Post-Impressionist Prints and Multiples
POSTIMPRESSIONIST STYLE
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
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Style: Post-Impressionist
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Gauguin, The Creation of the Universe (L'Univers est créé), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Tarkay Limited Edition Serigraph Titled " Sisters" Signed, Numbered & Framed
Located in Plainview, NY
A limited edition serigraph titled Sisters by Izchak Tarkay (Israel 1935 -2012) , a celebrated artist known for his vibrant, impressionistic style. The piece is rich in color and tex...
Category
21st Century and Contemporary Post-Impressionist Prints and Multiples
Materials
Archival Paper
Fauvist Interior - Lithograph, 1972
By (After) Maurice Marinot
Located in Paris, IDF
Maurice MARINOT (after)
Montmartre : Dancing in Moulin de la Galette
Color lithograph after a painting
Printed signature in the plate
On Arches Vellum 50 x 65 cm (c. 20 x 26 inch)
...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Model in Theatre - Lithograph by Edouard Chimot - Early 20th Century
Located in Roma, IT
Model in theatre is an original modern artwork realized by Edouard Chimot (1880-1959) in the early 20th century.
Mixed colored lithograph
Hand signed on the lower margin
Includes ...
Category
Early 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Marquet, Auto-portrait, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Présence de Marquet, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
'Paris, The Pont Neuf', Post-Impressionist, Fernand Léger, Musée d'Art Moderne
By Yves Ganne
Located in Santa Cruz, CA
Stamped verso with Certification of Authenticity for Yves Ganne (French, b. 1931). Signed lower right, 'Y. Ganne', inscribed lower left, 'Epreuve d' Artiste...
Category
Mid-20th Century Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Les Allies a Versailles
Located in Roma, IT
Signed on plate. From the portfolio “Le Bonheur du Jour” by George Barbier. Etching and Pochoir.
Passepartout included : 49 x 34 cm
Category
1920s Post-Impressionist Prints and Multiples
Materials
Etching
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
'Reclining Nude', Cabinet-Sized Post-Impressionist Figural
Located in Santa Cruz, CA
A hand-colored linocut created circa 1950 by Wedo Georgetti (American, 1911-2005) and stamped verso with Certification of Authenticity.
Born in Italy, this California Post-Impressi...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Paper, Crayon, Linocut
'Lierre' and 'Lierre en Fleur' Modern Art Colour Lithography Duo
Located in Toronto, ON
A Duet of two lithographs by Herni Matisse, both of the same motif - climbing ivy. 'Lierre en Fleur' is Signed on the plate by Matisse. Each piece is 14"x...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
"Dans la rue" lithograph
Located in Henderson, NV
Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in Paris on Renage paper in 1952 at the Mourlot atelier, in faithful recreation of the original....
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
The Rainbow - Signed Lithograph in Colours - French, Russian Art - Symbolism
By Marc Chagall
Located in London, GB
MARC CHAGALL 1887 - 1985
[Shagal, Mark, Zakharovich, Moses]
Vitebsk, Belarus 1887 - 1985 Saint-Paul-de-Vence (Russian/French)
Title: The Rainbow, 1969
Technique: Original Ha...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Normandy : A Colorful Spring Day - Original lithograph
Located in Paris, IDF
Claude MANOUKIAN
Normandy : A Colorful Spring Day
Original lithograph
Printed signature in the plate
On Arches vellum 43 x 56 cm (c. 17 x 22 inch)
...
Category
20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Utrillo, Composition, Éloge de Maurice Utrillo (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
'Woman in a Kimono', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA
Located in Santa Cruz, CA
Estate stamped, verso, for Victor Di Gesu (American, 1914-1988) and created circa 1950.
A substantial monotype showing a young woman seated, her kimono fallen open, and brushing her...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Paper, Monotype
Paris : Seine River and Notre Dame Church - Stone Lithograph
By Henri Rousseau
Located in Paris, IDF
Henri ROUSSEAU (called Le Douanier ROUSSEAU) (after)
Paris : Seine River and Notre Dame Church
Stone lithograph after a painting
Printed signature i...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
Debout les Morts - Etching and Aquatint by G. Rouault - 1948
Located in Roma, IT
Debout les morts is an original etching, drypoint, burnisher and roulette realized by Georges Rouault in 1948, signed in plate, watermark Ambroise Vollard, plate 54 from “Miserere”, edition 450 copies.
