Skip to main content

1910s Paintings

to
135
139
148
189
119
82
Overall Width
to
Overall Height
to
2,070
6,387
41,858
122,553
711
1,268
1,640
1,605
2,296
3,077
3,550
3,374
3,372
1,027
206
82
37
7
6
5
3
2
389
277
8
339
170
117
87
59
54
52
40
32
31
28
27
21
21
20
19
18
16
16
16
649
589
332
323
109
18
8
7
5
5
555
20
417
260
Period: 1910s
Concarneau (Quatorze Juillet)
Located in Bryn Mawr, PA
Concarneau (Quatorze Juillet), 1911 Oil on canvas, 40 x 50 inches (101.6 x 127 cm) Framed dimensions: 44 1/2 x 54 inches Signed and dated lower right: Hayley Lever / 1911. Provenanc...
Category

American Impressionist 1910s Paintings

Materials

Canvas, Oil

Art Deco Fantasy Charcoal Drawing Lithograph Print by Adolf Uzarski
Located in Atlanta, GA
This stunning charcoal drawing lithograph print on paper depicting a fanciful lion kidnapping a young woman was designed by Adolf Uzarski (1885-1970), a German artist. This drawing i...
Category

Art Deco 1910s Paintings

Materials

Charcoal

Who Made it an Issue of Six Shooters, (California Mine; Copper Sky)
Located in Fort Washington, PA
Medium: Oil on Canvas (on Board) Signature: Signed Lower Left Literature: Reese, Lowell Otus, The Little Injun, Collier's Weekly, November 4, 1916, p. 13, illustrated. Schoonover,...
Category

1910s Paintings

Materials

Canvas, Oil

"Winter Landscape" Wilson Irvine, Atmospheric Impressionist Snowy Hills
Located in New York, NY
Wilson Irvine Winter Landscape Signed lower left Oil on canvas 24 x 27 inches A prolific Impressionist with a penchant for atmospheric scenes, Illinois native Wilson Irvine began h...
Category

American Impressionist 1910s Paintings

Materials

Canvas, Oil

Early 20th century English self portrait of an artist holding his palette, brush
Located in Woodbury, CT
John Henry Sylvester (British, fl. late 19th–early 20th century) Self-Portrait Holding Palette and Brush Oils on canvas, monogrammed. Circa 1910–1920. This intimate and distinguishe...
Category

Victorian 1910s Paintings

Materials

Canvas, Oil

American Merchant Ship S.S. PLEIADES, Later WWI US Navy Ship USS PLEIADES
Located in Costa Mesa, CA
Excellent attention to detail has brought forth a superb rendering of the armed American merchant marine freighter S.S. PLEIADES in wartime grey departing Le Havre during World War I...
Category

Other Art Style 1910s Paintings

Materials

Canvas, Oil

1911 Modern Floral Still Life of Ranunculus and Mustard Oil Painting on Linen
By Walter Pach
Located in Soquel, CA
Wonderful modern floral still life oil painting of ranunculus in white vase and mustard weed on table by acclaimed artist and art critic Walter Pach (American, 1883-1958), 1911. Pach...
Category

Modern 1910s Paintings

Materials

Linen, Oil

Reclaimed Land, Riverside Drive-Large New York City Impressionistic Oil Painting
Located in Marco Island, FL
This dynamic New York scene was painted during a period of intense development in Manhattan. In an impressionistic style, Leon Kroll captures the reshaping of the city. The paintin...
Category

American Realist 1910s Paintings

Materials

Canvas, Oil

Still Life and Fruits
By Arthur Segal
Located in London, GB
ARTHUR SEGAL 1875-1944 Jassy, Rumania 1875-1944 London (Romanian) Title: Still Life and Fruits, 1911 Technique: Original Signed Oil Painting on cardboard size: 61 x 86 cm ...
Category

1910s Paintings

Materials

Oil

Les Puiseuses d'Eau - Barbizon Figurative Landscape Pastel by Leon Lhermitte
Located in Marlow, Buckinghamshire
Signed figures in landscape pastel on canvas circa 1910 by French Barbizon painter Leon Augustin Lhermitte. The piece depicts a rural landscape with two women in traditional Breton c...
Category

