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Post-Impressionist Prints and Multiples

POSTIMPRESSIONIST STYLE

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

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Style: Post-Impressionist
Marquet, Composition, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

The Serenade
Located in Myrtle Beach, SC
A superb, richly-inked impression, with skilfully wiped plate tone and burr in the drypoint, printed in dark sepia ink on cream laid paper, with the Louis LeGrand watermark in the bo...
Category

1890s Post-Impressionist Prints and Multiples

Materials

Drypoint, Etching, Aquatint

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

London Tower Bridge Viewed from the Thames - Original etching - 1910
Located in Paris, IDF
Paul-Adrien BOUROUX London Tower Bridge Viewed from the Thames Original etching with aquatint Printed signature in the plate On Japan paper 28 x 19 cm (c. 11 x 8 inch) Excellent co...
Category

1910s Post-Impressionist Prints and Multiples

Materials

Etching, Aquatint

Grenade et Pipe from the Espace Portfolio
Located in Kansas City, MO
Georges Braque (after) Title: Grenade et Pipe from the Espace Portfolio Year: 1957 Year of Original: 1932 Medium: Pochoir (pigment print) on Richard de Bas, signed in the plate Edit...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Pigment

Tribute to Renoir : Dancing at Moulin de la Galette - Lithograph, 1972
Located in Paris, IDF
Kees VAN DONGEN (after) Montmartre : Dancing in Moulin de la Galette Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) ...
Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Wiping Nude - Original Lithograph - Handsigned
Located in Paris, IDF
Charles CAMOIN Wiping Nude, 1946 Original lithograph Signed in pencil bottom right Numbered / 100 On Lana vellum 26 x 36 cm (c. 10.2 x 14 inch) Excellent condition
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Gauguin, Offerings of Gratitude (Maruru), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Woodcut

Cecy Loftus
Located in Columbia, MO
HENRI DE TOULOUSE-LAUTREC Cecy Loftus 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches
Category

19th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Maternity : Mother and Child - Etching
Located in Paris, IDF
Mary Cassatt (1844-1926) Maternal Love Engraving after a pastel Signed in the plate On vellum, 50 x 38 cm (c. 20 x 15 in) INFORMATION: Copperplate engraving published by the Galer...
Category

Early 20th Century Post-Impressionist Prints and Multiples

Materials

Etching, Aquatint

Odalisque au Collier
Located in New York, NY
An excellent, richly-inked impression of this print with full margins. It is one of 10 numbered artist's proofs, aside from the edition of 50. Signed, inscribed "Epr. d'artiste" and ...
Category

1920s Post-Impressionist Prints and Multiples

Materials

Lithograph

Femme a l'ombrelle
Located in San Francisco, CA
This art work titled "Femme a l'Ombrelle" 1972 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 29/150 in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Sauret plate #42. The image size is 22.25 x 16 inches, framed size is 36.15 x 28.25 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition. About the artist: Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris. He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles. 1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17. 1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie at the Ecole des Beaux-Arts de Paris. 1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure" des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio. 1958 First exhibition at the Galerie des Beaux-Arts. 1959 Appointed member of the Salon d’Automne. 1956–1960 Instructed by the French painter Roger Chapelain-Midy. 1963 Present at the Salon de la Jeune Peinture for the first time. 1964 Private exhibition at the Galerie Tivey-Faucon, Paris. Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan. 1965 Creation of his first lithographic works. Exhibition at the Galerie Bellechasse, Paris. 1966 Present at the International Exhibition of Figurative Art, Tokyo. Exhibition at the Galerie Bellechasse, Paris. 1968 Exhibition at the Galerie Juarez in Palm Beach, USA. Private exhibition at la Galerie Vital, Paris. 1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo. 1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York. First trip to Japan, where he stays for three months. Important private exhibition at the Mitsukoshi Gallery, Tokyo. 1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York. Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo. 1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York. 1975 Exhibition at the Wally Findlay Gallery, New York. 1976 Private exhibition at the Mitsukoshi Gallery, Tokyo. Publication of the album “Parcs” by Editions Mazo-Paris. 1977 June : Private exhibition at the Galerie René Kieffer, Paris Private show of paintings and pastels at the Galerie Wally Findlay, Paris. 1978 Retrospective exhibition of lithographic works at Vision Nouvelle. June-July : Exhibition at the Wally Findlay Gallery, New York. Important private showat the Mitsukoshi Gallery, Tokyo. 1980 Designs his first tapestry, executed by Atelier 3...
Category

Late 20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

The Dove - Original lithograph, Handsigned
Located in Paris, IDF
Jules CAVAILLES The Dove Original lithograph Handsigned in pencil Justified EA (artist proof) On Arches vellum 38 x 25 cm (c. 15 x 10 in) Very good c...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Decheance de al Buveuse d'Eau(Downfall of a Lady Teetotaler)
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Reine de Joie - Litho After H. de Toulouse-Lautrec
Located in Roma, IT
Image dimensions: 28.3 x 20 cm. Reine de Joie is a chromolithographed poster, signed on plate on the lower left margin by the French bohemian artist Hen...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vuillard, Dans Le Bois Des Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Vuillard, Les Sapins, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Emilio Grau Sala - Original Handsigned Lithograph - Ecole de Paris
Located in Collonge Bellerive, Geneve, CH
Emilio Grau Sala Original Handsigned Lithograph Dimensions: 76 x 54 cm Edition: HC XXI/XXX HandSigned and Numbered Ecole de Paris au seuil de la mutation des Arts Sentiers Editions ...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Cléo de Merode - Lithograph after H. de Toulouse-Lautrec - 1970s
Located in Roma, IT
Lithograph realized in 1970s, after the original work by Toulouse-Lautrec of 1896. Limited edition of 1000. Excellent condition.
Category

1890s Post-Impressionist Prints and Multiples

Materials

Paper, Lithograph

Vuillard, La Tourelle, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

'L'Escargot' Modern Art Colour Lithograph on Wove Paper
Located in Toronto, ON
Signed on the plate by Matisse. From the portfolio ‘Dernières Oeuvres de Matisse 1950-1954’, known as Verve Vol. IX No. 35 & 36. Printed by Mourlot in Paris. Henri Matisse oversaw ...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Flowers on the Window Sill, Lithograph by Guy Charon
Located in Long Island City, NY
Flowers on Window Sill by Guy Charon, French (1927) Date: circa 1977 Lithograph, signed and numbered in pencil Edition of 250, EA Image Size: 25.5 x 19.5 i...
Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Marcelle - Lithograph after H. de Toulouse-Lautrec - Mid 20th Century
Located in Roma, IT
Marcelle is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H. de Toulouse-Lautrec. The artwork is a reproduction of the original painting realize...
Category

Mid-20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph, Paper

Utrillo, Composition, Éloge de Maurice Utrillo (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Roussel, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 158-159, 1966. Published by Aimé Maeght, Éditeur, Paris...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Fauvist Interior - Lithograph, 1972
By (After) Maurice Marinot
Located in Paris, IDF
Maurice MARINOT (after) Montmartre : Dancing in Moulin de la Galette Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) ...
Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Marquet, Composition, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Bernard, Composition, Éloge de Émile Bernard (after)
Located in Auburn Hills, MI
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Woodcut

Utrillo, Composition, Éloge de Maurice Utrillo (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Paris : Seine River - Original lithograph, Handsigned
Located in Paris, IDF
Paul COLLOMB Paris : Seine River Original lithograph Handsigned in pencil Justified Epreuve d'artiste (artist proof) On Arches vellum 55 x 65 cm (c. 22 x...
Category

Late 20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Gauguin, The Devil Speaks (Mahna No Varua Ino), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Woodcut

L'Aquarium
Located in New York, NY
A very good impression of this color aquatint. Signed and numbered 2/100 in red crayon, lower margin. Published by Maeght, Paris.
Category

1950s Post-Impressionist Prints and Multiples

Materials

Color, Aquatint

Matisse, Mille et une Nuit, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 33 inches, with bifold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, ...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Illustration for "Les Chanson Erotiques" - Original Etching by Chas Laborde
Located in Roma, IT
Illustration for "Les Chanson Erotiques" by Pierre-Jean de Beranger. Image Dimensions :15 x 13.5 cm This artwork is shipped from Italy. Under existing legislation, any artwork in It...
Category

1920s Post-Impressionist Prints and Multiples

Materials

Etching

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Composition (Duthuit 101), Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Matisse, Henri, et a...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Kerfany by Ludovic-Rodo Pissarro - Wood engraving
Located in London, GB
Kerfany by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 10.9 x 13.9 cm (4 ¹/₄ x 5 ¹/₂ inches) Initialled and titled in the plate Signed lower right, ...
Category

20th Century Post-Impressionist Prints and Multiples

Materials

Engraving

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Wine as a Remedy for Convalescents
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

'The Pont Neuf with Notre Dame in the Distance', Tokyo Fine Arts Academy
By Kazunari Ogata
Located in Santa Cruz, CA
Signed lower right, 'K. Ogata' with number and limitation, 120/275, lower left. Accompanied by a Certificate of Authentication from the Societe de Verification de la Nouvelle Gravure...
Category

1970s Post-Impressionist Prints and Multiples

Materials

Paper, Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

'View Across the Lagoon Venice', Academie Chaumiere, MAM Paris, Benezit
Located in Santa Cruz, CA
Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left, 'Epr. d' Artist' (Epreuve d'Artist / Artist's Proof); also indistinctly inscri...
Category

1970s Post-Impressionist Prints and Multiples

Materials

Laid Paper, Lithograph

Three Whorehouses - Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Three Whorehouses is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition, included a white cardboard passpartout (48.5x32.5 cm). Han...
Category

Early 20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

India 19th Century Original 1826 Three Hand-Colored Aquatints Landscapes Rare
Located in Norfolk, GB
Acknowledged as, ‘One of the most attractive early 19th century colour-plate books on India’ Three rare, hand-coloured aquatints from: GRINDLAY, Robert Melville (1786-1877). Scene...
Category

19th Century Post-Impressionist Prints and Multiples

Materials

Paper, Aquatint

Tête de Jeune Fille, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Girl in Blue, Modern Portrait Lithograph by Charles Levier
Located in Long Island City, NY
Girl in Blue Charles Levier, French (1920–2003) Date: circa 1970 Lithograph, signed in pencil l.r. Edition of 250 Image Size: 24 x 17 inches Size: 30 x 22 in. (76.2 x 55.88 cm)
Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Man Sitting
Located in San Francisco, CA
Artist: Neal Doty (American, born 1941) Title: Man Sitting Year: 1979 Medium: Color serigraph Edition: Numbered 93/135 Size of image: 32.5 x 24 inches Size of paper: 39.25 x 30 inche...
Category

Late 20th Century Post-Impressionist Prints and Multiples

Materials

Screen

Old Castle in the South of France - Original handsigned lithograph
Located in Paris, IDF
Francois DESNOYER Old Castle in South of France, 1965 Original lithograph Handsigned in pencil On Van Gelder vellum 45 x 64 cm (c. 18 x 26") Excel...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Gauguin, Women at the River (Auti te pape), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
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1940s Post-Impressionist Prints and Multiples

Materials

Woodcut

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

The Teacher - Original Lithograph by Pierre Bonnard - 1930
Located in Roma, IT
Monogram of the artist on plate. This lithograph is from the collection "The Life of Saint Monique", published by Vollard in 1930. Passepartout included : 53 x 37 cm This artwork is...
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1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Woods Cove" Contemporary Impressionist Serigraph of Laguna Beach
Located in Laguna Beach, CA
"Woods Cove" is an beautiful 90 color hand pulled serigraph created from the oil painted on location in Laguna Beach, California by Maria Bertran. This Contemporary Impressionist pai...
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2010s Post-Impressionist Prints and Multiples

Materials

Screen

"Moorea" Contemporary Impressionist Serigraph of Tahiti
Located in Laguna Beach, CA
"Moorea" is an beautiful hand pulled serigraph created from the oil painted on location in Tahiti by Maria Bertran. This Contemporary Impressionist painting captures a timeless scene...
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2010s Post-Impressionist Prints and Multiples

Materials

Screen

"The Colors of Spring" Contemporary Impressionist Floral Serigraph
Located in Laguna Beach, CA
"The Colors of Spring" is an beautiful 94 color hand pulled serigraph created from the oil painted from life in the artists Laguna Beach studio by Maria Bertran. This Contemporary Im...
Category

2010s Post-Impressionist Prints and Multiples

Materials

Screen

Post-impressionist prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Post-Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Henri Matisse, (after) André Derain, and Maria Bertrán. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist prints and multiples, so small editions measuring 3.55 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $250,000, while the average work sells for $761.

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