Art

This intimate floral still life by Kaitlyn Tucek is titled after the Lana Del Ray song of the same name. Featuring a mass of wildflowers bursting out of a turquoise vase, the artist'...

Arabesque is a photograph by contemporary artist Gina Soden. This picture is available in 3 different formats: * 44.64 cm × 44.64 cm: edition of 15 + II AP * 80.2 cm × 80.2 cm: edit...

This early 20th-century oil painting by British artist Elijah Albert Cox (1870-1955) depicts a vibrant coastal scene with fishermen’s wives and the returning fleet. Under a restless...

Belvedere Hotel 2 (2019), by contemporary photographer Christophe Jacrot. Fine Art print on Etching Hahnemühle paper. 70 x 105 cm : edition of 8 For many years, Christophe Jacrot's...

Nina Bovasso, Abstract Horizontal Diptych with Purple & Yellow highlights, 2019, 25 x 36 inches on paper. I've been making work in this diptych format for three decades. Playing of...

"Cyanotype Painting (Magnolia, Buttercups, Fritillaria, Pollinators, etc), 2021 byHudson Valley artist, Julia Whitney Barnes Watercolor, Gouache, Ink and Cyanotype on Cotton Arches ...

"Untitled" lithograph from Frakenthaler's What Red Lines Can Do Series. Signed and dated, with the numbers 55/9/75 on the lower front right. Color screen print on white arches handmade cold press paper. Helen Frankenthaler was born on December 12, 1928 in New York City, the daughter of a New York Supreme Court judge and a family of Jewish immigrants from Germany who emphasized culture and intellectual pursuits and continue to be active to this day such as through nephew, the artist and photographer Clifford...

Fiori,Margherita,Primavera,Fragole Opera luminosa Georgij MOROZ (Dneprodzerzinsk, Ucraina 1937 – San Pietroburgo 2015) Nato a Dneprodzerzinsk, in Ucraina, nel 1937, inizia gli stu...

"When I look at the grand Western landscape, I see a moment caught in time. A layer of rock and mineral resting between climatic and geological events. Their surfaces scarred by glac...

Barricada #8 aic2 L is a painted stainless steel sculpture by contemporary Venezuelan artist Alejandro Vega Beuvrin. The steel sheets are 6 mm thick. Limited edition of 5 + 3 A.P.

"Ritual" is a 25.25 x 31.125 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is painted in a vibrant color palette. The pain...

Heat reflecting glass and half mirror, 25 cm × 25 cm × 7 cm. Limited edition of 5, delivered with a certificate of authenticity signed by the artist. In the ‘Move’ series, which bega...

Bronze sculpture, 54 cm × 26 cm × 17 cm. Limited edition of 8 + 4 A.P., each signed and numbered. Photo credit: © Christian Baraja, © Martine Demal, @ ADAGP

Abstract oil on canvas signed and titled 'Mesa Verde' by Wilma Fiori (1929-2019) painted November 17, 1988. Painted in bright yellows, gold, pink, red, and black. Presented in a vint...

Pink Is The New Black I (Abstract painting) Acrylic / mixed media on canvas - Unframed. This work is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant t...

This warm black and white contemporary photograph by Tori Gagne captures two wild horses running and playing together. An edition size of 50, this photograph is available as a metal ...

Alfred Fontville De BREANSKI A typical example of De Breanski's highland landscapes with a wonderful sunlight glow on the mountain tops and lovely attention to detail with beautiful ...

Glass artist Cheryl Wilson Smith’s grandmother used to create hand-stitched quilts from cut squares of fabric. This beautiful wall sculpture with its patchwork pattern, and its soft ...

Lee Herring focuses his contemporary paintings on vibrant, textured, and abstract landscapes that convey fleeting moments. Herring's energetic artworks are inspired by everyday momen...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 2/2 on verso.

"Old World New World" acrylic on canvas Large original, one-of-a-kind, painting. Shipped rolled in a tube directly from the artist's studio.

Human and Animal Locomotion. Plate 349. Fencing. 14 x 20 inch original vintage collotype print from 1887 (image size 7 x 16.5 inches)

"Innocence" is a captivating artwork that evokes a sense of empathy and reflection. The central figure, a woman, stands as a representation of someone who has been wrongly accused an...

"Way to the Beach" is a black and white fine art photograph of Michael Götze. It is an Edition 5 (1/5), Archival Pigment Print on Diabond, framed. 103 x 83 cm, signed on back, comes ...

Abstract cubist style graphite drawing inspired by the famous figurative painting "Olympia" by Edouard Manet "Olympia V" by Hudson Valley based artist, David Dew Bruner graphite on p...

My wife and I visited Edinburgh, Scotland for Thanksgiving. It was an incredibly nostalgic trip for one we had never been on. We held hands and walked the streets by the ferris whe...

Jim Stella 2017 Mixed Media Oil, Acrylic, Oil Stick and Collage 90" x 68" inches Jim Stella was born in Detroit in 1954 and was attracted to art from an early age. He attended Unive...

Afghan Women at Shoe Store, Kabul by Steve McCurry is a 20 x 24 inch digital C-Print, printed on FujiFlex Crystal Archive Supergloss Paper. This photograph features 5 Afghan women at...

In E'stelle II color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. The softness o...

Barricada #2 ai S is a stainless steel sculpture by contemporary Venezuelan artist Alejandro Vega Beuvrin. Available in two sizes: (S) 37.5 cm × 65 cm × 25 cm, limited-edition of 8 ...

Los Angeles artist Harrison Gilman graduated from NYU’s Tisch School of the Arts. In 2018 his artworks were exhibited at the We Rise Art Fair in Los Angeles alongside Shepard Fairey and other prominent LA artists. The following year, Gilman had his first successful solo show at a Galerie in Nashville, TN, where he drew the attention of major collectors. Since then, Gilman has had many solo and group shows as well as a series of live painting events. His art can be found in private collections in Los Angeles, New York, Nashville, Scottsdale, Toronto, and the UK. This one-of-a-kind 56-inch high by 44-inch wide painting...

Series: Provocateur Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 40" x 60" 63" x 84" Editions of 3 + 2 Artist Proofs Tyler Shields is a photograp...

Fritz Eichenberg, 'The Wolf and the Little Kids' from the suite 'Fables with a Twist', wood engraving, 1975-76, artist's proof apart from the edition of c. 50. Signed, titled, and annotated 'Artist’s Proof' in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (7/8 to 1 1/2 inches), in excellent condition. Complete with vellum folder with descriptive text in red and black linotype. Printed by master printer Harold McGrath at The Gehenna Press, Northampton, MA. Image size 13 15/16 x 12 1/8 inches (354 x 308 mm); sheet size 16 1/2 x 14 inches (419 x 356 mm). Archivally sleeved, unmatted. Collection: Harvard Museums. ABOUT THE ARTIST Fritz Eichenberg (1901–1990) was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice, and nonviolence. Eichenberg was born to a Jewish family in Cologne, Germany, where the destruction of World War I helped to shape his anti-war sentiments. He worked as a printer's apprentice and studied at the Municipal School of Applied Arts in Cologne and the Academy of Graphic Arts in Leipzig, where he studied under Hugo Steiner-Prag. In 1923 he moved to Berlin to begin his career as an artist, producing illustrations for books and newspapers. In his newspaper and magazine work, Eichenberg was politically outspoken and sometimes wrote and illustrated his reporting. In 1933, the rise of Adolf Hitler drove Eichenberg, who was a public critic of the Nazis, to emigrate with his wife and children to the United States. He settled in New York City, where he lived most of his life. He worked in the WPA Federal Arts Project and was a member of the Society of American Graphic Artists. In his prolific career as a book illustrator, Eichenberg portrayed many forms of literature but specialized in works with elements of extreme spiritual and emotional conflict, fantasy, or social satire. Over his long career, Eichenberg was commissioned to illustrate more than 100 classics by publishers in the United States and abroad, including works by renowned authors Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories. Eichenberg was a long-time contributor to the progressive magazine The Nation, his illustrations appearing between 1930 and 1980. Eichenberg’s work has been featured by such esteemed publishers as The Heritage Club, Random House, Book of the Month Club, The Limited Editions Club, Kingsport Press, Aquarius Press, and Doubleday. Raised in a non-religious family, Eichenberg had been attracted to Taoism as a child. Following his wife's unexpected death in 1937, he turned briefly to Zen Buddhist meditation, then joined the Religious Society of Friends in 1940. Though he remained a Quaker until his death, Eichenberg was also associated with Catholic charity work through his friendship with Dorothy Day...

'White Cockatoo #1, Albuquerque, NM, 2016' is a limited-edition fine art photograph by American photographer Brad Wilson. This photograph is part of ...

Designs by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 20 inches good condition provenance: from the artists estate, France Josine V...

Keith Haring Against All Odds, 1990: Lithographic plate from the 1990 Keith Haring book: Against All Odds, published by Bebert House, Rotterdam in co...

The events depicted in the painting take place possibly somewhere in the Middle East or North Africa. Painting takes us to the times of great explorations and sea voyages. In those days, the knowledge of something new and unknown was the cause of numerous discoveries and adventure. In the foreground we see the harsh conquistadors, who presumably play the role of guarding the trade caravan here, the figures depicted on the canvas are fussing and busy loading things onto camels. The buildings and towers of the coastal city are visible in the distance. Atmospheric mood is added by a beautiful sunset over the sea bay...

'Dice', Part of Richard Heeps 'Man's Ruin' Series, the vivid detail of the dice in fun multi-colour picture and lucky number 8 ball. Hand-printed by the artist from negative in his C...

Large Standing Figure VI (Grande figure debout VI), large-scale sculpture by French contemporary artist Pierre Yermia. Bronze, 148 cm × 31 cm × 27 cm. Limited edition of 8 + 4 A.P. He has been developing for thirty years a singular work, filled with human and animal characters...

Giordan Rubio (b. 1998, France, lives and works in Nice) practice is to explore the links of influence and temporality on the evolution of dreaming as a ...

Bronze sculpture, 48 cm × 20 cm × 22 cm. Limited edition of 8 + 4 A.P., each signed and numbered. Although abstract in style, this sculpture suggests a couple. Thanks to the exacting work balancing volumes, the artist draws out of a block two complementing figures, fulfilling the dynamic demands of the suggested bodies seemly caught in a resulting totally symbiotic dance. Photo credit: © Christian Baraja, © Martine Demal...

"Doves" is a lithograph signed in the plate by Pablo Picasso after his etching of Doves from the 1950s. It is limited edition, numbered print which comes in a high-end pass-partout w...

A beautiful impressionist oil on canvas board by Zlatan Pilipovic depicting a lady wearing a blue kimono in the artist's studio, with a painting of Venice on an easel behind her. The work is very well painted with a wonderful dappled light shining in from the large sash window...

Line 1213-13 is an abstract painting by contemporary Korean artist Ahn Hyun-Ju. Polyester, acrylic and epoxy on aluminum, 52 x 32 cm. Signed, sold unframed. T...

Stag II is a sculpture by French contemporary artist Pierre Yermia. This sculpture is signed and numbered. Edition of 8 & 4 A.P.

'Rhinoceros #2, Albuquerque, NM, 2013' is a limited-edition fine art photograph by American photographer Brad Wilson. Archival pigment print on Hahnemühle Fine Art Baryta Paper, 2013...

French School, signed verso Late 19th century/ early 20th century oil painting on canvas, framed inscribed verso framed: 15 x 18 inches canvas: 9.5 x 13 inches provenance: French co...

Exhibition poster from Moderna Museet, Stockholm. 19 3/4 x 27 1/2 in 50 x 70 cm From street protest to art spaces – Sharon Hayes highlights activism on t...

Kehinde Wiley Barack Obama (Hand Signed by Kehinde Wiley), 2018 Offset Lithograph (Hand Signed by Kehinde Wiley) 17 × 11 inches Boldly signed by Kehinde Wiley in black marker on the ...

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Stamped and dated with copyright A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket simultaneously reflects Warhol's central preoccupations with commercial culture (the ticket is, par excellence, an object that is bought and sold), as well as his fascination with Hollywood - as the ticket, quite literally, represents an entree into the world of film. Warhol's appropriation of the flower - an otherwise sentimental and decorative motif, transforming it into a symbol of the Pop Art movement, is a hallmark of his early style and innovations. Andy Warhol's vibrant vintage color silkscreen Lincoln Center Ticket from the fabulous Sixties is considered one of the more iconic and recognizable Warhol images. It is also one of Warhol's earliest prints. The Vera List...

The mysterious artworks by Rachel Ann Stevenson invite you into a dream world. Rachel Ann sees artists as day dreamers who can show the impossible...

Jan Josef Horemans the Elder (Antwerp 1682-1752) circle of In the artist's atelier Oil painting on canvas - 48 x 45 cm, framed 61 x 56 cm. The pleasant painting illustrates one of the favorite themes of Flemish art collectors between the seventeenth and eighteenth centuries, and precisely opens the doors of an art workshop / laboratory, illustrating the working environment of a group of troublemakers sculptors. What makes the composition fascinating is the real atmosphere, not artificial and also messy, such as to identify us in the context of the artists of the time. We see a couple of young clients, easily identifiable as two travelers on the Grand Tour (the globe on the right could allude to their journey), who have come to the atelier to see the bust that the gentleman is getting molded, as a perfect 'souvenir' from return home once the trip is over. And still other artists, perhaps apprentices, are practicing drawing, busy with bringing the details of a sculpture on their albums. Finally, a last character while viewing a large wall painting...

Signed limited edition photographic print of Kurt Cobain, Dave Grohl and Krist Novoselic of Nirvana by photographer Kirk Weddle from the famous 1991 swimming pool photoshoot to promo...

An original signed lithograph on light yellow-pink J.B. Green Hayle Mill Bodleian handmade paper by American artist Helen Frankenthaler (1928-2011) titled "Altitudes", 1978. Hand pencil signed, dated, and numbered by Frankenthaler lower right. Limited edition: 29/42. Lithograph drawn with tusche wash. Printed in two colors from two stones: red and green. Printed by Bill Goldston and John A. Lund of ULAE and published by Universal Limited Art Editions, West Islip, NY. ULAE chop mark/blind stamp lower right. Reference: "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison No. 72, page 264, 268-270; ULAE - Sparks No. 33, page 88, 323; Clark No. 67; Williams No. 67. Provenance: private collection - New York, NY; private collection - notable fashion illustrator Jay Hyde Crawford, New York, NY, acquired from an art gallery in New York, NY; likely acquired directly from the publisher ULAE. Sheet size (irregular margins): 22.25" x 30.88". Remnants of previous mounting tape on verso. In excellent condition with strong colors. Extremely rare. Beautiful work. "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison - "Frankenthaler carefully chose a European handmade paper that would add another color and texture to the print" ... "By contrast, in "Altitudes", the artist created a bleed image so that the sheet of paper is smaller than the stone's image and the large red tusche wash sweeps across the surface of the yellow-pink J.B. Green Hayle Mill Bodleian paper, becoming warmed and enhanced by its color and texture." "Universal Limited Art Editions - A History and Catalogue: The First Twenty-Five Years" - Sparks - "In "Bronze Smoke" (cat. no. 32), "Altitudes" (cat. no. 33), and "Door" (cat. no. 34), minimal compositions were replaced by fields of drifting, multilayered color, as rich and satisfying as her work on a much grander scale." Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting...

Maker: Addison Thomas Millar (1850 - 1913) Origin: American Date: 19th century Medium: Oil on board Dimension: 8 in x 10 in (image); 11 1/2 in x 13 1/2 in (frame)

Emil Kosa, Jr., N.A. (1903-1968) Born: Paris, France; Studied: Academy of Fine Arts (Prague), Ecole des Beaux Arts (Paris), Chouinard Art Institute (Los Angeles); Member: National Ac...

Emil Kosa, Jr., N.A. (1903-1968) Born: Paris, France; Studied: Academy of Fine Arts (Prague), Ecole des Beaux Arts (Paris), Chouinard Art Institute (Los Angeles); Member: National Ac...

Emil Kosa, Jr., N.A. (1903-1968) Born: Paris, France; Studied: Academy of Fine Arts (Prague), Ecole des Beaux Arts (Paris), Chouinard Art Institute (Los Angeles); Member: National Ac...