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Art For Sale
Still Life
Located in Edinburgh, GB
This drawing by Johann Rudolf Feyerabend, known as Lelong, is a finely executed still life that captures a rustic yet elegant composition. The detailed rendering of objects—such as t...
Category

Late 18th Century Old Masters Art

Materials

Paper, Gouache

"Go West" 36x48 - B&W Photography of Wild Horses - (Special 1stdibs Price)
Located in Los Angeles, CA
This is a contemporary black and white photograph of wild horses. "They represent the ultimate expression of American freedom" 36x48 Edition of 12 Printed on archival paper using a...
Category

21st Century and Contemporary Art

Materials

Archival Pigment

60x40 "Dr Dre The Chronic Cassette" Photomosaic Pop Art Photography Signed
Located in Los Angeles, CA
"Dr Dre The Chronic Cassette" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Dr Dre imagery. Archival photographic paper Signed edition of...
Category

21st Century and Contemporary American Modern Art

Materials

Archival Pigment

Times Like These 60x40 Black & White Photography, Kodiak, Bear Grizzly Unsigned
Located in Los Angeles, CA
This is a contemporary photograph of a Kodiak Bear. This was shot on Kodiak Island in 2019. 60x40 Unsigned Archival pigment paper Framing available. Inquire for rates. Shane R...
Category

21st Century and Contemporary Art

Materials

Archival Pigment

Antique American Floral Still Life of Roses, Delicately Rendered
Located in Grand Rapids, MI
Antique Floral Still Life of Roses, Delicatly Rendered American, 19th/20th Century Signed: A. Ziffel 1906 (Lower, Right) " Still Life of Roses ", 1906 Watercolor and Gouache on...
Category

Early 20th Century Art

Materials

Paper, Watercolor, Gouache, Graphite

Magnolia - Vibrant Floral Painting on Paper
Located in Los Angeles, CA
Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the natural world. In her series, ...
Category

2010s Contemporary Art

Materials

Paper, Powder Coating, Watercolor

A Wreath of Floral Watercolors, Signed
Located in Jacksonville, FL
A delicate and harmonious symphony of color, this watercolor by Evelyn S. Dubiel presents a beautifully arranged ring of flowers, each petal brought to life with fluid brushstrokes a...
Category

Mid-20th Century Folk Art Art

Materials

Watercolor

Botanical and Zoological Studies - Mixed Media Sketches and Paintings
Located in Cirencester, Gloucestershire
Title: Botanical and Zoological Studies - Mixed Media Sketches and Paintings Artist: Roland Pichard Medium: Mixed media, pencil, pen, and oil paper, mounted on card Size: 19.75 (h...
Category

Mid-20th Century Post-Impressionist Art

Materials

Oil, Pencil

Acrylic Painting on wood Panel Titled “tbd" 56.75 x 58.75
Located in West Palm Beach, FL
Original Painting on Wood panel by Florida artist, William FInlayson His works have been featured in magazines and interior designer books and collected...
Category

2010s Abstract Art

Materials

Acrylic

Unique hand signed flower drawing on Michael Jackson & Bubbles print from SFMOMA
Located in New York, NY
JEFF KOONS Original Flower drawing on Michael Jackson and Bubbles poster (Hand Signed), 1992 Drawing done in marker on offset lithograph 25 × 39 inches Hand signed and dated '92 in b...
Category

1990s Pop Art Art

Materials

Felt Pen, Permanent Marker, Lithograph, Offset

Still Life
Located in Bryn Mawr, PA
Best known as an impassioned supporter and avid collector of modern art, Earl Horter was also an artist himself. Largely self-taught, Horter was a highly skilled draftsman and engrav...
Category

1930s American Modern Art

Materials

Paper, Pastel

Je suis un volcan
Located in London, GB
Etching on wove paper. Signed and numbered by the artist in pencil. Published by Galerie Le Long. *This print is supplied within a clamshell box, with book of the same name, as iss...
Category

2010s Abstract Impressionist Art

Materials

Etching

Stanley Korshak B&W original framed and signed photograph by Roman Crescimanno
Located in Dallas, TX
"Stanley Korshak" photographed in Dallas, TX, is an exquisite, original work of art by the talented Roman Crescimanno. This captivating photograph measures 10.5 x 10.5 inches and is ...
Category

