1910s Paintings

Signed lower right, 'Emerson' for William C. Emerson (American, 1865-1937) and dated 1910. Original card board, verso, was additionally signed 'W. C. Emerson' and titled, 'The Dance' (images included were taken prior to lay down). Displayed in a period, carved and giltwood frame; framed dimensions: 27.75 x 33.75 x 1.5 inches. Born in London, England, William Emerson...

Medium: Oil on Canvas Signature: Signed Lower Left Harper's Monthly, 1917.

Provenance Noah Goldowsky Gallery, New York; Collection of Jeptha H. Wade and Emily Vanderbilt Wade, Boston, until 2025 Exhibitions Cleveland Museum of Art, Art for Collectors, 1971...

Very nicely executed original still life oil painting on fiberboard by the Wales born artist, Edward Pritchard. Signed lower left. Circa 1915. Conditi...

Medium: Oil on Canvas Date: 1918 Signature: Unsigned Dimensions: 26.00" x 14.00" Fashion Illustration, Fall: 1918

Wonderful oil on panel circa 1920 by French impressionist painter Andre Devambez. The work depicts a soldier leading his horse along a dirt track during...

Famed female illustrator, Jessie Willcox Smith paints the " Ideal Child" in a spiritual moment for the Christmas cover of Good Housekeeping. The acc...

Work on wood sold with frame Total size with frame 33x39 cm Signed Guillaume G. ROGER is an artist born in 1867 and died in 1943. His works have been sold at public auction 120 ti...

Work on canvas Golden wooden frame 66 x 78 x 4 cm

Signed with monogram, lower left, 'AN' for Albert Naur (Danish, 1889-1973) and dated 1919. Albert Naur first studied Philosophy and Law in Copenhagen (1908-1911) while painting in a...

Clara Deike (American, 1881-1964) Hillside and Stream, 1916 Gouache on paper Signed and dated lower right 22 x 18 inches 25.5 x 21.5 inches, framed A graduate of the Cleveland Schoo...

German Artist Adolf Uzarski (1885 - 1970) designed this stunning charcoal drawing lithograph print on paper, depicting two riders in a wild dance or fight. This drawing is part of five lithographs set to illustrate scenes from the 14th Century Tutinama, a Persian series of 52 stories, also known as "Tales of the Parrot." Tales of adventures told by a parrot, night after night, for 52 successive nights, are moralizing tales to persuade its owner not to commit adultery misconduct with a lover in her husband's absence. Hand-written signature on bottom right corner: "Uzarski - 19". The lithograph is ornate with a contemporary wood frame and an acrylic glass protection. Measurements: With frame: 24.75 in wide (63 cm) x 29.75 in high (75.5 cm) Opening view: 16.94 in wide (43 cm) x 22.50 in high (57 cm). We have a set of five different pieces from the same artist. If you are interested in purchasing multiples to form a cluster, kindly inquire. Examine the ambiance image with two artworks. Biography: Adolf Uzarski (1885 - 1970) was a German writer, artist, and illustrator associated with the "New Objectivity Movement." He was born in Ruhrort bei Duisburg (1885) and studied at the Cologne School of Architecture before enrolling in 1906 at the Düsseldorf School of Arts and Crafts. Before World War I, he exhibited in Berlin and Hagen and became a successful commercial artist. While directing the advertising department of the Tietz department store in 1916–17, he produced the portfolio of lithographs, Totentanz (Danse Macabre - Dance of Death). Beginning in 1919, he exhibited with "Das Junge Rheinland" (Young Rhineland), of which he was a founding member. This stylistically diverse group, which included Arthur Kaufmann...

Portrait of a Lady French artist, signed and dated 1915 oil on panel board: 13.75 x 10.5 inches provenance: private collection, France condition: scuffing to the edges from a previou...

Elsie Palmer Payne was an American Female artist who, in her youth, made several trips to Europe. This French market scene is characterized by a Fau...

To see our other views of Public Schools, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Nora Davison...

An original antique impressionist oil painting by American artist George Renouard.

