Art

‘Blue Butterflies in the Golden Sky’ is a signature gestural painting by Hunt Slonem. The butterflies can be found throughout Slonem’s Neo-expressionist body of work. Slonem goes bac...

Christopher WOOL & Felix GONZALEZ-TORRES Untitled (The Show is Over) Offset lithograph on paper 118.8 × 79.3 cm (46.8 × 31.2 in) This print is part of an artwork by Christopher Woo...

large-scale original art photography from a series of dramatic cloud atlas observations and abstract monochromatic skyscapes above the Mediterranean Sea C...

large format photograph of a sea of green sun umbrellas and yellow-green striped sun chairs, a Mediterranean pre-summer season study of Italian beach clubs in the iconic coastal resort town of Forte dei Marmi, Italy FORTE DEI MARMI by Frank Schott 48 x 72 inches / 122cm x 183cm edition of 7 signed 26.5 x 40 inches / 67cm x 102cm edition of 25 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, Ed Rusha...

Belvedere Hotel 2 (2019), by contemporary photographer Christophe Jacrot. Fine Art print on Etching Hahnemühle paper. 70 x 105 cm : edition of 8 For ...

Seahorse Rex Gold is a 1-meter high bronze sculpture by French contemporary artist Chésade. This one-off sculpture is representative of the sculptor's interest in the marine world. 1...

Leona is a bronze sculpture of a lioness by Marie Louise Sorbac. H65 cm × W36 cm × D46 cm // H 25.6 in × W 14.1 in × D 18.1 in. This sculpture is part of ...

a mesmerizing sea of light blue and acqua color tones from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's unique abstracti...

Barricada #8 aic2 L is a painted stainless steel sculpture by contemporary Venezuelan artist Alejandro Vega Beuvrin. The steel sheets are 6 mm thick. Limited edition of 5 + 3 A.P.

"La femme au tambourin (Woman with Tambourine)," is an etching and aquatint on Arches paper made in 1939 by Pablo Picasso. The print is signed in pencil, lower left, "Picasso". This ...

Signed Lower Right by Artist Cover of The Saturday Evening Post, December 18, 1926

Raymond Graber‘s kinetic light sculpture One Light (2022) incorporates lightwaves as an artistic medium, creating an immersive visual experience with a mesmerizing play of ambient gl...

Aerial Views, Tulip Fields 05 is a limited-edition photograph by German contemporary artist Bernhard Lang. Available dimensions and editions: - 60 x 75 cm: edition of 10 - 96 x 120 ...

Gibrán Turón's work develops from this polysemantic playful process, an anthropology of the close that makes the artist an enunciator of the event, a hermeneutic of the arteries of t...

‘Einstein Love is the Answer’, is a unique and recent painting by Mr. Brainwash. In his iconic collage-like process, Mr. Brainwash layers a...

This stunning Dutch 17th century Old Master still life oil painting is attributed to the circle of Jan Davidsz de Heem. Painted circa 1660 it is a magnificent vibrant painting of gra...

This is a contemporary photograph of an African Lion. Printed on archival paper and using archival inks Framing available. Inquire for rates. Shane Russeck has built a reputation...

Shipwreck!! Sheila Daube is an abstract expressionist painter, best known for artworks in dark, rich tones steeped in mythology, pop culture and wit. Her sensuous surfaces and jewel...

Valerie Jaudon New York The Big Apple with Twin Towers (Hand Signed postcard), ca. 1987 Offset lithograph postcard (hand signed by Valerie Jaudon) Boldly signed inside the Big Apple ...

ADOLFO MEXIAC (Mexican b.1927 - ) DESPERTAR, (Awakening) 1960 Linoleum cut signed, titled and dated. image 19 1/4 x 27 1/2. Sheet 24 x 31 1/2 Generally very good condition save for a loss along the top sheet edge and creasing in the lower right part of the sheet. This print was most likely produced at the TGP (El Taller de Grafica Popular...

