Abstract Prints

Le Corbusier (Charles-Edouard Jeanneret, Swiss/French, 1887-1965), "Chute de Barcelone" [The Fall of Barcelona], Lithograph in Colors on Wove Paper, 1960, from "Cortege." Unsigned,...

Original Absolut Vodka Absolument vintage exhibition poster. Archival linen backed invery good condition, ready to frame. Like most Warhol artwork, this is very vibrant and colorful. This 1994 poster was used for the exposition of contemporary artists at Galerie Lauvigne in Paris. Andy Warhol...

Marc CHAGALL Couple with a goat Original stone lithograph (atelier Mourlot) Edition size: 3,000 (plus the signed and numbered edition of 50 with larger margins) Unsigned On light ve...

Pablo Picasso (after) "Femme Couchee" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 296/500 lower left From the estate of Pablo Pica...

This artwork "Untitled" 1986 is a large original color screen print on Wove paper by noted American abstract expressionist artist Robert Natkin, 1930-2010. IOt is hand signed, dated ...

"Homage to the Square - Portfolio 2, Folder 5, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

This exquisite lithograph by Victor Vasarely (1906–1997), titled Projet de tapisserie (Tapestry Design), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originat...

Nick Thomm 'After Dark' (Blue) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #106 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW...

This original lithograph in colours is hand signed in pencil by the artist "Miró" at the lower right corner. It is also hand numbered in pencil 51 from the edition of 75, at the lowe...

Artist David Shrigley (British, b. 1968) Title: Art Will Save the World Year: 2019 Medium: 25 colour screenprint with a varnish overlay on Somerset Satin Tub sized 410 gsm paper Shee...

This exquisite lithograph and pochoir by Sonia Delaunay (1885–1979), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 7 (double), Juin 1956, originates fr...

Limited edition 'Pinocchio' screen print by Pop Art icon, Jim Dine (b. 1935) Published by Lincoln Center for the Performing Arts 41 x 29.5 inches in black frame Seven color screen ...

Joa Miro's rendering of a harpie, a creature with the head of a woman and the body of a bird, features minimal line and color but reflects the Surrealist style of the artist. La Ha...

A colorful geometric silkscreen print by American artist Sol LeWitt (1928-2007). LeWitt was born in Hartford, Connecticut, and attended Syracuse University where he studied tradition...

Artist: Josef Albers (German-American, 1888-1976) Title: "Variant II" Portfolio: Ten Variants *Unsigned edition Year: 1967 Medium: Original Screenprint on Rives BFK paper Limited edi...

This exquisite lithograph by Paul Guiramand (1926–2007), titled Le port de New York (The Port of New York), from the album Prints from the Mourlot Press, exhibition sponsored by the ...

Composition Fond Bleu By Henri Matisse 1996 Medium: Offset Lithograph Paper Size: 39.25 x 27.5 inches ( 100 x 70 cm ) Image Size: 34.5 x 21.75 inches ( 88 x 55 cm ) Edition Si...

23-colour screenprint on Arches 88 paper Edition 37 of 68 + 14 AP's Signed, numbered, dated and blindstamped by publisher on the front (Gemini G.E.L.) Excellent, with minor loss of s...

Arman (November 17, 1928 – October 22, 2005) was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or...

This limited edition abstract landscape print by artist Ned Martin depicts an abstracted forest with deep blues and vibrant orange hues. Tree trunks are visible spanning the width of...

Artist: Donald Saff, American (1937 - ) Title: Untitled - O Year: 1980 Medium: Etching, signed and numbered in pencil Edition: AP Image Size: 24 x 18.5 inches Size: 30 in. x 2...

ED: 22/60 Work on paper Golden wooden frame with glass pane

Mr. Brainwash Secret Admirer (Red), 2013 4-color screenprint on hand-torn archival art paper 22 1/2 × 22 1/2 in 57.2 × 57.2 cm Edition of 70 Hand-signed by the artist on the fromt,...

Paris: Mourlot Press, 1964. Lithograph in colors on Velin d’Arches paper, 6 3/4 x 10 inches (170 x 253 mm), full margins. Published by Fernand Mourlot and Jean Adhemar, 1964. In ver...

This is a rare, two-sided mass card from Andy Warhol's memorial mass, which was held on April 1, 1987 at St. Patrick's Cathedral in New York. The front of the card depicts Warhol's 1...

