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1910s Abstract Prints

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Period: 1910s
Paul Klee, Garten Der Leidenschaft (Garden of Passion)
Located in New York, NY
Kornfeld 56. 50 published with the book Expressionismus Die Kunstwende, 1918, in addition to 54 earlier impressions. Signed and titled in pencil in bottom margin under image.
Category

Modern 1910s Abstract Prints

Materials

Etching

Klänge
Located in Wilton, CT
Klänge (Sounds) is one of the first examples of an artist’s book and contains both poems and woodcuts by Kandinksy. Of the 25 hors-texte illustrations, 12 are in color and 13 are in...
Category

Post-Impressionist 1910s Abstract Prints

Materials

Lithograph

'Improvisation 7' original first ed. woodcut from 'Klänge' by Wassily Kandinsky
Located in Milwaukee, WI
The present woodcut print comes from 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. This first edition was released in an edition of 300, each book signed and numbered by the artist. The title of the album and this particular print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond. 7.5 x 5 inches, image 22 x 19.5 inches, frame Woodcut in black ink on laid paper (watermark Van Gelder Zonen) Signed with encircled 'K' in the block, lower right Framed to conservation standards using 100 percent acid free archival materials including silk-lined matting with 1/4 inch bevel, museum glass, and a gold-gilded moulding Ref. Roethel 124 The Museum of Modern Art described 'Klänge (Sounds)' as follows: Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book. Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac...
Category

Blue Rider 1910s Abstract Prints

Materials

Woodcut

Invocation
Located in New York, NY
M a x W e b e r – – 1 8 8 1 – 1 9 6 1 Invocation- – 1919-20, Color Woodcut. Rubenstein 27. Proofs only. Signed in pencil. Image size 3 3/4 x 2 1/8 inches (124 x 54 mm); sheet size ...
Category

Cubist 1910s Abstract Prints

Materials

Woodcut

Etching 1916 Number II
Located in New York, NY
Wassily Kandinsky (1866-1944), Etching 1916 Number II, drypoint, signed in pencil lower right, titled, numbered (No. 9) and dated lower left [also with initials and date in the plate lower right]. Reference: Roethel 154, only state, edition of 10. In excellent condition (the barest handling fold at sheet edge), printed on a heavy ivory wove paper, the full sheet with full margins, 4 7/8 x 3 1/4, the sheet 17 1/2 x 13 inches, archival mount with window mat. A fine fresh impression of this great rarity, printed in a dark brown ink. Kandinsky created this drypoint (erroneously named Etching 1916) in early 1916 while staying with Gabriel Munter in Stockholm during the winter of 1915-16. This is from the second series of drypoints he made; the first was in the year 1913-14. Provenance: Kornfeld Auction, Bern, June 2007. The tiny size of this edition (10) makes this print a great rarity within the Kandinsky’s printed...
Category

Abstract 1910s Abstract Prints

Materials

Drypoint

The Small Mechanical Workshop
Located in London, GB
JACQUES VILLON 1875-1963 (Gaston Duchamp) Damville 1875-1963 Paris (French) Title: The Small Mechanical Workshop Le petit atelier de mécanique, 1914 ...
Category

Cubist 1910s Abstract Prints

Materials

Etching

'Improvisation 7' second ed. woodcut from 'Klänge' by Wassily Kandinsky
Located in Milwaukee, WI
'Improvisation 7' second ed. woodcut from 'Klänge' is a woodcut print created by Wassily Kandinsky. The present woodcut print comes from the second edition of 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. The title of the album and of this print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond. Originally carved and printed in 1911, this second edition print was done ca. 1938. It is a woodcut in black ink on woven paper. Signed with encircled 'K' in the block, lower right (from the book, signed in ink, ed. 117/300) Image Size: 7 1/2" x 5 inches Frame Size: 22 1/4" x 18 3/4" Ref. Roethel 124 Artist Bio: The Museum of Modern Art described 'Klänge (Sounds)' as follows: Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book. Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac...
Category

Blue Rider 1910s Abstract Prints

Materials

Woodcut, Laid Paper

Une Mère et Deux Enfants
Located in New York, NY
A very good, dark and evenly-printed impression of this scarce lithograph on cream laid paper. From the edition of approximately 50.
Category

Impressionist 1910s Abstract Prints

Materials

Laid Paper, Lithograph

Adoration of the Magi / - The Rider of the Sun -
Located in Berlin, DE
Walter Helbig (1878 Falkenstein - 1968 Ascona), Adoration of the Magi, 1918. Hand-colored linocut, 30 cm x 22.5 cm (depiction), 50 cm x 35 cm (sheet size), signed “W.[alter] Helbig” in pencil lower right, inscribed “Adoration of the Magi” lower left and dated “1918”. Below this a handwritten dedication “with heartfelt Christmas greetings”. - Paper somewhat darkened and with slight creases, thumbtack holes in the corners - The Rider of the Sun - The 'apocalypse' of World War I brought about a return to sacred art. Walter Helbig belonged to the circle of the 'Brücke' and the 'Blauer Reiter'. With his reinterpretation of religious themes in an expressionist formal language, Helbig shaped an avant-garde neo-sacred art. This is symbolically expressed in the silhouette of the rider against the sun-like yellow background. It refers to the awakening initiated by the Blue Riding, which is now linked back to the sacred. The rider and horse "look" at Mary and the Christ Child, who occupy the entire field. Opposite them are the three kings, the eldest of whom kneels before Christ and offers him a gold-filled casket. The expressionist lines give rise to a tower that rises into the "sun", so that the gift has become a Gothic church, expressing the hope that the fallen world will be resurrected in the name of Christ. This dimension of meaning is emphasized by the magical effect of the color scheme. About the artist In 1895, Walter Helbig began studying at the Dresden Academy of Art, where he became friends with the future Brücke artist Otto Müller, with whom he lived in Dresden from 1903 to 1905. While studying in Italy from 1897 to 1899, he met Arnold Böcklin and Adolf von Hildebrand. After completing his studies, he first worked for Otto Gussmann, painting churches. From 1905 to 1909 he worked as a freelance painter in Hamburg. In 1909, through the mediation of Otto Müller, Helbig made the acquaintance of artists from the 'Brücke'. In 1910 he exhibited at the founding exhibition of the Berlin 'Neue Sezession'. In the same year, he moved to Switzerland, where, together with Hans Arp and Oscar Lüthy, he founded the 'Moderne Bund' in Weggis, to which Cuno Amiet and Giovanni Giacometti also belonged. At the second exhibition of the 'Moderne Bund' in Zurich in 1911, Henri Matisse and Robert Delaunay were represented alongside artists from the 'Blauer Reiter'. In 1913, Helbig traveled to Paris with Arp and Lüthy. After the dissolution of the 'Moderne Bund', Helbig was represented at the first Dada exhibition in Zurich in 1914. In 1919, he joined the Berlin 'Novembergruppe'. After the devastation of World War I, Helbig turned increasingly to religious themes in his work. In 1924, like many other artists of his time, he moved to Ascona for financial reasons, where he became a naturalized citizen in 1938. There he founded the artists' association "The Great Bear", to which Marianne von Werefkin...
Category

Expressionist 1910s Abstract Prints

Materials

Paper

Edith Schiele mit Hund Lord - Original Lithograph After Egon Schiele
Located in Roma, IT
This lithograph from the portfolio "Egon Schiele" is a reproduction of "Edith Schiele mit Hund Lord", an original artwork realized by Egon Schiele in 1917. The portfolio, that includ...
Category

Modern 1910s Abstract Prints

Materials

Lithograph

The Mother / - Violated Motherhood -
By Georg Tappert
Located in Berlin, DE
Georg Tappert (1880 Berlin - 1957 Berlin), The Mother, 1918 (1964). Estate print from 1964. Linocut on Japan, 31.5 cm x 20 cm (image), 44.5 cm x 28 cm (sheet size), marked lower left...
Category

Expressionist 1910s Abstract Prints

Materials

Paper

Alea Iacta Est - Etching by Benito (Edmond Garcia) - 1914
Located in Roma, IT
Alea Iacta Est is an original etching realized in1914 by Benito (Edmond Garcia, 1891-1961). Good condition. Edition 29/50 The artwork is depicted through strong strokes in a well-b...
Category

Modern 1910s Abstract Prints

Materials

Etching

Bílé rytmy na černém, Modern Woodcut by Frantisek Kupka
Located in Long Island City, NY
Frantisek Kupka, Czech (1871 -1957) - Bílé rytmy na černém, Year: 1912, Medium: Woodcut on gray wove paper, signed in the plate and stamp signed, Image Size: 10 x 16 inches, Size:...
Category

Modern 1910s Abstract Prints

Materials

Woodcut

La Cavallerizza
Located in Roma, IT
"La Cavallerizza" is an original xylograph realized by Arturo Martini in 1914. Title and signature printed on the lower margin. Very good condition. Passepartout included : 55 x 44....
Category

Modern 1910s Abstract Prints

Materials

Woodcut

Portrait of Woman
Located in Roma, IT
This very rare xylograph is in excellent conditions. Title and signature printed on the lower margin. The artist used the name of his mother "Martini de la Valle". Passepartout included : 55 x 45 cm Image Dimensions : 30 x 24.5 cm Arturo Martini (1889-1947) was an Italian sculptor. He studied ceramics in Faenza and sculpture in Treviso. His copious artistic production is characterized by immediate plasticity, halcyon inventiveness, and thorough mastery of all technical processes: stone, bronze, terracotta...
Category

Modern 1910s Abstract Prints

Materials

Woodcut

Le Blessé dans la Tranchée (variante 1) - Original Etching and Drypoint
Located in Roma, IT
Hand signed. Edition of 75 prints.Original Prints. From the suite: “Huit Illustrations de Guerre”. Image Dimensions : 16.5 x 11 cm This artwork is shipped from Italy. Under existing...
Category

Modern 1910s Abstract Prints

Materials

Drypoint

"Verre et Journal" [Glass and Diary]
Located in Astoria, NY
Georges Braque (French, 1882-1963), "Verre et Journal" [Glass and Diary], Lithograph in Colors, 1914, signed in pencil lower right, numbered edition "146 / 300" and "Maeght Editeur /...
Category

Modern 1910s Abstract Prints

Materials

Paper, Lithograph

Le Petit Équilibriste
Located in London, GB
JACQUES VILLON 1875-1963 (Gaston Duchamp) Damville 1875-1963 Paris (French) Title: Le Petit Équilibriste, 1914 Technique: Original Hand Signed and Numbered Etching with full m...
Category

Cubist 1910s Abstract Prints

Woolworth Building, No. 2
Located in New York, NY
A superb, richly-inked impression of this extremely scarce etching and drypoint. Second state (of 2). Edition of approximately only 10. Signed in pencil by Marin. Published by Alfred...
Category

Modern 1910s Abstract Prints

Materials

Drypoint, Etching

The Broad Curtain
Located in New York, NY
A superb, richly-inked impression of this very scarce lithotint on Japan paper. Edition of approximately 55. Signed with the artist's cypher in pencil, lower right.
Category

American Impressionist 1910s Abstract Prints

Materials

Lithograph

Junger Fürst und Tänzerinnen
Located in New York, NY
A superb impression of this extremely scarce etching and aquatint. First state (of 2), before the darkened background. Edition of approximately only 11. Signed in pencil. This etch...
Category

Expressionist 1910s Abstract Prints

Materials

Etching, Aquatint

Der Mord II (Liebespaar II)
Located in New York, NY
A superb, richly-inked impression of this very scarce, important German Expressionist lithograph on smooth, cream wove paper. Edition of approximately only 20. Signed in pencil. Publ...
Category

Expressionist 1910s Abstract Prints

Materials

Lithograph

Blumen in Vase
Located in New York, NY
Color woodcut on Japan paper. Signed, numbered 1/30 and inscribed by the artist.
Category

Impressionist 1910s Abstract Prints

Materials

Color, Woodcut

La Fumée du Bateau
Located in New York, NY
A very good impression of this color drypoint and aquatint. Third state (of 3). Edition of 150. Signed and inscribed "No. 25" in pencil, lower right.
Category

Impressionist 1910s Abstract Prints

Materials

Color, Drypoint, Aquatint

Russian Ballet.
By David Bomberg
Located in New York, NY
BOMBERG, David. Russian Ballet. With 6 original color lithographs by David Bomberg. London; Hendersons. [The Bomb Shop] 1919. 8 3/8 x 10 1⁄2 Inches, 8 ...
Category

Abstract 1910s Abstract Prints

Materials

Lithograph

Bílé rytmy na černém II, Abstract Woodcut on Rice Paper by Frantisek Kupka
Located in Long Island City, NY
Bílé rytmy na černém II Frantisek Kupka, Czech (1871–1957) Date: 1912 Woodcut on handmade rice paper, signed in the plate and stamp signed Image Size: 10 x 16 inches Size: 15 x 22.75...
Category

Abstract Expressionist 1910s Abstract Prints

Materials

Rice Paper, Woodcut

Scene for a Fairy Tale
Located in New York, NY
WADSWORTH, Edward. Scene for a Fairy Tale, ca 1918. Woodcut printed in black on cream wove paper, Signed in pencil (which is rare for a Wadsworth rarely signed his woodcuts). Ref: Colnaghi 126. [Exhibited as Untitled Abstract] Edward Wadsworth was an English artist, most famous for his close association with Vorticism. He painted, often in tempera, coastal views, abstracts, portraits and still-life. He was also an engraver on wood and copper. In the First World War he was involved in transferring dazzle camouflage...
Category

Abstract 1910s Abstract Prints

Materials

Woodcut

Allerheiligen- All Saints Day.
Located in New York, NY
KANDINSKY, Wassily. Allerheiligen- All Saints Day. Original three-color woodcut (red, yellow ochre, blue – with olive green). 1911. Signed with the monogram...
Category

Blue Rider 1910s Abstract Prints

Materials

Woodcut

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Located in Long Island City, NY
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Located in Brooklyn, NY
This is a reproduction of First Disk by Robert Delaunay, presented as a rare exhibition poster from the Collection of European Masters series, published by Achenbach Editions for the...
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First Disk
H 39 in W 27.5 in D 0.1 in
'Femme Cubiste, 1914' — Artist signed lithograph, after the Cubist Masterpiece
Located in Myrtle Beach, SC
Jacques Villon, 'Femme Cubiste, 1914', color lithograph, edition 175, Ginestet/ Pouillion App. 68. Published by Henri Deschamps Lithographers, Paris, in 1962 after the famed cubist p...
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Profond Aujourd'hui by Blaise Cendrars
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Located in New York, NY
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Cubist 1910s Abstract Prints

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Located in New York, NY
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American Modern 1910s Abstract Prints

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Located in New York, NY
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Rondanini Gallery Vintage Poster - Original Offset Print - 1976
Located in Roma, IT
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Dancing Nudes
Located in Fairlawn, OH
From: Woodcuts and Linoleum Blocks by Max Weber (32 plates) Unsigned individual print(s), The book signed in ink on the limitation page (a photocopy included with purchase) Publishe...
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Figure
Located in Fairlawn, OH
Unsigned (as usual for this edition) From: Woodcuts and Linoleum Blocks by Max Weber (32 plates) Unsigned individual print(s), The book signed in ink on the limitation page (a photocopy included with purchase) Publisher: Weyhe Gallery, New York, 1956 Printer: The Spiral Press Edition: 225 Heavily inspired by Picasso, his friend and mentor Note: Many of the images are influenced by Picasso, Matisse, Gauguin and other important European artists of the time. He was a friend and advocate of Henri Rousseau, along with Picasso. He exhibited at Stieglitz’s 291 Gallery. Weber’s work was admired and collected by the famous photographers, Alvin Langdon Coburn...
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Figure
H 4.125 in W 1.75 in
Jungster Tag
Located in Fairlawn, OH
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Simulacrum of Pierrot
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