Post-Impressionist Art
POSTIMPRESSIONIST STYLE
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
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Style: Post-Impressionist
Vuillard, Bouquet De Fleurs, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Art
Materials
Stencil, Lithograph
Vuillard, Le Parasol Orange, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Art
Materials
Stencil, Lithograph
Vuillard, Le Square Vintimille, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Art
Materials
Stencil, Lithograph
Vuillard, La Vague, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Art
Materials
Stencil, Lithograph
Vuillard, Dans Le Bois Des Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Art
Materials
Stencil, Lithograph
Vuillard, La Passerelle, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Art
Materials
Stencil, Lithograph
Vuillard, La Tourelle, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Art
Materials
Stencil, Lithograph
Vuillard, Madame Vuillard A Table, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Art
Materials
Lithograph, Stencil
Vuillard, Le Salon Aux Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Art
Materials
Lithograph, Stencil
Vuillard, La Chambre De Vuillard Aux Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Art
Materials
Stencil, Lithograph
Vuillard, Les Communs Au Chateau Des Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Art
Materials
Stencil, Lithograph
Hilltown Fantasia by Lesley Powell, Oil French Scene with Green
Located in Atlanta, GA
Immerse yourself in the picturesque beauty of "Hilltown Fantasia," an oil on canvas painting by Lesley Powell. This contemporary landscape captures the enchanting charm of a hillside...
Category
21st Century and Contemporary Post-Impressionist Art
Materials
Oil, Wood Panel
Gauguin, Change of Residence (Changement de résidence), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Art
Materials
Woodcut
Gauguin, Spirit of the Dead (Manaò tupapaú), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Art
Materials
Woodcut
Gauguin, Delightful Land (Nave nave fenua), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Art
Materials
Woodcut
Gauguin, Women at the River (Auti te pape), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Art
Materials
Woodcut
Gauguin, The Creation of the Universe (L'Univers est créé), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Art
Materials
Woodcut
Gauguin, The Long Night (Te Po), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Art
Materials
Woodcut
Gauguin, Be in Love and You will be Happy, Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Art
Materials
Woodcut
Gauguin, The God (Te atua), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
1940s Post-Impressionist Art
Materials
Woodcut
Gauguin, Here We Make Love (Te Faruru), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
1940s Post-Impressionist Art
Materials
Woodcut
Gauguin, The Devil Speaks (Mahna No Varua Ino), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
1940s Post-Impressionist Art
Materials
Woodcut
Mid 20th Century French Post-Impressionist Oil The Old Harbor
Located in Cirencester, Gloucestershire
The Old Harbour
by Regine David (female French artist, 1910-2018)
oil painting on board, unframed
measures: 10.5 x 16 inches
condition: the painting is in very sound and presentable ...
Category
Mid-20th Century Post-Impressionist Art
Materials
Oil
Woman posing mixed media painting
By Jordi Curos
Located in Barcelona, Barcelona
Jordi Curós Ventura (1930-2007) - Woman
Mixed technique on canvas cardboard.
Work measurements 41x33 cm.
Frameless.
Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...
Category
1970s Post-Impressionist Art
Materials
Mixed Media
Woman posing mixed media painting
By Jordi Curos
Located in Barcelona, Barcelona
Jordi Curós Ventura (1930-2007) - Woman
Mixed technique on canvas cardboard.
Work measurements 41x33 cm.
Frameless.
Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...
Category
1970s Post-Impressionist Art
Materials
Mixed Media
Woman posing with guitar mixed media painting
By Jordi Curos
Located in Barcelona, Barcelona
Jordi Curós Ventura (1930-2007) - Woman
Mixed technique on canvas cardboard.
Work measurements 41x33 cm.
Frameless.
Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...
Category
1970s Post-Impressionist Art
Materials
Mixed Media
Toledo Spain oil on canvas painting spanish landscape
Located in Barcelona, Barcelona
Ignacio Gil Sala (1913-2003) - Toledo - Oil on canvas
Oil measures 73x92 cm.
Frameless.
Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who kn...
Category
1970s Post-Impressionist Art
Materials
Oil, Canvas
“Petite Bouquet Rouge”
Located in Southampton, NY
Original oil on canvas painting of a floral still life by the well known French artist, Gaston Sebire. Signed lower right by the artist. Signed and titled verso. Circa 1965. Condi...
Category
1960s Post-Impressionist Art
Materials
Canvas, Oil
Lush Tree Lined Towpath on the River Lagan in Northern Ireland by Irish Artist
Located in Preston, GB
Lush Tree Lined Towpath on the River Lagan in Northern Ireland by 20th Century Irish Artist, Jim Matthews
Art measures 30 x 20 inches
Frame measures 36 x 26 inches
This unique orig...