This exquisite lithograph by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Moderne du Lion, Paris, this composition embodies Chillida’s exploration of form, balance, and spatial tension. In Sans titre, the artist distills his sculptural sensibility into a two-dimensional plane, using the language of gesture and contrast to evoke mass, gravity, and void. The work exemplifies Chillida’s poetic approach to abstraction, where line and density coexist in perfect equilibrium. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm). As issued, it is signed in the plate and unnumbered, consistent with the authorized publication format. The edition captures Chillida’s mastery of minimal means to achieve monumental expression, extending the spatial dialogue that defines his sculpture into the medium of print. Artwork Details: Artist: Eduardo Chillida (1924–2002) Title: Sans titre (Untitled), from Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght), 1982 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1982 Publisher: Maeght Editeur, Paris Printer: Imprimerie Moderne du Lion, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1982 folio Derriere le Miroir, No. 250, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), This special issue of Derriere le Miroir was designed and defined by Aime Maeght in the fall of 1980. He envisioned its publication as a celebration with which artists and writers published since 1946 were to be associated. He also chose Francois Chapon, president of the Reverdy Committee, to write the presentation. This Derriere le Miroir number 250 took the form, after its disappearance on September 5, 1981, of a tribute to Aime Maeght and his wife Marguerite Maeght who died four years earlier. 24 artists agreed to create an original graphic work for this issue which includes the general table of all issues as well as excerpts from texts by 32 writers. Finished printing on June 2, 1982 on the presses of the l'Imprimerie moderne du Lion in Paris. CL examples were printed on velin d'Arches, numbered from I to CL, and some non-commercial examples constituting the original edition. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Eduardo Chillida (1924–2002) was a Spanish Basque sculptor and printmaker internationally celebrated for his monumental abstract works that explore the interplay between form, space, and material. Renowned for his mastery of iron, steel, stone, and concrete, Chillida created sculptural compositions that evoke both architectural strength and poetic balance, reflecting his lifelong dialogue between the physical and the spiritual. Emerging in postwar Europe, his art stands alongside that of the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose revolutionary approaches to form and perception shaped 20th-century art. Chillida’s work embodies a profound sense of harmony, rooted in the landscapes and philosophies of his native Basque Country, while maintaining a universal resonance. Exhibited internationally and collected by major institutions including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, his sculptures and works on paper continue to command global acclaim. The highest price ever paid for an Eduardo Chillida artwork is approximately $4.1 million USD, achieved in 2022 at Christie’s Paris for Buscando la Luz IV (2001). Eduardo Chillida Sans titre, Eduardo Chillida lithograph, Chillida Derriere le Miroir, Chillida Maeght...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie E, var. 1 (Series E, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Artist: Keith Haring Title: Silence = Death Size: 39 x 39 in. (99.1 x 99.1 cm) Medium: Color Screenprint on Wove Paper Edition: HC 15 of 25 Year: 1989 Notes: Image Size: 33 x 33 in...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Four trees. Paper, wood carving, 29x29 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1...

Artist: Sewell Sillman (American, 1924-1992) Title: "I-S #1" *Signed and dated by Sillman in pencil lower right Year: 1968 Medium: Original Screenprint on unbranded heavy white wove ...

This exquisite lithograph by Alexander Calder (1898–1976), titled Rouge et bleu sur jaune (Red and Blue on Yellow), originates from the historic 1973 folio Derriere le Miroir, No. 20...

Composition is a beautiful etching aquatint and drypoint on paper, realized by the artist Isaac Celnikier. Titled, numbered and signed in pencil on the lower margin. Edition of 40 ...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern minimalist shapes. "Drift Apart" it's made by layering paper cutouts and diff...

Robert Indiana, American (1928 - 2018) - Die Deutsche Liebe, 1968, Portfolio: The American Dream, Year: 1997, Medium: Screenprint on Wove Paper, Edition: 395, Image Size: 14 x 1...

A superb impression of this color screenprint on white wove paper. Signed and numbered XC/CCC in pencil by Soulages. Published by the Olympic Games Committee, Lausanne. From the "Off...

Mixografia “Man in Black” by well-known Mexico artist Rufino Tamayo (1891-1991). Signed “R. Tamayo” in pencil lower right. Numbered in pencil “60/140" lower left. In excellent unfram...

Color Lithograph on Arches paper realized by Sonia Delaunay in 1972. Hand signed in pencil, dated 72 and numbered 43/90. Prov. Private Collection, Milan. Very good condition.

Lithograph on Guarro vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: Published by Galerie Börjeson, Malmö; printed by La Polígrafa, Barcelona, 19...

Alexander Calder Lithographic cover c. 1971 from Derrière le miroir: Lithographic cover in colors; 11 x 15 inches. Very good overall vintage condition. Unsigned from an edition of u...

"Original Lithograph VIII" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts M...

Stanley William Hayter, 'Green Shade', color etching and scraper, 1963, edition 50, (only 39 printed), B&M 278. Signed, titled, dated, and numbered '1/50' in pencil. A superb, richly-inked, luminous impression, with fresh, vivid colors, on Barcham Green textured cream wove paper; the full sheet with margins (2 3/16 to 3 1/4 inches), in excellent condition. Printed: intaglio black-green, contact lumogen yellow, soft roller phthalo green. Scarce. Image size 15 7/16 x 11 5/8 inches (392 x 295 mm); sheet size 21 1/8 x 16 inches (537 x 406 mm). Matted to museum standards (unframed). Collection: The British Museum ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17...

Paintings and Drawings, by Agnes Martin 1974-1990 (Stedelijk), 1991 Additional information: Medium: complete set of ten lithographs on transparent vellum paper each, 30 x 30 cm 11 3/4 x 11 3/4 in Agnes Martin was an American painter who was born in Macklin, Saskatchewan, Canada, in 1912, and became a US citizen in 1940. Martin is perhaps most recognised for her evocative paintings marked out in subtle pencil lines and pale colour washes. Although restrained, her style was underpinned by her deep conviction in the emotive and expressive power of art. Martin believed that spiritual inspiration and not intellect created great work. ‘Without awareness of beauty, innocence and happiness’ Martin wrote ‘one cannot make works of art’. In a career spanning five decades, Martin became known for her square canvasses, meticulously rendered grids and repeat stripes, though her lesser-known early works consist of experiments with mixed media and works on paper. Martin thought of her works as studies in the pursuit of perfection. Martin spent many years working in New York, where she was part of a contemporary of artists such as Sol LeWitt, Ann Truitt, Donald Judd and Ad Reinhardt – with whom she was close friends. In 1967, shortly after Reinhardt died and just as Martin’s art was gaining acclaim, she left the city and continued her investigations into Buddhism and meditation. She wished to experience true solitude and used this period of quiet reflection to produce some of her most significant writing, whilst situated in sparsely populated and remote areas of the United States and Canada. In 1968 Martin resettled in New Mexico and began building an adobe and log house in a remote mesa. She lived there alone and without modern conveniences for several years. In 1973 she began creating work again. Agnes Martin’s influence reaches globally and plays a hugely significant role in 20th Century art history. Whilst known as a pioneer of abstract painting, her work as well as her reclusive lifestyle have served as an inspiration to creative practitioners in diverse disciplines. Painters, photographers, writers – and many devotees from the words of fashion, architecture and graphic design revisit and rephrase her perspectival studies and fascination with geometry, the legacy of which can be seen in investigations into brevity of line and muted colour palettes. Artists such as Richard Tuttle, Ellen Gallagher...

This print was created by Albers for the occasion of an exhibition at Goethe House in Manhattan in 1973. It is in an excellent white contemporary frame. Artist: Josef Albers, German...

Mesmerizing large scale photographs from the artist's Seascape series, a body of works capturing the tactile surfaces and monochrome nature of oceanic waterscapes SEASCAPE XVIII Di...

David Shrigley The World, 2021 Screenprint in eight colours with a varnish overlay on Somerset Satin Tub sized 410 gsm paper hand-signed by the artist and numbered, on the back of th...

Keith Haring Tony Shafrazi 1982: set of 6 printed works: A set of six, individual, double-sided lithographic inserts from the seminal, spiral bound 1982 Keith Haring Tony Shafrazi ca...

Alexander CALDER USA : McGovern for McGovernment, 1972 Original screenprint Handsigned in pencil Justified EA (artist proof) On BFK Rives Vellum 88 x 60 cm (c. 35 x 24 in) Authentic...

“Cicada” is a color lithograph by American abstract expressionist artist, Jasper Johns from 1981. The work is edition 31/58 and signed lower right, "J J ’91” with framed dimensions o...

The Offs (first pressing), 1984 Vinyl Record and Offset Lithograph Album Cover 12 1/4 × 12 3/25 inches Unframed CD Presents, Ltd. – CD 025 Provenance Plastic Fantastic Records, Bryn ...

Composition is a contemporary artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the 1970s. Original Colored woodcut print on cardboard. Image Dimensions: 18 x 14 cm Good conditions. Lojze Spacal...

"Sometimes is forever" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "Sometimes is forever" by Jim Crabb (American, b. 1947). This piece resembles a surreal landscape, with various biomorphic objects floating in the sky. Some of them resemble coral, growing vertically. Others look like microscopic organisms, with stringy tails. Titled, numbered, signed, and dated along the bottom edge: Sometimes is forever 16/50 J CRABB...

Martel Wiegand Untitled (Abstract, Modern, Beige, Brown, Linocut) Linoleum Cut on light paper 1996 19.48 x 25.36 inches (49.5 x 69.5 cm) Edition: Unique COA provided *Condition: Sto...

Modern Twentieth Century Signed Miro Lithograph Le Lezard aux Plumes D'Or - Signed on the Plate and authenticated by the Mourlot family. This Lithograph by Miro was originally for G...

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Sun Keyed Year: 1972 Medium: Screenprint (unsigned) Edition: 3000 Image Size: 12 x 14 inches Size: 14 x 18 in. (35.56 x 45....

Lithograph and original issue World Federation of United Nations Associations postage stamp on vélin paper. Inscription: Signed in the plate, as issued. Good condition. Notes: Publis...

Robert Natkin monotype (unique) on paper signed in marker on the front Pencil signed, and inscribed with heart doodle: "For Dorothy and Arthur with my Love Natkin" Provenance: collec...

Sybil Kleinrock’s work straddles the borders between expressionism and surrealism. Colorful and soft pastels play together to suggest a composition that can be interpreted as both a ...

This listing is for the one Silkscreen serigraph piece listed here. Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing...