting by listed female artist Clara Elizabeth Sackett.
Category

Impressionist 1910s Paintings

Materials

Oil, Board

Coastal Garden - British Edwardian Impressionist art landscape oil painting
Located in London, GB
This lovely British Edwardian Impressionist oil painting is by noted artist Tom Mostyn. Painted circa 1910, the composition is a view looking out over a pond with fountain, across gr...
Category

Impressionist 1910s Paintings

Materials

Oil

Portrait of an Edwardian Lady - British American art portrait oil painting
Located in London, GB
This lovely British Edwardian portrait oil painting is attributed to circle of John Singer Sargent. Sargent was born in America then trained in Paris before coming to London. Painted...
Category

Realist 1910s Paintings

Materials

Oil

Early 20th century English Antique portrait of a Polo Pony
Located in Woodbury, CT
This early 20th-century portrait of a Polo Pony by the esteemed English artist George Paice is an exquisite representation of equine artistry, showcasing Paice’s remarkable skill in ...
Category

Victorian 1910s Paintings

Materials

Oil, Board

Rochers sur la cote - Nabis School (1890-1896) Seascape Oil
Located in Marlow, Buckinghamshire
Indistinctly monogrammed Nabis school oil on canvas circa 1915. The work depicts a rocky shoreline with the blue ocean beyond and a clear sky overhead. Signature: Indistinctly monog...
Category

Post-Impressionist 1910s Paintings

Materials

Canvas, Oil

Karl Nordström, Yellow Tulips, Signed and dated.
Located in Stockholm, SE
A beautiful still-life of yellow and red tulips in a vase by Karl Nordström (1855-1923), signed 'KN' and dated a tergo 1917. The vibrant flowers are standing in a vase which is placed on a cloth against a bluish-green background. Karl Fredrik Nordström was born on the Swedish west coast on the large island of Tjörn and was a Swedish painter known mostly for his landscape paintings. He came to Stockholm in 1875 and started to study at the Royal Art Academy, where he was tutored by Edvard Perséus, among others. There, he also became close friends with the artists Richard Bergh and Nils Kreuger...
Category

Expressionist 1910s Paintings

Materials

Canvas, Oil

Still Life with Apples, c. 1910
Located in Stockholm, SE
Still Life with Apples is an exquisite still-life painting that captures a quiet moment of abundance and peace. On a humble wooden table lies a cluster of ripe apples, their rosy and...
Category

Realist 1910s Paintings

Materials

Canvas, Oil

Antique French School Oil Painting Canvas Cliffs at Etretat Normandy France 1910
Located in Portland, OR
A fine & large antique oil painting on canvas by Raimond Louis Lecourt (1882-1946), the cliffs at the Atlantic Ocean, Etretat, Normandy, France, circa 1910. Lecourt was the quintessential painter of scenes of Normandy France, this is a large and very fine example of his work. The painting depicts the Falaise d' Amont located near Etretat, Normandy, the Falaises (cliffs) are on the Atlantic coast and are a very impressive formation of flint cliffs with huge naturally created archways. The painting is beautifully rendered and in some areas the artist has employed impasto technique (thickly applied paint) to provide texture to the ocean & cliffs, in the foreground of the cliffs is a flock of herring gulls circling overhead. The painting is signed "Lecourt" lower right with a dedication, the painting is housed in the original sponge decorated gesso frame, also created by the artist. Condition is excellent, this charming painting is ready to hang on your wall. The artist was born in Le Havre, and studied at the National School of Fine Arts and the Regional School of Fine Arts of Rouen, he studied under Charles Lhuillier and Léon Bonnat. He received the Croix de Guerre 1914-1918 Military medal during WW1. Lecourt studied at the Le Havre School of Fine Arts under the direction of Charles Lhuillier , then with Léon Bonnat at the Paris School of Fine Arts . He then lived in Fontaine-la-Mallet , where he painted in the Normandy region, which was his favorite subject. In 1899, Lecourt obtained the honorary prize for the upper course with the city's silver medal. A municipal scholarship which allowed him to enter the Paris School of Fine Arts in the studio of the painter Léon Bonnat . There he found his comrades from Le Havre who had preceded him there: Othon Friesz , Raoul Dufy , the brothers René and Henri de Saint-Delis . He debuted at the Salon of French Artists in 1901 with his painting Le Herseur . He completed his studies in the studio of Luc-Olivier Merson and it was around this time that he got into the habit of spending his holidays in Fontaine-la-Mallet with his comrade Othon Friesz . He settled there permanently in 1907, after a trip to Brittany from where he brought back numerous sketches and portraits. During the First World War , he was mobilized on August 1, 1914 in the same regiment and behaved like a hero, decorated with the Croix de Guerre and the Military Medal . During an engagement at Courcy - Brimont , September 14, he was injured by a gunshot to the right forearm. He continued to draw with his left hand then, after a long rehabilitation, he regained the use of his right hand. He became a member of the Society of French Artists, also exhibited at the Salon des Indépendants, and made regular submissions to the Salons. Many paintings by him appear in museums & galleries in Denmark , Germany, the United States, Japan, and in England where the "Dogs of the Duchess of Manchester" painting was exhibited and won Lecourt great acclaim. After the outbreak of World War II, Lecourt takes the German Occupation of France very badly. After General Philippe Petains's handshake with Hitler in Montoire-sur-le-Loir, he returned his military medal to the Chancellery, accompanied by this comment: "We have no need for decorations in a country which no longer has the sense of honor" During this period, he resided with Charles Toussaint, a Le Havre broker and companion from the 74th infantry regiment, at the Frescinet manor, a property which would disappear under the bombings of the September 11, 1944. At this time, he painted mainly on wood, as canvases were rare and expensive at this time. In the winter of 1943-1944, he was hit by a military truck which skidded on the ice, during the fighting for the liberation of the port of Le Havre, the village of Fontaine-la-Mallet, where he lived, was raised to the ground under heavy bombing. His house, his studio, his notes and sketches were destroyed. However he went back to work with courage, but something had broken inside him. The following winter, he caught a cold and contracted pneumonia which took him away in eight days, unable to be properly treated following the refusal of an American army colonel, to give to civilians penicillin that only the Americans had at the time. His friends mourned him and others said that he was a gifted painter of Cauchoise (Normandy) painting, and who knew so well how to render plough horses, Normandy cows...
Category

French School 1910s Paintings

Materials

Canvas, Oil

The Rivers Edge
Located in North Clarendon, VT
The River's Edge a beautiful American Impressionist oil on canvas attributed to William Baxter Closson. Housed in a period Foster Brothers frame. Born October 13, 1848, in Thetford,...
Category

American Impressionist 1910s Paintings

Materials

Oil

“In June (Im Juni)” By Julius Paul Junghanns dated "1913"
Located in SANTA FE, NM
“In June (Im Juni)” Julius Paul Junghanns (German, 1876-1958) Oil on canvas Signed and dated “1913,” titled on reverse 18 ½ x 23 1/4 (27 1/4 x 31...
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

1910's Art Deco Erte Gouache Painting Original Hand Signed Rare French Costume
Located in Buffalo, NY
A rare original signed Art Deco gouache on paper by Erte (Romain de Tirtoff) . This stunning theatrical costume design is signed Erte at the lower right. The piece is 20 by 18 fram...
Category

Art Deco 1910s Paintings

Materials

Gouache, Archival Paper, Pencil

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