1910s Paintings

Very nicely painted, early American impressionist landscape painting. Oil on board. Housed in a period and valuable gold giltwood frame. Image size, 8 by 10 inches. Circa 1910.

Fritz Burmann ( 1892-1945 ) Germany. Oil on wood, 1919. Signed and dated lower right: Fritz Burmann 1919. Framed. Height: 27.17 in ( 69 cm ), Width: 35.04 in ( 89 cm )

Impressive early American impressionist forest interior landscape oil painting by William McKendree Snyder (1848 - 1930). Framed. Oil on board. Signed. Image size, 18H by 24L.

Oil painting oil on canvas Oil on canvas, unframed 187x225.5 cm, with gilt and carved wooden frame, 210x250 cm. Signed and dated at bottom, right: Maurice Berthon 1910. Indeed, the d...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...

This charming Edwardian Scottish full length portrait oil painting is by noted Scottish portrait artist George Fiddes Watt. Painted circa 1910, the sitter is Muriel Sutherland, daugh...

Frederick Dickinson Williams Fishing in Autumn, 1914 Signed and dated lower left Oil on board 9 1/4 x 6 7/8 inches Frederick Dickinson W...

The Triumph of Bacchus, a large oil painting by Ferdinand Leeke Oil-on-canvas, German, 1918 Frame: height 175cm, width 227cm, depth 10cm Canvas: height...

Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated 1913. A lyrical, early twentieth-century still-life of pink dog-roses shown loosely arranged in a cobalt bl...

Wonderful German genre painting of 17th century tavern scene in style of Franz Hals by Karl Josef Muller (German, 1864-1942) dated 1918. Signed and dated lower left corner "Karl Muller - Hamburg 1918". Condition: Good; professionally restored: Canvas restreched on new stretcher bars; five repairs made to small tears in canvas (see image); cleaned and re-varnished with UV-resistant varnish. Unframed. Image size: 39.5"H x 55"W. We have the original frame which needs some extensive repair to the gesso. Happy to include the frame with the painting as is. Karl Müller was born in Hamburg-Altstadt in 1865. His wealthy Jewish parents Abraham Müller (1832-1896), citizen of the Hanseatic city since 1869, and Henriette "Jette", b. Burchard (born 1832 Neubuckow / Mecklenburg), had a cigar factory at Spielbudenplatz 5 in St.Pauli. When Karl Müller was ten years old, next to factory and warehouse, now at Speersort 11 (Altstadt), there was also a branch in Altona-Ottensen with the address Am Felde 68. The family lived at the time at Pferdemarkt 13 (Old Town). After attending the Jewish Foundation School at the Zeughausmarkt, Karl Müller completed a three-year lithography apprenticeship. From 1886 to 1888, he studied at the Royal Saxon School of Applied Arts in Dresden with the history and decoration painter Donadini, then with Professor Hanke of the Prussian Academy of Arts in Berlin. Karl Müller's painting style was conventional-realistic and did not follow modern trends. In 1891, the oil paintings "Preparation for the Service", "In the guardroom", tattoo", "gymnastics lesson", "covert patrol” and "return from the field service exercise”, whose main motive almost always soldiers formed.In 1893, he painted the" invasion of the 76er " as a horizontal format in black and white, the painting was acquired by the Museum of Hamburg History in 1930. The disposition of Karl Müller could be classified as "kaisertreu" and "national" (Maike Bruhns) at this time - not by chance he acted with his Nicknamed "Soldatenmüller", he successfully participated in exhibitions in Berlin and Hamburg before the turn of the century. Even at this time, the frequent change of residence is striking: 1893 Papendamm 25 (Rotherbaum), 1896 Bundesstraße 9 (Rotherbaum). In 1898 he was in the Hamburg address book as a "genre and portrait painter" with the residential address 1. average 43 (Rotherbaum) out. At the age of 38, Karl married in 1903 in the Hanseatic city of the Jewish Louise Hauer (born 12.2.1872 in Hamburg), called "Lieschen". Before her marriage, she lived with her mother at Grindelberg 78. Her father, Martin Hauer (1836-1897), also born in Hamburg and was a citizen of the city since 1862, owned a factory for soap and perfume. In 1904 and 1911, the two daughters Karla and Lotte were born. 1904, the family lived at this time in the Bogenstraße 20, Karl Müller commissioned a portrait of the emigrated hamburger Henry Jones opening the same lodge in the Hartungstraße 9-11. Already at this time he might have been a member of the Hamburg Artists Association of 1832. Starting from 1908 further change of dwellings on the basis of the telephone books are comprehensible: nearly yearly the family moved and moved thereby from the Grindel quarter over Hoheluft east to Harvestehude and Winterhude. Around 1912 she moved into an apartment in Sierichstraße 156. Here, the landlord Schröder provided the artist with an area of ​​around 45 square meters as a studio on the dry floor. But the building police criticized this use and after some disputes, the painter had to move once again with family and studio. The official telephone directory recorded as an address from 1914 to 1918 Klosterallee 20 (Harvestehude). Friedrich Jansa described Karl Müller's changed motif choice in his artist's glossary in 1912: "In recent years he has been watercolouring a lot in the Hamburg area and now mainly takes his motifs from Hamburg harbor...

