Post-Impressionist Art

The Interior French artist, indistinctly signed dated verso 1976, oil on canvas, framed framed: 25 x 18 inches canvas: 18 x 22 inches Inscribed verso Provenance: private collection...

Lets go V [2022] original Acrylic on deep edge canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:4cm Sold Unframed Please note that insitu i...

The Banks of the Seine signed by Édouard Righetti (1924-2001) dated 1959 or 1960 framed oil painted on canvas, beautifully painted. very good conditio...

Elisée MACLET (1881-1962) Normandy : The Old Roman Church, c. 1915 Original oil on panel Signed bottom left On board 50 x 65 cm (c. 20 x 26 in) Presented in a golden frame, 69 x 8...

Luminous early 20th Century seascape of Capri on Amalfi Coast by Albert Wenk (German, 1863-1934), 1913. Signed and dated lower left corner. Cond...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

This is an original work by Andre Kohn. Growing up near the Caspian Sea, Kohn's received a formal art education from the University of Moscow where he studied with members of the la...

Signed oil on canvas still life in landscape circa 1980 by sought after French post impressionist painter Marcel Dyf. The work depicts a view of a harbour from beyond the open green ...

"Oak Tree Lavender Field" is an exceptional oil painted on location in Provence by Maria Bertran, this Contemporary Impressionist landscape captures the beauty of Summer in the South...

The Self Portrait 19th Century French School signed oil on board, unframed board: 8.25 x 6.75 inches Provenance: private collection Condit...

Paul Elie Gernez. French ( b.1888 - d.1948 ). Danseuse De Cabaret. (Cabaret Dancer) Oil On Canvas. Signed Lower Left. Image size 15.6 inches x 12.2 inches ( 39.5cm x 31cm ). Frame si...

Provence by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 24 x 29 inches Provenance: all the paintings we have by this artist have come from the artists estate in...

Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued. Paper Size: 12 x 9.25 inches; image size: 9.45 x 7.87 inches. Inscription: Signed in the plate and unnumbe...

Artist: Kees van Dongen, Dutch (1877 - 1968) Title: Montmartre 1900 Year: 1965 Medium: Lithograph on Arches, Signed and numbered in ink Edition: 47/100 Image Size: 10.75 x 8.75 inche...

"Fragment" by Rudolf Kosow is a deeply introspective miniature painting on wood that subtly plays with shadow and light to evoke a sense of hidden depths within the human form. This ...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné reference: Matisse, ...

Paul Emile Pissarro (1884-1972) Normandy: Mountain Landscape with a River, 1955 Oil on canvas Signed lower left Countersigned on the back Title and dated on the back On canvas 20F o...

Maurice Asselin (1882-1947) A Bunch of pansies and nasturtiums Signed lower left Oil on canvas In good condition 35 x 24 cm Framed : 51 x 40 cm Maurice Asselin was particularly f...

A masterful oil painting depicting a view of a Venice Canal by Grace Paterson. As an Impressionist and orientalist painter, she was known for her detailed works depicting scenes from...

Emile OTHON FRIESZ Sainte Victoire Mountain near Aix en Provence Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) Exce...

Héliogravure on vélin paper. Paper Size: 15 x 22.5 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Henri Matisse, Jazz, Sp...

Jardin Exotique de Monaco Tony Minartz (French, 1873 - 1994) signed watercolour on artist paper painting : 12.75 x 16.5 inches Provenance: private collection in the South of France...

What could be nicer than a bouquet of roses for a beautiful woman? Just a picture of a bouquet of flowers, because it will stay with your loved one forever! Look at the warmth and ch...

RAMÓN CASAS Spanish, 1866 - 1932 CORRIDA signed "R. Casas" (lower left) oil on canvas 15 x 18-1/8 inches (38 x 46 cm.) framed: 23-1/4 x 26 inches (59 x 66 cm.) PROVENANCE The artist...

"Autumn Harvest IV" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mil...

Portrait of a Woman in Thought French School, early 20th century indistinctly signed oil on board, glass covering framed (please note the frame is a modern example) framed: 13 x 9 in...

Joseph B. O’Sickey (American, 1918–2013) Backyard Landscape Oil on canvas Signed lower right 5'10" x 6'7" Joseph O'Sickey, born in Detroit in 1918, was a painter and teacher through...

Spring Flower is a vibrant depiction of a pink roses bouquet surrounded by colorful tree branches. Comes unframed and ready to hang.

Signed figures in landscape oil on canvas circa 1920 by British post impressionist painter William Lee Hankey. The piece depicts sail boats in La Rochelle, a seaport in the Bay of Bi...

Studying art in college helped prepare Julie for 17 years of traveling the world as a professional location photographer. Houck’s travels throughout Europe, Asia and across the Unite...

Charles MALFROY French 1862 - 1918 Canvas size: 24 x 36" (60 x 90cm) Outside Frame Size: 32 x 44" (82 x 112cm) Inscribed on the reverse Charles Malfroy was born on May 22nd 1862 i...

Venice by Etienne Auguste Krier ( French, 1875 - 1953) oil on board, framed framed: 10.5 x 7.5 inches board: 8 x 6 inches Provenance: private collection, Paris Condition: very good ...

In this oil painting, I evoke the raw essence of nature and the human form, blending them through impressionistic strokes. The composition captures the interplay of light and shadow,...

Vivid abstracted landscape in vibrant fauvist hues of birch trees in green field by Libby Beth Seligman (American, b. 1958), 1977. Signed and dated lower right corner. Presented in r...

Andre DERAIN (after) London Viewed from the Thames Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 2...

"Fragment 9" by Rudolf Kosow is a striking miniature painting that employs a minimalist yet impactful use of color and form to convey deep emotional and psychological states. The art...

As a French Impressionist artist, most of the Delarue's works were produced in the Mid-20th Century. He was known for his charming compositions and with a passion to portray life by ...

Gorgeous Fauvist landscape by French painter Mathilde de Boisboissel. It depicts a mountainous landscape under a wide, deep blue sky. The most striking feature is undoubtedly the in...

In creating this piece, I sought to capture the raw, untamed beauty of a coastal hamlet. The vibrant colors imbue life into the quaint homes, juxtaposing the rough, unyielding cliffs...

Studying art in college helped prepare Julie for 17 years of traveling the world as a professional location photographer. Houck’s travels throughout Europe, Asia and across the Unite...

Dick Beer (b. London 1893 - d. Stockholm 1938) The Church in Taormina, Sicily (Kyrkan i Taormina) oil on canvas canvas dimensions 54 x 47 cm signed and dated Dick Beer 1914 painted 1914 Exhibited: Varias Konstsalong, Stockholm, 1916; Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

Well executed oil on board painting of a sailboat off the rocky coast. Signed lower right. Circa 1930. Condition is excellent. The painting is housed in a faux wood molded frame wi...

Title: Spanish Village with Church Artist: Rafael Duran Benet (1931–2015) Technique: Oil on canvas board Dimensions: 33 x 41 cm (approx. 13 x 16.1 in) Signature: Signed in the lo...

This superb Post Impressionist floral oil painting is by noted successful Russian born female artist Nadia Benois. Benois came to England and settled in L...

We are pleased to offer a captivating small oil painting by the Swedish artist Georg Stoopendaal. Despite its modest dimensions of 14 x 18.5 cm, this piece exudes a powerful presence...

This artwork, titled "Fort on the Hill," is a mesmerizing exploration of light, color, and form. The painting captures a historic stone fort nestled amidst a lush landscape of robust...

Neuquelman Lucien Paris 1909 – 1988 French Painter 'Old Harbor of Honfleur - Normandy' Signature: Signed bottom right Medium: Oil on board Dimensions: Image size 50 x 65 cm, frame s...

Provencal Landscape By Louis Bellon (French 1908-1998) From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 9.5 x 13 in...

Post-Impressionist Oil Painting of Donegal Wetlands Landscape in Ireland by 20th Century Irish Artist, Charles McNeill Caldwell. Signed, Ori...

Femme au Plateu - Le Petit Déjeuner (Madame Baron et Mademoiselle Popo) is a color lithograph realized by Henri de Toulouse Lautrec in 1896.  cm. 45,5 x 58, matted. Monogrammed in ...

Artist: Henri Matisse Medium: lithograph Portfolio: Untitled from Les Lettres Portugaises Year: 1946 Edition: 250 Framed Size: 16 3/4" x 14 1/2" Reference: Duthuit 15 Signed: Unsigned

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...

LARRY HOROWITZ (American b. 1956) "Purple Mountains," 1988, pastel on paper Hand signed and dated L/R, "Horowitz '88," Dimensions sight 19 1/2" x 23", framed, 26 1/2" x 30 1/2". L...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

André Vignoles (French, 1920-2017) Pears and Peppers, 1957 Oil on canvas Signed and dated lower left 48 in. h. x 28 in. w., as framed 39 in. h. x 19 in. w., canvas André Vignoles wa...

Frame size 91x110 cm. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that worl...

The painting "Panicled Hydrangea" (30x40 cm), done in oil on canvas in a vertical format, captures the eye with its brightness and liveliness. In the center of the composition is a b...

'A View of the Park in Menton', France, watercolour on art paper, by Tony Minartz (circa 1930s). This is a depiction of serenity in a painting. From the South of France, the artist p...

This stunning piece of The Lieutenancy, a prestigious building which sits at the entrance to the Vieux Bassin de Honfleur, which is a true witness to the history of the Norman port, ...

'The Agony in the Garden' by Jais Nielsen, 1938. Paris, Salon d’Automne, Section d'Or, Gethsemane ----- Signed lower left, 'Jais' for Johannes Knud Ove Jais-Nielsen (Danish, 1885-19...