Post-Impressionist Art

Signed Oliveras - Fisherman's Beach - Oil on canvas. Slight paint chips on the sides that covered the frame. Oil measurements 61x122 cm. Frameless.

This contemporary abstract expressionist fauvist landscape depicting Provence, titled "Clouds over cypress", in the south of France, was created by French artist Natalya Mougenot as ...

The artist Anna Shesterikova painted this picture in Italy, during her June trip in 2025. The canvas depicts a picturesque corner of Liguria - the ancient bridge in Dolceacqua, famou...

Antique American school pointillist landscape painting. Oil on board, circa 1920. Unsigned. Displayed in a period impressionist frame. Image size, 14"L x 16"H.

Profusion of Flowers by Max Toutain (French, 20th century) signed oil on canvas, framed framed: 34 x 26 inches canvas : 29 x 21 inches Provenance: private collection, Provence Condit...

ARTIST: John Yardley R.I. (1933-) British TITLE: "Cafe Restaurant Interior Scene" (probably France) SIGNED: lower right MEDIUM: watercolour on paper S...

The Blue Coast signed by Max Toutain (1935-2006) oil painting on canvas, framed framed: 31 x 42 inches canvas : 26 x 36 inches Provenance: all the paintings we have by this artist ha...

This striking British Post Impressionist portrait oil painting is by noted Manchester artist Harry Rutherford. Painted circa 1940, the portrait is of a dark haired young woman in a f...

This atmospheric landscape from 1910 offers a rare glimpse into a lesser-known side of Sam Uhrdin’s work. Painted before his formal art education, the canvas reveals an emerging arti...

This painting depicts a colorful Mid Century Street in Paris France, a popular subject of the times painted by many important impressionist 20th Century painters. This piece is a bol...

Luminoso quadro con mazzo di fiori arancioni su fondo verde

Signed oil on canvas landscape circa 1930 by German post impressionist painter Max Clarenbach. The work depicts a winter scene, with snow laying thick on the ground. To the foregroun...

This painting depicts an interior scene done in Paris. The fun details are what make this painting so attractive and desirable; there is a wine bottle and flowers on top of the table...

A beautiful oil on canvas painting by the French artist Andre Franchet. He was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

Title: Woman with Guitar Artist: Jordi Curós Ventura (1930–2017) Technique: Mixed media on canvas board Dimensions: 46 x 55 cm Framed: No Period: S...

Gabriel Godard (1933-2023) The Red Bush, 1979 Oil on canvas Artwork: 28 x 20 1/2 in. l 71 x 52 cm Framed: 31 1/2 x 24 in. l 80 x 61 cm Signed lower left Condition: Perfect condition...

Provencal Landscape by Louis Bellon (French 1908-1998) inscribed verso From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measureme...

We are pleased to offer an exquisite painting by Finnish artist Reino Partanen (1889–1972), titled Birch Trees and Snow-Laden Spruces. Created in 1927, this impressive work measures ...

Title: Mid Century French Ink Drawings of Interior Scene with Woman Resting in Bed Artist: Josine Vignon (French 1922-2022) Medium: Ink on paper Size: 4.75 (height) x 7.25 (width)...

Penny Whent (American, born 1949) "Asilomar Beach" 2024 Acrylic Paint, Canvas, Stretcher Bars The artist signed the back of the painting. “Along Asilomar” by Penny Whent captures th...

The Town Rooftops Signed verso, inscribed 'Paris' French artist, first half of the 20th century oil on on canvas, unframed canvas : 21 x 29 inches Provenance: private collection, Fra...

Oil measures 33x41 cm. Frame 50x58 cm. Catalan painter trained in Olot and the Llotja in Barcelona, ​​where he was a disciple of Lluis Muntané. Through his travels he completes his training. He was in Paris for a year studying Van Gogh, Cezanne and Gaugin. The following year in Holland he studied Franz...

"The picturesque sketch “Along the Coast” was created on one of the sunny Sundays in July 2023 when I was relaxing at Lake Walensee." said Anna Shesterikova about this artwork. "The ...

Portrait Profile of a Man by J.Williams, 1980, English oil on board, framed framed: 18.5 x 14.5 inches board : 15 x 11 inches Inscribed verso Provenance: private collection, UK Condi...

In my artwork, I've poured my soul into capturing the complex tapestry of human emotion. With each stroke of oil paint, I've interwoven a sense of resilience amidst adversity, the su...

Title: Mid Century French Elegant Ink Drawing of Various Female Portrait Sketches Artist: Josine Vignon (French 1922-2022) Medium: Pencil on paper Size: 9.5 (height) x 6.25 (width...

By Virginia Conroy Dedini (American, 1922-2006). Titled on exhibition label, 'Sheila' and created circa 1965. Exhibited: Pacific Grove Museum of Natural History, Second Annual Wate...

Original oil on canvas painting of a Parisian beauty in Paris, France by Gustave Cheri Manes. Signed lower right “Cheri” the artist’s middle name. Condition is very good. Circa 196...

A cozy little jewel, we are charmed by the rich choice of color and intimate details throughout this miniature work. This painting depicts a woman in her bedroom near the Mantel with...

A Cottage In The Forest by Harold Storey ( 1888 - 1965) signed & dated 1940 oil on board, unframed board : 6.5 x 9.5 inches Provenance: private collection Condition: sound & good con...

Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Péczely Antal Anton 1891 - 1963 Known for his Jewish genre scenes, Chess scenes and other early 20th Century salon style paintings. In the tradition of Moritz Oppenheim...

Charles Kvapil (1884-1958) "The Bather," massive oil painting on canvas signed lower right "Kvapil 1936." Charles Kvapil, born in Czechoslovakia and naturalized Belgian, is a painte...

Mid-century figurative seascape with boats by Henryk Dzienczarski, (Poland, b-1917). Signed "H. Dzienczarski" lower right. Displayed in a wood fra...

Green Fields by Josine Vignon (French 1922-2022) signed oil painting on canvas, unframed canvas: 20 x 24 inches Colors: Green colors, blue and beige. overall good condition. Pro...

In this canvas, I've captured the tranquil essence of the sea's dance with light, employing a symphony of brushstrokes to create a serene atmosphere. I was driven by the compelling c...

Josep Puigdengolas Barella (1906-1987) - Still Life - Oil on canvas Oil measures 89x116 cm. Frameless Josep Puigdengolas Barrella (Barcelona (1906 - 1987), was a Spanish landscape ...

A beautiful large 1930's French post-impressionist oil on canvas nude portrait of a lady in the artist's studio, by Bertrand Py. Excellent quality and very good condition portrait ...

Hand Signed. Edition of 130 pieces. This artwork is from the collection "Dix danseures"  Ref. Duthuit 481 Very good condition.

ARTIST: Lionel Aggett PS (1938-2009) British TITLE: "Sunrise Sully Sur Loire' SIGNED: lower left and gallery labelled verso MEDIUM: pastel on paper SIZE: 67cm x 63cm incl frame CO...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

Lithograph on vélin paper. Paper size: 9.25 x 12.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

The Quiet River French Impressionist, signed and dated 1940's oil on canvas, framed in original French frame. signed and dated framed: 35.5 x 36 inches canvas: 24 x 29 inches Prove...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 25 x 19.5 inches Beautifully decorative, mid 20th century French orig...

Andre Derain (French, 1880 – 1954) A nude looking right Pencil on paper Signed with atelier stamp (lower right) 16.1/4 x 8.1/4 in. (41.1 x 21 cm.) André Derain (10 June 1880 – 8 Sep...

Unframed Josep Serrasanta was born in Buenos Aires (Argentina) in 1916 - 1998 Valdoreix (Barcelona), to Catalan parents of Spanish nationality. His f...

“View of Villefranche-sur-Mer” Raymond Thibesart (France, 1874-1968) Oil on canvas, circa 1920s 24 x 32 1/2 (29 x 38 1/2 framed) inches Bathed in the soft and steamy light of the S...

Beautifully executed oil pastel on archival paper by the renowned American artist Louis Kronberg. Signed lower left with the artist’s trademark Star of David symbol after his signat...

In this oil creation, I've depicted a scene resonating with tales of old, channeling an ageless vitality with every stroke. The vivid colors and contrasting textures embody a bold sp...

Signed lower left, 'Georg W. Rössner' for Georg Walter Rössner (German, 1885-1972), titled 'Bildnis Lieselotte Friedländer' and painted circa 1926; original artist card verso. A sub...

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil on artists paper, double sided Size: 9.5 height) x 7.5 (width) Stamped Verso Condition: Good Provenance:...

Using vibrant oil paints, I captured the essence of a blooming field that speaks of the power and beauty of nature. In the background you can see the houses of Werdenberg and the “Th...

Héliogravure on vélin paper. Paper Size: 15 x 22.5 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Henri Matisse, Jazz, Sp...

“Girl from the Karen people” - this painting was inspired by a trip to Thailand. Far from big cities, in the mountains of Northern Thailand, among dense ...

Artist/ School: French School, late 20th century, signed Title: Lilies Medium: oil on canvas, unframed Canvas: 19.75 x 23.75 inches Provenance: private collection, France Condit...

A beautiful oil on canvas painting by the French artist, Jean Salabet. Salabet was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is comparable to those of Jules Herve, Antoine Blanchard and Edouard Cortes. This painting is a wonderful example of his work from the prime of his career. Here you see the artists vendors selling paintings along the view of Notre Dame de Paris, located on the Île de la Cité in the 4th Arrondissement of Paris. People are scattered throughout between the tree lined street. The details are magnificent as Salabet captures the architecture of Paris so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower left and it comes housed in a wonderful wood carved antique frame with linen liner and hanging wire on verso ready to be displayed. Art measures 10.75 x 13.75 inches Frame measures 16.25 x 19.25 inches Jean Salabet was a pseudonym used by the Spanish artist Juan Bayón Salado (1913-1995) in the mid-20th century. Juan Bayón Salado (Jean Salabet) was born in Bilbao Spain on June 24, 1913. He settled in Paris between 1950 and 1969 and when using the pseudonym Jean Salabet between 1950 and 1957 he was mainly selling his works through Mr...

Dick Beer (b. London 1893 - d. Stockholm 1938) Dancer Tying Her Shoes, c. 1916 (Dansösen knyter sina skor, c.1916) oil on canvas unframed 102 x 80 cm Provenance: Within the fami...

ARTIST: Frank Johnson (1917-1998) British TITLE: "Female Nude In A Living Room Interior' SIGNED: unsigned, from the artists studio sale at Bonhams Chest...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Matisse, Henri, et a...

Beautiful Post-Impressionist landscape painted in Bloomsbury Group era period and style. Oil on canvas, 18 x 24 inches; 22 x 28 inches framed. Unsigned. Some areas of paint loss as...

"Hayrolls In The Lavender Field" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist...