Abstract Prints

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XVII Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Observations:...

Black and white figurative abstract lithograph of two naked, crouching figures by California artist "Rico Lebrun," titled "Crouching Figures" and dated 1961. Additional writing on th...

An original lithograph poster by French artist Andre Masson for Exposition de ses œuvres récentes 1962-1968 à la Galerie Louise ......exhibition of the recent ...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Untitled (page 8, 9)" Portfolio: Derrière Le Miroir (No. 149) *Issued unsigned Year: 1964 Medium: Original...

Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that see...

Joanne Greenbaum’s prints are an energetic profusion of overlapping techniques and colors, featuring clusters of architectural forms, irregular shapes, and doodle-like lines. Greenba...

large scale photograph of mesmerizing monochromatic light reflections on water surface SEASCAPE V by Frank Schott 72.5 x 58 inches / 184cm x 147cm signe...

Is it Lawful to Pay Taxes To Caesar shows Caesar as an imposing seated figure taking up three quarters of the image against a white background with a mounted horseman over Caes...

Joan Miró "Le Pitre Rose", 1974 Original etching and aquatint From the edition of 50 on arches paper, hand signed and numbered 9/50. Sheet measures: 55 x...

an homage to Caspar David Friedrich, towering thunder clouds over the Mediterranean Sea, captured with a large format camera to allow epic scale photograph...

Joan Miró "Le Permissionnaire", 1974 Original etching and aquatint From the edition of 50 on arches paper, hand signed and numbered 3/50. Image measures: 45 x 29 inches Sheet measure...

American Yachting Scene is a vibrant explosion of ocean blue , whitecaps and strong yellow slashes to describe the ships sailing to their destination. There is an insert of a Currier and Ives print of sailing ships that Dali used as his inspiration. This original lithograph is from the series “The World Of Currier...

The Lobsters Quadrille is from Lewis Carroll's Alice's Adventures in Wonderland as interpreted by Salvador Dali and published by Maecenas ( a Random House imprint) 1969 and is from the portfolio of one signed etching in colors and 12 heliogravures with remarque, hors-texte, title page, and text. The frontis page etching is signed in pencil by the artist. The Lobsters Quadrille is in excellent condition. It is a limited Edition 764/2500 signed in the plate by Dali on Mandeure paper. Photogravure, also known as heliogravure, is a complex intaglio printing process that photographically transfers an image to a plate and then to the page. After the image has been transferred to the plate, it is then etched onto it before being printed onto paper. The results are of incredibly high-quality.photogravure in its mature form was not developed until the late 1870s by Czech painter Karel Klíč. He first included pigment paper in the process of photo technical transfer in 1879 and is regarded as the inventor of photogravure process.There are two steps to the process. Firstly, a copper plate is coated with a light-sensitive gelatine tissue which is then exposed to the light from a photographic image. The gelatine hardens where the light falls, and remains soft where light doesn’t. Following this step, the plate is etched down to different depths according to the hardness of the gelatine. The result of this is a highly defined intaglio plate that can reproduce in great detail the tones of the original photographic image. The printing plate is etched to a different depth according to the finest tonal values, which can be printed after removal of the remaining gelatine using the gravure printing process. Salvador Domingo Felipe Jacinto Dalí i Domènech...

From a series of large scale abstract photographs of muted color monochromatic ocean water surface and cloudscapes SEASCAPE IV by Frank Schott an homage t...

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O l by Erik ...

Green and blue tonal architectural landscape of a cathedral. The work is signed, titled, and dated by the artist. It is framed in a gold frame with a white matte. Paul Sprohge is a H...

Stunning, vivid non-objective abstract screen print titled "Barnabas' Voyage State 2" by Michael Gallagher (American, b. 1945). Signed and numbered lower left corner. Ink on paper using unique bleed screening process. #10/20. Unframed. Size 49"H x 37"W. Shipped in tube. Born 1945 in Los Angeles, California. In 1965 Gallagher attended UCLA and studied painting and drawing with David Hockney, Alfred Leslie, Jan Stussy, Sam Amato & Richard Diebenkorn. Michael has studied painting with Edgar Ewing and Keith Crown...

mesmerizing large scale capture of a strikingly abstract water surface WAVE II by Christian Stoll 48 x 48 inches (122 x 122cm) signed edition of 7 5...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the bo...

WALLSCAPE IV by Frank Schott from a series of photographic observances capturing urban textures and wallscape color palettes 48 x 72 inches / 122cm x 182...

DE YOUNG by Frank Schott an hommage to the architectural details of Herzog DeMeuron's famous de Young Museum in San Francisco's Golden Gate Park 29 x 40 in...

Artist: Sewell Sillman (American, 1924-1992) Title: "I-S #1" *Signed and dated by Sillman in pencil lower right Year: 1968 Medium: Original Screenprint on unbranded heavy white wove ...

Solidly grounded in Abstract Expressionist tradition, process-oriented painter Thomas Nozkowski’s method is predicated on relinquishing the idea of an end result. To highlight this, ...

large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations, an homage to the photo realistic ...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

Lithograph from a stone printed in sepia and green, with hand colouring in two shades of blue gouache. On Velin Arches mould-made paper (300 gsm) Signed and dated 77 in pencil, lower...

Artist: (after) Robert Indiana (American, 1928-2018) Title: "Louisiana Museum of Modern Art (LOVE)" Year: 1972 (First edition) Medium: Original Screenprint, Exhibition Poster on heav...

Lithograph from five zinc plates, using tusche and crayon with splatter, printed in red, orange, green, black, and pink. On J Green paper (250 gsm) Signed, numbered and dated '68 in ...

Artist: Gene Davis (American, 1920-1985) Title: "Homage to Barnett Newman" *Signed and dated by Davis in pencil lower right Year: 1979 Medium: Original Screenprint on unbranded soft-...

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O IV by Erik...

Roy Lichtenstein Kiss II, Reversible Beach Blanket/Towel, 2013 Cotton Terry LARGE: 59 × 70 × 3/10 inches Limited Edition of 1000 (unnumbered) Brand New ...

large format photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic ...

From Christian Stoll's body of works BURST (2015), an abstract exploration of high speed photographs capturing mesmerizing explosions of caleidoscopic color 48 x 72 inches (122 x 18...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Galerie Maeght" Year: 1964 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer...

Ed Ruscha America Needs Hart (Hand Signed), 1983 Offset lithograph (Hand signed by Ed Ruscha) 36 inches (vertical) x 24 inches (horizontal) Boldly signed in marker by Ed Ruscha on th...

The glittering contemporary pop-art ‘Colour Chart’ by Damien Hirst is a study of “pinning down the joy of colour” - a concept that began in the 1980s with his iconic ‘Spot Series’ pa...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** "America" is a unique eagle design by Mauro Oliveira. This exquisite...

Wild Pastels (XL) by Lee Herring [2021] original Mixed Media Image size: H:96 cm x W:98 cm Complete Size of Unframed Work: H:96 cm x W:98 cm x D:0.1cm Sold Unframed Please note that...

Artist: Joan Miró (Spanish, 1893-1983) Title: "Untitled (page 20, 21)" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Issued uns...

From Christian Stoll's body of works BURST (2015), an abstract exploration of high speed photographs capturing mesmerizing explosions of caleidoscopic color 27 x 40 inches (68 x 102...

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Untitled (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Mediu...

Monochromatic abstract figurative etching by Spanish painter Jorge Castillo. The piece depicts an abstract landscape overlooking an empty view from what appears to be a cave. Figures...

Red and blue linear print that is signed by Marianni. The work is similar to the style of famous artist Bernett Newman who painted strickly colorful paintings with a "zip" that broke...

80 x 94 cms (31.5 x 37 ins) Edition of 100

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Executed in 1949 and issued as the frontispiece of the Picasso Lithograph...

Artist: Gene Davis (American, 1920-1985) Title: "Royal Curtain" *Signed by Davis in pencil lower right Year: 1980 Medium: Original Screenprint on Arches paper Limited edition: 250, (the number may differ from what is shown in the photos) Printer: Alpha Omega...

Chryssa Chinatown - 1979 Print - Serigraph   38.5'' x 31'' inches Edition: Signed in pencil and marked 204/250 Chryssa, (born Chryssa Vardea Mavomichal...

Jean-Michel Basquiat, Annina Nosei Gallery, New York, 1982: Rare Basquiat announcement card published by Annina Nosei Gallery to advertise the release of ‘Basquiat Anatomy’ (a suite ...

After Maurits Cornelis Escher (Dutch, 1898–1972) Sky and Water II Printed vinyl A 1960s copy of the 1938 original 21 x 17 in. (53.5 x 43 cm.) t...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°10, 1958. Published and printed under the direction of Gualt...

FACE OF THE NIGHT (For Octavio Paz) is a limited run lithograph exhibition poster printed in multiple colors using traditional hand lithography techniques (not a photo reproduction) ...

ETERNAL CITY JERUSALEM by the Israeli artist Moshe Castel (1909-1991) is a unique, unsigned Trial Proof from a limited edition etching, hand printed using traditional intaglio printmaking techniques on archival Arches paper 100% acid free. ETERNAL CITY JERUSALEM presents a deep red and orange brown ochre colored stone tablet...

In early February, running hares can be seen locally as they compete for females. They are huge and fast as they run across the fields. they form a frequent entertainment and have in...

Image dimensions: 15 x 9.5 cm. Drapery is an original color serigraph on paper, realized around the 1970's by a German artist, whose signature is hard to read. Signed in pencil on ...

SALE ONE WEEK ONLY Title: Figures Portfolio: 1978 Surrealist Medium: Lithograph on Arches 88 paper Edition: 38 Sheet Size: 31 7/16" x 23 1/2" Image Size: 23 1/2" x 15 1/4" Signature: Hand signed in pencil Reference: Corlett 156 Printed by Gemini G.E.L. printers out of Los Angeles. Roy Fox Lichtenstein was an American pop artist. During the 1960s through the 90’s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Most of Lichtenstein's best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965. Lichtenstein's Still Life paintings, sculptures and drawings, which span from 1972 through the early 1980s, cover a variety of motifs and themes, including the most traditional such as fruit, flowers, and vases. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Wham!, and Drowning Girl Look Mickey proved to be his most influential works. His most expensive piece is Masterpiece which was sold for $165 million in January 2017. Lichtenstein received both his Bachelors and Masters at Ohio State University, Columbus, Ohio where he taught for ten years. In 1967, he moved back to upstate New York and began teaching again. It was at this time that he adopted the Abstract Expressionist style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into is abstract works. In 1960, he started teaching at Rutgers University where he was heavily influenced by Allan Kaprow, who was also a teacher at the university. This environment helped reignite his interest in Proto-pop imagery. In 1961, Lichtenstein began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. This phase would continue to 1965, and included the use of advertising imagery suggesting consumerism and homemaking. His first work to feature the large-scale use of hard-edged figures and Ben-Day dots was Look Mickey (1961), National Gallery of Art, Washington, D. C.) This piece came from a challenge from one of his sons, who pointed to a Mickey Mouse comic book and said; "I bet you can't paint as good as that, eh, Dad?" In the same year he produced six other works with recognizable characters from gum wrappers and cartoons. It was at this time that Lichtenstein began to find fame not just in America but worldwide. He moved back to New York to be at the center of the art scene in 1964 to concentrate on his painting. Lichtenstein used oil and Magna (early acrylic) paint in his best known works, such as Drowning Girl (1963), which was appropriated from the lead story in DC Comics’ Secret Hearts No. 83, drawn by Tony Abruzzo. (Drowning Girl now hangs in the Museum of Modern Art, New York.) Drowning Girl also features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks completely different, but the nature of putting down lines pretty much is the same; mine just don't come out looking calligraphic, like Pollock’s or Kline’s. Rather than attempt to reproduce his subjects, Lichtenstein's work tackled the way in which the mass media portrays them. He would never take himself too seriously, however, saying: "I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art.” When Lichtenstein's work was first exhibited, many art critics of the time challenged its originality. His work was harshly criticized as vulgar and empty. The title of a Life magazine article in 1964 asked, "Is He the Worst Artist in the U.S.?" Lichtenstein responded to such claims by offering responses such as the following: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument.” In 1969, Lichtenstein was commissioned by Gunter Sachs to create Composition and Leda and the Swan, for the collector's Pop Art bedroom suite at the Palace Hotel in St. Moritz. In the late 1970s and during the 1980s, Lichtenstein received major commissions for works in public places: the sculptures Lamp (1978) in St. Mary's, Georgia; Mermaid (1979) in Miami Beach; the 26 feet tall Brushstrokes in Flight (1984, moved in 1998) at John Glenn Columbus International Airport; the five-storey high Mural with Blue Brushstroke (1984–85) at the Equitable Center, New York and El Cap de Barcelona (1992) in Barcelona. In 1994, Lichtenstein created the 53-foot-long, enamel-on-metal Times Square Mural in Times Square subway station. In 1977, he was commissioned by BMW to paint a Group 5 Racing Version of the BMW 320i for the third installment in the BMW Art Car Project. The DreamWorks Records logo was his last completed project. "I'm not in the business of doing anything like that (a corporate logo) and don't intend to do it again," allows Lichtenstein. "But I know Mo Ostin and David Geffen and it seemed interesting. In 1996 the The National Gallery of Art in Washington, D.C. became the largest single repository of the artist's work when Lichtenstein donated 154 prints and 2 books. The Art Institute of Chicago has several important works by Lichtenstein in its permanent collection, including Brushstroke with Spatter (1966) and Mirror No. 3 (Six Panels) (1971). The personal holdings of Lichtenstein's widow, Dorothy Lichtenstein, and of the Roy Lichtenstein Foundation number in the hundreds. In Europe, the Museum Ludwig in Cologne has one of the most comprehensive Lichtenstein holdings with Takka Takka (1962), Nurse (1964), Compositions I (1964), besides the Frankfurt Museum fur Modern Kunst with We Rose Up slowly (1964), and Yellow and Green Brushstrokes...

Gorgeous aquatint in reds and oranges by Piero Dorazio (Italian 1927-2005). This aquatint is on heavy "Umbria" Fabriano paper. It is signed and dated 1964 in the lower margin in penc...

MARIA STELMASZCZYK (born in 1983) Studies at the Faculty of Graphic Arts and Painting Laboratory of Woodcut Techniques and Artistic Book at the Academy of Fine Arts Władysław Strzemi...

This limited edition print is based on the GA1222 painting from the "Geometric Abstraction" series. Details: - Giclée print on Fine Art Paper Hahnemühle Photo Rag Archival 100% cott...