Wonderful modern floral still life oil painting of ranunculus in white vase and mustard weed on table by acclaimed artist and art critic Walter Pach (American, 1883-1958), 1911. Pach...

Oil on canvas laid down on fiberboard by the American artist, Albert Lorey Groll. Signed lower left and in pencil lower right. Signed verso as well. Condition is good. Circa 1910. Sa...

Dick Beer (b. London 1893 - d. Stockholm 1938) Portrait of Gabriele Varese (in Italian uniform), 1919 oil on canvas mounted on panel 116 x 90 cm stamp signature Exhibited: Solo exhibition, Stockholm, Nov-Dec 1917; The Royal Academy Stockholm 1973; Åmells Konsthandel – En internationell kubist, Stockholm & London 2008 Hälsinglands Museum 2011 Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and had left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent. Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland. Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies. In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists. In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army. Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues. In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”. In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles. In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick and continued to support him financially for the rest of his life. Dick Beer also exhibited in Sweden, albeit irregularly due to his failing health. In the 1920s and 1930s, Beer continued to pursue an expressionist painting with intense colours and unexpected perspectives, but eventually he veered towards more naturalistic forms, including a large number of nudes. He also painted several portraits of artists, politicians and writers. In 1938, Dick Beer sojourned in Arles. The budding photographer Christer Strömholm...

Oil Painting Pair by Sidney Pike "Eventide" and "In the Highlands" 1858 - 1923 London landscape painter and one of the first Christmas card illustrators. Settled in Hastings, repres...

Eugene Higgins In Foreign Parts, circa 1913 Signed lower right Watercolor on paper Sight 17 x 13 inches Born William Victor Higgins in 1884 to a Shelbyville, Indiana farm family where the only art Victor was aware of as a child was his father's love of flowers. "He loved their forms and their colors, and he tended his garden as a painter might work a canvas." At the age of nine, Victor met a young artist who traveled the Indiana countryside painting advertisements on the sides of barns. He purchased paints and brushes so the young Higgins could practice his own artwork on the inside of his father's barn. He also taught Victor about art museums and especially about the new Chicago Art Institute. This information never left the young artist, and he saved his allowance until his father allowed him at the age of fifteen to attend Chicago Art Institute. He worked a variety of jobs to finance his studies both there and at the Academy of Fine Arts. Victor Higgins traveled to New York in 1908, where he met Robert Henri, who became a significant influence by depicting every-day scenes and stressing the importance of the spirit and sense of place as important factors in painting. Higgins was also greatly affected by the New York Armory Modernism Show of Marsden Hartley in 1913. While Victor Higgins was in Chicago he met former mayor and avid collector Carter H. Harrison who was to prove instrumental in the growth of Higgins career for several years. Harrison agreed to support Higgins for four years to go to Paris and Munich and paint and study in the great museums in Europe. While at the Academie de la Grande Chaumier in Paris (1910-1914) he met Walter Ufer, who was another Chicago artist being sponsored by Carter Harrison. This meeting was not only a life-long friendship, but the beginning of a great change in the way Higgins looked at "American" art. He decided that America needed it's own authentic style rather than the 19th Century classic style he was taught in Europe. Very soon after returning to Chicago in 1914, Harrison sent him and Walter Ufer on a painting trip to Taos, New Mexico for a year in exchange for paintings. Higgins made other similar agreements and was able to support himself with his painting. This trip was a life-changing experience and introduced Higgins to the authentic America he had been looking for. In 1914 Taos was an isolated village about twelve hours from Santa Fe on an impossible dirt road. But the colorful life of the pueblo people and the natural beauty drew a collection of artists who became the Taos art colony, from which the Taos Society of Artists was founded in 1915. Victor Higgins became a permanent resident within a year of his arrival and a member of the society in 1917, exhibiting with Jane Peterson in 1925 and with Wayman Adams and Janet Scudder in 1927. The members would travel around the country introducing the Southwest scenes with great success. He remained a member until the Society's dissolution in 1927. Higgins was the youngest member of the group of seven. Other members were Joseph Henry Sharp, Bert Phillips...