Category
1980s Post-Impressionist Art
Materials
Canvas, Cotton Canvas, Oil
Vintage Oil Painting of River in Countryside of Northern Ireland by Irish Artist
Located in Preston, GB
Vintage Post-Impressionist Oil Painting of a Tree-Lined River in the Countryside of Northern Ireland by 20th Century Irish Artist, Ray Cochrane.
Art measures 12 x 10 inches
Frame me...
Category
1980s Post-Impressionist Art
Materials
Canvas, Oil
La Rochelle France mixed media painting urbanscape
Located in Barcelona, Barcelona
Emilio Grau Sala (1911-1975) - La Rochelle - Mixed media
Artwork 49x65 cm.
Frame measures 69x85 cm.
Son of cartoonist Juan Grau Miró, he was born in Barcelona in 1911. Although he a...
Category
1950s Post-Impressionist Art
Materials
Mixed Media
Cézanne, Paysage à Aix, Les Réalistes Lyriques (after)
By Paul Cézanne
Located in Auburn Hills, MI
Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Les Réalistes Lyriques, VIII, Collection Pierre Levy, 1973; published by Fe...
Category
1970s Post-Impressionist Art
Materials
Lithograph
Degas, Deux hommes en pied, Les Réalistes Lyriques (after)
By Edgar Degas
Located in Auburn Hills, MI
Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Les Réalistes Lyriques, VIII, Collection Pierre Levy, 1973; published by Fe...
Category
1970s Post-Impressionist Art
Materials
Lithograph
Woman posing mixed media painting
By Jordi Curos
Located in Barcelona, Barcelona
Jordi Curós Ventura (1930-2007) - Woman
Mixed technique on canvas cardboard.
Work measurements 46x38 cm.
Frameless.
Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...
Category
1970s Post-Impressionist Art
Materials
Mixed Media
almond trees in bloom Spain oil painting spanish landscape
Located in Barcelona, Barcelona
Rafael Duran Benet (1931-2015) - Cadaques - Oil on canvas on cardboard
Oil measurements 46x55 cm.
Frameless.
Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan paint...
Category
1980s Post-Impressionist Art
Materials
Canvas, Oil, Cardboard
Cadaques Spain oil on canvas painting spanish mediterranean seascape
Located in Barcelona, Barcelona
Oil measures 38x46 cm.
Frame 52x60 cm.
Catalan painter trained in Olot and the Llotja in Barcelona, where he was a disciple of Lluis Muntané. Through his travels he completes his training.
He was in Paris for a year studying Van Gogh, Cezanne and Gaugin. The following year in Holland he studied Franz...
Category
1960s Post-Impressionist Art
Materials
Canvas, Oil
Sant Carles de la Rapita Spain oil on canvas painting landscape seascape
Located in Barcelona, Barcelona
Antonio Sala Herrero (1927-2012) - Landscape - Oil on canvas.
Oil measures 38x46 cm.
Frame measures 59x67 cm.
Category
1970s Post-Impressionist Art
Materials
Canvas, Oil
Cadaques Spain oil painting spanish mediterranean seascape
Located in Barcelona, Barcelona
Rafael Duran Benet (1931-2015) - Cadaques - Oil on canvas on cardboard
Oil measurements 33x41 cm.
Frame size 43x51 cm..
Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Ca...
Category
1980s Post-Impressionist Art
Materials
Oil, Cardboard, Canvas
The barn oil painting spanish landscape
Located in Barcelona, Barcelona
Jaume Mariné - the barn - Oil
Oil on canvas glued to board.
Oil measurements 27x35 cm.
Frame measurements 43x51 cm.
Born in Poblenou in 1935. died in 2012. He was the son of a wall ...
Category
1970s Post-Impressionist Art
Materials
Canvas, Oil, Board
Children playing in the park Barcelona Spain oil on canvas painting
Located in Barcelona, Barcelona
Ignacio Gil Sala (1913-2003) - Barcelona - Oil on canvas
Oil measures 38x46 cm.
Frameless.
Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic training at the age of nine, Gil Sala entered the School of Fine Arts in Barcelona, where he had as teachers Felix Mestres and Vicente Borrás. Already in 1930, being still almost an apprentice, he obtained the bronze medal of the School, and in 1936 he won by contest a scholarship to make a study trip through Spain. Those were the difficult moments of the outbreak of the Civil War and thanks to the help of the sculptor Mariano Benlliure...
Category
1980s Post-Impressionist Art
Materials
Canvas, Oil
View to Sacre Coeur by Lesley Powell, Oil Parisian Scene with Green and Blue
Located in Atlanta, GA
Lesley Powell paints in oils with a classical approach to composition and color, but she has a point of view that is fresh and contemporary. Whenever possible, she prefers to paint f...
Category
21st Century and Contemporary Post-Impressionist Art
Materials
Oil, Wood Panel
The sisters young women original oil on canvas painting
Located in Barcelona, Barcelona
Frame size 98x117 cm.
Ramon Aguilar i Moré (Barcelona, 1924-Barcelona, September 23, 2015) was a Spanish painter. His work was influenced by the expressionist movement, although...
Category
1970s Post-Impressionist Art
Materials
Canvas, Oil
Garden landscape oil on canvas painting Spain Europe
Located in Barcelona, Barcelona
Rafael Duran Benet (1931-2015) - Garden - Oil on canvas
Oil measurements 81x100 cm.
Frameless.
Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of ...
Category
1960s Post-Impressionist Art
Materials
Canvas, Oil
Primavera en jardín (Spring in garden). Post-impressionist female figure sitting
By Joan Raset
Located in Segovia, ES
Primavera en jardín ( Spring in garden).
Oil on canvas by Spanish artist Joan Raset.
Dimension with frame 104 cm H x 121 cm W x 4,5 cm D
Dimension without frame 73 cm H x 92 cm W x 2...
Category
Early 2000s Post-Impressionist Art
Materials
Oil, Canvas
Mother and daughter on the beach Spain oil on board painting marternity
Located in Barcelona, Barcelona
Gabriel Casarrubios Martín (1953) - Maternity - Oil on panel
Oil size 22x27 cm.
Frameless.
Gabriel Casarrubios Martín (1953)
The Toledo artist trained in Fine Arts in Madrid, at th...
Category
21st Century and Contemporary Post-Impressionist Art
Materials
Oil, Board
Mother and daughter on the beach Spain oil on board painting marternity
Located in Barcelona, Barcelona
Gabriel Casarrubios Martín (1953) - Maternity - Oil on panel
Oil size 22x27 cm.
Frameless.
Gabriel Casarrubios Martín (1953)
The Toledo artist trained in Fine Arts in Madrid, at th...
Category
21st Century and Contemporary Post-Impressionist Art
Materials
Board, Oil
Woman by the sea oil on canvas painting mediterranean
Located in Barcelona, Barcelona
Frame size 69x60 cm.
Category
21st Century and Contemporary Post-Impressionist Art
Materials
Canvas, Oil
Spain oil painting urbanscape houses
Located in Barcelona, Barcelona
Rafael Duran Benet (1931-2015) - Spain - Oil on canvas on board
Oil measurements 22x27 cm.
Frameless.
Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nep...
Category
1960s Post-Impressionist Art
Materials
Oil, Canvas, Board
Women of Ibiza Spain oil on board painting
Located in Barcelona, Barcelona
Gabriel Casarrubios Martín (1953) - Ibiza - Oil on panel
Oil size 22x27 cm.
Frameless.
Gabriel Casarrubios Martín (1953)
The Toledo artist trained in Fine Arts in Madrid, at the Sa...
Category
21st Century and Contemporary Post-Impressionist Art
Materials
Board, Oil
Woman posing mixed media painting
By Jordi Curos
Located in Barcelona, Barcelona
Jordi Curós Ventura (1930-2007) - Woman
Mixed technique on canvas cardboard.
Work measurements 35x27 cm.
Frame size 40x32 cm.
Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a ...
Category
1970s Post-Impressionist Art
Materials
Mixed Media
Honfleur France oil on canvas painting french seascape urbanscape
Located in Barcelona, Barcelona
Rafael Duran Benet (1931-2015) - Honfleur - Oil on canvas
Oil measurements 33x41 cm.
Frameless.
Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of...
Category
1960s Post-Impressionist Art
Materials
Oil, Canvas
Marquet, Composition, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category
1960s Post-Impressionist Art
Materials
Lithograph
Marquet, Composition, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category
1960s Post-Impressionist Art
Materials
Lithograph
Marquet, Composition, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category
1960s Post-Impressionist Art
Materials
Lithograph
Marquet, Composition, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category
1960s Post-Impressionist Art
Materials
Lithograph
Marquet, Auto-portrait, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Présence de Marquet, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Art
Materials
Lithograph
Woman posing mixed media painting
By Jordi Curos
Located in Barcelona, Barcelona
Jordi Curós Ventura (1930-2007) - Woman
Mixed technique on canvas cardboard.
Work measurements 46x38 cm.
Frameless.
Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...
Category
1970s Post-Impressionist Art
Materials
Mixed Media
Utrillo, Composition, Éloge de Maurice Utrillo (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category
1950s Post-Impressionist Art
Materials
Lithograph
Post-impressionist art for sale on 1stDibs.
Find a wide variety of authentic Post-Impressionist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Victor Di Gesu, Mitchell Funk, Maria Bertrán, and Rafael Duran Benet. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist art, so small editions measuring 0.1 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $2,835,000, while the average work sells for $2,250.