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Post-Impressionist Prints and Multiples

POSTIMPRESSIONIST STYLE

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

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Style: Post-Impressionist
Mother and Child Before Notre Dame
Located in Washington, DC
Artist: Marc Chagall Medium: Lithograph Title: Mother and Child before Notre Dame Portfolio: Verve Vol VII No. 27-28 Year: 1952 Edition: 6000 Signed: Unsigned Framed Size: 22" x 18 1...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vuillard, Les Sapins, Douze pastels (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Signac, St-Matthieu. Le Sémaphore, Signac Dessins (after)
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Seurat, L'échafaudage, Seurat (after)
Located in Fairfield, CT
Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Torse, Fond à Losanges - Drypoint on China by H. Matisse, 1929
Located in Roma, IT
Image size: 8.6x13.9 cm. Original drypoint on Chine Appliqué realized by Matisse in 1929 in an edition of only 25 prints. Signed and numbered in pencil lower right. Excellent conditi...
Category

1920s Post-Impressionist Prints and Multiples

Materials

Drypoint

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Dufresne, Nature Morte Aux Fruits, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1971 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Dufresne, VI, Colle...
Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Toulouse-Lautrec, Album De Marine (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on Papeteries de Rives paper Year: 1953 Paper Size: 8.86 x 5.71 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Dufresne, Nature Morte a la Nappe de Couleur, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1971 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Dufresne, VI, Colle...
Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Le Vin est Necessaire aux Artistes
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category

1920s Post-Impressionist Prints and Multiples

Materials

Woodcut

Signac, Rotterdam, Signac Dessins (after)
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Bonnard, Couverture, Bonnard Lithographe (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 9.5 x 25 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: Fr...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Seurat, La Conciergerie, Seurat (after)
Located in Fairfield, CT
Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Bernard, Composition, Éloge de Émile Bernard (after)
Located in Southampton, NY
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Woodcut

Seurat, Le casseur de pierres, Seurat (after)
Located in Fairfield, CT
Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Seurat, En Marche, Seurat (after)
Located in Fairfield, CT
Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Images de Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 10.24 x 13.78 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Toulouse-Lautrec, Album De Marine (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on Papeteries de Rives paper Year: 1953 Paper Size: 8.86 x 5.71 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Unsigned and unnumbered, ...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Unsigned and unnumbered, ...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, TLautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Bougival
Located in Fairlawn, OH
Bougival Woodcut, 1914 Signed and numbered in pencil Edition 30, this numberd 22 Printed on laid Van Gelder Zonen paper Published by Henri Kanweiler, Paris Printed by Paul Birault, P...
Category

1910s Post-Impressionist Prints and Multiples

Materials

Woodcut

Toulouse-Lautrec, Composition, TLautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Chocolat Dancing in the Achille Bar afte H. de Toulouse-Lautrec
Located in Roma, IT
Chocolat Dancing in the Achille Bar is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H. de Toulouse-Lautrec. Original title: Chocolat dansant da...
Category

Mid-20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph, Paper

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Wiping Nude - Original Lithograph - Handsigned
Located in Paris, IDF
Charles CAMOIN Wiping Nude, 1946 Original lithograph Signed in pencil bottom right Numbered / 100 On Lana vellum 26 x 36 cm (c. 10.2 x 14 inch) Excellent condition
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category

1920s Post-Impressionist Prints and Multiples

Materials

Woodcut

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Bernard, Composition, Éloge de Émile Bernard (after)
Located in Southampton, NY
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Woodcut

Illustration for "Les Chanson Erotiques" - Original Etching by Chas Laborde
Located in Roma, IT
Illustration for "Les Chanson Erotiques" by Pierre-Jean de Beranger. Image Dimensions :15 x 13.5 cm This artwork is shipped from Italy. Under existing legislation, any artwork in It...
Category

1920s Post-Impressionist Prints and Multiples

Materials

Etching

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Femme a l'ombrelle
Located in San Francisco, CA
This art work titled "Femme a l'Ombrelle" 1972 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 29/150 in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Sauret plate #42. The image size is 22.25 x 16 inches, framed size is 36.15 x 28.25 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition. About the artist: Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris. He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles. 1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17. 1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie at the Ecole des Beaux-Arts de Paris. 1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure" des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio. 1958 First exhibition at the Galerie des Beaux-Arts. 1959 Appointed member of the Salon d’Automne. 1956–1960 Instructed by the French painter Roger Chapelain-Midy. 1963 Present at the Salon de la Jeune Peinture for the first time. 1964 Private exhibition at the Galerie Tivey-Faucon, Paris. Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan. 1965 Creation of his first lithographic works. Exhibition at the Galerie Bellechasse, Paris. 1966 Present at the International Exhibition of Figurative Art, Tokyo. Exhibition at the Galerie Bellechasse, Paris. 1968 Exhibition at the Galerie Juarez in Palm Beach, USA. Private exhibition at la Galerie Vital, Paris. 1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo. 1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York. First trip to Japan, where he stays for three months. Important private exhibition at the Mitsukoshi Gallery, Tokyo. 1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York. Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo. 1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York. 1975 Exhibition at the Wally Findlay Gallery, New York. 1976 Private exhibition at the Mitsukoshi Gallery, Tokyo. Publication of the album “Parcs” by Editions Mazo-Paris. 1977 June : Private exhibition at the Galerie René Kieffer, Paris Private show of paintings and pastels at the Galerie Wally Findlay, Paris. 1978 Retrospective exhibition of lithographic works at Vision Nouvelle. June-July : Exhibition at the Wally Findlay Gallery, New York. Important private showat the Mitsukoshi Gallery, Tokyo. 1980 Designs his first tapestry, executed by Atelier 3...
Category

Late 20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

'L'Escargot' Modern Art Colour Lithograph on Wove Paper
Located in Toronto, ON
Signed on the plate by Matisse. From the portfolio ‘Dernières Oeuvres de Matisse 1950-1954’, known as Verve Vol. IX No. 35 & 36. Printed by Mourlot in Paris. Henri Matisse oversaw ...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Kerfany by Ludovic-Rodo Pissarro - Wood engraving
Located in London, GB
Kerfany by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 10.9 x 13.9 cm (4 ¹/₄ x 5 ¹/₂ inches) Initialled and titled in the plate Signed lower right, ...
Category

20th Century Post-Impressionist Prints and Multiples

Materials

Engraving

"Woods Cove" Contemporary Impressionist Serigraph of Laguna Beach
Located in Laguna Beach, CA
"Woods Cove" is an beautiful 90 color hand pulled serigraph created from the oil painted on location in Laguna Beach, California by Maria Bertran. This Contemporary Impressionist pai...
Category

2010s Post-Impressionist Prints and Multiples

Materials

Screen

Utrillo, Composition, Éloge de Maurice Utrillo (after)
Located in Southampton, NY
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

French Modern Art by Henri Matisse - Les Fauves
Located in Paris, IDF
Les Fauves by Henri Matisse (1869-1954), hand-signed book cover lithography printed in Switzerland, 32 x 51 x 0,2 cm - 12,5 x 20 x 0,07 in, printed by Mourlot Editions Henri Matisse...
Category

1930s Post-Impressionist Prints and Multiples

Materials

Cardboard, Lithograph

Utrillo, Composition, Éloge de Maurice Utrillo (after)
Located in Southampton, NY
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

May Milton - Litho After H. de Toulouse-Lautrec
Located in Roma, IT
Image dimensions: 29 x 20 cm. May Milton is a beautiful chromolithographed Art Nouveau poster, monogrammed and dated on plate on the lower left margin by the French artist Henri de Toulouse-Lautrec. A wonderful reduction of the famous Moulin Rouge poster...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Cecy Loftus
Located in Columbia, MO
HENRI DE TOULOUSE-LAUTREC Cecy Loftus 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches
Category

19th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Le Vin Contre la Depression Nerveuse et l'Anemie
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, Dessinateur (after)
Located in Southampton, NY
Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, Dessinateur (after)
Located in Southampton, NY
Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, Dessinateur (after)
Located in Southampton, NY
Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, Dessinateur (after)
Located in Southampton, NY
Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Images de Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Images de Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Nature morte aux Poissons" lithograph
Located in Henderson, NV
Medium: lithograph (after the 1947 Andre Derain painting). Printed in Paris on Arches paper at the Mourlot studio in 1970 in an edition of 1000 for the Collection Pierre Lévy deluxe ...
Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Post-impressionist prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Post-Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Henri Matisse, (after) André Derain, and Maria Bertrán. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist prints and multiples, so small editions measuring 3.55 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $250,000, while the average work sells for $761.

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