Barbizon School 1910s Paintings

Materials

Canvas, Pastel

The End of the Road
Located in Fort Washington, PA
Medium: Oil on Canvas Dimensions: 28.00" x 20.00" Signature: Signed and Dated Upper Right The End of the Road "Don't tell me you're my sister, you plu...
Category

1910s Paintings

Materials

Canvas, Oil

Conference on the Mound, Saturday Evening Post Cover
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed and Dated Lower Left Cover illustration for The Saturday Evening Post, June 8, 1912
Category

1910s Paintings

Materials

Canvas, Oil

"Bouquet de Fleurs", Desire Alfred Magne, Antique Still Life, Original Oil
Located in Dallas, TX
"Bouquet de fleurs dans un vase et jetee de roses dans un play de cuivre" by Desire Alfred Magne is an antique still life measuring 32x39 in. A thr...
Category

Impressionist 1910s Paintings

Materials

Canvas, Oil

Children finding birds eggs on a tropical island
Located in Fort Washington, PA
Signed Lower Right by Artist Book illustration: Smuggler’s Island, by Clarissa A. Kneeland; Publisher: (Houghton Mifflin Co.), 1928, opp. page126.
Category

1910s Paintings

Materials

Oil

Oil Painting Lappland at Dusk by the Artist, Diplomat, and Cosmopolitan H Gallén
Located in Stockholm, SE
This painting is characterized by a cool, turquoise sky that contrasts against snow-covered hills and trees. The artist Harald Gallén has painted the snow in flowing, almost sculptur...
Category

1910s Paintings

Materials

Oil, Board

"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
Located in New York, NY
Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...
Category

American Impressionist 1910s Paintings

Materials

Paper, Watercolor

American Impressionist MISTY Twighlight New England Harbor Painting Fisherman
Located in New York, NY
Ceasare Ricciardi 1920’s Oil on Board 12x16 inches umframed 14x18 inches with frame signed lower right good condition The painting for sale is probably one of the most beautifully ...
Category

1910s Paintings

Materials

Oil

"Days of Pleasure"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed on Verso. Complemented by a hand carved and gilt frame. Nancy Maybin Ferguson (1...
Category

Abstract Impressionist 1910s Paintings

Materials

Oil, Board

Mill in the dunes by Maurice Barraud - Oil on canvas 38x47 cm
Located in Geneva, CH
Oil on canvas sold with frame Total size with frame 65x57 cm Maurice BARRAUD is an artist born in Switzerland in 1889 and died in 1954. His works have been sold at public auction 2,0...
Category

Impressionist 1910s Paintings

Materials

Oil

"Peonies" Dorothea M. Litzinger, Vibrant, Expressive Color, Flower Still Life
Located in New York, NY
Dorothea M. Litzinger Peonies, circa 1929 Signed Upper Left Oil on canvas 40 x 30 inches Provenance Private Collection, NY Estate of the above, 2024 Born in Cambria County, Penn...
Category

American Impressionist 1910s Paintings

Materials

Canvas, Oil

'Young Woman with a Violin', Paris, Cubism, Royal Danish Academy, Charlottenborg
Located in Santa Cruz, CA
'Young Woman with a Violin' by Mogens Vantore. Paris, Cubism, Royal Danish Academy, Charlottenborg ---- Signed center left, 'M. Vantore' for Erik Mogens Christian Vantore (Danish, 1...
Category

1910s Paintings

Materials

Canvas, Oil, Board

The Love - Original woodcut - Signed
Located in Paris, IDF
Raoul DUFY The Love, c. 1910 Original woodcut Signed stamp of the artist's studio Numbered on /220 On vellum 50.5 x 65.4 cm (c. 19.6 x 25.5 inch) Excellent condition
Category

Modern 1910s Paintings

Materials

Woodcut

Original Illustration for The Red Cross
Located in Fort Washington, PA
Medium: Oil on Board Signature: Each Upper Panel, Signed 'Maxfield Parrish/Windsor./Vermont.' (On the Reverse); Each Lower Panel, Signed 'Maxfield Parrish' (Lower Right) Each 1 of a...
Category