Included a frame.
In very good conditions.
The artwork demonstrates three skeletons that are scared and in miserable expression, two of them in the fear of third one, who stands with a hand upward in the air.
Georges Henri Rouault (1871-1958) was a French painter, print maker artist, his artworks are often associated with Fauvism and Expressionism. He is well known for paintings dedicated to courts, clowns and prostitutes. He was inspired by spirituality and knowledge of medieval stained glass...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Etching, Aquatint
Utrillo, Composition, Éloge de Maurice Utrillo (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
'A Bowl of Pomegranates', Academie Chaumiere, Paris, Ecole des Beaux-Arts, MoMA
Located in Santa Cruz, CA
Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left with edition number and limitation, '115/170'.
Pierre Garcia-Fons left Spain d...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Laid Paper, Lithograph
Untitled from Les Lettres Portugaises
Located in Washington, DC
Artist: Henri Matisse
Medium: lithograph
Portfolio: Untitled from Les Lettres Portugaises
Year: 1946
Edition: 250
Framed Size: 16 3/4" x 14 1/2"
Reference: Duthuit 15
Signed: Unsigned
Category
1940s Post-Impressionist Prints and Multiples
Materials
Lithograph
Lithograph Lady Rider Woman on a Horse Marie Laurencin French Post Impressionist
Located in Surfside, FL
Marie Laurencin (French, 1883-1956)
Lithograph of a colored pencil drawing depicting a woman wearing a hat and riding horseback side saddle,
Edition "37/115" to lower left and hand signed "Laurencin" in pencil to lower right, with a cloth mat and housed in a silvered wood frame.
Dimensions: Image, 12" H x 16" W; frame, 19.75" H x 23.5" W x 1.5" D.
Marie Laurencin (1883 – 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or.
Laurencin was born in Paris, where she was raised by her mother and lived much of her life. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and continued her art education at the Académie Humbert, where she changed her focus to oil painting.
During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist."
Laurencin's oeuvre include painting, watercolor paintings, drawing, and prints. She is known as one of the few female Cubist painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen...
Category
Mid-20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Action de Vin sur Le Moral (How Wine Affects the Morale)
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Lithograph
Girl in Blue, Modern Portrait Lithograph by Charles Levier
Located in Long Island City, NY
Girl in Blue
Charles Levier, French (1920–2003)
Date: circa 1970
Lithograph, signed in pencil l.r.
Edition of 250
Image Size: 24 x 17 inches
Size: 30 x 22 in. (76.2 x 55.88 cm)
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
Tribute to Renoir : Dancing at Moulin de la Galette - Lithograph, 1972
Located in Paris, IDF
Kees VAN DONGEN (after)
Montmartre : Dancing in Moulin de la Galette
Color lithograph after a painting
Printed signature in the plate
On Arches Vellum 50 x 65 cm (c. 20 x 26 inch)
...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
Le Vin Contre la Depression Nerveuse et l'Anemie
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Lithograph
London Tower Bridge Viewed from the Thames - Original etching - 1910
Located in Paris, IDF
Paul-Adrien BOUROUX
London Tower Bridge Viewed from the Thames
Original etching with aquatint
Printed signature in the plate
On Japan paper 28 x 19 cm (c. 11 x 8 inch)
Excellent co...