2010s Photorealist Art

Materials

Photographic Paper

Arthur Wardle - British c. 1900 botanical watercolour of Wild Flowers
Located in London, GB
ARTHUR WARDLE (1864-1949) Common Fleabane Signed Watercolour and bodycolour on linen 29 by 17.5 cm., 11 ½ by 7 in. (frame size 49 by 36.5 cm., 19 ¼ by 14 ¼ in.) Arthur Wardle was...
Category

Early 20th Century Realist Art

Materials

Watercolor

Mary Chugg (1935-2024) - Framed 1956 Charcoal Drawing, Glass Still Life
Located in Corsham, GB
An early charcoal drawing depicting a still life of glass vessels and eggshells, delicately heightened with white. Well presented in a slim wooden frame. Signed to the lower right an...
Category

Mid-20th Century Art

Materials

Charcoal

William Cruikshank (1848-1922) - Framed Watercolour, Bird's Nest Amongst Blossom
Located in Corsham, GB
This delicate oval composition captures a poignant moment in nature, featuring a small bird's nest with eggs nestled among blossom and woodland foliage. The artist's attention to det...
Category

19th Century Art

Materials

Watercolor

Projet de Tissus - Fauvist Still Life Study Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts a study of apples and pears. This work was executed by Dufy as a fabric design. Dimensio...
Category

1920s Fauvist Art

Materials

Paper, Gouache

Irises
By John Henry Twachtman
Located in Bryn Mawr, PA
As one of the leading Impressionist painters of the late 19th century, John Henry Twachtman was at the forefront of a rising generation of American artists who sought to find innovat...
Category

1890s American Impressionist Art

Materials

Watercolor, Pastel, Paper

Cherry Bakewell Pocket Painting 2, original painting, contemporary
Located in Deddington, GB
Pocket Cherry Bakewell 2 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque st...
Category

2010s Contemporary Art

Materials

Oil

1970 Signed Limited Edition Large Screen Print
Located in Rochester Hills, MI
Artist: Jimmy Ernst  Title:Plate IV Year: 1970 Print : Screen Print on Heavy Paper 28'' x 37'' inches Edition: Signed in pencil and numbered 40/125 Jimmy Ernst’s artwork was influ...
Category

1970s Abstract Art

Materials

Screen

Doughlah G.E.P., 1968-71 - Contemporary Art, Abstract Art
Located in London, GB
Title: Doughlah G.E.P., 1968-71 Year made: 2023 Material: Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp Edition of 250 It comes with COA f...
Category

2010s Abstract Art

Materials

Giclée

Delicate Ink Sketch of Peonies Minimalist Floral Study
Located in Cirencester, Gloucestershire
Minimalist Floral Study fine pen drawing on artist paper painting: 11.5 x 8.5 inches provenance: private collection, England condition: very good and sound condition Description: Th...
Category

20th Century Impressionist Art

Materials

Ballpoint Pen

Zoe
Located in Burlingame, CA
A cake top realistically depicts a cake by female baker, Zoe. Colored pencil on paper. 'Zoe' is 11 x 14.75 inches and professionally framed measuring 12 x 15.75 inches.
Category

21st Century and Contemporary Contemporary Art

Materials

Paper, Color Pencil

Olafur Eliasson, Herbarium - Collage of Dried Water Lilies, Contemporary Art
Located in Hamburg, DE
Olafur Eliasson (Danish-Icelandic, b. 1967) Herbarium, 2021 Medium: Collage of dried and pressed Nympheas Ellisana water lilies (Latour-Marliac) on Lanaquarelle handmade paper, in fl...
Category

21st Century and Contemporary Abstract Art

Materials

Found Objects, Handmade Paper

Crocus Purple Pink Pocket Painting, original painting, contemporary
Located in Deddington, GB
Pocket Purple Pink Crocus is an original oil painting by Dani Humberstone as part of her small scale realistic oil paintings, with a nod to baroque still life painting. The paintings...
Category

2010s Contemporary Art

Materials

Oil

Projet de Fleurs - Fauvist Flowers Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work flowers in red and blues with green foliage against a yellow and white stripped background. Dimensions: Framed: 25"x20" Unframed: 18"x13" Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category

1920s Fauvist Art

Materials

Paper, Gouache

Madame F.C. Byrne (1789-1876) - Mid 20th Century Watercolour, Foxgloves
Located in Corsham, GB
Inscribed in pencil in the lower right. Artist name inscribed on the mount. Presented in a gilt frame. On paper.
Category