1910s Paintings

Materials

Oil, Board

Landscape of the Valley in French Normandy
By Eugène Jules Delahogue
Located in Saint-Ouen, FR
DELAHOGUE Eugène Jules (1867-c1930) " Landscape of the Valley" Oil on canvas signed low right Frame gilded with leaves Dim canvas : 91 X 150 cm Dim frame : 110 X 172 cm DELAHOGUE Eu...
Category

Academic 1910s Paintings

Materials

Oil

French Realist Painting Black smith workshop Old trade Early 20th
Located in PARIS, FR
Albert Léon LEBARQUE Quatre-Champs (Ardennes), 1853 – Paris, 1939 The blacksmith's workshop Oil on panel24 x 18 cm (34.5 x 28 cm with frame) Signed and dated lower left “A. Lebarque ...
Category

Realist 1910s Paintings

Materials

Oil

'Still Life, Turquoise & Coral', Paris, Salon d’Automne, Section d'Or, Quimper
Located in Santa Cruz, CA
'Still Life, Turquoise & Coral' by Jais Nielsen, 1913. Fauve, Paris, Salon d’Automne, Section d'Or ---- Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated 1913...
Category

Post-Impressionist 1910s Paintings

Materials

Canvas, Oil

Mountain Landscape with Lake
Located in Stockholm, SE
Swedish Mountain Landscape with Lake oil on canvas laid on masonite 18 x 27 cm (7 1/8 x 10 5/8 in) 28 x 37 cm (11 x 14 5/8 in) Provenance: Acquired...
Category

Post-Impressionist 1910s Paintings

Materials

Canvas, Oil, Board

"Village Green" Mary Bradish Titcomb, Bright American Impressionist Landscape
Located in New York, NY
Mary Bradish Titcomb Village Green Signed lower left Oil on canvas 24 x 20 inches A native of Windham, New Hampshire, upon graduation from high school, Titcomb studied at the Massachusetts Normal Art School, before accepting a position as a drawing teacher in the public schools of Brockton, Massachusetts, where she remained for fourteen years before resigning, in 1889, to study painting at the School of the Museum of Fine Arts, Boston. Her instructors there included Edmund Charles Tarbell, Philip Leslie Hale, and Frank Weston Benson. In the 1890s she went to Paris to study with Jules Joseph Lefebvre and to travel. She then returned to Boston, taking studio space at the Harcourt Studios, where all three of her teachers kept space. In 1895 she became a member of the Copley Society and began exhibiting locally; from 1904 to 1927 she showed work in 29 exhibits at the Pennsylvania Academy of the Fine Arts. She began signing her name as "M. Bradish Titcomb" in 1905 to avoid prejudice against her gender. The same year saw her making a sketching trip to the artists' colony at Old Lyme, Connecticut, a center for the American Impressionists; this trip seems to have cemented her interest in the style. In 1915, Titcomb's Portrait of Geraldine J. – the mother of actress Jane Russell – was shown at the Corcoran Gallery of Art and purchased by President Woodrow Wilson; another portrait, of Frank P. Sibley, was reproduced in the Boston Globe. During this period her work was shown in a traveling exhibition with that of Cecilia Beaux, Lydia Field Emmet, Jean MacLane...
Category

American Impressionist 1910s Paintings

Materials

Canvas, Oil

The Scuffle - The Golden Age of Illustration
Located in Miami, FL
An illustrator working in a painterly, narrative style as N. C. Wyeth, Howard Pyle, Dean Cornwell from the Golden Age Of Illustration. Surface quality is post impressionist with hea...
Category

Post-Impressionist 1910s Paintings

Materials

Oil

"The Dancers Begin" & "The Dancers Finish"
Located in Lambertville, NJ
One is Signed Lower and the Other is Signed Lower Right Louis Kronberg (1872 - 1965) Kronberg, often referred to as "the American Degas,"was born in Boston on December 20, 1872. He displayed artistic talent in his elementary school years and while he was only fifteen years old, his brother, who had become an impresario, made it possible for Louis to copy portraits of stage and concert celebrities backstage. Louis came to know Ignaz Paderewski, Boris Chaliapin...
Category

American Impressionist 1910s Paintings

Materials

Canvas, Pastel

Character reading the newspaper
Located in Genève, GE
Work on cardboard Golden wooden frame 79 x 59 x 2.5 cm
Category

Dutch School 1910s Paintings

Materials

Oil

Glimpse of the Sea - Scottish 1915 art Impressionist landscape oil painting
By Sir Charles James Lawton Wingate
Located in Hagley, England
A superb landscape oil painting on canvas by Sir James Lawton Wingate, President of The Royal Scottish Academy. This painting shows a windswept Scottish landscape and a "glimpse of t...
Category

Impressionist 1910s Paintings

Materials

Oil

Good Housekeeping cover. Christmas: Child Praying
Located in Miami, FL
Famed female illustrator, Jessie Willcox Smith paints the " Ideal Child" in a spiritual moment for the Christmas cover of Good Housekeeping. The acc...
Category

American Impressionist 1910s Paintings

Materials

Mixed Media

"Canal Bridge"
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...
Category

American Impressionist 1910s Paintings

Materials

Oil, Board

Lucky Bag Girl
Located in Fort Washington, PA
Medium: Hand Painted Fine Print Signature: Signed Lower Left
Category

1910s Paintings

Materials

Paint

The Artist's Studio - Scottish 1914 Glasgow Boy art exh interior oil painting
By Alexander Roche
Located in Hagley, England
This superb RSA exhibited Scottish Edwardian interior oil painting is by Glasgow Boy artist Alexander Ignatius Roche. It was painted circa 1914 when Roche was living at 8 Royal Terrace, on Calton Hill, a very prestigious property in Edinburgh, now the Halcyon Hotel. The painting is a view of Roche's studio, quite possibly one of the rooms at the above address. The painting was exhibited at the Royal Scottish Academy the following year, no. 333 entitled The Studio. The painting shows Roche beneath the vast window in his studio against a red wall that meets pale floorboards. Various items and furniture are scattered about. The balance of the white window and pale floorboards with the red wall intersecting is perfect. A really lovely example of this great Glasgow Boy artist's work and a very personal piece showing his inner sanctum. Signed lower right. Provenance. Exhibited at the Royal Scottish Academy 1915 no. 333, entitled The Studio. Condition. Oil on canvas, 24 inches by 20 inches and in good condition. Frame. Housed in a gilt frame, 32 inches by 28 inches and in good condition. Alexander Ignatius Roche RSA NEAC RP (1861-1921) was a Scottish artist in the late 19th century and an important figure in the “Glasgow Boys. He was born in the Gallowgate in Glasgow, the son of a milliner, Alexander Roche. He attended St Mungo’s Academy in Bridgeton, Glasgow. He originally trained as an architect, but then changed to art, studying at the Glasgow School of Art and, from 1881, at L’Ecole des Beaux Arts in Paris. Here he studied under Gustave Boulanger and Jean-Leon Gerome. In his time here he befriended William Kennedy, John Lavery, Thomas Millie Dow and William Stott. In the early 1880s he joined a colony of Scots artists in Grez-sur-Loing south of Fontainebleau. On his return to Scotland in 1885 he joined with the Glasgow Boys working on murals for the 1888 International Exhibition. In 1888 he travelled to Capri where he befriended Fabio Fabbi and Harold Speed. In following years he visited both Venice and Florence, and married an Italian girl on the latter trip. This marriage was short-lived and they separated. As both were Catholics there seems to have never been any divorce. In 1896 he moved from Glasgow to Edinburgh and began to distance himself from the Glasgow Boys. His work drifted from largely landscape to portraits. In 1906 he remarried (possibly bigamously), to Jean Alexander, daughter of Robert Alexander. During this period they enjoyed the friendship of Joseph Crawhall...
Category

Realist 1910s Paintings

Materials

Oil

Roller-skating, Saturday Evening Post Cover, July 12, 1919
Located in Fort Washington, PA
Medium: Unknown Signature: Unsigned Sight Size 30.00" x 25.00", Framed 39.00" x 34.00" Saturday Evening Post Cover, July 12, 1919
Category

1910s Paintings

Materials

Oil

Original 1913 Motor Age Magazine Cover Art Illustration
By Clinton Pettee
Located in Fort Washington, PA
Date: 1913 Medium: Gouache on Paper Dimensions: 19.75" x 14.50" Signature: Signed Lower Right Original 1913 Motor Age Magazine Cover Art Illustrati...
Category

1910s Paintings

Materials

Paper, Gouache

Antique Italian Mountain Landscape with Golden Trees Sunlit Landscape Painting
Located in Buffalo, NY
This antique Italian oil painting features a vibrant sunlit mountain landscape rendered in warm golden tones and dramatic purples. Painted in an impressionist style, the composition ...
Category

Impressionist 1910s Paintings

Materials

Oil, Board

People in the Woods, Oil Painting by Ben Benn
Located in Long Island City, NY
Artist: Ben Benn, Russian/American (1884 - 1983) Title: People in the Woods Year: 1917 Medium: Oil on Canvas, signed l.r. Size: 31 x 22 in. (78.74 x 55.88 cm) Frame Size: 39 x 30 i...
Category

American Impressionist 1910s Paintings

Materials

Oil

The Dance - Original woodcut - Signed
Located in Paris, IDF
Raoul DUFY The Dance, c .1910 Original woodcut Signed with stamp of the artist's studio Numbered on /220 Titled in the board 50.5 x 65.4 cm (c. 19.6 x 25.5 inch) Excellent condition
Category

Modern 1910s Paintings

Materials

Woodcut

Antique French Portrait of a Lady Oil on Panel, Signed & Dated 1915
Located in Cirencester, Gloucestershire
Portrait of a Lady French artist, signed and dated 1915 oil on panel board: 13.75 x 10.5 inches provenance: private collection, France condition: scuffing to the edges from a previou...
Category

French School 1910s Paintings

Materials

Oil

'Primroses' in a Vase. Still life of flowers. Oil on Canvas Maurice Decamps
Located in St. Albans, GB
Maurice Decamps French 1892 - 1953 Canvas Size: 18 x 22" (46 x 56cm) Outside Frame Size: 24 x 28" (61 x 71cm) This painting was exhibited at the Salon des Artistes Francais in 1937 w...
Category

Post-Impressionist 1910s Paintings

Materials

Oil

The Boat in Martigues, France
Located in London, GB
'The Boat in Martigues', oil on canvas, by Marie de Nivouliès de Pierrefort (circa 1910). Martigues is a small port town just northwest of Marseille in the South of France. Its nickname is the Provençal Venice. Further eastward down the coast is the town of Toulon where the artist was born in 1879. Nivouliès depicts a charming sailboat tied to the small pier yet with an unfurled sail. It looks to be a wondrous day along the Mediterranean, the kind we can always dream about. The painting is over one hundred years old and is in fair condition, yet recently brought back to life by an art restoration professional. Elegantly framed, it is stabilised now for decades into the future. Signed by the artist on the lower right corner. Please enjoy the many photos accompanying the listing. Upon request, a video may be provided of the artwork. About the Artist: Although she was a direct descendant of the counts of de Pierrefort, Marie de Nivouliès de Pierrefort's (1879-1968) family was very poor. In spite of the poverty, Pierrefort attended a Catholic school run by nuns, obtaining a scholarship from the School of Fine Arts of Paris. While still a student, she attended workshops of great Impressionist masters such as Pierre Auguste Renoir (1841-1919) and Pierre Bonnard (1867-1947). In 1910 she won a travel award from the school and traveled to Tunisia where she painted several Mediterranean landscapes. In 1938 the painter moved to Rio de Janeiro, Brazil, where she painted the beautiful landscapes seen from her window. In Rio, Pierrefort had two individual exhibitions, both at the National Museum of Fine Arts, in the years 1946 and 1956. Although widowed in 1944, Pierrefort decided not to return to France until 1950. She remained there until 1959 when she definitively returned to Brazil. Her atelier in the neighbourhood of Glória was frequented by many emerging artists who learned the techniques of impressionism from her. Afterwards, Pierrefort painted for almost a decade in Brazil until she passed away in 1968 in Rio. After her death, many canvases were found in her studio but had been damaged or destroyed by humidity and by the intervention of her many cats. The painter Sergio Telles...
Category

Impressionist 1910s Paintings

Materials

Oil, Canvas

Snowy farm in Switzerland by Christian Axtmann - Oil on canvas 37x55 cm
Located in Geneva, CH
Oil on canvas sold with frame Total size with frame 47x65 cm Signed Christian Axtmann, Swiss artist from the 19th and 20th century. 8 artworks from him were sold in public auctions...
Category

Modern 1910s Paintings

Materials

Oil

Scandinavian Winter Sun
Located in Wiscasett, ME
Oil on canvas, signed lower left. A luminous sunset or sunrise winter scene from Scandinavia. Edvard Axel Rosenberg (Swedish School, 1858-1934) In many ways Edward Rosenberg...
Category

Flemish School 1910s Paintings

Materials

Oil

Autumn landscape
Located in Genève, GE
Work on canvas
Category

1910s Paintings

Materials

Oil

Early 20th Century Palm Springs Landscape
Located in Soquel, CA
Gorgeous early 20th Century Palm Springs landscape by Edward Marion Langley (American, 1870-1949), 1913. Signed lower right corner. Titled "Palm Springs" and dated "'13" on verso. Unframed. Condition: Very Good; Previous restoration included relining; newly cleaned and retouched. Image size: 18"H x 22"W. Born in London, England on March 27, 1870. When quite young Langley was abandoned by his parents in Australia. Making his way to Canada, he traveled alone by canoe down to the Gulf of Mexico. In Chicago he worked with Wm Selig in developing the motion picture camera and became a U.S. citizen in 1904. Before that he had played trumpet in the Illinois State Guard for many years. Sometime before 1917 he came to Hollywood, CA with Selig where they produced the pioneer epic, 'The Spoilers." A few years later Langley became art director for the Fairbanks Studio on such films as "Thief of Bagdad...
Category

American Impressionist 1910s Paintings

Materials

Linen, Oil

"New England Autumn" Philip Leslie Hale, American Impressionist Landscape House
Located in New York, NY
Philip Leslie Hale New England Autumn, 1910 Pastel on canvas 25 x 30 inches Provenance: Estate of the artist Sotheby's New York, American Paintings, Drawings and Sculpture, May 24, 1990, Lot 125 R. Anne McCarthy Rose Art Museum, Waltham, Massachusetts (gift from the above) Private Collection, Massachusetts Exhibited: Philadelphia, The Pennsylvania Academy of the Fine Arts, Tenth Annual Philadelphia Watercolor Exhibition, November 10 - December 15, 1912, no. 13. Painter, teacher and writer, Philip Leslie Hale is recognized for his decorative paintings of the female figure and for his interior scenes with figures as well as for his progressive approach to painting. However, his career went through several phases that included sporting scenes, figural studies of women including nudes, portraits, and allegorical works reflecting the overwhelming forces of nature. Of the Boston painters of his time, he seemed the most fully committed to Impressionism, and his technique suggests the influence of French impressionist Edgar Degas. In most of his paintings, the landscape was more important than the figure. He was a prolific writer in local newspapers and periodicals about the contemporary art scene, discussing the work of his Boston colleagues. He also wrote numerous books on art and art history including a study of Vermeer that was published in 1913. Among his writings are 1892 newspaper columns for Arcadia Magazine titled "Letters from Paris", art criticism for the Boston Herald from 1905 to 1909; and art criticism for the Boston Evening Transcript. He argued for the Boston School of Art as led by Edmund Tarbell whose style was based on Impressionism with elements of Realism, especially figure painting. Hale was born in Boston in 1865, the son Reverend Edward Hale, a Boston clergyman and a relative of Nathan Hale. He studied with Ellen Day Hale, his sister, and Edmund Tarbell at the Boston Museum School, with J. Alden Weir at the Art Students League in New York City, and then went to Paris for further studies at the Academie Julian and the Ecole des Beaux-Arts. He remained in France for fifteen years, returning to America about 1895. During that time, from 1888, he spent summers at Giverny, France with his good friend, artist, Theodore Butler, and became well acquainted with Claude Monet. Traveling throughout Europe, Hale visited the major museums, and copied the works of Ingres, Vermeer, Watteau and Michelangelo. Hale married Lilian Westcott Hale...
Category

