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Post-Impressionist Prints and Multiples

POSTIMPRESSIONIST STYLE

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

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Style: Post-Impressionist
Andre Derain, Hyde Park, from Fauves, VII, 1972 (after)
Andre Derain, Hyde Park, from Fauves, VII, 1972 (after)

Andre Derain, Hyde Park, from Fauves, VII, 1972 (after)

By André Derain

Located in Southampton, NY

This exquisite lithograph after Andre Derain (1880–1954), titled Hyde Park (Hyde Park), from the folio Fauves, VII, Collection Pierre Levy, 1972, originates from the edition publishe...

Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Blue Nude XII, from Last Works of Matisse, 1958 (after)
Henri Matisse, Blue Nude XII, from Last Works of Matisse, 1958 (after)

Henri Matisse, Blue Nude XII, from Last Works of Matisse, 1958 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu XII (Blue Nude XII), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: R...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, The Swimming Pool II, from Last Works of Matisse, 1958 (after)
Henri Matisse, The Swimming Pool II, from Last Works of Matisse, 1958 (after)

Henri Matisse, The Swimming Pool II, from Last Works of Matisse, 1958 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled La Piscine II (The Swimming Pool II), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, originates from the July 28, 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This visionary composition reflects Matisse’s late mastery of form and color, translating his celebrated cut-out aesthetic into the lithographic medium with remarkable clarity and vibrancy. Executed as a lithograph on velin du Marais paper, this work measures 14 x 42 inches (35.56 x 106.68 cm), with trifold and stitch perforations as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: La Piscine II (The Swimming Pool II) Medium: Lithograph on velin du Marais paper Dimensions: 14 x 42 inches (35.56 x 106.68 cm), with trifold and stitch perforations as issued Inscription: Unsigned and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139. Condition: Well preserved, consistent with age and medium Provenance: From Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the folio (translated from French), This double issue of VERVE is entirely devoted to the last works of Henri Matisse-1950-1954. These works, rendered in color litbography, were made by the artist, in gouache papers, cut with scissors and glued. They are accompanied by drawings executed during the same period or before. Matisse specially composed the cover of this album. Under his direction were drawn, during the year 1954, the first of these lithographic plates. The work was completed on July 28, 1958 by Mourlot Freres for lithography and by Master Printers Draeger Freres for heliogravures and typography. About the Publication: Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), published as Verve Vol. IX, No. 35-36 on July 28, 1958, represents one of the most important posthumous tributes to Henri Matisse’s final period of artistic production. Conceived and directed by the visionary publisher Teriade, this issue of Verve is entirely dedicated to the works Matisse created between 1950 and 1954, a period defined by his pioneering cut-out technique. Produced in Paris with exceptional technical precision, the publication brings together color lithographs faithfully reproducing Matisse’s gouache cut-outs alongside a selection of drawings executed during the same period or earlier. The lithographs were printed by Mourlot Freres, while Draeger Freres oversaw the heliogravures and typography, ensuring the highest level of craftsmanship. The project was initiated under Matisse’s direct supervision in 1954, with the artist guiding the early stages of translation from original cut paper compositions into lithographic form. As part of the broader legacy of Verve, one of the most influential artistic and literary publications of the twentieth century, this issue stands as a monumental record of Matisse’s final innovations, preserving the essence of his late style and affirming his enduring impact on modern art. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse La Piscine...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Blue Nude III, from Last Works of Matisse, 1958 (after)
Henri Matisse, Blue Nude III, from Last Works of Matisse, 1958 (after)

Henri Matisse, Blue Nude III, from Last Works of Matisse, 1958 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu III (Blue Nude III), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: R...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Kees van Dongen, Montmartre, from Views of Paris, 1963
Kees van Dongen, Montmartre, from Views of Paris, 1963

Kees van Dongen, Montmartre, from Views of Paris, 1963

By Kees van Dongen

Located in Southampton, NY

This exquisite lithograph by Kees van Dongen (1877–1968), titled Montmartre (Montmartre), from Regards Sur Paris (Views of Paris), originates from the January 22, 1963 issue publishe...

Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Mrs. Monique Mercier, Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Mrs. Monique Mercier, Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Mrs. Monique Mercier, Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mme Monique Mercier (Mrs. Monique Mercier), from the album Portraits par Henri Matisse (Portraits by Henri Matisse...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Mrs. M.P., from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Mrs. M.P., from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Mrs. M.P., from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame M.P. (Mrs. M.P.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from th...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Andre Derain, Still Life with Fish and the Pan, 1970 (after)
Andre Derain, Still Life with Fish and the Pan, 1970 (after)

Andre Derain, Still Life with Fish and the Pan, 1970 (after)

By André Derain

Located in Southampton, NY

This exquisite lithograph after Andre Derain (1880–1954), titled Nature morte aux Poissons (Still Life with Fish), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain bet...

Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Andre Derain, Still Life, 1970 (after)
Andre Derain, Still Life, 1970 (after)

Andre Derain, Still Life, 1970 (after)

By André Derain

Located in Southampton, NY

This exquisite lithograph after Andre Derain (1880–1954), titled Nature Morte (Still Life), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain between 1935 and 1949, V),...

Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Andre Derain, Port of Collioure, from 1880-1954, 1961 (after)
Andre Derain, Port of Collioure, from 1880-1954, 1961 (after)

Andre Derain, Port of Collioure, from 1880-1954, 1961 (after)

By André Derain

Located in Southampton, NY

This exquisite lithograph and pochoir after Andre Derain (1880–1954), titled Port de Collioure (Port of Collioure), from the folio Andre Derain 1880 - 1954, 1961, originates from the...

Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Henri Matisse, Creole Dancer, from Last Works of Matisse, 1958 (after)
Henri Matisse, Creole Dancer, from Last Works of Matisse, 1958 (after)

Henri Matisse, Creole Dancer, from Last Works of Matisse, 1958 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Danseuse Creole (Creole Dancer), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, originates from the July 28, 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This visionary composition reflects Matisse’s late mastery of form and color, translating his celebrated cut-out aesthetic into the lithographic medium with remarkable clarity and vibrancy. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Danseuse Creole (Creole Dancer) Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139. Condition: Well preserved, consistent with age and medium Provenance: From Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the folio (translated from French), This double issue of VERVE is entirely devoted to the last works of Henri Matisse-1950-1954. These works, rendered in color litbography, were made by the artist, in gouache papers, cut with scissors and glued. They are accompanied by drawings executed during the same period or before. Matisse specially composed the cover of this album. Under his direction were drawn, during the year 1954, the first of these lithographic plates. The work was completed on July 28, 1958 by Mourlot Freres for lithography and by Master Printers Draeger Freres for heliogravures and typography. About the Publication: Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), published as Verve Vol. IX, No. 35-36 on July 28, 1958, represents one of the most important posthumous tributes to Henri Matisse’s final period of artistic production. Conceived and directed by the visionary publisher Teriade, this issue of Verve is entirely dedicated to the works Matisse created between 1950 and 1954, a period defined by his pioneering cut-out technique. Produced in Paris with exceptional technical precision, the publication brings together color lithographs faithfully reproducing Matisse’s gouache cut-outs alongside a selection of drawings executed during the same period or earlier. The lithographs were printed by Mourlot Freres, while Draeger Freres oversaw the heliogravures and typography, ensuring the highest level of craftsmanship. The project was initiated under Matisse’s direct supervision in 1954, with the artist guiding the early stages of translation from original cut paper compositions into lithographic form. As part of the broader legacy of Verve, one of the most influential artistic and literary publications of the twentieth century, this issue stands as a monumental record of Matisse’s final innovations, preserving the essence of his late style and affirming his enduring impact on modern art. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Danseuse...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

North Shore - colourful, impressionist, landscape, limited edition lithograph
North Shore - colourful, impressionist, landscape, limited edition lithograph

North Shore - colourful, impressionist, landscape, limited edition lithograph

By Alfred Joseph Casson

Located in Bloomfield, ON

When the world thinks about the famous Group of Seven, this is likely the kind of image they recall—the quiet majesty of the Canadian wilderness. This lithograph by one of its youngest members, Alfred Joseph Casson is one of many classic landscapes he painted of the north—mountains, lakes, bare trees in the foreground rendered in his favoured bright palette of autumn colours—red, yellow, orange, a touch of green, and deep blue lakes against a cloudy white sky. Casson was an avid canoeist and spent many hours camping and drawing in northern Ontario often alongside fellow members of the Group. “I had to develop my own style. I began to dig out places of my own...” A. J. Casson He moved on to two commercial art firms in Toronto where he worked as an assistant to the artist Franklin Carmichael, one of the founding members of the renowned Group of Seven, (A group of Canadian landscape painters that included Tom Thomson, Lawren Harris and A. Y. Jackson.). Carmichael encouraged him to sketch and paint on his own. Casson was invited to join the Group of Seven in the 1920’s with whom he painted for years. Following their demise, he formed the Canadian Society of Painters in Water Colour...

