Furniture on Sale

Genebra armchair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Genebra armchair is designed to give your living room a sophisticated vintage look. The armchair is upholstered in dark blue velvet...

Exquisitely crafted slim decorative briefcase designed by Don Shoemaker for Señal of Mexico. Taking advantage of the expertise provided by Mexican artisans, shoemaker founded Señal...

BOW #5 TABLE BURNISHED BRASS FRAME BLACK LACQUERED GLASS TOP 49.5" SQ.X 10"H (100CM SQUARE X 25 CM HIGH) & Bow Coffee Table n°3 Marble 70x70x31...

A Chinese paperweight offers hard stone construction with hand painted portrait of a woman playing her string musical instrument, chop mark signed, 20th century Measures - 6"h x 2...

SESANN - thesium 26 Matt black frame T07 Dark walnut feet T43 CAL117 A reissue of a historic design by Gianfranco Frattini, Sesann is a collection of sofas and armchairs with sof...

Fantastic Tipi-inspired lamp made of bamboo canes, super decorative and ideal for pleasant environments with floral decoration and natural materials. Nice light with dimmer.

In 1967, in the Italian town of Honey began to operate the factory, named by the founder Vittorio Zanaboni "Zanaboni Salotti Classici, Classic furniture by Zanaboni". So far this bra...

This set of four Mies van der Rohe Brno armchairs made by Gordon International are circa 1990. These iconic Bauhaus modernist chairs designed by Mies van der Rohe in 1930 feature cle...

PASTILLES TABLE **Showroom Sample** 100cm BASE Matt Champagne Gold TOP T29 Shiny White Carrara Dedar - Naked Peach 1055/144 The new project with Studiopepe is a collaboration with...

A Tansu chest with five drawers, by New York interior designer Vicente Wolf. This one of a kind drawer chest was created by New York interior designer Vicente Wolf with rare hardware and wood finishes he personally curated during his travels around the world, where he sources his exclusive home accessory collections...

Antique map of Japan titled 'Japan - Environs of Tokio & Nagasaki'. Old map of Japan, includes inset maps of Tokyo, Nagasaki and surroundings. This map originates from 'The Times' at...

These are four attractive individual Delft ceramic wall tiles, dating to the second half of the 19th century. All tiles are nominally 5 inches square and 5/16 to 3/8 inches thick....

A boxed pair of silver plated Art Deco knife rests from Christofle of Paris. Originally commissioned between 1920 and 1930 by the French shipping line Compagnie Générale Transatlantique and designed by sculptor Edouard Marcel Sandoz for Maison Christofle in the Art Deco style. Sandoz’s stylized and geometric Porte-Couteaux Animaliers (animal knife rests) were popular table...

This lovely Oushak features an unusual center medallion in light green with a coral central field, characterized by floral blossoms and trellis motifs. The light green border feature...

Pillow made from an early 20th century Persian Bakshaish rug. Measures: 17” x 18”.

Baby size pillow made from an late 19th century, Turkish Ghiordes rug. 13'' x 14''

Mid-20th Century Set of Schiapparelli Stockings in the Original Box A Mid-Century set of Schiaparelli stockings in the original box with the original Schiaparelli tissue paper liner...

Pillow made from a vintage Moroccan rug.

Double-sided pillow made from a vintage Turkish Kilim. 14'' x 21''

Pillow made from a 19th century antique Khotan rug with cotton back. Zipper closure included. 16'' x 16''

A pillow created from an assortment of vintage Persian, Turkish European and Asian rugs.

Pillow made from an antique Caucasian rug with cotton back. Zipper closure. Age wear.

One of a kind pillow made from a 19th century Persian Mahal with pink cotton back and zipper closure. Size: 13" x 20'.

Pillow made from an antique Turkish rug with cotton back. Zipper closure.

A finely detailed studio carved cocobolo hand chair crafted in Guadalajara, Jalisco Mexico, circa 1960. The Studio carved hand has an incised love line and life line. The artist ha...

Artist and illustrator Geoff McFetridge creates the limited edition Bigfoot dice celebrating the twentieth year of e15 and its first product, the icon...

Fantastic 1960s teak sideboard, made in Denmark, with two sliding doors and 6 solid drawers. Overall a good condition, only minor wear consistent with ag...