Category
1910s Post-Impressionist Prints and Multiples
Materials
Etching, Aquatint
'Chemin des Bastides, Aix-en-Provence', Côte d'Azur, French Post-Impressionist
By Victor Zarou
Located in Santa Cruz, CA
Signed lower right, 'Zarou' for Victor Zarou (French, b. 1930), inscribed 'Epreuve d'Artiste' with number and limitation 1/40, lower left, and titled, lower center 'Chemin des Bastid...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
Saint Tropez
Located in Fairlawn, OH
Saint Tropez
Etching with aquatint, printed in colors, 1964
Signed in ink and numbered in pencil
Edition: 71/100
Issued for the album St. Tropez et la Provence, in 1966
Reference: Lo...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Etching
Odalisque au Collier
Located in New York, NY
An excellent, richly-inked impression of this print with full margins. It is one of 10 numbered artist's proofs, aside from the edition of 50. Signed, inscribed "Epr. d'artiste" and ...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Lithograph
'Canal Saint-Martin', School of Paris, Paris MoMA, Post-Impressionist landscape
By Yves Ganne
Located in Santa Cruz, CA
Signed lower right, 'Y. Ganne' for Yves Ganne (French, born 1931) and inscribed 'Epreuve d'Artiste', lower left.
Yves Ganne first studied at the Ecole des...
Category
Mid-20th Century Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
Pablo Picasso, L'Atelier du vieux peintre
Located in Chatsworth, CA
This piece is an original lithograph in five colors by Pablo Picasso, created in 1954. Each of the 5 colors of this lithograph was executed with litho crayon on transparent transfer...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Portrait de Paul Gauguin
Located in Fairlawn, OH
Portrait de Paul Gauguin
Woodcut, c. 1900
Initialed in pencil lower right
Numbered in pencil lower left
Edition: 100 (34/100)
Annotated verso: “epreuve sur japon”
Condition: Excellent
Image size: 6 3/4 x 4 3/4 inches
Sheet size: 11 x 8 5/8 inches
Note: Born in New York, Monfreid studied in France at the Academy Julian. He was a friend of Gauiguin, Verlaine and Maillol. He formed a noted collection of works by Gauguin. In 1924, Monfreid published the manuscript for Paul Gauguin’s Noa Noa with 24 woodcuts inspired by Gauguin...
Category
Early 1900s Post-Impressionist Prints and Multiples
Materials
Woodcut
Wine as a Remedy for Convalescents
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Lithograph
Mademoiselle Spinelly chez elle - Pochoir by G. Barbier - 1920
Located in Roma, IT
Pochoir. This is one of the artworks in the portfolio 'Le Bonheur du Jour', by George Barbier.
Passepartout included : 34 x 49 cm
Category
1920s Post-Impressionist Prints and Multiples
Materials
Stencil
Grenade et Pipe from the Espace Portfolio
Located in Kansas City, MO
Georges Braque (after)
Title: Grenade et Pipe from the Espace Portfolio
Year: 1957
Year of Original: 1932
Medium: Pochoir (pigment print) on Richard de Bas, signed in the plate
Edit...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Pigment
Three Whorehouses - Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Three Whorehouses is a Lithograph on ivory-colored paper realized by Luc Albert Moreau.
The artwork is in good condition, included a white cardboard passpartout (48.5x32.5 cm).
Han...
Category
Early 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Les Amateurs d'Estampes
Located in Fairlawn, OH
Les Amateurs d'Estampes
Woodcut, 1892
Initialed in the plate lower left
Titled below image: "Gravure originale sur bois par F. Vallotton"
Reference: Valloton and Goerg 107c, with the...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Woodcut
Lierre en Fleur
Located in Washington, DC
Artist: Henri Matisse (after)
Title: Lierre en Fleur
Portfolio: The Last Works of Henri Matisse
Medium: Lithograph
Date: 1958
Edition: 2000
Frame Size: 17" x 17"
Sheet Size: 14" x 10...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
"La Conversation" Large original lithograph
Located in San Francisco, CA
This art work titled "La Conversation" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is h...
Category
Late 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued
Year: 1967
Paper Size: 17.32 x 14.17 inches (backing paper size)
Inscription: Signed in the plate and u...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Etude de femme (Study of a Woman), 1893
Located in Palo Alto, CA
Henri de Toulouse-Lautrec Etude de Femme (Study of a Woman), 1893 is a lovely depiction of a nude subject delicately undressing at her bedside. She ap...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Lithograph
Post-impressionist prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Post-Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Henri Matisse, (after) André Derain, and Maria Bertrán. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist prints and multiples, so small editions measuring 3.55 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $250,000, while the average work sells for $761.