Skip to main content

Post-Impressionist Prints and Multiples

POSTIMPRESSIONIST STYLE

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

to
867
1,035
153
98
50
11
Overall Width
to
Overall Height
to
21,184
18,258
10,588
6,174
4,807
2,668
1,550
1,412
850
819
426
348
196
169
36
29
17
17
69
1,240
41
15
20
210
65
192
403
99
84
23
10
944
394
8
828
489
416
306
276
191
159
113
107
79
54
45
40
37
37
35
30
29
25
24
997
211
70
60
48
91
113
1,070
236
Style: Post-Impressionist
Signac, Avignon. Le motif de Jongkind, Signac Dessins (after)
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Paravent a quatre feuilles" lithograph
Located in Henderson, NV
Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, TLautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Gauguin, Delightful Land (Nave nave fenua), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Woodcut

Gauguin, Offerings of Gratitude (Maruru), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Woodcut

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 9.05 x 6.3 inches Inscription: Signed in the plate and unnumbered...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Le petit-déjeuner, Verve: Revue Artistique et Littéraire
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Femmes De Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 9.5 x 13.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Femmes de Lau...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Brittany Seascape at the Sunset - Original lithograph
Located in Paris, IDF
Claude MANOUKIAN Brittany Seascape at the Sunset Original lithograph Printed signature in the plate On Arches vellum 43 x 56 cm (c. 17 x 22 inch) ...
Category

20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Bonnard, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 158-159, 1966. Published by...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

Au Jardin d'Allah, Verve: Revue Artistique et Littéraire
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Le Chat Noir - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Tête de Jeune Fille, Verve: Revue Artistique et Littéraire
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

The War - Lithograph - 300ex
Located in Paris, IDF
Henri ROUSSEAU (called Le Douanier ROUSSEAU) (after) The War Stone lithograph after a painting Printed signature in the plate Numbered /300 copies O...
Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

de Vlaminck, Le pont de Chatou, Vlaminck (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 12.25 x 9.5 inches; image size: 6.69 x 7.87 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, TLautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Road To Sault" Contemporary Impressionist Serigraph of Provence, France
Located in Laguna Beach, CA
"Road To Sault" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist painting capture...
Category

2010s Post-Impressionist Prints and Multiples

Materials

Screen

Le Petit Chat est Mort - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Still life lithograph
Located in Barcelona, Barcelona
Josep Moscardó (1953) - Still-life Lithograph - Hand signed Lithograph measures 38x52 cm. Frameless. Numbered 37/50 Barcelona, 1953 Painter, sculptor and draftsman of deep-rooted p...
Category

1990s Post-Impressionist Prints and Multiples

Materials

Lithograph

Coucher De Soleil Sur La Méditerranée, Verve: Revue Artistique et Littéraire
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 20.50 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the album,...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

"Marchand des quatre-saisons" lithograph
Located in Henderson, NV
Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Gauguin, The Long Night (Te Po), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Woodcut

"Salomé" pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph, Stencil

"Les deux hangars" lithograph
Located in Henderson, NV
Medium: lithograph (after the 1947 Andre Derain painting). Printed in Paris on Arches paper at the Mourlot studio in 1970 in an edition of 1000 for the Collection Pierre Lévy deluxe ...
Category

1970s Post-Impressionist Prints and Multiples

Materials

Lithograph

Jeune Fille dans une Barque, Verve: Revue Artistique et Littéraire
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Notre Dame, Framed Modern Lithograph by Bernard Buffet
Located in Long Island City, NY
Artist: Bernard Buffet, French (1928 - 1999) Title: Notre Dame Year: 1968 Medium: Lithograph, signed in the plate Size: 25.5 x 19.5 in. (64.77 x 49.53 cm) Frame Size: 31 x 25.5 inches
Category

1960s Post-Impressionist Prints and Multiples

Materials

Lithograph

La Peche lithograph (woodcut)
Located in Belgrade, MT
Raoul Dufy was an important multifaceted French artist who worked in a variety of media including painting, print making, mural design, theatre and costume design, upholstery, wall paper, ceramics, and fabric. In his paintings he often depicted the circus, equestrian scenes, Parisian cafe life, yachting scenes, colorful views of the French Riviera, and musical events in a distinctive style that combined the various artistic trends of the day, most notably Fauvism. Born in 1877 in Le Havre France, and after a year of military service in 1900, Dufy won a scholarship to the Ecole Nationale superieure des Beaux-Arts, in Paris, studying under Othon Friesz. He exhibited extensively throughout Paris and France at the various salons, including the Salon des Tuileries. For the 1937 Exposition Internationale in Paris, Dufy completed one of the largest paintings ever conceived, a 250...
Category

Early 20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph, Woodcut

"Ballets Russes" lithograph
Located in Henderson, NV
Medium: lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher,...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

De la couleur (Duthuit 104), Verve: Revue Artistique et Littéraire
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné reference: Matisse, ...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 9.75 x 12.5 inches; image size: 7.87 x 11.42 inches Inscription: Signed in the plate and unnumber...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Pierre Bonnard ltd edition Lithograph Printed at Mourlot Paris 1958 Chicken, Egg
Located in Surfside, FL
This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. This is f...
Category

20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Vuillard, L´Atre, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Les Challonges (Walterskirchen 276), Vlaminck
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 8.7 x 10.6 inches. Catalogue raisonné references: W...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

La Potinière à Rueil (Walterskirchen 275), Vlaminck
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 8.7 x 10.6 inches. Catalogue raisonné references: W...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vallée de l'Avre (Walterskirchen 277), Vlaminck
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 8.3 x 10.6 inches. Catalogue raisonné references: W...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Maisons dans la Beauce (Walterskirchen 274), Vlaminck
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 8.3 x 10.6 inches. Catalogue raisonné references: W...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, La baie des Trépassés, Vlaminck (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.9 x 9.4 inches. Notes: From the album, Vlaminck, ...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, La maison dans la plaine, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.9 x 9.4 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, Allainville sous la neige, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.5 x 9.1 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, Les tilleuls sous la neige, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.9 x 9.4 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vuillard, Intérieur aux tentures roses, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, Près de Beaumont sur Sarthe, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.1 x 9.4 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, Village de la Sarthe, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.5 x 9.1 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, L'église de Saint Lubin, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.5 x 9.1 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, La route de Brezolles, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.1 x 9.4 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

La Marchande des Quatres-Saisons
Located in Middletown, NY
Etching with drypoint on cream wove paper, 11 3/4 x 13 3/4 inches (297 x 347 mm), full margins. Signed in pencil and numbered 32/40, lower margin. Minor mat tone and several small lo...
Category

Early 20th Century Post-Impressionist Prints and Multiples

Materials

Handmade Paper, Rag Paper, Drypoint, Etching

Soyez amoureuses, vous serez heureuses
Located in Henderson, NV
The English title is "Be in Love and You Will Be Happy". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Le Sourire 3
Located in Henderson, NV
This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 4 x 7 1/4 inc...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, Coucher de soleil Forêt de Senonches, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.5 x 9.1 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Paris : Before the Show at Opera - Original Lithograph Handsigned and Numbered
Located in Paris, IDF
Urbain HUCHET Paris : Before the Show at Opera, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 12 x 18 cm (c. 5 x 7 in) Exce...
Category

Late 20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, La route de Mortagne, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.1 x 9.1 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, La Haute Folie, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Unsigned and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.9 x 9.4 inches. Notes: From the album, Vla...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, La meule, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.9 x 9.4 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, La Seine à Chatou, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.9 x 10.2 inches. Notes: From th...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, La Seine à Poissy, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.1 x 9.1 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, La route de Longny, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.25 x 9.5 inches; image size: 7.1 x 9.4 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, Paysage d'hiver, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.25 x 9.5 inches; image size: 6.3 x 8.7 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, Chatou à l'arbre rouge, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.25 x 9.5 inches; image size: 6.7 x 8.3 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, Les Coteaux de Chatou, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.25 x 9.5 inches; image size: 6.7 x 7.9 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Vlaminck, Nature morte au lard, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.1 x 9.4 inches. Notes: From the...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Post-impressionist prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Post-Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Henri Matisse, (after) André Derain, and Maria Bertrán. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist prints and multiples, so small editions measuring 3.55 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $250,000, while the average work sells for $761.

Recently Viewed

View All