Impressive all teak wood desk or table. Solid driftwood top and three sturdy legs. Great for indoor or outdoor use. (Please confirm item location - NY or NJ - with dealer)

A Pair of French Art Deco beech desk / bridge armchairs.

Set of 4 Mid-Century Modern russell woodard sculptura dining chairs outdoor indoor.

This adjustable wall lamp was both designed and manufactured by Fog & Mørup in Denmark during the 1950s. The lamp features a folded matté black shade and a flexible brass gooseneck. ...

Beautiful antique Venetian hand blown copper aventurine and twisted pink ribbons Italian art glass nut dish, candy bowl. The piece also has an aventurine rim, which is unusual. Docum...

Michel Ducaroy designed the Togo in 1973 for Ligne Roset. This design is over 40 years old but still is until today very popular. The Togo is also the first piece of furniture that's...

A gorgeous vase made of red clay by Ilkra Edelkeramik, Ransbach-Baumbach, West Germany. Labeled. A beautiful handmade vase with carved horizontal rings, green, brown and white. ...

This designer on-trend architectural 23.5" long rectangular concrete planter is by Swiss architect Willy Guhl for Eternit, crafted circa 1...

Expressive, rustic Swedish folklore midcentury wooden decorative sculpture of an older man in a traditional Swedish outfit. He stands leani...

Large and very decorative table lamp from Vallauris, France. Very attractive midcentury modern ceramic table lamp with neutral colors and form. This lamp has notable sculptural work ...

Beautiful weathered carved stone angel head. France, circa 1780-1840. Good but weathered condition Measurement here below includes the wooden pedestal.

Plate 46: 'Zweden en Noorwegen'. Seraphijnen Orde. This print originates from ‘Geschiedkundige beschrijving der oudere en nieuwere, thans bestaande Ridderorden. - Afbeeldingen der Ri...

This filing cabinet was produced during the 1950s in Germany. The cabinet features 25 drawers with nice card holders and pulls.

A classic 1960s reversible coffee table by Ole Wanscher for Poul Jeppesen, which can also be used as an end table, side table or occasional tab...

An exquisite 'Grand Tour' bronze figure of a young athlete, one of the two known as the 'Herculaneum Runners' or Corridori d'Ercolano, after the original excavated at the Villa of th...

This new traditional kilim cushion cover is a handwoven piece constructed in the early 21st century. The design has been delicately woven by hand and features a symmetrical geometric pattern that is sure to stand out on any sofa or armchair! This piece has been made with a bold colour palette including blue, red and beige colours. Both the colour and design make it the perfect accent accessory for any room in your home. Made by master weavers who use only the finest. locally sourced materials. Including hand-spun wool and cotton that have been dyed using organic, non-toxic, dyeing techniques that have been used for generations. Add a touch of colour and texture to your home interior with this fine wool cushion cover. We have various colours and styles available to mix and match to suit your taste and interior! Excellent condition, ready for use! New geometric kilim cushion cover handwoven oriental scatter cushion...

Single bar stool in the style of Memphis Milano circa 1980s. Teal fabric cover is easily replaceable. Gray tubular steel frame.

Modern Area rug handwoven from the finest sheep’s wool. It’s colored with all-natural vegetable dyes that are safe for humans and pets. It’s a traditional Swedish design handwoven by...

Rustic and classical at the same time, painted iron waste basket or trash can or planter with wonderful patina, X-design. Waste basket.

This table lamp was designed by the Czech designer Štepán Tabery for OPP Jihlava in the 1960s. It's made from opaline glass and is in great original condition. Original functional wi...

The "Circle of Life" table is unique Post-Modern design by Design Institute America (DIA) designed and produced in the 1980s. Ideal as a dining table, cafe or breakfast table, games ...

Bauhaus porcelain wall lamp, Germany, 1920s Original condition.

New York Heartwoods' Linderman wall-mounted desk is influenced by Mid-Century Modern, Shaker and Asian design, and features a hand-shaped base, leather wrapped pen drawer (shown here...

Early European (probably Dutch) 20th century oak bobbin turned corner chair with rush seat. Excellent condition, all original, no old repairs or modifications.

Currently, the most coveted dining chairs by interior designers are 'Tucroma' chairs by Guido Faleschini for i4 Mariani, and we have this incredible set of four (4) Tucroma armchairs in beautiful hot orange leather with polished chrome frames. The seats and backs have supple orange leather upholstery and are attached to graceful polished steel tubular frames, as well as being bridged together by wide orange leather straps at the back with hand-tied detail. Signed with Mariani label. This set is brand new, with tags and each chair in its own Mariani box. The leather option selected for this set was an upgraded full grain Italian leather and is much thicker and higher quality than vintage examples. This set of 4 are available immediately and we have 8 more chairs available if you wish to make a larger set, contact us for details. i4 Mariani was a specialty Italian design division of the Pace Collection and Guido Faleschini was the star designer who created famous designs such as the Tucroma line and a line of bedroom furniture for Hermès. Mariani still produces the Tucroma chair to the same specifications as the 1970s along with a full line of high quality designs with expert Italian craftsmanship. We carry a large selection of designs by i4 Mariani and Guido Faleschini, contact us if you are looking for anything else. This is an interior design magazine cover worthy set of chairs and would look so amazing with a marble or travertine dining table, such as designs by Angelo Mangiarotti and Roche Bobois or lacquered goatskin tables by Karl Springer and Steve Chase. This sleek set of dining / arm / side chairs by Guido Faleschini for Mariani would inject some 1970s Italian modern into any interior and would compliment various locations such as a Mid-Century Modern, Contemporary, Postmodern, neoclassical, or Transitional dining room...

Handmade reproduction of the original 18th century Marie-Antoinette flower pots with saucers in blue and white enameled, frost-proof stoneware. ...

This new traditional kilim cushion cover is a handwoven piece constructed in the early 21st century. The design has been delicately woven by hand and features a symmetrical geometric...

Incredibly gorgeous 38" tall and 22" diameter 'Diablo' concrete spindel planter by Swiss architect Willy Guhl for Eternit, circa 1968, Switzerland. This sculptural hourglass shaped concrete planter has a white exterior finish. Signed inside with Eternit numbers. We have a large collection of Willy Guhl for Eternit pots, planters, garden objects, jardinières, and patio furniture. We always have inventory in Diablo's, Tilted and Cone Planters, box and rectangular Guhl...

We are delighted to offer for sale this Stunning M. Hayat & Bros Anglo Indian Twin Pedestal Desk. The M. Hayat & Bros Anglo Indian Twin Pedestal Partners Desk is an exquisite piec...

A wonderful collectors example of an original leather lion footstool by Dimitri Omersa for Abercrombie and Fitch, circa 1960s to 1970s. This exa...

PORTRAIT OF D. MARIA BÁRBARA DE BRAGANÇA (1711-1758), QUEEN OF SPAIN Circle of Louis-Michel van Loo (1707-1771) Oil on canvas Her Royal Highness, the Infanta Maria Barbara of Braganza (1711-1758) was the first-born child of King John V of Portugal (1689-1750) and his queen consort Maria Anna of Austria (1683-1754). Born in December 1711, she had the Convent Palace of Mafra built in her honour following a vow made by her royal father. Her status as Princess of Brazil, inherent to 18th century Portuguese presumptive heirs, would however be superseded once the queen gave birth to two male princes, D. Pedro (1712-1714) and D. José (1714-1777), preventing her from ascending to the throne. Daughter of one of the most illustrious monarchs of his time, Maria Barbara was carefully educated to become a fond admirer of the arts, and of music in particular, having had the Italian composer Domenico Scarlatti (1685-1757) as her music teacher. On the 10th January 1723 the young princess was betrothed to the Infante Ferdinand of Spain (1713-1759), eldest son of King Philip V (1683-1746). Six years later, on the 19th January, she entered her new country in a carefully choreographed ceremony that became known to history as the “Exchange of the Princesses”. This unique event took place on a specially built Bridge-Palace, a wooden, luxuriously decorated structure that included various modules and rooms, on both banks of the river Caia, the natural border between the town of Elvas in Portugal and of Badajoz in Spain. Simultaneously, on the same day that the Portuguese Infanta crossed the border to marry the Spanish Crown Prince, her new sister in law, the Infanta Mariana Victoria of Bourbon (1718-1781), her husband’s sister, crossed the same bridge in the opposite direction to marry Prince D. José, the Portuguese heir to the throne. Once married, Maria Barbara would spend 17 years as Princess of Asturias, only becoming Queen of Spain at her husband’s accession following the death of Philip V in 1746. She is portrayed in the 1743 painting by Louis-Michel van Loo (1707-1771) now in the Prado Museum, in which Philip V had himself represented with all his close family. The new Queen would take an important role at court eventually becoming the liaison between her husband and the King of Portugal, particularly throughout the negotiations for the Treaty of Madrid (1746-1750). Maintaining her interest in music, she patronized the Italian castrato singer Farinelli (1705-1782) while remaining close to her old master Scarlatti, having herself composed some sonatas for a large orchestra. She would also commission and fund the building of the Royal Salesians Monastery complex in central Madrid, where both her and Ferdinand VI are buried. The portrait we are presenting for sale shows the Queen in half-length, turning left at three quarters. She is wearing a blue low-cut dress embroidered with flowers and foliage, over a lace cuffed white blouse, and an ermine cloak pined on the left-hand side by a diamond broach. The powdered hair style is held sideways by a seven diamond and black plume headdress and topped by a small gold and pearl crown. The right arm rests on a cushion while the left hand, at chest height, holds a miniature male portrait. The Infanta’s features are analogous to the 1725 portrait by the painter Domenico Duprà (1689-1770), also in the Prado Museum collection. Further similarities can be found in another portrait by Louis-Michel van Loo, in which a seven diamond and black plume headdress is also present. In this work, the cushion supporting Maria Barbara’s right arm has also some obvious similarities to our painting. The same diamond headdress reappears in Van Loo’s above-mentioned portrait of Philip V’s family dated from 1743. It is nevertheless in Lisbon’s Ajuda National Palace that it is possible to find an almost identical depiction of the Infanta holding a miniature portrait of her husband. In it, the future Ferdinand VI is portrayed facing right at three quarters and wearing a curly wig, suit of armour, the golden fleece insignia and a blue band, in a composition that closely resembles an 18th century Spanish school painting that appeared in the art market in January 2016. Another detail common to various portraits of the Portuguese Infanta and Queen of Spain is the small gold and pearl crown on her head. In another Van Loo painting, also from the Prado Museum, in which Maria Barbara is portrayed as Queen, this crown is represented together with a headdress similar to the one previously described. Another two paintings by the same artist, at the Royal Academy of Saint Ferdinand, include the same ornament. We must also refer the paintings by the artist Jean Ranc (1674-1735). In one, dating from 1729 (Prado Museum), the Infanta is depicted outdoors holding a flower bouquet and wearing a yellow silk dress with red cloak, and a set of diamond and ruby jewellery that includes a headdress similar to the one present in our portrait. Another work by the same artist, belonging to the Complutence University of Madrid, depicts the Infanta sumptuously dressed in identical colours to our painting and wearing an elaborate headdress and diadem. These portraits, beyond their iconographical importance as contemporary records of the Infanta and Queen Maria Barbara, are also illustrative of 18th century fashion for jewelled head dressing. Often, flowers were combined with joyful adornments, composing almost theatrical displays that would reinforce the ostentatious nature of the image. The ornamental flowers and the chromatic character of the jewels would complement the luxury of the colourful dresses in blue, crimson, green or other silk shades, in compositions whose sole purpose was to highlight a royal sitter’s wealth and power, becoming an essential statement accessory within the strict court protocols and codes of conduct. Circle of Louis-Michel van Loo (1707-1771) Slowly but steadily, the resolute, tranquil and dignified attitude of Renaissance and Baroque portraiture becomes artificial and presumptuous. Mid 18th century society favours elusive expression and psychological deepness, albeit limited to the face, that, with emphasis on detail, on the rich colour palette and on changing costumes and landscapes, associated to the courtliness of gestures, creates a strongly artificial environment while maintaining a highly poetic intrinsic character. Louis-Michel van Loo followed a dynasty of famous Dutch origin artists that had settled in France. Initially taught by his father, Jean-Baptiste von Loo (1684-1745), the younger van Loo studied in Turin and Rome and frequented the Paris Academy. In Rome he worked with his uncle Charles-André van Loo (1705-1765) and become a painter for the Turin Court. In 1737 he arrived in Spain being summoned by Philip V to succeed Jean Ranc as painter of the king’s chamber. In Madrid, his work covers the numerous Court commissions and the Royal Saint Ferdinand Fine Arts Academy, of which he was a founding member and director for the Painting department in 1752. Is production at court consisted essentially of numerous portrait paintings, often Royal gifts...