This stunning charcoal drawing lithograph print on paper depicting a fanciful lion kidnapping a young woman was designed by Adolf Uzarski (1885-1970), a German artist. This drawing i...

Attached is “Anita” (1916), by William Cahill (1878-1924), oil on artist board, 14 x 14 inches, signed & dated l/r. Exhibited at the Salmagundi Club, 1...

Nature through the Mirror Nude and with a Whirlwind Style of Childe Hassam Exquisite watercolor on card stock in the style of Childe Hassam by American Impressionist Wilhelmina (Minn...

Beautiful large scale landscape of Yosemite with Half Dome and El Capitan above the Merced River by William Lemos (American, 1861-1942). Rendered in cool grays and blues, Half Dome r...

Elisée MACLET (1881-1962) Normandy : The Old Roman Church, c. 1915 Original oil on panel Signed bottom left On board 50 x 65 cm (c. 20 x 26 in) Presented in a golden frame, 69 x 8...

English Impressionist landscape/Town scene of a Cornish town, possibly Newlyn. An Australian by birth, Richard Hayley Lever left his native Adelaide at the age of 17 to train as an ...

Original Kuppenheimer Style Book Cover, Fall / Winter 1910-1911 edition For the Fall/Winter 1910-1911 Kuppenheimer Style Book, Francis Xavier Leyendecker crafted a captivating cov...

"Couple on Bench at the Beach" is an original pastel drawing on paperboard by Francesco Spicuzza. The artist signed the piece in the lower left. This drawing depicts two figures sitting on a bench in front of a body of water. The artist used mostly pastel colors for this piece. 6 7/8" x 9 7/8" art 18 1/2" x 21 3/8" frame Francesco J. Spicuzza, born in Sicily on July 23, 1883, came to America at the age of 8. He supported himself as a fruit peddler until a newspaperman gave him $4 a week to go to school. He attended classes at the Milwaukee Art Students League, where he studied under Alexander Mueller. There he learned to paint in the then-fashionable "Munich School" technique, with detailed realism in heavy browns and grayed-out hues. Spicuzza completed eight grades in four years, and then in 1911, three businessmen advanced him enough money to allow him to study in New York under artist and teacher John Carlson. It was during this time that Spicuzza changed his style of painting, developing an impressionistic use of color, form and atmospheric renditions. After a period of grinding poverty, one of Spicuzza's pictures won a major New York competition. It was the first of 60 wins, both in the U.S. and Paris. He became a fashionable painter, and many of the leading collections have his work. Spicuzza's typical works were beach scenes, still life, landscapes and portraits done in pastels, oils, ink, charcoal and watercolors. Much of his work traced the history of Milwaukee in the early 1900s. He was probably best known for his scenes of women and children splashing in the waves...

Work on cardboard Golden wooden frame 79 x 59 x 2.5 cm

This superb British Orientalist oil painting is by noted artist Edmund Aubrey Hunt. Painted in 1916, the composition is a Hajj or pilgrimage to Mecca. Hunt and his second wife Maude ...

Work on canvas

Work on canvas

Frank Nelson Wilcox (American, 1887-1964) The Wood Chopper, Brecksville, Ohio, c. 1917 Oil on masonite 33 x 24 inches "We were fortunate in that the two farms in Brecksville were still open to our visits. The urbanization of the township was then only beginning and we spent several summers there where I tried to capture something of the rural peace so soon to be erased from the countryside." - Wilcox Exhibited: “Water Colors and Oils by Frank N. Wilcox,” Cleveland Museum of Art, January 1937. Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School...

Oil on canvas with frame Total size with frame 56x48x5 cm

20 x 24 (canvas size) 25.5 x 29.5 (w/ frame) Signed and Dated Lower Left Paul Harney (1850-1915) Born in New Orleans on October 21, 1850, he was a landscape, portrait and still-li...

John White Alexander Tired, circa 1910 Inscribed on the reverse: Mrs Lee Bauer, _____, Inscribed on the reverse: "Tired" Watercolor on paper 16 1/2 x 13 inches John White Alexander...

Very nicely executed original still life oil painting on fiberboard of strawberries by an unknown artist. Signed lower right, Charles Burch. I believe this painting is quite possibly the work of Edward Pritchard...

Signed Lower Left by Artist Cover of The Saturday Evening Post, September 6, 1913

Canvas measures 23.5 x 26.5 inches. Brooklyn Bridge is seen in the foreground. Lower Manhattan skyline in distance. Fred Wagner, a Philadelphia, PA painter and teacher was born in Valley Forge, PA on 20 December 1864 and died on 14 January 1940. He studied with Thomas Eakins at the Pennsylvania Academy of Fine Arts...

Alfred Banner was an English landscape and figure painter. He often worked in a late Victorian style, with his compositions being young children enjoyi...

Early 20th Century oil painting of The First Church of Christ Scientist Boston, Massachusetts by Henrietta Dunn Mears (American,1877-1970), 1917. Presented in a giltwood frame. Sign...

Original magazine advertisement for ‘Cream of Wheat’ hot cereal, published 1914. From the archives of Nabisco, and Kraft Foods; nº 226. Artwork Dimensions: 28" x 22" Framed Dimens...

Standing Female Nude Oil on canvas, c. 1910 Signed lower left corner (see photo) Condition: Excellent Housed in a 22K Gold Leaf Frame Canvas size: 24 x 18 1/8 inche...

Inlet and windmill, a watercolor painting by William Walker Alexander (Canadian, 1870-1948). Presented a giltwood frame. Signed "W.W Alexander" lower right. Inner mat has minor wear ...

Work on cardboard Beige wooden frame 48 x 40.5 x 3.8 cm

This wonderful Post Impressionist exhibited horses portrait oil painting is by noted British artist Edgar Downs. Painted in 1912 it was exhibited the same year at the Royal Academy London. The painting is of two magnificent horses, one white one brown, waiting patiently while a man leans over to open the gate. Beyond is a canopy of trees. The impressionist brushwork and strong impasto create a light which is vibrant and colourful. This is an excellent example of Downs' work and one can see his infinity with the natural world. Signed and date lower right. Provenance. Exhibited at the Royal Academy London 1912 no. 789. Condition. Oil on canvas, image size is 36 inches by 30 inches and in good condition. Frame. Housed in a complementary frame 44 inches by 38 inches and in good condition. Edgar Downs, ROI, (1876–1963) was a British painter, known for painting agricultural scenes. Downs was born on 12 October 1876 at Claughton, Birkenhead, the son of William Downs. He was educated at Birkenhead School and the Academy of Fine Arts, Munich, and received a silver medal there. He exhibited paintings called Our Daily Bread and The Edge of the Bog at the Royal Academy in 1911, when his address was given as 12 Bedford Gardens, Kensington, London. His other addresses included Arun House at Clymping, West Sussex, and latterly Mudeford, Hampshire where he died. During World War I, he served as a war artist, including spells at Gallipoli in 1915 and Salonica in 1916. He was assigned to the 1st County of London Yeomanry in July 1918. One of his paintings made at this time hangs in the Headquarters of the Inns of Court & City Yeomanry. Two of his works, Gathering Kelp (1914) and Cattle Ploughing in an Open Landscape (c. 1914), are in the collection of Fordingbridge Town Council at Fordingbridge Town Hall. He was a member of the Royal Institute of Oil Painters ("ROI"), the London Sketch...

Oil Painting by Charles Henry Burleigh "The Farmstead" R.B.A 1875- 1956 Brighton painter member of the Royal of Institute of painters. Also ex...

Edith (Glackens) Dimock (1876 - 1955) Untitled (Female Nude), circa 1915 Oil on canvas 34 1/2 x 28 1/4 inches Signed lower left Provenance: Private Colle...

Raoul DUFY The Dance, c .1910 Original woodcut Signed with stamp of the artist's studio Numbered on /220 Titled in the board 50.5 x 65.4 cm (c. 19.6 x 25.5 inch) Excellent condition

Beautiful early 20th century impressionist painting of St. Mark's Basilica, by an unknown artist (American, 20th Century), 19...

Signature: Signed Lower Right Medium: Oil on Canvas This illustration was a Saturday Evening Post cover, September 13, 1913.