This ink, charcoal and pencil drawing is signed by the artist in black ink “Marc Chagall” at the lower right corner. This drawing was executed in 1958. The composition is a study f...

Large Standing Figure VI (Grande figure debout VI), large-scale sculpture by French contemporary artist Pierre Yermia. Bronze, 148 cm × 31 cm × 27 cm. Limited edition of 8 + 4 A.P. He has been developing for thirty years a singular work, filled with human and animal characters...

Rosa Bonheur was the most famous female artist of the 19th Century. We are grateful to Annie-Paule Quinsac for confirming the authenticity of this painting. The work is best viewed with top gallery light to bring out colors ____________________________________________ Rosa Bonheur: Three Bucks in the Fontainebleau Forest, erroneously Stags or Monarchs in the forest Oil on canvas, 29 x 24 inches [74 x 61cm], signed and dated lower left, Rosa Bonheur 1886 The discovery of this painting, a reinterpretation of Bonheur’s most iconic work Le roi de la Foret, [Monarch in the forest]is a significant event in the artist’s scholarship. In forty years of study, I was not aware of its existence and did not find any reproduction of it throughout my extensive reading. Bought by the present owner at the Stamford Winter Auction in 2008, it had been the property of a certain Captain [ name illegible] until January 29, 1920, or from that date {?}. The label on the back of the canvas reads: “Collection of Captain J.H.Gaucis Jan.29,1920”. [the handwriting on the label is extremely unusual; my deciphering of it induces me to propose this last name, Latvian in origin] […] This work could not have been offered among the 95 paintings that compose the catalog section titled “Stags, Hinds, Roebucks,” [ NN.320-415] in the catalog of the Rosa Bonheur Posthumous Sale organized by the Galerie Georges Petit in Paris, which included over two thousand pieces kept in the studio and not sold during her life time : it does not correspond to any of the description or measurements given in these catalog entries. The number 5527inscribed in red on the back of the canvas could refer to the painting having be handled by the Knoedler Galerie, Paris and New York, which after Bonheur’s death, that of Ernest Gambart (1814-1902and George Petit, (1856-1920) was instrumental in the continued diffusion of her work in the US, maintaining her prices that had crashed elsewhere in Europe. Despite difficulties in tracing the provenance history, the attribution to Rosa Bonheur, cannot be denied. Stylistic and iconographic characters are typical of her expressive means in the late 80’s. Also, it cannot be questioned that the calligraphy of signature and date is hers. The work depicts three male deers- or bucks- of different age, in a trail, deep in the forest at twilight, just after sunset toward the end of Fall. The two big ones, have stopped in their track, facing the beholder frontally; the small one, in profile, seems ready to move in another direction. The umbrella term deer, or the more specific one buck {male deer} could both be used as title to this painting, rather than stag, which implies an old majestic senior male deer, considered the King of the forest also called Monarch. In the Cervidae family, the number of points of a deer’s antler is one of the indicators of age, along with body mass and overall size. In our painting, the most prominent stag is massive and has a twelve points antler – qualifying as Monarch. The one immediately behind him exhibits an eight points antler and appears strong and imposing as well does not possess but not his companion’s poise. It is a mature stag. The last one, slender, shoulders not quite muscular yet, with barely six points to his antler, could not be more than two years old. The intensity of expression of the two older stags and their presence in the landscape which is rendered as their stage, are characteristic of Bonheur’s rapport to animals and nature. The painting’s varnish has deteriorated and forms a film that will need to be removed through a cautious cleaning. It is particularly important that the transparent haze that evokes the humidity of the forest at that crucial moment of the light be preserved. It contributes to the painting vibrance. Since 1860, when Rosa Bonheur moved to the Chateau of By, which she had bought with her companion Nathalie Micas, the Fontainebleau Forest which was at a stone through of her property, became ground of studies and the Cervidae a common subject. By then, she would already sketch en plein air, and months or years later, create paintings from start to finish in the studio using the visual material collected while walking through nature or observing animal in their milieu. Her first image of the Great Monarch in the forest, represented frontally and in a similar forest background is the 1868 painting Le cerf de Saint Hubert [Hubertus’ Stag], an illustration of the legend of Saint Hubertus in which she included a cross between the stag’s antlers. As the story as it, Hubertus was a passionate hunter and would often forget his religious duties to go hunting. On a certain Sunday in the depth of a forest, where he had ventured alone, he began to pursue a stag The animal faced him and while a cross appeared between his antlers, the voice of God was heard, directing him to repent ad respect all animals. Rosa Bonheur was herself a hunter but also a spiritualist, influenced by the Saint Simonian creeds and by spiritism. She believed that certain animals had a soul. I personally think that magnificent monarchs and the St Hubertus...