This lovely British Edwardian portrait oil painting is attributed to female artist Ursula Wood. Painted circa 1910 is is a half length portrait of a beautiful woman in an orange shaw...

Signed lower right, 'F. Coburn' for Frank Coburn (American, 1862-1938); additionally titled, verso, 'Henry, Ill., June, 1918' and titled, 'The Old Mill'. Framed dimensions: 30 x 1.75...

Portrait of a Lady French artist, signed and dated 1915 oil on panel board: 13.75 x 10.5 inches provenance: private collection, France condition: scuffing to the edges from a previou...

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 20 x 30 Frame Size: 29 x 39 Medium: Oil Dated 1910 "In The Land Of The Spanish Oak" Spectacular larger scene by Julian...

Signed impressionist gouache on paper figures in landscape circa 1910 by French painter Eugene Galien-Laloue. The piece depicts a street scene at the Quai de la Tournelle...

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...

Signed figure in winter landscape oil on canvas circa 1915 by French Post Impressionist painter Victor Charreton, who was known as the painter of colours. The work depicts a man stro...

Arvid Frederick Nyholm (Swedish-American, 1866-1937) Signed: A Nyholm (Lower, Right and Lower, Left) " Mother and Child in a Landscape ", circa 1910-1920 Oil on Canvas 25" x 30"...

Sweeping early 20th century landscape painting of mountains reflected over a California lake by an unknown artist. Circa 1915. Unframed. Image size: 20"L x 16"H.

Artwork on canvas board Gilded wood frame 47 x 37 x 3 cm

Turn of 20th Century American Impressionist Chicago Landscape -- Frost Bound Luminous turn of the century American Impressionism landscape of Chicago in winter titled "Frost Bound" by Henning Ryder (Swedish/American, 1869-1939), circa 1900. Signed lower right corner. Exhibited in the 1915 Panama Pacific...

Signed nude oil on original canvas circa 1910 by French post impressionist painter Georges D'espagnat. The work depict a nude woman seated on a stall turned away from the artist. Paintings hang on the wall and there's a vase filled with pink and red flowers on the wooden mantlepiece beside her. Signature: Signed upper left Dimensions: Framed: 30"x26" Unframed: 22"x18" Provenance: Private French collection. Exhibition stamp verso From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier...

Charles CLAIR (1860-1930) Sheeps in the Sheep-Fold Oil on canvas signed low right and dated 1913 Old original Frame Dim canvas : 92 X 73 cm Dim Frame : 126 X...

Max Usadel (ca.1880-1950), Temple of Paestum, dat. 1912 View of the temple of Paestum with two ox carts in the foreground. The setting sun creates a dramati...

Antique American impressionist landscape oil painting by George Ames Aldrich (1872 - 1941). Oil on canvas, circa 1910. Signed. Displayed in a period impressionist frame. Image size,...

Frank Nelson Wilcox (American, 1887-1964) The Stonecutter's Evening, c. 1915 Oil on canvas Signed lower right 36 x 27.5 inches 42.25 x 34 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer...

Stunning plein air California landscape of Natividad (part of unincorporated Monterey Country) in late afternoon by James Everett Stuart (American, 1852-1941), 1917. Signed, dated an...

Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...

Here we have an original large painting by Louis Jambor (1884 - 1955) Depicts a California coast with two female figures One nude and one with Parasol Louis Jambor Circa 1929 Water...

This early 20th-century oil painting by Dutch artist Jelle Troelstra (1891-1979) depicts a seated woman wearing a floral top and dark grey dress. With eyes closed and hands held upo...

Antique American impressionist flower garden landscape oil painting. Oil on canvas. Framed. No signature found.

Signed figure in landscape oil on board circa 1910 by French Post-Impressionist painter Victor Charreton. The piece depicts a lone figure taking a walk beside a stream in a wooded ar...

Parisian School Untitled, c. 1910 Oil on canvas 12 1/4 x 30 1/2 in. Framed: 15 1/8 x 33 1/4 x 1 1/2 in. Signed lower right: S. Bazzo

Working Horses is an original oil painting on canvas realized by Alessandro Lupo in 1913. Hand signed and dated lower right. Good conditions, slightly stretched canvas, slight mark...

This stunning British Impressionist landscape oil painting is by noted British artist Joseph Vickers de Ville. It is entitled Clair de Lune verso and dated 1916-1919. Clair de Lune, ...

Attributed to Hortense Mattice Gordon (Canadian, 1886-1961) and painted circa 1925. Attribution based on similar style, composition and subject matter of McGill University's 'Old Country Store, Ontario' (1925) by the artist (see last image). An exceptionally fine, early twentieth-century, Post-Impressionist oil showing a view of a rustic village with cottages dramatically dappled by the shade of large trees. Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven. A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920. In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...

Medium: Oil on Canvas Signature: Signed Lower Left Styles for Men: The House of Kuppenheimer, Spring and Summer 1914, cover illustration. This piece was published as the cover illu...

Signed still life oil on canvas circa 1910 by French impressionist painter Maximilien Luce. The piece depicts a vase filled with red poppies. Signature: Signed lower right Dimensio...

Work on canvas Beige wooden frame 63 x 85.5 x 6.5 cm

Jim’s of Lambertville is proud to offer this artwork by: Robert Spencer (1879 - 1931) One of the rarest and most important artists among the New Hope School, Robert Spencer was bo...

Watercolor on paper laid on board: An exceptional watercolor in terms of quality and presentation. During this earlier period of Day's career he exhibited extensively and was inspir...

An impressive coastal ocean seascape titled “Light Play” by American artist Clifford Warren Ashley (1881 - 1947). Ashley was born in New Bedford, Massachusetts, graduated and went to...

Dick Beer (b. London 1893 - d. Stockholm 1938) A French City, 1919 (Fransk stad) oil on canvas canvas dimensions 82x66 cm frame 94x78.5 cm signed Dick ...

Gorgeous early 20th Century Palm Springs landscape by Edward Marion Langley (American, 1870-1949), 1913. Signed lower right corner. Titled "Palm Springs" and dated "'13" on verso. Unframed. Condition: Very Good; Previous restoration included relining; newly cleaned and retouched. Image size: 18"H x 22"W. Born in London, England on March 27, 1870. When quite young Langley was abandoned by his parents in Australia. Making his way to Canada, he traveled alone by canoe down to the Gulf of Mexico. In Chicago he worked with Wm Selig in developing the motion picture camera and became a U.S. citizen in 1904. Before that he had played trumpet in the Illinois State Guard for many years. Sometime before 1917 he came to Hollywood, CA with Selig where they produced the pioneer epic, 'The Spoilers." A few years later Langley became art director for the Fairbanks Studio on such films as "Thief of Bagdad...

Signed lower left, 'Pauline Palmer' (American, 1867-1938) and painted circa 1915, two years after the artist's first solo exhibition at the Art Institute of Chicago. Exhibited: Chicago Galleries Association and titled, 'Sunny Yards' (attached, partial label from original frame) A staunch proponent of pure Impressionism at the turn of the twentieth century, Pauline Palmer influenced the world of American art far beyond her Midwestern art community. Primarily known for her landscapes and portraits, Palmer rejected the waves of modernism that hit the United States in the teens and twenties, remaining true to the traditions of Impressionism. In 1923, she established the Association of Chicago Painters and Sculptors as an alternative to the increasing number of institutions celebrating Abstraction and Cubism. Pauline Palmer was enrolled at the Art Institute of Chicago from 1893 to 1898, and studied with some of the most prominent artists of the period, including William Merritt Chase and Frank Duveneck. Following her graduation, Palmer moved to Paris and attended the Académie de la Grande Chaumiére and the Académie Colarossi, where she studied under Raphael Collin. While in France, she exhibited with success including at the Paris Salon each year from 1903-06 and, again, in 1911. Her principal teacher and friend in Paris was the American Impressionist, Richard Emil Miller, whose shimmering handling of light made a profound impression upon her. Palmer also traveled extensively throughout Europe, a rite of passage for aspiring artists of her time. Returning to Paris, she studied with Gustave Courtois and Lucien Simon, both exemplars of compositional structure. Upon her return to the United States, Palmer set up her first American studio in the legendary Tree Studios building in Chicago. The artist's husband, Dr. Albert Palmer, whom she had married in 1891, both supported and encouraged his wife's artistic development. The couple kept a summer home in Provincetown, Massachusetts, where she made friends with many of the Portuguese fishermen's families, often using their children and the routines of their daily lives as subject matter for her painting. Pauline Palmer exhibited widely and with success, including in Italy, France, Norway and throughout the United States. Her works were shown at the National Association of Women Painters and Sculptors and, beginning in 1899, she exhibited at the Art Institute of Chicago for twenty-seven consecutive years. Over the course of her long career, she exhibited over 250 paintings at the Art Institute of Chicago, including at two solo exhibitions. She was the recipient of numerous prizes, medals and juried awards including nearly all the AIC's major awards, purchase prizes and honorable mention citations. Palmer also received a gold medal from the Colarossi Academy in Paris. Involved in numerous artist organizations, she was a member of the Chicago Municipal Art League, the Chicago Art Guild, the Chicago Arts Club and a charter member of the Chicago Women's Salon. Elected the first woman president of the Chicago Society of Artists, she went on to serve as president of both the Art Institute Alumni Association and the Chicago Association of Painters and Sculptors. Considered by the Modernists of her day to be a traditionalist, Pauline Palmer remained true to her artistic vision and she continues to be regarded as one of the leading women of American Impressionism. Her light-filled, colorful compositions captured landscapes and scenes of American daily life with unusual freshness and seeming effortlessness. Celebrated during her life as "Chicago's Painter Lady," Palmer was honored twelve years after her death by a posthumous retrospective at the Art Institute of Chicago and the establishment of an annual scholarship awarded in her honor by the Art Institute of Chicago. (with thanks to Hali Thurber) CHRONOLOGY 1867, Born in McHenry, IL 1885, Moves to Chicago to teach art 1891, Marries Dr. Albert Elwood Palmer 1893, Exhibits, World's Columbian Exposition, Chicago 1896, First exhibits at the Art institute of Chicago 1898, Exhibits at Exposition in Omaha, NE 1899, First exhibit, Pennsylvania Academy of Fine Arts 1900-1902, Studies with various artists in Paris 1901, Exhibits at Exposition in Buffalo 1903-1906, Exhibits at Paris Salon 1904, Exhibits at Universal Exposition in St. Louis, 1907, Four prizes at the Art Institute of Chicago 1911, Exhibits at the Paris Salon 1911, Exhibits at the Expositione de Belle Arti, Naples 1913, Solo exhibition, Art Institute of Chicago 1915, First prize, Society of Western Artists 1917, Opens first American studio in Chicago 1918, First woman president, Chicago Society of Artists 1918-1929, holds position of president for 11 years 1918-1921, Silver medals, Society of Chicago Artists 1921, Silver medal at Peoria Society of Allied Artists 1927, President, The Art Institute Alumni Association 1929-1931, President, Chicago Association of Painters and Sculptors 1938, Dies, Trondheim, Norway AWARDS 1904, Universal Exposition in St. Louis, bronze medal 1907, Art Institute 's Chicago Artists' Exhibition 1915, Society of Western Artists exhibition, first prize 1918, Society of Chicago Artists, silver medal 1921, Peoria Society of Allied, silver medal Solo Exhibitions: 1913, Art Institute of Chicago 1939, Art Institute of Chicago, memorial exhibition Union League Club of Chicago, memorial exhibition Group Exhibitions: 1893, World's Columbian Exposition in Chicago 1896, Art institute of Chicago 1898, Exposition in Omaha, NE 1899, Pennsylvania Academy of Fine Arts 1899-1926, Art Institute of Chicago 1901, Exposition in Buffalo 1903-06 Paris Salon 1904, Universal Exposition in St. Louis 1911, Paris Salon 1911, Expositione de Belle Arti, Naples 1915, Exposition in San Francisco 1950, Chicago Galleries Association 1984, Lakeview Museum of Arts and Sciences, Peoria Memberships: 1918-29, First woman President,Chicago Society of Artists 1927, President of The Art Institute Alumni Association 1929-31, President of Chicago Association of Painters and Sculptors Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. X, page 523; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. XXVI, page 129; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. III, page 2512; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 708; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. II, page 1047; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 326; Pauline Lennards Palmer...

MAX RABES German, 1868 - 1944 AN ORIENTALIST SCENE WITH MUSICIANS AND DANCER signed "Max Rabes" (lower right) oil on canvas 65 x 77-1/2 inches (164.5 x 197 cm.) framed: 70-2/3 x 8...

Early 20th Century Tonalist Pastel Landscape Beautiful tonal landscape, c.1915, by pastel artist William Henry Chandler (American, 1854-1928). The viewer looks out over a serene riv...

Bruce Crane Autumn Landscape Signed lower right Oil on canvas 16 x 24 inches Bruce Crane Was born in New York City, he studied with Alexander H. Wyant before attending the Art Stud...

Piccola pittura a olio ,luminoso paesaggio della Bretagna francese, molto luminoso,splendida cornice

Figurative landscape of Wood Fairies kissing in a forest by Carl F. Ruhnau (German, c.1876-1940). Signed “C. Ruhnau” in the bottom right corner. Signed and ...

Vaclav Vytlacil Woman Reading in an Interior, circa 1915 Signed lower right Oil on canvas 16 x 20 inches As a child, Vytlacil had taken art classes at the Art Institute of Chicago....

Signed and titled oil on canvas riverscape by sought after French impressionist painter Pierre Eugene Montezin. The work depicts a view of a river in autumn. The trees that line the ...

Raoul DUFY The Love, c. 1910 Original woodcut Signed stamp of the artist's studio Numbered on /220 On vellum 50.5 x 65.4 cm (c. 19.6 x 25.5 inch) Excellent condition

This gorgeous exhibited Scottish Impressionist portrait oil painting is by noted artist Robert McGregor. It was painted in 1918 and exhibited at the Royal Scottish Academy the same y...

This superb atmospheric British Edwardian portrait oil painting is by noted Scottish artist Howard Somerville. Painted in 1911 it is a half length portrait of Miss Blanche Stuchbury,...

Paris, Seine. 1918/19, oil on cardboard, 38x52 cm Signature located in bottom right corner Belay The certificate: M. Roland Souef at November 23, 2011 Pierre Savigny de Belay...

Oil on canvas sold with frame Total size with frame 52x62 cm Gustave François BARRAUD is an artist born in Switzerland in 1883 and died in 19...

Signed and dated post impressionist figurative oil on canvas by French painter Ferdinand du Puigaudeau. This beautiful and large work depicts dozens of churchgoers in traditional Bre...

Very finely painted winter impressionist landscape by Allen Dean Cochran (1888 - 1971). Oil on canvas. Housed in a spectacular, period, gold giltwood frame. Signed.

Edward Rosenberg is best known for his landscape paintings with winter motifs around Lake Mälaren. He studied at the Art Academy in Stockholm 1879–1882. And he had his first success in 1882 when he received the Royal Medal...

Signed lower right, 'Henry Ottmann' (French, 1877-1927) and created circa 1915. An elegant pencil and ink-wash drawing showing two women conversing, one seated side-saddle on horse ...

This evocative landscape by Axel Edvard Peter captures the serene beauty of nature with remarkable skill. Painted in 1918, the scene depicts a wooden rowboat resting in still waters beneath the sheltering branches of a lush tree. The dappled sunlight filtering through the foliage creates a mesmerizing interplay of light and shadow, while the artist’s use of short, expressive brushstrokes imbues the composition with a vibrant, almost impressionistic quality. The rich greens and golden hues of the landscape reflect Peter’s mastery of color and atmosphere. Axel Peter was a Swedish painter known for his distinctive artistic voice, shaped by his studies at the Royal Academy of Fine Arts in Stockholm and further training in Paris and Germany. He was part of the influential Opponents’ Movement (Opponentrörelsen) of 1885, alongside artists such as Richard Bergh, Nils Kreuger, and Eugène Jansson...

Signed oil on canvas landscape circa 1910 by French post impressionist painter Raymond Thibesart. The piece depicts a view of a small rural village deep in winter. The roof tops and ...

Nicely painted early American impressionist seacape painting by Elmer Ellsworth Garnsey (1862 - 1946). Oil on board. Framed. Signed verso. Image s...

Alice R. Comins American, 1861-1943 The Valley, York Maine Oil on canvas 20 by 26 in. W/frame 27 by 33 in. Signed lower right and dated 1913 & titled on r...

We are pleased to present this exquisite piece by Swedish artist Wilhelm Dahlbom, entitled "Moonlight, Idö, 1912". This work captures the serene reflection of moonlight on water, the...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Martha Walter (1875 - 1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylvania Academy of the Fine Arts. It was at the Academy that Walter’s artistic talent was discovered. An admiring instructor by the name of William Merritt Chase took young Martha under his wing, giving her both inspiration and direction. She additionally enrolled with Chase at his summer school in Shinnecock, Long Island and in 1903, was awarded the Cresson Traveling Scholarship by the Pennsylvania Academy. This sent Martha Walter on travels to France, Italy, Spain, and Holland, where she attended the Grand Chaumiere and the Academie Julian in Paris. Afterwards, she established a studio on the Rue De Bagneaux in France with several other American women artists...

This charming British Edwardian oil painting is attributed to the circle of Tom Mostyn. Painted circa 1910 it is a wooded landscape with figures stopping to rest on a path bathed in ...

This lovely Scottish exhibited seascape oil painting is by noted Scottish artist Patrick Downie. It was painted in 1914 and exhibited at the Glasgow Institute of Fine art that year e...

Oil Painting Pair by Robert Watson "Highland cattle and Sheep in the Glen" A Cheshire painter of Highland cattle and sheep represented in the Harris museum Preston. Both oil on canv...

Signed lower right and dated 1917 Overall size in original Newcomb Macklin frame 27.5 x 31.25 in.

