Post-Impressionist Art

Beautiful signed oil on board landscape circa 1920 by sought after post impressionist painter Victor Charreton. The piece depicts a figure walking through green rolling fields with h...

This piece is an original lithograph in five colors by Pablo Picasso, created in 1954. Each of the 5 colors of this lithograph was executed with litho crayon on transparent transfer...

Provence Village Landscape, summer scene of village houses by Louis Bellon (French 1908-1998) Unsigned, inscribed verso, from a batch of similar work where most were dated 1942-1947 ...

Beautiful 1940's French post impressionist oil on board by Simon Simon-Auguste. The work depicts a simple bedroom interior with shoes, candle and a single picture on the wall. Signed lower left and presented in a swept impressionist style frame. Provenance: Chilham Castle, Kent Artist: Simon Simon-Auguste (French, 1909-1987) Title: Bedroom Interior Medium: Oil on board Size: 25.5 x 30.5 inches (65 x 77 cm) including frame Simon Joseph Simon-Auguste (20 April 1909 – May 1987) was a French artist, known for his intimate paintings, mainly portraits, nudes and still lifes. His production is characterized by a calm, intimate feel, and the effective use of glaze. Born in Marseille, Simon-Auguste was the son of Antonin Auguste, a cabinetmaker specialized in restoring furniture in the chateaux of the Provence. Simon studied at the École communale of his neighborhood at rue Eydoux, in Marseille, where he excelled in design. In 1931 Simon-Auguste finished his studies at the École des Beaux-Arts and won the Stanislas-Torrents award. He was commissioned to execute the mural decorations of the town hall in Allauch. He began exhibiting in Marseille where doctors and lawyers purchased his paintings. In 1932 he invested into a 6-month stay in Paris where he frequented the Louvre Museum and became specially interested in the Camondo Collection. At the invitation of art dealer Adolphe Basler, he took part in the Moins de trente ans exhibition, at the Galerie de Sèvres, along with Jacques Despierre, André Hambourg, Louis Dideron, Léon Couturier, among others. He presented a nude, a still life, and a view of the Jardin du Luxembourg. He also started dealing with Georges Petit and the Galerie Vildrac. In 1933 Simon-Auguste had his first solo exhibition at the Galerie Detailles, at the Canebière in Marseille which contributed to his success. He displayed 40 pieces (paintings, watercolours and sketches), mostly nudes and genre scenes. In 1934 he married a philosophy student who would become a journalist under the pseudonym of Michele Seurière. For his second solo exhibition at the Galerie Detailles a few landscapes and marines were added to his portfolio. During the 1930s Simon-Auguste explored subjects around nudes and landscapes. Later these evolved into children, still lifes and locals, full of intimacy and simplicity, which gained him a lot of recognition. Among these, we find La fillette au bol and Tête d'Enfant, which were purchased by the Musée Longchamp, Marseille. It was 1939 when he could afford to move to Paris. The family settled at 38 rue de Malte and Simon-Auguste started submitting his work to the Salon d'Automne, Salon des Peintres Témoins de Leur Temps, and other major exhibitions. At the outbreak of World War II, he was on holiday in Auvergne. In 1940, he was mobilized. Within two months he had to retreat to Ussel, forced by his ill health. In 1941 he reconverted a rented farm there into his atelier. Simon-Auguste returned to Paris after the Liberation in 1944, to take part for the first time in the Nationale with La Fillette aux Pommes. Up to 1947 Simon-Auguste signed his paintings with fountain pen ink. Afterwards, he used brush oil. He spent some Summer holidays in Villiers-sur-Morin in the late 1940s. In 1949 he traveled around Italy: Rome, Florence, Siena, San-Giminiano, Venice, Milan. In 1950 he was appointed member at the Salon d’Automne. This year he submitted Le Café du Commerce to the Grand Prix de la Peinture Contemporaine, at the Marsan Pavilion (Louvre Museum). He was amongst the 100 painters selected by the jury. Also in 1950 the city of Paris acquired his Marine de La Rochelle. The Musée du Château de Sceaux acquired Paysage de l'Ille-de-France. The French state acquired La Fillette à la lampe in 1952, Nature morte aux Bleuets in 1953, and Comme un Poisson dans l’Eau in 1955. In 1951 he contributed to an itinerant exhibition around Switzerland (Bern, Lausanne and Geneva) about Les fleurs et les fruits...

This exquisite lithograph by Henri Matisse (1869–1954), titled La Chute d’Icare (The Fall of Icarus), from Verve, Revue Artistique et Litteraire, Vol. IV, No. 13, originates from the...

This vibrant artwork showcases an abundant bouquet of flowers, expertly arranged in a rustic, earth-toned vase. The composition bursts with a rich palette of vivid pinks, warm yellow...

Bords de l'Arc en Provence by Charles Camoin (1879-1965) Oil on canvas 65 x 81 cm (25 ⁵/₈ x 31 ⁷/₈ inches) Signed lower left, Camoin Signed and titled on the reverse Executed in 1907...

"This landscape painting was created on Lake Walensee, en plein-air." said Anna Shesterikova about this artwork. "I really love depicting the yachts! For me they are a symbol of rela...

Original oil on canvas painting of bucolic landscape with a mother and her child walking on a country path. Signed lower right by the artist “Bernard Viegers”. Great use of light an...

This painting from early October 1927 captures the shifting colours of sunset over Lake Vättern as seen from the historic town of Vadstena. The composition is remarkably direct and f...

Mid Century French Landscape by Josine Vignon (French 1922-2022) Medium: Watercolour on artists paper Size: 7 height) x 9 (width) Stamped Verso Condition: Good Provenance: All the pa...

Provençal Riverside Village Landscape, French Post-Impressionist Oil c.1930 French School, circa 1930s signed oil on board, unframed Board: 25.5 x 32 inches Double sided work with f...

Portrait by Édouard Righetti (1924-2001) Signed lower front oil painting on canvas, beautifully painted with rick thick impasto oil and bold colors....

Rafael Duran Benet (1931-2015) - Cadaques - Oil on canvas on cardboard Oil measurements 33x41 cm. Frame size 43x51 cm.. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Ca...

Original oil paint on board painting of three boats in a harbor by the well known American artist, Harry Leith-Ross. Signed lower right “Leith-Ross”. Condition is excellent. Circa...

This exquisite lithograph by Andre Derain (1880–1954), titled Au Jardin d'Allah (In the Garden of Allah), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from t...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on canvas, unframed Size : 18 x 22 inches Provenance: private collection, France Condition: The painting is in overal...

This small scenic painting was created in the summer of 2023 at Lake Walensee in Switzerland. The evening sun colors the small marina with its warm rays. A day full of adventure come...

Original oil painting by Huguette Baudrot (French, 1929-2023) *see further notes below Post-Impressionist oil painting by the well listed and admired female French painter, Huguette...

Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...

Joseph B. O'Sickey (American, 1918-2013) Evening Still Life Oil on canvas Signed lower right 32 x 24.5 inches 34.25 x 27.25 inches, framed Joseph O'Sickey, born in Detroit in 1918, ...

Le Jardin French School, typical of the Ecole de Paris movement circa 1930's period signed oil painting on board, unframed painting: 15 x 12 inches condition: very good provenance: p...

Artist: Dimitrie Berea, Romanian (1908 - 1975) Title: St. Paul de Vence Year: 1957 Medium: Oil on Canvas, signed Size: 29 in. x 39 in. (73.66 cm x 99.06 cm) Frame Size: 41 x 47 ...

Title: Coastal Estuary with Distant Boats and Tidal Posts Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour and Gouache on card, unframed Size (H x W): 6.75 x 11.7...

Artist: Gabriel Casarrubios Martín (Spain, born 1953) Title: Beach Day Medium: Oil on board Dimensions: 19 × 33 cm (7.5 × 13 in) Signature: Signed lower left Period: Circa 2000 ...

Work on canvas This painting by Josep Maria Mallol Suazo (1910-1986) depicts a lively country scene, bathed in warm light. In the foreground, a large leafy tree dominates the compos...

Title: FFrench Lakeside Park Scene with Figures and Tree Watercolor Signed Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Size (H x W): 6.25 x 12.75 inch...

The French Town French School (Fauvist), mid 20th century indistinctly signed lower front oil painting on artists board, unframed size: 15 x 18 inches condition: very good provenance: from a private collection in Paris Superb mid 20th century French Fauvist...

This oil on canvas painting was done by the American artist, Warren Sheppard. Signed twice lower left. One signature over another. See signatures photo's. Circa 1920 to 1930. Recently lightly cleaned and gold leaf frame custom made for the painting. Overall 27 by 37 inches. Some craquelure; mainly in sky. Otherwise, good condition. A student of Dutch marine artist, Mauritz de Haas, Warren Sheppard built two successful careers around his love of the sea: marine painting and yacht designing. He was born in Greenwich, New Jersey, a town on the Delaware River below Philadelphia, which has been associated with ships and shipping since the earliest Colonial times. His father was a sea captain and the young Sheppard took many voyages with his father to make artistic studies. He learned perspective drawing at Cooper Union in New York City in addition to his studies with de Haas. In 1879, he spent four months sketching Mediterranean port cities including Gibraltar, Genoa, Naples and Messina in Sicily. Between 1888 and 1893, he also studied painting in Venice and Paris. By the time he was in his mid-thirties, he had established himself as a successful illustrator and painter. The yachts he painted were the most lavish of his day, owned by the wealthiest of men. He was an expert in the design and rigging of ships of present and earlier times. His work was highly regarded for its authenticity as well as its artistic merit.Sheppard was also an expert navigator and sailed a number of famous yachts in races. Twice he was to command Tamerlane when it won the New York to Bermuda run. His book, Practical Navigation, was used for many years by the United States Naval Academy...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu VI (Blue Nude VI), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Rev...

Artist/ School: French School, circa 1930's, inscribed verso. Title: Summer in Provence Medium: oil painting on canvas board, unframed, board: 1...

The bindings hold the form but do not define the state. Inside, a sense of balance remains that does not depend on how the situation appears from the outside. Touch unfolds as trust...

As a French Impressionist artist, most of the Delarue's works were produced in the Mid-20th Century. He was known for his charming compositions and with a passion to portray life by ...

Title: French Mid 20th Century Watercolor Landscape of Hillside Village and Pond by Anne Marie Migette Perard (French 1902-1977) Medium: Watercolor on unframed paper Size: 18.25 inc...

Signed oil on canvas landscape circa 1930 by French post impressionist painter Elisee Maclet. The work depicts a view the River Marne in Charenton-le-Pont, a commune in the southeast...

Provencal Landscape by Louis Bellon (French 1908-1998) signed inscribed verso From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed me...

Flowers on Window Sill by Guy Charon, French (1927) Date: circa 1977 Lithograph, signed and numbered in pencil Edition of 250, EA Image Size: 25.5 x 19.5 i...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

The landscape painting "Rapsfeld" was painted in the Rhine Valley in Switzerland in spring 2018. The Liechtenstein Three Sisters mountain can be seen in the background. Rapeseed is v...

Paris, Montmartre in the snow, the Cabaret au Lapin Agile favourite of Picasso, Modigliani and Utrillo, late mid century French oil on board by Jean Mesturini. The painting is signed...

Title: Provence House with Cypress Trees Pastel Pierre Neveu 1982 Artist: Pierre Neveu (French b.1929) Medium: Pastel on paper, unframed Size (H x W): 19.75 x 25.75 inches Signed low...

New York Night Skyline with Illuminated Bridges Post Impressionist Oil Artist: Guillem Villà Bassols (1917–2005) Title: New York at Night Year: 1981 Medium: Oil on canvas Dimensions: 50 × 65 cm / 19.69 × 25.6 in Framing: Unframed Signature: Signed and dated on the reverse Condition: Good overall condition with normal signs of age and handling consistent with period Description Atmospheric post-impressionist oil painting depicting the illuminated skyline of New York City at night, executed by Spanish painter Guillem Villà Bassols in 1981. The composition captures the electric rhythm of Manhattan through glowing suspension bridges, deep cobalt blue waters and geometric urban architecture vibrating under artificial light. The work possesses a striking cinematic quality, somewhere between the dreamlike urban visions of the School of Paris and the nocturnal energy of mid-century American cityscapes. The luminous bridges cut across the composition like neon arteries suspended over the dark river, while the reflections and scattered lights create an almost musical cadence across the canvas. 🌃 Villà Bassols reduces the city into expressive chromatic blocks and shimmering points of light, achieving a sophisticated balance between abstraction and recognizable urban structure. The palette of electric blues, violets and acidic yellows gives the painting a highly decorative yet emotionally charged presence. This type of metropolitan nocturne is particularly sought after for contemporary interiors, collectors of post-impressionist urban scenes, and interiors inspired by New York modernism. An elegant and highly atmospheric European interpretation of NYC during the late twentieth century. Artist Bio Guillem Villà Bassols (1917–2005) was a Spanish painter associated with the Masnou School near Barcelona. Working alongside his brother Miquel, he developed a highly personal visual language characterized by strong construction, expressive forms and an intensely lyrical use of color. His oeuvre includes landscapes, still lifes, figures and urban scenes, often distinguished by their emotional atmosphere and vibrant chromatic structures. Villà Bassols combined Mediterranean sensibility with modern European pictorial tendencies, producing works that balance structure, rhythm and painterly freedom. Artistic Context This work resonates with the poetic urban sensibility found in certain European post-impressionist and modern city painters, blending the emotional color treatment of School of Paris artists with the architectural dynamism of twentieth-century metropolitan painting. Its luminous bridges and fragmented skyline evoke the romanticized vision of New York as a modern electric cathedral, transforming infrastructure into pure pictorial rhythm. New York painting, NYC skyline, Brooklyn Bridge painting...

This work redefines luxury as an inner state rather than a sign of external abundance. Flowers become a metaphor for self-attention, a desire for beauty, and the preservation of sens...

This exquisite lithograph after Andre Derain (1880–1954), titled Port de Collioure (Port of Collioure), from the folio Fauves, VII, Collection Pierre Levy, 1972, originates from the ...

Rafael Duran Benet (1931-2015) - Sevilla - Oil on canvas on board Oil measurements 38x46 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, n...

Title: Menton Coastal Townscape with Church Tower and Mediterranean Sea Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W): ...

Title: Luberon Hillside View Lacostec French Landscape Rooftops Trees and Blue Sky Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Inscribed “Lacos...

Title: French Winter Riverbank Landscape Minimalist Watercolor Signed 1985 Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card, unframed Size (H x W): 7 x 11.25 inches S...

Signed pointillist landscape oil on canvas circa 1920 by French neo-impressionist painter Jeanne Selmersheim-Desgrange. The piece depicts a view of sail boats in a harbour at Colliou...

signed lower left . The French artist Claude Hemeret was born on May 23, 1929. After classical studies at the lycée du Parc Imperial in Nice, he started at the l'Ecole National des A...

Title: Riverside Village Hills Trees Reflections and Sunlit Fields Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W): 6.5 x ...

Emile Albert Gruppe was a very well known Cape Ann, Massachusetts painter who founded his own Gruppe Summer School in 1942. He was born in Rochester, NY in 1896 and studied at the A...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Icare (Icarus), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Braziller, I...

Gustaf Theodor Wallén (1860–1948) Swedish  Afternoon Mood, c. 1886-1887 oil on canvas signed G.T.Wallén unframed 100 x 150 cm (39 ⅜ x 59 in) framed 130 x 180 cm (51 ⅛ x 70 ⅞ in) ...

Provencal Landscape by Louis Bellon (French 1908-1998) signed From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 11 x...

Signed lower left, 'Ib Eisner' (Danish, 1925-2003) and dated, lower right, 1953. Displayed in a period, carved gilt-wood frame. Framed dimensions: 19 x 21.5 x 1.5 inches. A lyrica...

Seaside Cafe Scene Artist: Pierre Neveu (French b.1929) Medium: oil on canvas, unframed Canvas: 35 x 45.5 inches Condition: Good and sound condition Provenance: From the artist’s stu...

Valeri Farràs (L’Estany, 1950) Mediterranean Landscape with Path and Houses Medium: Oil on canvas Dimensions: 38 × 46 cm (approx. 15.0 × 18.1 in) Framing: Unframed Signature: Hand-...

Large and heavy with magnificent patina. This is the large version of this piece. we cannot find any markings on it and it might be unique. Nicky Imber (Vienna, Austria, 1920 -1996) was a multidisciplinary Jewish artist best known for his sculptures on Jewish themes. Grand nephew of Naftali Herz Imber, author of the Israeli national anthem 'Hatikva'. After escaping the Nazi concentration camp in Dachau, he pledged to dedicate his art to perpetuating the memory of the Holocaust. Among his more famous works are "The Hope" and "The Love of Torah". His work can be seen around the world, in Northern Israel, the United States, and the Venezuelan Museum of Natural History in Caracas. Nicky Imber was born in Vienna, Austria. During his studies at the Academy of Arts in Vienna, he drew anti-Nazi caricatures for Jewish student publications. After several thwarted attempts by the family to leave Vienna, in 1938, in the wake of the 'Anschluss', Imber was deported to Dachau. Witnessing the murders of family and friends, he plotted his escape. Using skills he had learned in art school, he made a face mask out of bread and sand, stole a Nazi soldier's uniform and walked out the front gate unnoticed. In 1940, he boarded a ship headed to Haifa. The ship's passengers were refused entry by the British mandatory authorities and imprisoned in a detention camp in Mauritius. In 1943, Imber worked out a deal with the authorities for his release by joining the British Army, serving as a war artist and a dental assistant in East Africa. After the war, he opened an art school in Nairobi, Kenya, and worked as a photographer and a safari guide. In 1949 to 1954, he lived in Venezuela, where he was contracted to do an East African Diorama series. The National Museum added an entire wing to display it. During this period he got married and had a daughter Raquel, who accompanied and assisted him. In 1959, Imber was commissioned to create sculptures and dioramas for the Haifa Prehistory Museum at Gan Ha-em in Haifa, Israel. In 1960 he returned to Venezuela to restaured the Phelps series of Dioramas for the Museum in Caracas. Between 1961 and 1971 he travelled extensively around Europe and after establishing an international name for himself, returned to the United States. In New York he became famous for his realistic oil paintings of portraits of Aga Khan, Tyrone Power, Ava Gardner, David Ben-Gurion, Golda Meir, Sir Richard Burton...