Post-Impressionist Prints and Multiples
POSTIMPRESSIONIST STYLE
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
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Style: Post-Impressionist
Vuillard, Bouquet De Fleurs, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Stencil, Lithograph
Vuillard, Le Parasol Orange, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Stencil, Lithograph
Vuillard, Le Square Vintimille, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Stencil, Lithograph
Vuillard, La Vague, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Stencil, Lithograph
Vuillard, Dans Le Bois Des Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Stencil, Lithograph
Vuillard, La Passerelle, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Stencil, Lithograph
Vuillard, La Tourelle, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Stencil, Lithograph
Vuillard, Madame Vuillard A Table, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Vuillard, Le Salon Aux Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Vuillard, La Chambre De Vuillard Aux Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Stencil, Lithograph
Vuillard, Les Communs Au Chateau Des Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Stencil, Lithograph
Gauguin, Change of Residence (Changement de résidence), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Woodcut
Gauguin, Spirit of the Dead (Manaò tupapaú), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Woodcut
Gauguin, Delightful Land (Nave nave fenua), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Woodcut
Gauguin, Women at the River (Auti te pape), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Woodcut
Gauguin, The Creation of the Universe (L'Univers est créé), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Woodcut
Gauguin, The Long Night (Te Po), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Woodcut
Gauguin, Be in Love and You will be Happy, Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Woodcut
Gauguin, The God (Te atua), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Woodcut
Gauguin, Here We Make Love (Te Faruru), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Woodcut
Gauguin, The Devil Speaks (Mahna No Varua Ino), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Woodcut
Cézanne, Paysage à Aix, Les Réalistes Lyriques (after)
By Paul Cézanne
Located in Auburn Hills, MI
Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Les Réalistes Lyriques, VIII, Collection Pierre Levy, 1973; published by Fe...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
Degas, Deux hommes en pied, Les Réalistes Lyriques (after)
By Edgar Degas
Located in Auburn Hills, MI
Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Les Réalistes Lyriques, VIII, Collection Pierre Levy, 1973; published by Fe...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
Marquet, Composition, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Marquet, Composition, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Marquet, Composition, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Marquet, Composition, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Marquet, Auto-portrait, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Présence de Marquet, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Utrillo, Composition, Éloge de Maurice Utrillo (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Utrillo, Composition, Éloge de Maurice Utrillo (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Utrillo, Composition, Éloge de Maurice Utrillo (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
The Band, School Prints, Raoul Dufy
By Raoul Dufy
Located in Auburn Hills, MI
Lithograph on English cartridge paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Published by School Prints Ltd., London; Printe...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Lithograph
Set of Four Framed Wood Cut Prints After André Derain
By André Derain
Located in Pasadena, CA
Rare Set of Four Original Color WDCT Skira 1943 after RABELAIS (François).
The Horrible and Terrible Deeds and Prowess of the Renowned Pantagruel, King of the Dipsodes, Son of the ...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Lithograph, Woodcut
Maison Natale de Colette - Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Maison Natale de Colette is a Lithograph on ivory-colored paper realized by Luc Albert Moreau.
The artwork is in good condition.
Hand-signature on the lower right corner, numbered ...
Category
Early 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Still life lithograph
Located in Barcelona, Barcelona
Josep Moscardó (1953) - Still-life
Lithograph - Hand signed
Lithograph measures 38x52 cm.
Frameless.
Numbered 37/50
Barcelona, 1953
Painter, sculptor and draftsman of deep-rooted p...
Category
1990s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Pueblos" - Hand-Augmented Fauvist Landscape in Ink and Pastel on Paper
Located in Soquel, CA
"Pueblos" - Hand-Augmented Fauvist Landscape in Ink and Pastel on Paper
Bold and saturated depiction of pueblo buildings by Margie Dickson (American, b. 1938). These buildings are h...
Category
Late 20th Century Post-Impressionist Prints and Multiples
Materials
Paper, Pastel, Screen
Henri Matisse "La Capeline de paille d'Italie"
Located in Los Angeles, CA
HENRI MATISSE (1869-1954)
“La Capeline de paille d’Italie”
Lithographs, 1923,
45x40 cm, image; 57x46 cm, sheet size.
Signature: Lower right signed by the artist in pencil "Henri Ma...
Category
15th Century and Earlier Post-Impressionist Prints and Multiples
Materials
Lithograph
Grenade et Pipe from the Espace Portfolio
Located in Kansas City, MO
Georges Braque (after)
Title: Grenade et Pipe from the Espace Portfolio
Year: 1957
Year of Original: 1932
Medium: Pochoir (pigment print) on Richard de Bas, signed in the plate
Edit...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Pigment
Bride & Groom - Fauvist Figurative Landscape
Located in Soquel, CA
Colorful Fauvist screen print of a bride and groom with flowers in front of a colorful cityscape by Zamy Steynovitz (Polish, 1951-2000). Numbered "104/...
Category
Late 20th Century Post-Impressionist Prints and Multiples
Materials
Ink, Paper, Screen
Flowers and Fruit in Front of the Window Still Life- School of Paris
By Yves Ganne
Located in Soquel, CA
Brightly colored lithograph still-life by Yves Ganne (French, b. 1931). Signed "Y. Ganne" in the lower right corner. Numbered "19/260" in the lower left corner. Presented in a tan ma...
Category
Late 20th Century Post-Impressionist Prints and Multiples
Materials
Paper, Ink, Screen
Landscape in Provence : The Old House - Original lithograph, Handsigned
Located in Paris, FR
Jules CAVAILLES
Landscape in Provence : The Old House
Original lithograph
Handsigned in pencil
On vellum 33 x 50 cm (c. 13 x 20 inch)
Excellent condition
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Icarus - Screen Print After Henri Matisse - 1970s
Located in Roma, IT
Icarus is an original colored print realized in the 1970s after Henri Matisse.
Original colored serigraph. Very good conditions.
The artwork is from an original artwork realized b...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Screen
Switzerland : View on the Lake - Original lithograph, Handsigned
Located in Paris, FR
Jules CAVAILLES
Switzerland : View on the Lake
Original lithograph
Handsigned in pencil
Justified EA (artist proof)
On vellum 36 x 56 cm (c. 14 x 22 in)
Very good condition
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
L'arc-en-ciel - Pochoir by G. Barbier - 1920
Located in Roma, IT
This is one of the artworks in the portfolio 'Le Bonheur du Jour', by George Barbier.
Passepartout included : 34 x 49 cm
Category
1920s Post-Impressionist Prints and Multiples
Materials
Stencil
Woman at the Mirror - Etching by Armand Breton - 1920
Located in Roma, IT
Hand signed. Etching and aquatint.
Includes passepartout (49 x 34 cm ).
This etching by Armand Breton is an example of the Post-Impressionism atmosphere at the beginning of the XX...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Etching
London Viewed from the Thames - Lithograph, 1972
Located in Paris, FR
Andre DERAIN (after)
London Viewed from the Thames
Color lithograph after a painting
Printed signature in the plate
On Arches Vellum 50 x 65 cm (c. 20 x 2...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
Cowdray Castle (with cows)
Located in Roma, IT
Beautiful proof on verge, with note “Pl.194” and signed by the artist in pencil.
Full margins. Ex-coll. H.H. Benedict (Lugt 1298), with dry stamp not identified.
Ref. Cat. Harrington...
Category
1880s Post-Impressionist Prints and Multiples
Materials
Etching, Drypoint
'Monterey at Sunset', California Post-Impressionist Landscape
By John Maxon
Located in Santa Cruz, CA
A substantial trillium monotype landscape showing a view of the cultivated fields and coastal hills of Monterey County, California bathed in the glow of a radiant sunset.
Signed lower left, "Maxon" for John Maxon (American, 20th century) and created circa 1985.
Coming from a western tradition in Wyoming, John Maxon developed an expansive view of nature and the spiritual essence it imbued. Moving eventually to the San Francisco Bay area, John’s delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged and, at 16, he began figurative art classes with Howard Brodie.
Maxon spent his youthful days painting seriously in the fields behind Stanford University, and was fortunate to be exposed to and to study the works of Nathan Oliviera, Wayne Thiebaud and David Park during those years. He attended San Jose State University, and apprenticed for Sam Richardson...
Category
1980s Post-Impressionist Prints and Multiples
Materials
Archival Paper, Monotype
Sportsmen
Located in Storrs, CT
Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 1/4 x 5 3/4 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch...
Category
Early 1900s Post-Impressionist Prints and Multiples
Materials
Drypoint, Etching
L'enfant et les Violons - Fauvist Abstracted Figurative
Located in Soquel, CA
"L'enfant et les violons" - colorful signed original lithography by Theo Tobiasse (Lithuanian, 1927 - 2012). He was born in Israel of Lithuanian parents. Signed lower right. Numbered...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
"Woods Cove" Contemporary Impressionist Serigraph of Laguna Beach
Located in Laguna Beach, CA
"Woods Cove" is an beautiful 90 color hand pulled serigraph created from the oil painted on location in Laguna Beach, California by Maria Bertran. This Contemporary Impressionist pai...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Screen
"Laguna Vista" Contemporary Impressionist Serigraph of Laguna Beach
Located in Laguna Beach, CA
"Laguna Vista" is an beautiful hand pulled serigraph created from the oil painted on location in Laguna Beach, California by Maria Bertran. This Contemporary Impressionist painting c...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Screen
Reine de Joie - Litho After H. de Toulouse-Lautrec
Located in Roma, IT
Image dimensions: 28.3 x 20 cm.
Reine de Joie is a chromolithographed poster, signed on plate on the lower left margin by the French bohemian artist Hen...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Composition, Toulouse-Lautrec Album De Marine (after)
Located in Auburn Hills, MI
Lithograph and stencil on Papeteries de Rives paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Toulouse-Lautrec Album De Ma...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Ambassadeurs Aristide Bruant in his cabaret by Henri de Toulouse-Lautrec
Located in New York, NY
This lithographic poster illustrates Aristide Bruant who was a famous performer and cabaret owner in Paris at the turn of the 20th century. Lautrec, seizing on Bruant's trademark cos...
Category
Late 19th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Kam-Hill - Original Lithograph on Japan Paper by H.-G. Ibels - 1893
Located in Roma, IT
Kam-Hill - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels.
Black and white lithograph on paper.
Good conditions except for some ripple along ...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Lithograph
'Reclining Nude', California Post-Impressionist, de Young Museum, Fauve
Located in Santa Cruz, CA
Signed lower right, 'W.Georgetti', and created circa 1950.
Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young Museum...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Monotype, Paper, Crayon
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
By Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Post-impressionist prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Post-Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Henri Matisse, (after) André Derain, and Maria Bertrán. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist prints and multiples, so small editions measuring 3.55 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $250,000, while the average work sells for $761.
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