American Impressionist 1910s Paintings

Materials

Canvas, Pastel

The Hill
Located in Milford, NH
A pleasant impressionist landscape by well known American artist Charles Herbert Woodbury (1864-1940). Woodbury was born in Lynn, MA, and sold his first painting when he was fifteen ...
Category

American Impressionist 1910s Paintings

Materials

Oil, Board

Mazots at the foot of the Cervin, Switzerland
Located in Genève, GE
Work on canvas This work of art reveals a captivating alpine landscape, where the viewer is transported to the heart of a serene mountain village. The winding path, bordered by a si...
Category

1910s Paintings

Materials

Oil

Antique Historic Ashcan Panama Canal Diggers Signed Original Rare Oil Painting
By Lee Roland Warthen
Located in Buffalo, NY
Antique original historical modernist landscape oil painting by Lee Roland Warthen (1893 - 1949) . Oil on canvas, circa 1912. Signed and titled on verso. Image size, 18L x 14H. H...
Category

Modern 1910s Paintings

Materials

Canvas, Oil

Distinguished Portrait of Authoritative Gentleman in Glasses French Oil Painting
Located in Cirencester, Gloucestershire
Distinguished Gentleman Portrait Signed by D - Lubin (French, early 20th century) Dated 1915 oil on panel, unframed panel: 13.75 x 10.5 inches Provenance: Private collection, Paris ...
Category

Impressionist 1910s Paintings

Materials

Oil

Nature through the Mirror Nude and with a Whirlwind Style of Childe Hassam
Located in Soquel, CA
Nature through the Mirror Nude and with a Whirlwind Style of Childe Hassam Exquisite watercolor on card stock in the style of Childe Hassam by American Impressionist Wilhelmina (Minn...
Category

Post-Impressionist 1910s Paintings

Materials

Postcard, Laid Paper, Watercolor

The Ramblers, English landscape with figures, Early 20C, Victorian style
Located in Woodbury, CT
Alfred Banner was an English landscape and figure painter. He often worked in a late Victorian style, with his compositions being young children enjoyi...
Category

1910s Paintings

Materials

Canvas, Oil

Winter Twilight – A Captivating Scene by Cornwall Artist Charles Cardale Luck
Located in Stockholm, SE
This captivating painting by Charles Cardale Luck, titled Winter Twilight, showcases the artist's remarkable ability to capture the ethereal beauty of a Nordic winter. The scene depi...
Category

Impressionist 1910s Paintings

Materials

Oil, Board

Seaside landscape
Located in Genève, GE
Work on canvas Golden wooden frame 66 x 78 x 4 cm
Category

Modern 1910s Paintings

Materials

Oil

'Portrait of a Young Woman', Bretonne, Brittany, France, Danish Royal Academy
Located in Santa Cruz, CA
Agnes Louise Agnete Jensen Weie (Danish, 1878-1964) and painted circa 1911. Unsigned. Provenance: ABR auction 170, 1964, catalog #83, 1964 (see photo). Inscribed, verso, '83/170' fro...
Category

1910s Paintings

Materials

Canvas, Oil

"LILY PADS" DATED 1912. SAN ANTONIO RIVER. OLIVE BRACK (1890-1957)
Located in San Antonio, TX
Olive Brack San Antonio River (1890-1957) San Antonio, TX Image Size: 12 x 18 Frame Size: 15.5 x 21.5 Medium: Oil on Canvas Dated 1912 "Lilly Pads" Biogra...
Category

Impressionist 1910s Paintings

Materials

Oil

Frosty Dawn, Upstate New York, 20th century American modern watercolor
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887-1964) Frosty Dawn, Upstate New York, c. 1916 Watercolor and gouache on board Signed lower right 21 x 30 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters". In 1906 Wilcox enrolled from the Cleveland School of Art...
Category

American Modern 1910s Paintings

Materials

Watercolor, Gouache

Recently Viewed

View All