Spring at Twenty Pound Meadow By Elaine Kazimierczuk [2020] Elaine Kazimierczuk Twenty Pound Meadow is the name of the area of land used as allotments, just outside Oxford city cent...

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environm...

Aerial Views, California Plants 022 is a limited-edition photograph by German contemporary artist Bernhard Lang. Available dimensions and ...

Marc Quinn 18k Large Gold Orchid Ring Measurements: Ring size 7, ring top is 38mm x 37mm Hallmarked: MQ PE 750 Weight: 26 grams Quinn has used orchids repeatedly and thematically in his sculptures and these unique pieces are inspired by the artist's ongoing 'Flower sculptures' series. Like their inspiration, these works are described by Quinn as the most magical transformation of reality into art - rendered intimately for personal wear. Artist Marc Quinn known for his voluptuous hyper-real, super-bright flower and that famous golden statue of Kate Moss doing yoga has made a very limited edition of these yellow gold rings. He has made white bronze sculptures as well as white gold jewelry for Selfridges in London. Quinn has used orchids repeatedly as a motif in his work. Major artists such as Pablo Picasso, Alexander Calder, Salvador Dalí, Lucio Fontana and Roy Lichtenstein and Claude and Xavier Lalanne have sall made artists Art Jewelry. These unique pieces are inspired by the artist's ongoing 'Flower sculptures' series. These have been included in the Dine Venet collection as well as in the Louisa Guinness gallery collection. (She has commissioned works by Anish Kapoor, Claude Lalanne, Marc Quinn and Ron Arad). Quinn first came to public attention in the early 1990s through his affiliation with the Young British Artists (YBAs). Among his earliest and best-known works is Self (1991), a cast of his head made from ten pints of Quinn’s frozen blood, an amount equal to the volume in his body. In a 2013 interview, the artist said that the YBA movement had been about “bringing real life into art.” In both Self and Spiral of the Galaxy, Quinn’s urge is holistic and metaphysical, a desire to translate the substance of life into image. Young British Artists, or YBAs—also referred to as Brit artists and Britart—is a loose group of visual artists who first began to exhibit together in London in 1988. Many of the YBA artists graduated from the BA Fine Art course at Goldsmiths, in the late 1980s, whereas some from the group had trained at Royal College of Art. Leading artists of the group include Damien Hirst and Tracey Emin. The core of the YBA group graduated from the Goldsmiths BA Fine Art degree course in the classes of 1987–90. Liam Gillick, Fiona Rae, Steve Park and Sarah Lucas, were graduates in the class of 1987. Ian Davenport, Michael Landy, Gary Hume, Anya Gallaccio, Lala Meredith-Vula, Henry Bond, Angela Bulloch, were graduates in the class of 1988; Damien Hirst, Angus Fairhurst, Mat Collishaw, Simon Patterson, and Abigail Lane, were graduates from the class of 1989; whilst Gillian Wearing, and Sam Taylor-Wood, were graduates from the class of 1990, and Jason Martin was graduated with the class of 1993. During the years 1987–1990, the teaching staff on the Goldsmiths BA Fine Art included Jon Thompson, Richard Wentworth, Michael Craig-Martin, Ian Jeffrey, Helen Chadwick, Mark Wallinger, Judith Cowan and Glen Baxter...

color lithograph on Guarro paper , edited in 1974 Limited Edition of 75 copies plus 15 HC Hand signed, dated and numbered in pencil 37/75 in pencil (lower left) Paper size: 69,5 x 52...

