Post-Impressionist Prints and Multiples

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Destin (Destiny), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Brazill...

This exquisite lithograph by Andre Derain (1880–1954), titled Tete de Jeune Fille (Head of a Young Girl), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, originates fro...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Etudes, «Histoire de l'Electricite» (Studies, “History of Electricity”), from the folio Lettre a mon peintre Raoul Dufy...

"Vernazza" is an beautiful hand pulled serigraph created from the oil painted on location in Cinque Terre, Italy by Maria Bertran. This Contemporary Impressionist painting captures a...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Nadia Sednaoui (Mrs. Nadia Sednaoui), from the album Portraits par Henri Matisse (Portraits by Henri Matiss...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

'La Bergère Turque' (The Turkish Shepherdess) by Georges Manzana Pissarro (1871-1961) Etching 33.5 x 27 cm (13 ¼ x 10 ¾ inches) Signed lower left, Manzana Pissarro, titled and inscri...

Henri ROUSSEAU (called Le Douanier ROUSSEAU) (after) The meal of the Lion Stone lithograph after a painting Printed signature in the plate Numbered /300 copies On vellum 57 x 75 cm ...

This is an exclusive handprinted limited edition cyanotype. "Serene Cove Ripples" is a gorgeous original cyanotype diptych showing calming sea ripples in a Mediterranean cove. Details: + Title: Serene Cove Ripples + Year: 2022 + Edition Size: 100 + Medium: Handmade Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided + Measurements : 100x140 cm (40 x 55.2 in.) Each paper measures 70x100 cm (28x 40 in.) each, a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...

This exquisite lithograph after Henri Matisse (1869–1954), titled Mademoiselle L.L. (Miss L.L.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...

Medium: lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher,...

HENRI MATISSE 1869-1954 (Emile Benoît) Le Cateau-Cambrésis 1869-1954 Nice (French) Title: Standing Dancer, Leaning, from: Ten Dancers Danseuse debout, accoudée, Dix Danseuses, 1925...

This exquisite lithograph by Fernand Leger (1881–1955), titled Tete et Feuille (Head and Leaf), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, originates from the 1939 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1939. This striking composition epitomizes Leger’s distinct synthesis of mechanical precision and organic vitality. Tete et Feuille demonstrates his fascination with the interplay between geometry and the human figure—translating natural forms into bold, dynamic arrangements of line and color. The juxtaposition of the stylized head and leaf form reveals Leger’s mastery in uniting abstraction with humanism, a hallmark of his mature modernist vision. Through rhythmic design and rich tonal contrast, the work captures the harmony between nature and the machine age that defined much of Leger’s career. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Signed in the plate and unnumbered as issued. The edition reflects the exceptional quality of the Mourlot Freres atelier, renowned for its collaborations with the foremost modern masters of the 20th century. Artwork Details: Artist: Fernand Leger (1881–1955) Title: Tete et Feuille (Head and Leaf), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, 1939 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1939 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, published by Editions de la revue Verve, Paris, 1939 About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a union of art and literature, Verve featured original lithographs and writings by the foremost artists and thinkers of its time, including Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, and Fernand Leger. Each issue represented a collaboration between artists, poets, and master printers, notably Mourlot Freres, whose exceptional craftsmanship brought color lithography to new aesthetic heights. The 1939 double issue, Vol. II, No. 5–6, is among the most distinguished editions, reflecting both the intellectual vigor and artistic experimentation that defined the pre-war Parisian avant-garde. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for $39,241,000 at Sotheby’s, New York, on May 7, 2008. Fernand Leger Tete et Feuille, Leger Verve, Leger Mourlot...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame Matisse (Mrs. Matisse), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

SOLD UNFRAMED Series - Les Lavandières by Lélia Pissarro (B. 1963) Serigraph 38 x 48 cm (15 x 18 ⁷/₈ inches) Signed and numbered Printed in an edition of 300 Artist's Biography: B...

Urbain HUCHET Paris : Notre Dame during Summer, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 19 x 14 cm (c. 7 x 6 in) Exce...

Alfred Defossez Interior scene, 1973 Original lithograph (Mourlot workshop) Handsigned in pencil Numbered / 100 On Japan paper 76 x 54 cm (c. 29,9 x 21,2 inch) Excellent condition

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle J. Leriche (Miss J. Leriche), from the album Portraits par Henri Matisse (Portraits by Henri Matisse)...

Artist: Louis LeGrand (French, 1863-1951) Title: "La Loge (The Lodge)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by LeGrand in the plate (printed signature) l...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Elsa Triolet (Mrs. Elsa Triolet), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie C, var. 3 (Series C, Variation 3), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 7 3/4 x 11 3/...

The English title is "Woman of Royal Blood". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful T...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Regates (Regattas), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originates from t...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le cheval, l'écuyère et le clown (The Horse, the Rider, and the Clown), from Henri Matisse, Jazz, originates from ...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Nadia Sednaoui (Mrs. Nadia Sednaoui), from the album Portraits par Henri Matisse (Portraits by Henri Matiss...

TSUGOUHARU FOUJITA 1886-1968 Edogawa Tokyo 1886-1968 Zurich (French/Japanese) Title: Two Reclining Nudes / Deux Nus Allonges, 1930 Technique: Original Hand Signed and Numbered Etc...

This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 4 1/4 x 7 1/4...

Afternoon Delight Wicker front porch chair and furniture. Framed 19 X 23 image is 13 x 17. Lloyd van Pitterson was born in Jamaica, West Indies. He studied art with Edna Manley...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle A.Nelck (Miss A.Nelck), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), orig...

This lithographic poster illustrates Aristide Bruant who was a famous performer and cabaret owner in Paris at the turn of the 20th century. Lautrec, seizing on Bruant's trademark cos...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled La route (The Road), from the album Vlaminck, originates from the 1958 edition published by Andre Sauret, Editeur...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Près de Beaumont sur Sarthe (Near Beaumont on Sarthe), from the album Vlaminck, originates from the 1958 editi...

Femme qui se peigne - La Coiffureis a color lithograph realized after Henri de Toulouse Lautrec in 1896.  cm. 59 x 46 ; matted. Monogrammed on plate. Good conditions. This specim...

Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Clownesse et cheval (Clowness and Horse), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Paris Book Center, Inc., New York, under the direction and supervision of Andre Sauret, and printed by Mourlot Freres, Paris, this work reflects Toulouse-Lautrec’s incisive observational skill, capturing the theatricality, elegance, and rhythmic grace associated with the spectacle of the circus ballet. In Clownesse et cheval (Clowness and Horse), Lautrec conveys poise and expressive movement through his signature economy of line, expressive contour, and psychological nuance. Executed as a lithograph on velin paper, this work measures 9.25 x 12.125 inches (23.49 x 30.8 cm). Signed in the plate and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: After Henri de Toulouse-Lautrec (1864–1901) Title: Clownesse et cheval (Clowness and Horse), from The Circus of Toulouse-Lautrec, 1952 Medium: Lithograph on velin paper Dimensions: 9.25 x 12.125 inches (23.49 x 30.8 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1952 Publisher: Paris Book Center, Inc., New York; under the direction and supervision of Andre Sauret Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1952 album The Circus of Toulouse-Lautrec, published by Paris Book Center, Inc., New York Notes: Excerpted from the album, This edition of The Circus of Toulouse-Lautrec has been realized and published for Paris Book Center Inc. of New York, under the direction and supervision of Andre Sauretat the presses of Fernand Mourlot in Paris. There has been published of this english edition of The Circus of Toulouse-Lautrec, MD examples, numbered from I to MD. In addition there has been printed, XX examples on Imperial Japon Paper numbered from I to XX, L examples on Special Velin numbered XXI to LXX. About the Publication: The Circus of Toulouse-Lautrec, published in 1952 by Paris Book Center, Inc., under the direction and supervision of Andre Sauret and printed by Mourlot Freres, is one of the most historically significant postwar fine art albums devoted to the artist’s graphic work. The album presents lithographic renderings based on Lautrec’s original drawings and studies, executed with exceptional fidelity to the artist’s gestural clarity, compositional dynamism, and psychological insight. Conceived as a deluxe fine art album, the edition brought together Lautrec’s dynamic portrayals of acrobats, riders, clowns, animal trainers, dancers, and circus performers, offering a vivid window into the spectacle, discipline, and theatricality of the late nineteenth-century circus tradition. Printed at the prestigious atelier Mourlot—renowned for its collaborations with leading modernists—the album reflects a postwar commitment to reviving and preserving the lithographic legacy of master artists. Today, The Circus of Toulouse-Lautrec stands as a landmark in fine art publishing, prized by collectors for its craftsmanship, historical importance, and the rare opportunity it offers to experience Lautrec’s circus imagery in an elegant, carefully supervised edition. About the Artist: Henri de Toulouse-Lautrec (1864–1901) was a French painter, printmaker, draughtsman, and illustrator celebrated for his vivid and empathetic depictions of Parisian nightlife during the Belle Epoque. A master observer of character and movement, Toulouse-Lautrec chronicled the bohemian world of Montmartre—its cabarets, performers, dancers, and cafes—with a revolutionary use of color, composition, and line that redefined both fine art and commercial design. His iconic posters for the Moulin Rouge and other venues not only captured the exuberant energy of modern urban life but also elevated lithography to the level of high art. Despite his physical frailty due to a congenital condition, his creative output was prolific and profoundly influential, shaping the evolution of modern visual culture. Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautrec absorbed and transformed these influences into a bold, modern visual language uniquely his own. He worked and exhibited among many of the most important artists of his time, including Vincent van Gogh, Edgar Degas, Paul Gauguin, Pierre Bonnard, Edouard Vuillard, and Paul Signac, and his work stands in lasting dialogue with the great modern masters who followed—Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kantinsky, Marcel Duchamp, and Man Ray—each of whom shared his drive to reinvent art for the modern age. His paintings, drawings, and lithographs are represented in major museums worldwide, including the Musee dOrsay, the National Gallery, the Tate, and MoMA, where they continue to captivate audiences for their psychological depth and timeless vitality. The highest price ever paid for a Henri de Toulouse-Lautrec artwork is approximately 22.4 million USD, achieved in 2005 at Christies London for La Blanchisseuse (1886–87). Henri de Toulouse-Lautrec lithograph, Lautrec Clownesse et cheval, Toulouse-Lautrec The Circus, Lautrec Sauret edition, Lautrec Mourlot Freres, 1952 Circus album, Lautrec clown lithograph...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Ecuyere de haute ecole (High School Rider), originates from the 1952 album The Circus of Toulouse-Lautre...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Dans les coulisses (Backstage), originates from the 1952 album The Circus of Toulouse-Lautrec. Published...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Travail de panneau (Panel Work), originates from the 1952 album The Circus of Toulouse-Lautrec. Publishe...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Ecuyere de haute ecole (High School Rider), originates from the 1952 album The Circus of Toulouse-Lautre...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Nègre jouant du banjo (Black Man Playing Banjo), originates from the 1952 album The Circus of Toulouse-L...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Un Petit Cob (A Small Cob), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by ...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Amazone (Amazon), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Paris Book...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Le Rappel (The Recall), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Pari...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Ecuyere de panneau (Equestrienne of the Panel), originates from the 1952 album The Circus of Toulouse-La...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Travail sans selle (Work Without a Saddle), originates from the 1952 album The Circus of Toulouse-Lautre...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Voltige (Trick Riding), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Pari...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Au Cafe, Le consommeteur et la cassiere chlorotique (At the Cafe, The Customer and the Anemic Cashier), ...

Artist: Neal Doty (American, born 1941) Title: Man Sitting Year: 1979 Medium: Color serigraph Edition: Numbered 93/135 in pencil Size of image: 32.5 x 24 inches Size of paper: 39.25 ...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Écuyère de haute école (High School Rider), originates from the 1952 album The Circus of Toulouse-Lautre...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Haute Ecole (High School Riding), originates from the 1952 album The Circus of Toulouse-Lautrec. Publish...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Le trapeze volant (The Flying Trapeze), originates from the 1952 album The Circus of Toulouse-Lautrec. P...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Chevaux en liberte (Horses at Liberty), originates from the 1952 album The Circus of Toulouse-Lautrec. P...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Entrée en piste (Entering the Ring), originates from the 1952 album The Circus of Toulouse-Lautrec. Publ...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Travail de lOurs sur (Bear Act), originates from the 1952 album The Circus of Toulouse-Lautrec. Publishe...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Clown dresseur (Trainer Clown), originates from the 1952 album The Circus of Toulouse-Lautrec. Published...