20th Century Art

Materials

Watercolor

Projet de Tissus - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts roses in reds, pinks and yellows against a black background. This work was executed by Dufy as a fabric design. Dimensions: Framed: 27.5"x14.5" Unframed: 20"x7" Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category

1920s Fauvist Art

Materials

Paper, Watercolor, Gouache

Rainbowland Calla Lily Leaves II - Colorful Still Life Painting on Paper
Located in Los Angeles, CA
Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the natural world. In her series, ...
Category

2010s Contemporary Art

Materials

Paper, Watercolor, Gouache

Fleurs et Papillons - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category

1920s Fauvist Art

Materials

Paper, Watercolor, Gouache

Atelier Mourlot - New York (NYC Skyline) by Bernard Buffet
Located in New York, NY
Arches Poster Paper - Perfect Condition A+ When The Mourlot Studio opened a branch in New York City, after a successful exhibition organized by the Smithsonian Institute in 1963, it...
Category

1960s Modern Art

Materials

Lithograph

Projet de Tissus - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category

1920s Fauvist Art

Materials

Paper, Watercolor, Gouache

George Washington Hand Studies, Mount Vernon
Located in Greenwich, CT
This stunning study of George Washington's hands is a unique and remarkable drawing pair. Mora was noted as an exceptional draftsman and actually traveled america giving lectures ab...
Category

1910s American Realist Art

Materials

Paper, Charcoal

Plant Study
Located in Bryn Mawr, PA
Provenance The artist; Estate of above; Eleanor Price, daughter of above, by descent from above; Edith Ballinger Price, daughter of above, by descent from above; Estate of above; Pri...
Category

19th Century American Realist Art

Materials

Gouache, Pencil

wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category

1950s Art

Materials

Woodcut, Engraving

Family of Flowers
Located in Toronto, Ontario
Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publicatio...
Category

1950s American Modern Art

Materials

Ink

Iris VIII, Original art work with pencil, Floral, Flower, Nature
Located in Deddington, GB
This drawing is one in a series of botanical line drawings depicting the seasonal flowers of English gardens and the countryside. Size: H:29.7 cm x W:21 cm Additional Information: ...
Category

2010s Contemporary Art

Materials

Pencil

A Pair of 18th cent Dutch Still Life Watercolors Flowers in a Glass Vase 1797
Located in Rancho Santa Fe, CA
Cornelis Johannes de Bruyn (c. 1763- c. 1828) A lovely pair of 18th century Dutch still life watercolors depicting assorted flowers in a glass vase. Watercolor on paper 13 5/8 x 9 5/8 inches (34.6 x 24.4 cm) each Framed: 23 x 18 1/2 inches each Signed: J.C.J. Bruyn 1797 G (Please request photos of the actual frame) Johannes de Bruyn made his debut as a flower and fruit still life painter in the 19th century in Utrecht. He was a student of the painter G.J. van Hulstyn. In our pair of flower still lifes, Cornelis Johannes de Bruyn has depicted two bouquets of colorful flowers set in a stone niche. They are delicate, highly detailed, realistic pieces painted in the vein of seventeenth century Old Master works. Each bouquet is arranged in a low glass bowl on a small marble pedestal...
Category

1790s Dutch School Art

Materials

Paper, Watercolor

Vintage Hermes 1963 Piano Black Leather
Located in Tel Aviv - Jaffa, IL
Vintage Hermes Flap Bag Shiny black Porosus Piano Black Leather 1963 Claf leather lining
Category

Late 20th Century Art

Materials

Leather

Framed 19th Century Watercolour - A Floral Posy
Located in Corsham, GB
A particularly fine botanical study from the Victorian period. The picture shows a beautiful posy of English summer flowers, some in bud some in bloom. Presented in an antique bird's...
Category

19th Century Art

Materials

Watercolor

Make Yourself Known, Contemporary Art, Abstract Painting, 21st Century
Located in Mexico City, MX
Contemporary Art, Abstract Painting Acrylic on canvas 150 x 100 cm 2024 Signed and dated on the side About the Artist Painting was always present in Ana Valdes's life, but it was ...
Category

2010s Abstract Art

Materials

Canvas, Acrylic

Wild field herbs 40X40 oil painting
Located in Zofingen, AG
In this oil painting, I've sought to capture the raw, untamed beauty of nature through a dance of color and texture. Inspired by expressionism and impressionism, my brushstrokes breathe life into each wild herb, creating a vintage aura that whispers tales of timeless landscapes. This artwork is a celebration of nature's fleeting moments, it's an invitation to embrace the wild, unrestrained energy that will fill your home with a spirit of freedom...
Category

2010s Expressionist Art

Materials

Canvas, Oil

Gimcrack with jockey up, wearing the colours of 1st Earl Grosvenor
Located in Stoke, Hampshire
John Nost Sartorius (London 1759-1828) Gimcrack with jockey up, wearing the colours of Richard Grosvenor, 1st Earl Grosvenor Inscribed and signed 'Gi...
Category

18th Century Old Masters Art

Materials

Oil

French Impressionist River landscape, Rolleboise on the Seine, Paris
Located in Woodbury, CT
Impressionist French River landscape, with boats, a boat house. Rolleboise on the Seine Choosing to acquire a French 1950s Impressionist river landscape by Frederic Luce is an oppo...
Category

1950s Impressionist Art

Materials

Canvas, Oil

MARC CHAGALL "DAY BREAK - 1983"
Located in Pembroke Pines, FL
MARC CHAGALL (1887-1985) "Day Break" lithograph in colours, 1983, on wove paper. Signed in pencil, Numbered 26/50 in pencil 21.5 x 17 Inches. LITERATURE: Mourlot 1014 CONDITION: Exce...
Category

1980s Contemporary Art

Materials

Lithograph

Small contemporary oil painting on paper "Just oranges"
Located in VÉNISSIEUX, FR
I have worked on a new series of small oil paintings. This is the one of them. This series is dedicated to the scenes of everyday life. This contemporary oil fruit painting is call...
Category

2010s Impressionist Art

Materials

Oil, Paper

Ines et son Enfant
Located in Castle Cary, GB
This is a portrait of Picasso's Housekeeper, Inès Sassier and her child. It is a large lithograph, signed by Picasso. Impressions from this lithograph edition are included in the following Public Collections : MOMA New York Kunstmuseum Picasso, Munster Museu de Picasso Barcelona...
Category

1940s Art

Materials

Lithograph

Floral gouache impressionist 'Always Roses' by Linda Clerget
Located in THOMERY, FR
The work of Linda Clerget is realized in an impressionist style à la gouache alla prima. The colors are broken and worked in the fresh. Linda Clerget is a French artist known intern...
Category

21st Century and Contemporary Fauvist Art

Materials

Archival Paper, Gouache

Feather Tawny Owl Pocket Painting 3, original painting, contemporary
Located in Deddington, GB
Pocket Tawny Owl feather 3 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque ...
Category

2010s Contemporary Art

Materials

Oil

Portraits of Francis Wood, and John Wood of Hollin Hall, Yorkshire (Pair))
Located in West Sussex, GB
A Superb pair of oval portraits with full provenance. Portrait of John Wood Esq of Hollin Hall, Yorkshire; Portrait of Francis Wood. Circa 1710. Oils on canvas:29 x 24 in. Frame: 37...
Category

Early 18th Century Old Masters Art

Materials

Oil

'Yellow Poppies' Limited Edition photo floral botanical yellow green 24 x 36"
Located in Penzance, GB
'Yellow Poppies' ('Mono No Aware' Series) Limited edition archival photograph. Unframed, hand signed and numbered _________________ Buds, blooms, and the fading glories of Icelandic ...
Category

2010s Contemporary Art

Materials

Archival Paper, Archival Pigment

'Yellow Poppies' Limited Edition photo floral botanical yellow green 11 x 16"
Located in Penzance, GB
'Yellow Poppies' ('Mono No Aware' Series) Limited edition archival photograph. Unframed, hand signed and numbered _________________ Buds, blooms, and the fading glories of Icelandic ...
Category

2010s Contemporary Art

Materials

Archival Paper, Archival Pigment

'Milk Jug, Red Tulips' Limited Edition Photograph. Minimal Botanical Still Life
Located in Penzance, GB
'Milk Jug, Red Tulips' Limited edition (#2 of 25) archival black and white photograph. Unframed. _________________ Sophia's poetic photographs are an exploration of the balance in all things: in the sensual interplay of light and shadow; in virile life and peaceful dormancy; in the enduring and the effervescent. They are a contemplation of the ephemeral nature of all things. Archival photograph 12...
Category

2010s Contemporary Art

Materials

Archival Paper, Photographic Paper, Archival Pigment

Still life. Paper, watercolor, 72.5x89 cm
Located in Riga, LV
Still life. Paper, watercolor, 72.5x89 cm Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued her stu...
Category

1970s Post-Modern Art

Materials

Paper, Watercolor

Portrait of Woman - Lithograph by Domenico Purificato - Mid-20th Century
Located in Roma, IT
Portrait of Woman is a lithograph on paper realized by Domenico Purificato. Hand-signed and hand-numbered 27/99. Very good conditions. Framed. The dimensions with the frame are 58...
Category

Mid-20th Century Contemporary Art

Materials

Lithograph

Contemporary Abstract Artwork Only Fans By Ed Warner 2023
Located in Barcelona, Barcelona
Western progress and development, of which we are so proud, have brought us to this point. A society where hyper-individualism, loss of solidarity, and an exaggerated egocentrism ru...
Category

2010s Abstract Art

Materials

Acrylic, Permanent Marker

Marie Antoinette Shoes, Versailles, France . Still Life Fashion Gouache on paper
Located in Miami Beach, FL
Marie Antoinette Shoes, by Manuel Santelices Gouache on paper Image size: 12 in. H x 9 in. W Unframed 2023 The artist have covered the New York Collections for over 16 years and in...
Category

21st Century and Contemporary Contemporary Art

Materials

Watercolor, Paper, Gouache

"Pointillist Pear"
Located in Lambertville, NJ
Jim's of Lambertville Fine Art Gallery is proud to present this piece by Dora Maar (1907 - 1997). Born Henriette Théodora Markovitch in France, Dora Maar was a 20th century photogra...
Category

20th Century Art

Materials

Paper, Ink

Shop Art on 1stDibs: Photography, Drawings, Prints, Sculptures and Paintings for Sale

Whether growing your current fine art collection or taking the first steps on that journey, you will find an extensive range of original photography, drawings, prints, sculptures, paintings and more on 1stDibs.

Visual art is among the oldest forms of expression, and it has been evolving for centuries. Beautiful objects can provide a window to the past or insight into our current time. Art collecting enhances daily life through the presence of meaningful work. It displays an appreciation for culture, whether a print by Elizabeth Catlett channeling social change or a narrative quilt by Faith Ringgold.

Contemporary art has lured more initiates to collecting than almost any other category, with notable artists including Yayoi Kusama, Marc Chagall, Kehinde Wiley and Jean-Michel Basquiat. Navigating the waiting lists for the next Marlene Dumas, Jeff Koons or Jasper Johns has become competitive.

When you’re living with art, particularly as people more often work from home and enjoy their spaces, it’s important to choose art that resonates with you. While the richness of art with its many movements, styles and histories can be overwhelming, the key is to identify what is appealing and inspiring. Artwork can play with the surrounding color of a room, creating a layered approach. The dynamic shapes and sizes of sculptures can set different moods, such as a bronze by Miguel Guía on a mantel or an Alexander Calder mobile suspended over a table. A wall of art can evoke emotions in an interior while showing off your tastes and interests. A salon-style wall mixing eclectic pieces like landscape paintings with charcoal drawings is a unique way to transform a space and show off a collection.

For art meditating on the subconscious, investigate Surrealists like Joan Miró and Salvador Dalí. Explore Pop art and its leading artists such as Andy Warhol, Rosalyn Drexler and Keith Haring for bright and bold colors. Not only did these artists question art itself, but also how we perceive society. Similarly, 20th-century photography and abstract painting reconsidered the intent of art.

Abstract Expressionists like Helen Frankenthaler and Lee Krasner and Color Field artists including Sam Gilliam broke from conventional ideas of painting, while Op artists such as Yaacov Agam embraced visual trickery and kinetic movement. Novel visuals are also integral to contemporary work influenced by street art, such as sculptures and prints by KAWS.

Realist portraiture is a global tradition reflecting on what makes us human. This is reflected in the work of Slim Aarons, an American photographer whose images are at once candid and polished and appeared in Holiday magazine and elsewhere. Innovative artists Mickalene Thomas and Kerry James Marshall are now offering new perspectives on the form.

Collecting art is a rewarding, lifelong pursuit that can help connect you with the creative ways historic, modern and contemporary artists have engaged with the world. For more tips on piecing together an art collection, see our guide to buying and displaying art.

Find photography, drawings, paintings, prints and other art for sale on 1stDibs.

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