This striking British Edwardian religious oil painting is by noted artist Francis 'Frank' Owen Salisbury or Frank O'Salisbury as he is largely known. Painted in 1911 it is a figurative landscape of soldiers on the battlefield. The two central characters, the 'Christian Soldiers' from the early crusades have halos and ride through the chaos on white horses. Shafts on light with angels illuminate them and also a crucifix. A very powerful Edwardian religious oil painting and an excellent example of O'Salisbury's work. painted in oil and illuminated in gold leaf. Signed and dated with monogram lower right 1911. Provenance. From Castle of Park, Aberdeenshire. A version of this painting was exhibited at the Royal Academy London in 1911 entitled the Passing of War. Condition. Oil on canvas, 36 inches by 24 inches unframed and in good condition. Frame. Housed a complementary frame, 44 inches by 32 inches framed and in good condition. Francis ("Frank") Owen Salisbury (18 December 1874 – 31 August 1962) was an English artist who specialised in portraits, large canvases of historical and ceremonial events, stained glass and book illustration. In his heyday he made a fortune on both sides of the Atlantic and was known as "Britain’s Painter Laureate". His art was steadfastly conservative and he was a vitriolic critic of Modern Art – particularly of his contemporaries Picasso, Chagall and Mondrian. His father, Henry Salisbury, described himself as a "plumber, decorator and ironmonger" (his mother was Susan Hawes), yet his son Frank would become one of the greatest society artists of his generation. One of 11 children, Salisbury was such a delicate child that he was educated at home, in the main by his student teacher sister, Emilie. He had only a few weeks formal schooling and began work by repairing bicycles at his father’s Cycle Depot in Harpenden. Uncertain as to his ability to find and maintain a job, the family determined that he be apprenticed, at the age of 15, to Henry James Salisbury, his eldest brother, who managed a major stained glass company in Alma Road, St Albans. He rapidly acquired all the practical skills of a stained glass artist and exhibited exceptional skills in the painterly detail that was applied to glass before its final firing. This led to his brother sponsoring him to attend Heatherley’s School of Art three days a week to further a career in painting. He then won a scholarship to the Royal Academy Schools which he attended for five years and where he won two silver medals and two scholarships, including the Landseer scholarship which funded his to travel to Italy in 1896. In due course he would have seventy exhibits accepted for the annual Royal Academy Summer Exhibitions, from 1899 until 1943, though he was never offered membership, which reportedly disappointed him very much. In 1901 he married Alice Maude (d. 1951), daughter of C. Colmer Greenwood, with whom he had several children, including twin daughters Monica and Sylvia. His first Royal Academy exhibit was a portrait of Alice and he often painted pictures of their children. It is for portraiture that he is best known. His speed in producing portraits stemmed from his painting his own twin daughters every morning for an hour and his career began with child portraiture and his painting the Hertfordshire gentry and members of the Harpenden Methodist Church. He had a studio at his home, Sarum Chase. A providential meeting with Lord Wakefield, founder of Castrol Oils and a Methodist philanthropist, saw his introduction to society portraiture. Salisbury’s being selected to paint the Boy Cornwell in the Battle of Jutland then brought him to the notice of Royalty. Lord Wakefield then arranged for him to paint President Woodrow Wilson whilst he was in London, but Wilson departed for Paris and the opportunity was lost. It was to be John W. Davis, American Ambassador to London, who encouraged Salisbury to go to the USA; Davis had met Salisbury at art receptions and had admired his child portraits. Twenty-five members of the Royal House of Windsor sat for Salisbury and he was the first artist to paint HM Queen Elizabeth II. In 1919 he painted a mural for the Royal Exchange, London National Peace Thanksgiving Service on the steps of St Paul’s Cathedral, 6th July 1919. He painted Winston Churchill on more occasions than any other artist; the two iconic images of Churchill – The Siren Suit and Blood, Sweat and Tears are both Salisbury images. Mayoral regalia was a ready made requisite for the Salisbury style with Councillor Sam Ryder (of Ryder Cup fame) as Mayor of St Albans being the most famous of his civic images. Other significant portraits include those of Richard Burton, Andrew Carnegie (posthumous), Sir Alan Cobham, Sir Robert Ludwig Mond, Maria Montessori...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...