Category

1990s Post-Impressionist Prints and Multiples

Materials

Lithograph

Jean-Edouard Vuillard, The Turret, 1966 (after)
Jean-Edouard Vuillard, The Turret, 1966 (after)

Jean-Edouard Vuillard, The Turret, 1966 (after)

By Edouard Vuillard

Located in Southampton, NY

This exquisite lithograph and pochoir after Jean-Edouard Vuillard (1868-1940), titled La Tourelle (The Turret), from the folio Vuillard, Douze Pastels (Vuillard, Twelve Pastels), ori...

Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Pierre Bonnard, Sunset Over the Mediterranean, Verve, Revue Artistique, 1940
Pierre Bonnard, Sunset Over the Mediterranean, Verve, Revue Artistique, 1940

Pierre Bonnard, Sunset Over the Mediterranean, Verve, Revue Artistique, 1940

By Pierre Bonnard

Located in Southampton, NY

This exquisite lithograph by Pierre Bonnard (1867–1947), titled Coucher De Soleil Sur La Mediterranee (Sunset Over the Mediterranean), from Verve, Revue Artistique et Litteraire, Vol...

Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Jean-Edouard Vuillard, The Footbridge, 1966 (after)
Jean-Edouard Vuillard, The Footbridge, 1966 (after)

Jean-Edouard Vuillard, The Footbridge, 1966 (after)

By Edouard Vuillard

Located in Southampton, NY

This exquisite lithograph and pochoir after Jean-Edouard Vuillard (1868-1940), titled La Passerelle (The Footbridge), from the folio Vuillard, Douze Pastels (Vuillard, Twelve Pastels...

Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Paysage
Paysage

Paysage

By Maurice de Vlaminck

Located in San Francisco, CA

Artist: Maurice de Vlaminck (French, 1876-1958) Title: Paysage Year: 1952 Medium: Original color lithograph Edition: Numbered 66/75 in pencil Paper: Arches Image size: 14.5 x ...

Category

Mid-20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, The Sheaf, from Last Works of Matisse, 1958 (after)
Henri Matisse, The Sheaf, from Last Works of Matisse, 1958 (after)

Henri Matisse, The Sheaf, from Last Works of Matisse, 1958 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled La Gerbe (The Sheaf), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Ar...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

"In the Garden of Allah" lithograph

"In the Garden of Allah" lithograph

By (after) André Derain

Located in Henderson, NV

Medium: lithograph. Printed in 1939 and published in Paris by Teriade for the art revue Verve (volume 1, number 4). Image size: 6 1/4 x 5 1/2 inches (160 x 140 mm). Sheet size: 14 x ...

Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Bather in the Reeds, from Last Works of Matisse, 1958 (after)
Henri Matisse, Bather in the Reeds, from Last Works of Matisse, 1958 (after)

Henri Matisse, Bather in the Reeds, from Last Works of Matisse, 1958 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Baigneuse dans les Roseaux (Bather in the Reeds), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri de Toulouse-Lautrec, Untitled, from Derriere le Miroir, 1966 (after)
Henri de Toulouse-Lautrec, Untitled, from Derriere le Miroir, 1966 (after)

Henri de Toulouse-Lautrec, Untitled, from Derriere le Miroir, 1966 (after)

By Henri de Toulouse-Lautrec

Located in Southampton, NY

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Sans titre (Untitled), originates from the 1966 folio Derriere le Miroir, No. 158–159, published by Maeg...

Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Mrs. L.D., from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Mrs. L.D., from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Mrs. L.D., from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame L.D. (Mrs. L.D.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from th...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Frontispiece, Vence 1944–1948, from Verve, Revue Artistique, 1948
Henri Matisse, Frontispiece, Vence 1944–1948, from Verve, Revue Artistique, 1948

Henri Matisse, Frontispiece, Vence 1944–1948, from Verve, Revue Artistique, 1948

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph by Henri Matisse (1869–1954), titled Frontispice, Vence 1944–1948 (Frontispiece, Vence 1944–1948), from Verve, Revue Artistique et Litteraire, Vol. VI, No. ...

Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Miss L.L., from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Miss L.L., from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Miss L.L., from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Mademoiselle L.L. (Miss L.L.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, The Hand and the Paintbrush, from Verve, Revue, 1938 (after)
Henri Matisse, The Hand and the Paintbrush, from Verve, Revue, 1938 (after)

Henri Matisse, The Hand and the Paintbrush, from Verve, Revue, 1938 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite heliogravure after Henri Matisse (1869–1954), titled La Main et le pinceau (The Hand and the Paintbrush), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, or...

Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Marguerite Matisse, from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Marguerite Matisse, from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Marguerite Matisse, from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Marguerite Matisse (Marguerite Matisse), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), or...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Pierre Matisse, from Portraits by Henri Matisse, 1954 (after)
Henri Matisse, Pierre Matisse, from Portraits by Henri Matisse, 1954 (after)

Henri Matisse, Pierre Matisse, from Portraits by Henri Matisse, 1954 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Pierre Matisse (Pierre Matisse), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Jean-Edouard Vuillard, The Tuileries Garden, 1948 (after)
Jean-Edouard Vuillard, The Tuileries Garden, 1948 (after)

Jean-Edouard Vuillard, The Tuileries Garden, 1948 (after)

By Edouard Vuillard

Located in Southampton, NY

This exquisite lithograph after Jean-Edouard Vuillard (1868-1940), titled Le Jardin des Tuileries (The Tuileries Garden), from L'oeuvre grave de Vuillard (The Graphic Work of Vuillar...

Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Pablo Picasso, L'Atelier du vieux peintre
Pablo Picasso, L'Atelier du vieux peintre

Pablo Picasso, L'Atelier du vieux peintre

By Pablo Picasso

Located in Chatsworth, CA

This piece is an original lithograph in five colors by Pablo Picasso, created in 1954. Each of the 5 colors of this lithograph was executed with litho crayon on transparent transfer...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Jean-Edouard Vuillard, The Wave, 1966 (after)
Jean-Edouard Vuillard, The Wave, 1966 (after)

Jean-Edouard Vuillard, The Wave, 1966 (after)

By Edouard Vuillard

Located in Southampton, NY

This exquisite lithograph and pochoir after Jean-Edouard Vuillard (1868-1940), titled La Vague (The Wave), from the folio Vuillard, Douze Pastels (Vuillard, Twelve Pastels), originat...

Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Henri de Toulouse-Lautrec, Clowness, from The Circus, 1952 (after)
Henri de Toulouse-Lautrec, Clowness, from The Circus, 1952 (after)

Henri de Toulouse-Lautrec, Clowness, from The Circus, 1952 (after)

By Henri de Toulouse-Lautrec

Located in Southampton, NY

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Clownesse (Clowness), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Paris ...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Henri Matisse, Series B, Var. 5, Drawings, Themes and Variations, 1943 (after)
Henri Matisse, Series B, Var. 5, Drawings, Themes and Variations, 1943 (after)

Henri Matisse, Series B, Var. 5, Drawings, Themes and Variations, 1943 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie B, var. 5 (Series B, Variation 5), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Arc de Triomphe" lithograph

"Arc de Triomphe" lithograph

By (after) Pierre Bonnard

Located in Henderson, NV

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Kees van Dongen, The Seine, from Views of Paris, 1963
Kees van Dongen, The Seine, from Views of Paris, 1963

Kees van Dongen, The Seine, from Views of Paris, 1963

By Kees van Dongen

Located in Southampton, NY

This exquisite lithograph by Kees van Dongen (1877–1968), titled De Seine (The Seine), from Regards Sur Paris (Views of Paris), originates from the January 22, 1963 issue published b...

Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Bateaux dans le Port
Bateaux dans le Port

Bateaux dans le Port

By Raoul Dufy

Located in New York, NY

Color lithograph, circa 1950. With the artist's printed signature as issued, lower center, and numbered 84/200 in pencil, lower right. Printed and published by Mourlot, Paris. The...

Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Color

London : Hyde Park - Lithograph (Mourlot), 1972
London : Hyde Park - Lithograph (Mourlot), 1972

London : Hyde Park - Lithograph (Mourlot), 1972

By André Derain

Located in Paris, IDF

Andre DERAIN (after) London : Hyde Park Stone lithograph after a painting (Mourlot workshop) Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) Excellent ...

Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Maurice Marinot, Interior, from Fauves, VII, 1972 (after)
Maurice Marinot, Interior, from Fauves, VII, 1972 (after)

Maurice Marinot, Interior, from Fauves, VII, 1972 (after)

Located in Southampton, NY

This exquisite lithograph after Maurice Marinot (1882–1960), titled Interieur (Interior), from the folio Fauves, VII (Fauves, VII), Collection Pierre Levy, 1972, originates from the ...

Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Post-impressionist prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Post-Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Henri Matisse, (after) André Derain, and Maria Bertrán. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist prints and multiples, so small editions measuring 3.55 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $250,000, while the average work sells for $761.