Artist: Ben Benn, Russian/American (1884 - 1983) Title: People in the Woods Year: 1917 Medium: Oil on Canvas, signed l.r. Size: 31 x 22 in. (78.74 x 55.88 cm) Frame Size: 39 x 30 i...

Beautiful oil on canvas painting by the American Impressionist artist Louis H. Richardson. Signed lower right and dated 1917. Overall framed measurements in original Newcomb Macklin frame 27.5 by 31.25 inches. Louis H Richardson [1853-1923] American Impressionist : Louis H. Richardson was born in New Bedford, MA, where he lived and worked until his death in 1923. Richardson was a self-taught Impressionist artist, most known for his sensitive paintings of the landscape surrounding New Bedford and the Dartmouth area. From his shanty shack studio at Salters Point in South Dartmouth, he would paint the wetlands and feature water, trees, the sky and land. In 1917, Richardson was part of a two-man show in New York City with artist Clifford W. Ashley at the Arlington Art Galleries on Madison Avenue. Of his show, The New Bedford Sunday Standard wrote: “His style is so absolutely his own that the simple mention of his name recalls to mind vividly the salt marshes, the soft browns of silent reaches near the sea, wind-blown inlets, flying clouds. … Some of it reaches a height of charm and truth that it would be impossible to surpass.” Richardson believed in the art community and founded the New Bedford Arts Club and its successor the New Bedford Fine Arts Society. When not painting, Richardson worked at the New Bedford Water Company and later as a plumbing inspector for the city’s Board of Health. He was an avid baseball player and would be known as “the Babe Ruth of New Bedford.” On his death, the local newspaper declared him “one of the best-known artists in New Bedford” and “one of the art pioneers in building up a more widespread appreciation of art in the community.” His work is in the permanent collection of the New Bedford Whaling Museum...

Date: 1918 Medium: Grisaille Gouache on Illustration Board Dimensions: 15.75" x 22.38" Signature: Signed Lower Right

Stunning figurative landscape of the Mission San Juan Capistrano by Warren Eliphalet Rollins (American, 1861-1962). Presented in a giltwood frame. "Capistrano" lower right, unsigned. This is a study for a larger painting of the same scene. Image size, 14.5"H x 21"W. For many years Warren Eliphalet Rollins was known as the "Dean of the Santa Fe art colony." He was the first artist to have a formal exhibition there; it was held in 1906 in the old Palace of the Governors. He was a close friend of Carlos Vierra, Gerald Cassidy, Kenneth Chapman, Sheldon Parsons and most of the other famous artists who assembled in the New Mexican capital during the first half of this century. Born in Carson City, Nevada, Rollins was raised in California and attended the San Francisco School of Design where he studied under Virgil Williams. At the completion of his studies, he was awarded the Avery Gold Medal and made Assistant Director of the school. Following his marriage in 1887, he and his wife settled in San Diego, and it was during this period that Rollins became interested in the Indian as subject matter. In search of material, Rollins, his wife, and their two daughters, Ramona and Ruth, traveled through every Western state from the Mexican to the Canadian borders. While in Montana, Rollins painted a portrait of Calamity Jane...

Jacques Fernand GONIN A very good and typical example of his work. The canvas is in very good condition with no patches or reline. It is signed clearly in the top left hand corner. Outside Frame Size: 17.25" x 13.75 (44 x 33cm) Painting Size: 13 x 9.5" (33 x 24cm) Gonin was a painter of genre scenes and portraits. He was born in Milan, Italy on the 14th December 1883 before moving to France...

This lovely British Post Impressionist oil painting is by noted artist Gerald Spencer Pryse. Painted circa 1910 the painting depicts Queen Mary greeting a large group of school child...

This Lovely Scottish portrait oil painting is by noted portrait artist James Bell Anderson who worked out of his studio in Glasgow. It was painted in 1919 and is signed and dated. It...

Here for your consideration is a comical take on the position of maitre d’. Unsigned. Framed in a new African mahogany frame. Overall measurements are 25.5 by 17.5 inches. Oil pain...