Serigraph in colors on paper. Hand signed and numbered by the artist. Edition of 300. Sheet size 36 x 29 inches. Image size approx 30 x 25 inches. Artwork is in excellent condi...

Italian master (17th century) - Holy Family with St. John the Baptist. 66 x 99cm. Oil on canvas, unframed. Lined canvas. Good state of conservation of the pictorial surface, there...

A wonderful composition Slonem's Hummingbirds. This piece depicts gestural figures of colorful Humming Birds on a French Sky Blue background with thick use of paint. It is housed in ...

"Untitled" is an oil on panel painting by Clyde Aspevig. The work is signed on the lower right. The framed size is 13 x 15 x 2 inches. Provenance: Private Collection

Tableau abstrait d'une petite bibliothèque bleue pour s'inventer une histoire avec ces livres travaillés en matière à l'huile et au couteau. L'artiste...

This piece titled "The Villian" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white frame...

Cows & Bull In Landscape Dutch School, 19th century oil on canvas, framed framed: 13 x 11 inches painting: 10 x 8 inches provenance: private UK collection. The painting is in good a...

Prometheus Freed is a sculpture by Guatemalan artist Walter Peter Brenner. It is a tribute to the hero of the Greek mythology, Prometheus, who granted human the ability to think. Pro...

original painting on canvas Painter leaving an eternal handprint on her blue pearl palette Anastasia Kurakina recently exhibited at the Royal Society of ...

Original watercolor and gouache artwork on archival paper of a Christmas scene used by the Fravessi Card Company as a holiday card. Signed lower left. Artist name and address and da...

Original watercolor and gouache artwork on archival paper of a Christmas scene used by the Fravessi Card Company as a holiday card. Signed lower left. Artist name and address and da...

This price includes that the painting is stretched and framed. ABOUT Born in 1967, Piussi was raised in Florence where he studied at the Istituto d’arte, majoring in sculpture and ...

KEITH HARING (1958-1989) A leading Neo-Pop artist, was one of the most articulate members of his generation. He captivated the imaginations of New York City commuters with his subway...

ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...

Cast resin Open edition Not signed or numbered New. Sold in the original box Benesse Museum, Japan Our mission is to connect art collectors to opportunity. Whether it be figurative,...

ABOUT Born in 1967, Piussi was raised in Florence where he studied at the Istituto d’arte, majoring in sculpture and painting and completing his artisti...

large format photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic ...

Lithograph in colors on paper. Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Mar...

ABOUT After 30 years of only exhibiting fine art photography, the Robin Rice Gallery is pleased to present a group exhibition featuring a selection of her gallery photographers and t...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

ABOUT After 30 years of only exhibiting fine art photography, the Robin Rice Gallery is pleased to present a group exhibition featuring a selection of her gallery photographers and t...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations, an homage to the photo realistic ...

"Take me Home" by Lu Haskew Oil 19x16" framed, 12x8" image size Signed lower left A young child very apparently ready to go home from their intense yet cute look. The child is weari...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

This listing is for the unframed photograph. It is # 2/5 in the paper size of 41.40 H x 52" The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography ex...

large scale original photograph of dramatic cloud formations and reflecting sea SEASCAPE VII by Frank Schott 58 x 58 inches ( 147 x 147cm ) signed edition of 7 48 x 48 inches ( 12...

This listing is for the unframed photograph. Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive ...

This listing is for the unframed photograph. The Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a few newcomers...

Listing is for a FRAMED edition print. Edition 7 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm...