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Post-Impressionist Abstract Prints

POSTIMPRESSIONIST STYLE

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

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Style: Post-Impressionist
'Monterey at Sunset', California Post-Impressionist Landscape
Located in Santa Cruz, CA
A substantial trillium monotype landscape showing a view of the cultivated fields and coastal hills of Monterey County, California bathed in the glow of a radiant sunset. Signed lower left, "Maxon" for John Maxon (American, 20th century) and created circa 1985. Coming from a western tradition in Wyoming, John Maxon developed an expansive view of nature and the spiritual essence it imbued. Moving eventually to the San Francisco Bay area, John’s delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged and, at 16, he began figurative art classes with Howard Brodie. Maxon spent his youthful days painting seriously in the fields behind Stanford University, and was fortunate to be exposed to and to study the works of Nathan Oliviera, Wayne Thiebaud and David Park during those years. He attended San Jose State University, and apprenticed for Sam Richardson...
Category

1980s Post-Impressionist Abstract Prints

Materials

Archival Paper, Monotype

Man Sitting
Located in San Francisco, CA
Artist: Neal Doty (American, born 1941) Title: Man Sitting Year: 1979 Medium: Color serigraph Edition: Numbered 93/135 Size of image: 32.5 x 24 inches Size of paper: 39.25 x 30 inche...
Category

Late 20th Century Post-Impressionist Abstract Prints

Materials

Screen

Original Vintage Henri Matisse Exhibition Poster, The Tate Gallery, 1953
Located in Soquel, CA
Original Vintage Henri Matisse Exhibition Poster, The Tate Gallery, 1953 "The Sculpture of Matisse and Three Paintings with Studies, 9 January - 22 February 1953, The Tate Gallery" ...
Category

1970s Post-Impressionist Abstract Prints

Materials

Paper, Ink, Lithograph

'L'Escargot' Modern Art Colour Lithograph on Wove Paper
Located in Toronto, CA
Signed on the plate by Matisse. From the portfolio ‘Dernières Oeuvres de Matisse 1950-1954’, known as Verve Vol. IX No. 35 & 36. Printed by Mourlot in Paris. Henri Matisse oversaw ...
Category

1950s Post-Impressionist Abstract Prints

Materials

Lithograph

Christ in the Clock, from Chagall - Jacques Lassaigne
Located in Washington, DC
Artist: Marc Chagall Title: Christ in the Clock Portfolio: Chagall - Jacques Lassaigne Medium: Lithograph Year: 1957 Edition: 6,000 Sheet Size: 9" x 7 7/8" Image Size: 9" x 7 7/8" Si...
Category

1950s Post-Impressionist Abstract Prints

Materials

Lithograph

Henri Matisse Loan Exhibition vintage exhibition poster " Beverly Hills
Located in Spokane, WA
Original vintage exhibition poster: HENRI MATISSE EXHIBITION. Linen baked in excellent condition, ready to frame. The background is a flat...
Category

1950s Post-Impressionist Abstract Prints

Materials

Lithograph

Paris School Minaux Matisse Post-Impressionist Still Life Lithograph Flowers
Located in Norfolk, GB
School of Paris Artist, Andre Minaux (Paris 1923-86) Limited Edition 20/20, printed in 7 colours on Japon paper. Sheet size 57" x 38", image size 49" x 32" Signed Bottom right in pencil, editioned in pencil bottom left With a full sheet authenticity certificate, dated 1964 This is a fabulous original Limited Edition Lithograph, completely of its time when artists in Paris were pushing boundaries and trying to bring about new styles. The influence of artists like Matisse can be seen and Minaux was working alongside artists such as Picasso and with Bernard Buffet to reject ideas of Abstract painting. The text that accompanies the lithograph can be seen in the image of the certificate and is in French. The translation that follows on the certificate of Provenance gives an in depth description of this compelling still life: 'It is a singularly balanced art that that of André MINAUX, a typically French painting, made of power of clarity and nobility, in the tradition of our great modern masters as well as those of past centuries. And yet this painting under the hieratic appearance of the attitudes is not a wise painting, but on the contrary terribly dynamic, in which the passion and the virulence of the feelings are contained only by the simplicity and the purity of the forms. Each work of André Minaux is a miracle of balance between bubbling joy; joy of painting, joy of living; which animates the artist, and the voluntary serenity of the colors and volumes by which he translates his vision of beauty and grandeur. André Minaux's painting, full of a life in perpetual becoming, is the great and worthy expression of an art continually in evolution which moves without aggressiveness, but not without struggles, towards its final ends. And this painting, painting of an artist in full possession of all his means, of an extremely solid technique, and of a perfect trade is however that of a young person. Forty-one years is youth for a painter and at this age André Minaux, already recognized as one of the masters of the young French figurative school, has a future as brilliant and promising as behind him a long history of hard work and success. André Minaux is Parisian, born September 5, 1923. Very young he feels attracted to the graphic arts, he prepares and enters the School of Decorative Arts, but pure painting attracts him irresistibly and it is to her that he soon devotes himself exclusively. His young and great talent makes him quickly noticed. He first exhibited at the Salon des Sous de Trente Ans and later at other salons: des Indépendants, d'Automne, then at the Salon de Mai and at the Tuileries. In 1948 first private exhibition in Paris, others will follow in 1951, 1956 and 1957. In the meantime two exhibitions equal ment were devoted to him in London in 1953 and 1957. His last was a very important exhibition in 1963 at the David and Garnier Gallery in Paris. In 1949 at the 'Ecole de Paris', Galerie Charpentier, he had already won the Critics' Prize. Its reputation extends abroad thanks to numerous demonstrations of groups in England, Germany, Australia, Canada, Japon, U.S. A., etc... The Museum of Modern Art in Paris, several museums in the provinces, the Tate Gallery in London, have works by André Minaux, and his paintings can be found in major collections in Paris, London, New York, Tokyo, Stockholm, etc. ... Member of the French engraver painters, André Minaux is a remarkable lithographer, his lithographed work is already very important, he is also a member of the "Comité National du Livre Illustré Français and he has illustrated a certain number of luxury books...
Category

1960s Post-Impressionist Abstract Prints

Materials

Lithograph

Mille Et Une Nuits, lithograph by Henri Matisse
Located in Long Island City, NY
This colorful lithograph by Henri Matisse is based on the famous Thousand and One Nights story collection from the Islamic Golden Ages. Done in Matisse's signature style, the long la...
Category

1950s Post-Impressionist Abstract Prints

Materials

Lithograph

Colorful Cat Face - Transfer Monotype in Water Based Ink on Paper
Located in Soquel, CA
Colorful Cat Face - Transfer Monotype in Water Based Ink on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th...
Category

1990s Post-Impressionist Abstract Prints

Materials

Paper, Monotype, Ink

Whimsically rendered forest scene
Located in Belgrade, MT
Paul Charlot ( French, 1906- 1985) was a French painter and printmaker influenced by the intense use of colors in Fauvism and the whimsical biomorphic abstraction of Matisse. His wor...
Category

Mid-20th Century Post-Impressionist Abstract Prints

Materials

Lithograph

La Peche lithograph (woodcut)
Located in Belgrade, MT
Raoul Dufy was an important multifaceted French artist who worked in a variety of media including painting, print making, mural design, theatre and costume design, upholstery, wall paper, ceramics, and fabric. In his paintings he often depicted the circus, equestrian scenes, Parisian cafe life, yachting scenes, colorful views of the French Riviera, and musical events in a distinctive style that combined the various artistic trends of the day, most notably Fauvism. Born in 1877 in Le Havre France, and after a year of military service in 1900, Dufy won a scholarship to the Ecole Nationale superieure des Beaux-Arts, in Paris, studying under Othon Friesz. He exhibited extensively throughout Paris and France at the various salons, including the Salon des Tuileries. For the 1937 Exposition Internationale in Paris, Dufy completed one of the largest paintings ever conceived, a 250...
Category

Early 20th Century Post-Impressionist Abstract Prints

Materials

Lithograph, Woodcut

Carmen
Located in New York, NY
A very good impression of this color lithograph. Edition of 3000. Printed by Mourlot, Paris. Published by Editions of the Metropolitan Opera, New York.
Category

1960s Post-Impressionist Abstract Prints

Materials

Color, Lithograph

Dors mon amour
Located in New York, NY
A superb impression of this color aquatint. From an unnumbered edition of 280. Printed by Lacouriere, Paris. Published by Vollard, Paris. From "Cirque de l'Étoile Filante." Catalogu...
Category

1930s Post-Impressionist Abstract Prints

Materials

Color, Aquatint

Au Square
Located in New York, NY
A very good impression of this color lithograph. Edition of 2000. Published by "L'Estampe Moderne," Paris, with the blind stamp (Lugt 2790, lower right).
Category

1890s Post-Impressionist Abstract Prints

Materials

Color, Lithograph

L'Aquarium
Located in New York, NY
A very good impression of this color aquatint. Signed and numbered 2/100 in red crayon, lower margin. Published by Maeght, Paris.
Category

1950s Post-Impressionist Abstract Prints

Materials

Color, Aquatint

Klänge
Located in Wilton, CT
Klänge (Sounds) is one of the first examples of an artist’s book and contains both poems and woodcuts by Kandinksy. Of the 25 hors-texte illustrations, 12 are in color and 13 are in...
Category

1910s Post-Impressionist Abstract Prints

Materials

Lithograph

Composition from Derriere Le Miroir - Lithograph after George Braque - 1964
Located in Roma, IT
Composition from Derriere Le Miroir is a splendid lithograph realized after George Braque in 1964 The artwork is from Derriere Le Miroir. La Fondation Marguerite et Aimè Maeght, n.148. Printed by Ateliers de Maeght, Paris, 1964 Special issue of the magazine, published on the occasion of the inauguration of the Marguerite et Aimé Maeght Foundation...
Category

1960s Post-Impressionist Abstract Prints

Materials

Lithograph

L'enfant et les Violons - Fauvist Abstracted Figurative
Located in Soquel, CA
"L'enfant et les violons" - colorful signed original lithography by Theo Tobiasse (Lithuanian, 1927 - 2012). He was born in Israel of Lithuanian parents. Signed lower right. Numbered...
Category

1970s Post-Impressionist Abstract Prints

Materials

Paper, Lithograph

Mother and Child
Located in San Francisco, CA
Artist: Neal Doty (American, born 1941) Title: Mother and Child Year: 1979 Medium: Color serigraph Edition: Numbered 70/300 Paper: Wove Size of image: 32.5 x 24 inches Size of paper:...
Category

Late 20th Century Post-Impressionist Abstract Prints

Materials

Screen

Le Petit Pont ( A Lithograph from Notre Pain Quotidien)
Located in New York, NY
Maurice de Vlaminck (French 1876 - 1958), "Le Petit Pont" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition...
Category

1960s Post-Impressionist Abstract Prints

Materials

Lithograph

Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)
Located in New York, NY
Maurice de Vlaminck (French 1876 - 1958), "Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...
Category

1960s Post-Impressionist Abstract Prints

Materials

Lithograph

Le Bassin ( A Lithograph from Notre Pain Quotidien)
Located in New York, NY
Maurice de Vlaminck (French 1876 - 1958), "Le Bassin" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...
Category

1960s Post-Impressionist Abstract Prints

Materials

Lithograph

Le Loup - Henri Matisse, Jazz, Pochoir prints, Fauvism, Artist's books
Located in London, GB
Pochoir printed in colours, 1947. From: Jazz, Plate VI. From the book edition of 270. Printed on Arches paper by Edmond Vairel, Paris. Published by Teriade, Paris. (Duthuit Livre...
Category

1940s Post-Impressionist Abstract Prints

Materials

Stencil

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Dors mon amour
Located in New York, NY
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Alvar Sunol Pencil Signed Lithograph C.1970s
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Previously Available Items
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Soleil et Lune II
Soleil et Lune II
H 20.25 in W 13.75 in D 1.25 in
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Located in New York, NY
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1890s Post-Impressionist Abstract Prints

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1950s Post-Impressionist Abstract Prints

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Port de pêche
Located in New York, NY
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1940s Post-Impressionist Abstract Prints

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Les Champs Élysées
Located in New York, NY
A very good impression of this color lithograph. From the edition of 1100. From "Pan."
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1890s Post-Impressionist Abstract Prints

Materials

Color, Lithograph

Trois Têtes; À l'amitié (Masques d'Apollinaire, Matisse et Rouveyre)
Located in New York, NY
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Located in New York, NY
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Offset, Color, Lithograph

The Tribe of Judah
Located in Washington, DC
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The Tribe of Judah
The Tribe of Judah
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Post-impressionist abstract prints for sale on 1stDibs.

Find a wide variety of authentic Post-Impressionist abstract prints available for sale on 1stDibs. Works in this style were very popular during the 20th Century, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Maurice de Vlaminck, Neal Doty, Marc Chagall, and (after) Georges Braque. Frequently made by artists working with Lithograph, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist abstract prints, so small editions measuring 8.25 inches across are also available. Prices for abstract prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $110 and tops out at $42,000, while the average work sells for $1,295.

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