People Abstract Prints

William Tillyer The Ruswarp Suite 1 2023 Etching, aquatint on paper, Edition of 35, Set of 6 Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins) Paper size: 57.2 x 57.8 cms (22 1/2 x 2...

Signed Raymond Pettibon Lithograph 2002 (Raymond Pettibon untitled, 'I see before me...'): Published by Pettibon's longtime gallerist Brooke Alexander in 2002 with imagery originatin...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Roy Lichtenstein "Go for Baroque" poster (hand signed and inscribed by Roy Lichtenstein), 1994 Color offset lithograph on wove paper (hand signed and inscribed to Lichtenstein's esta...

Thelma Appel The Magician, 2018 18 Color Silkscreen on 320 gram Coventry Rag paper with deckled edges; accompanied by artist signed COA Signed twice: Pencil signed, titled and number...

Roy Lichtenstein As I Opened Fire Triptych (Corlett App.5), 1966 Set of three (3) Color Offset Lithographs on wove paper. Museum stamped verso. Unframed Museum stamped verso., not si...

Untitled (Portrait in Window) features a gelatin silver print by Lee Friedlander and a diptych of etchings by Jim Dine. The photograph depicts a framed portrait of a young black girl...

A very good impression of this color lithograph on wove paper. Signed and numbered 74/175 in pencil by Bearden. Published by London Arts, Inc., Detroit. Catalogue reference: Gelburg...

George Rickey Large: 39 inches (vertical) x 24.5 inches (horizontal) (Ships rolled in a tube measuring: 35 x 5) Two Lines Excentric Jointed with Six Angles, 1986 Limited Edition Offs...

1971 The Tarahumara Indians - Figurative Etching on Paper Black and white etching of The Tarahumara Indians by Kelly English (American). The figures are outlined in thick black ink ...

Dennis Oppenheim Image Intervention (Hand Signed), 1984 Offset Lithograph (hand signed and dated by Dennis Oppenheim) Hand signed and dated on the middle front 28 × 20 inches Unframe...

This print of a violin replicated several times in black and red across the composition is indicative of Arman's classic technique of recomposition. Transferring the image across the...

14 layer screen print on 410gsm Somerset Tub Sized Satin White paper - finished with matte varnish and glossy, vinyl ink details 27 3/5 × 19 7/10 in 70 × 50 cm Edition of 40 hand-si...

Several Anastasia Kurakina's artworks have been included into the Vatican Museums collection since 2017 She has exhibited at the National Portrait Gallery in London at bp portrait aw...

Marc Chagall Le Rêve de Paris (Paris Dream), 1969-70 Color lithograph on Arches wove paper 35 3/8 in x 25 1/4 in (90 cm x 64 cm) 40 1/8 in x 28 1/8 in (101.8 cm x 71.5 cm) Numbered f...

Andrzej Zielinski Making Paper Pulp? Year: 2017 Lithograph in black from 1 Stone & 2 Plates Edition: 15 Paper: Magnani – Revere Paper Size: 24.625 x 20 inches Image Size: 23.25 x 18 inches (irregular) Signed and numbered by hand COA provided Andrzej Zieliński (born 1976, Kansas City, Missouri, USA) is an American painter. Zieliński received his BFA from The School of the Art Institute of Chicago in 2002. In 2004 he earned his MFA from Yale University in New Haven, CT. Zieliński's main body of work reflects on electronic devices that saturate our lives: cell phones, ATMs, computers, and paper shredders...

Tracey Emin Every Bodies Been There (signed twice), 1998 Lithograph on paper Underneath that existing plate signature, Tracey Emin has, exceptionally hand signed and dated the work for the present owner in 2023. Frame included Measurements: Framed 12.5 inch vertical by 14.5 horizontal by 1.5 depth Artwork: 8 inches by 9.75 inches Elegantly floated and framed in a wood frame with UV plexiglass Published by Alan Cox of Sky Editions, London, with blind stamp The original print has a stamp bearing the full signature of the artist in the bottom right corner; however, exceptionally, underneath that signature, Tracey Emin hand signed...

A very good impression of this color screenprint on wallpaper. Printed by Bill Miller's Wallpaper Studio, Inc., New York. Published by Factory Additions, New York, with the copyright...

Original Air France Grece vintage travel poster. Linen-backed original travel poster by Air France to Greece. Stylized Greek columns and the Parthenon in Athens, Greece sit on a me...

Mark Ryden 2 part invitation forming a 3-D Dodecahedron (hand signed by Mark Ryden), 2016 Offset lithograph invitation Hand signed by Mark Ryden 6 1/2 in diameter Ingeniously desig...

Medium: Etching,Aquatint Image size: 12 × 11 Sheet size: 22 × 18 in Edition of 30 Year: 2008 Signed and titled by the artist While inspired by flowers, the blossom series shows th...

Pastel chalk on textured paper, Series of 20 unique pieces. 100cm x 70cm x .05cm - framing option available.

color lithograph on Guarro paper , edited in 1974 Limited Edition of 75 copies plus 15 HC Hand signed, dated and numbered in pencil 37/75 in pencil (lower left) Paper size: 69,5 x 52...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper ...

Lithograph on paper. Hand-signed and numbered by the artist. paper size: 40 x 50 cm framed: 46.8 x 59.4 cm Edition of 75

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper ...

Controversial L.A. “street artist”, Mr. Brainwash takes to the New York City art scene with the opening of his “Icons” show in the meat packing district on Sunday February 14th. First brought to the public eye when LA Weekly profiled the artist in a cover story, Mr. Brainwash continues to be a much-discussed figure as the star of infamous street artist Banksy’s documentary “Exit Through the Gift Shop”, which premiered last month at the Sundance Film Festival. Thierry Guetta or “Mr. Brainwash” jam packed his massive art Icons show into two floors of a 15,000 square foot space. The show features portraits of pop culture icons; Madonna, Obama, Michael Jackson, James Brown and the Beatles, among many others, all interpreted through old broken records placed on canvas and silk screens with touches of spray paint. If you love him or you hate him, Art Icons is sure to be one of the largest and most lavishly funded art shows of the decade. Mr. Brainwash: Icons is ran from March 31 at 415 West 13th Street between Ninth Avenue and Washington Street in the Meatpacking District...

Anne Imhof (German, b. 1978) YOUTH, 2023 Medium: Complete set of 4 giclèe prints with screenprinted elements Dimensions: Each 25.4 × 30.46 cm (10 x 12 in) E...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...

Original vintage exhibition poster: HENRI MATISSE EXHIBITION. Linen baked in excellent condition, ready to frame. The background is a flat...

A set of 4 vintage Jean-Michel Basquiat announcement cards & one rare early 1990s folding exhibition pamphlet published on the occasion(s) of: “Emerging New York Artists,” Group Sho...

Artist: Theo Tobiasse (French/Israeli, 1927-2012) Title: Je Sens monter en moi des chants de plaisir (I Feel Songs of Pleasure Rise in Me) Year: Circa 1980 Medium: Color lithograp...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled by Artist on Etching Press Hand finished with Paper cuts, folds and Metal Leaf 29 x 29 inches framed This p...

Oil Monotype and Chine Collé on white BFK Rives Printmaking Paper Hand pulled by Artist on Etching Press 23.5 x 33 inches framed This piece is featured in Bruckner’s 2024 solo exhib...

He Went Out Carrying His Own Cross is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by...

"Invading Knight" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right and wrote the title/edition number 200/275, in the lower left corn...

Nancy Graves Original Graham Gallery poster (hand signed by Nancy Graves), 1968 Extremely rare vintage offset lithograph poster (hand signed by Nancy Graves) hand signed by Nancy Graves in pencil on the front Frame included: held in museum quality wood frame with UV plexiglass Publisher: Graham Gallery This late 1960s vintage Graham Gallery poster is hand signed by Nancy Graves on the front. It was published on the occasion of her "Camels" exhibition - a groundbreaking show in the artist's young life, as she died at age 54 of breast cancer. (People forget how brave she was, a sharp counterpoint to the style of the macho Minimalists of the era, like her ex husband Richard Serra.) The following year -- in 1969 - Nancy Graves became the first woman ever to have a solo show at the Whitney Museum. We've never seen another of these posters anywhere else in the world - let alone one hand signed by Nancy Graves. Elegantly framed in a museum quality wood frame with UV plexiglass Measurements: Frame: 17 x 17.5 x 1.5 inches Work: 10 x 10.75 inches About Nancy Graves: Nancy Graves (1940–1995) was born in Massachusetts. Her father worked as an accountant at the local Berkshire Museum, where art was displayed with natural history. He encouraged his daughter’s early interests in art, nature and anthropology — interests which endured for the rest of her life. After graduating from Vassar College with a degree in English Literature, Graves attended Yale University, where she earned both a B.A. and an M.A. in Art, studying alongside Chuck Close, Robert Mangold and Brice Marsden. Following Yale, she won a prestigious Fulbright Scholarship in 1964, and began studying painting in Paris — where she also married sculptor Richard Serra, whom she had met at Yale (and from whom she would divorce in 1970). Moving on to Florence soon after, she would live a somewhat nomadic life, spending time in countries that included Morocco, Kashmir, India, Egypt, Peru, Australia and Canada. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps...

Rare, striking signed Francis Bacon lithograph from 1980, number 182 / 250. Details of the work are as follows: Francis Bacon (irish, 1909 ...

Galloping Horse is an artwork realized by  Jean-Marie Guiny, 2000s.  Etching, Edition 145/160. 40 x 50 cm ; with frame.  Hand signed in the lower right part. Good condtions! J...

"Music" is a lithograph made by Robert Kushner in 1981. The work is number 2 from an edition of 25. Signed in pencil, lower right, "Robert Kushner". The artwork size is 26 x 31 3/4 i...

And He Was Baptised is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1965-1...

Saint Raphael is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1965-1969....

Untitled (M.260) from the Album 19 suite is a lithograph on paper, image size 26.25 x 20 inches and framed in a contemporary, black wood frame, colors vibrant, initialed 'M.' lower r...

Lithograph printed in colours on Japon paper Signed and dated lower left: Moore, 67 76 x 55 cm Printer's copy

Original signed poster lithograph, 1983. Edition of 150 signed and numbered impressions on Arches paper. Art and Sport portfolio: The Yugoslav Olympic Committee of the Winter Olympic...

Niki de Saint Phalle La Robe Rouge (Ulm-Chenivesse 48), 1970 Seventeen colored screenprint on Arches vellum paper Pencil signed and numbered 28/115 on the front and titled on the back by Niki de Saint Phalle, with artist's inventory number 29 1/2 × 22 inches Unframed This work is pencil signed and numbered 28/115. The back of the print, from the portfolio Nana Power, is titled in pencil " Rouge Robe" by Niki de Saint Phalle herself, but it is also known as "Nana Power: The Serpent". Bibliography: Catalogue Raisonne: Ulm-Chenivesse 48 Published Editions Essellier, Liechtenstein, printed by Michel Caza About Niki de Saint Phalle: Born 1930 in Neuilly-sur-Seine, France, Niki de Saint Phalle moved to the USA in 1933 and spent her childhood and youth in New York City. In 1952, Saint Phalle moved back to Paris and became immersed in French and ex-patriate artistic communities. Her 1961 exhibition Feu à Volonté (Fire at Will), organized by art critic and cultural philosopher Pierre Restany at Galerie J, Paris, Saint Phalle showed for the first time her iconic Shooting Paintings...

"Renee's Breakfast" depicts a simple image of three eggs on a plate with bacon, a breakfast so familiar to many, and serves as a poignant reminder of the passage of time and the tran...

Untitled (M.254) from the Album 19 suite is a lithograph on paper, image size 20 x 26.25 inches and framed in a contemporary, black wood frame, colors vibrant, initialed 'M.' lower r...

Original ski poster for the World Cup Slalom Damen (Women's) Feb/. 1987. Linen backed. Original vintage winter sport alpine ski event poster for the Women's Slalom World Cup 198...

Robert Rauschenberg Lucio Amelio Napoli poster, 1987 Offset lithograph poster Plate signed 39 × 21 inches Unframed This poster was published for the exh...

Thelma Appel Meeting Plaza, 2018 25 Color Silkscreen on 320 Gram Coventry paper with full margins and deckled edges. Accompanied by ARTIST SIGNED, gallery issued Certificate of Authenticity (COA) - hand signed by BOTH the artist and gallery director 23.5" (vertical) x 29.25" (horizontal) Hand signed, titled, annotated & dated on the lower right front - a rare Artists Proof, aside from the limited edition of 75 Unframed This magnificent silkscreen, Meeting Plaza is signed, dated and numbered in graphite pencil on the front from the limited edition of 75. Other examples of this work were exhibited in the 2021 show "New York and No Place Else: Art that Celebrates New York" at the Chashama Foundation, New York, and it was also featured in the invitational exhibition "Women on Paper" in April, 2021 at the Sager Reeves Gallery in Columbia, Missouri. "Meeting Plaza" is a place where people from all over the world are always welcome to meet in peace and enjoyment; an exquisite 25-color limited edition silkscreen done in collaboration with master printer Gary Lichtenstein. The work is evocative of New York's Rockefeller Center and the United Nations, but the flags are abstracted, to emphasize international unity, rather than single out any individual country. The artist explained: "I wanted to convey a city that welcomed all nationalities and all people… The flags for me are a counterpoint to the city’s geometric architecture, and their suggested movement and irregular shapes echo the organic morphology of the people below. I painted an evening sky. It is dusk. Nobody is rushing. People are conversing with each other, walking slowly or gathering in small groups enjoying a calm evening in the New York City…I, too, am one of the people converging at the 'Meeting Plaza' ...” Other examples of "Meeting Plaza" were exhibited in the 2021 show "New York and No Place Else: Art that Celebrates New York" at the Chashama Foundation, New York, and the print was featured in the invitational exhibition "Women on Paper" in April, 2021 at the Sager Reeves Gallery in Columbia, Missouri. Thelma Appel biography A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been working and teaching for more than six decades. Most recently, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams, and she exhibited at the Mattatuck Museum in Connecticut which acquired one of her fabric collages for their permanent collection. Thelma Appel was raised in Darjeeling, India and educated in London, England, at St. Martin's School of Art (now Central St. Martins) and Hornsey College of Art before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design and Art New York art fairs and has been exhibited at Alpha 137...

Kristjana S Williams Taera Bretland - Blaeu British Isles, 2021 Giclée on Matt Smooth Fine Art Cotton 300 gsm paper Boldly signed and dated on the lower right front and pencil numbered on the lower left front by the artist 18 × 25 inches Unframed Hand signed and numbered 95/275 Story behind the artwork: A celebration of life on the British Isles, ‘Taera Bretland’ translates as ‘Clear Britain’, the islands of Great Britain here sitting in a crystal clear sea. This stunning map based artwork reveals fascinating details in every corner, but not necessarily where you might expect them… An aqua glow from the surrounding ocean lifts the land closer, whispering of its treasured secrets and cherished achievements. Here, the snaking Thames weaves its way not just through the capital, but across the whole country, connecting counties and unifying these Great British Isles, feeding colour popping flora and fauna along its path. Iconic and beloved landmarks rise like beacons, marking the steady flow of irrepressible revolution and impressive invention. In the spotlight, Murdoch’s ill-fated Titanic, Wren’s triumphant St Paul’s and Davy’s revolutionary lamp, rubbing noses with literary pioneers Dickens, Austen and Golding, and British icons Churchill and Chaplin. A bejewelled Ostrich, former resident at the Tower, stands haughtily atop the Truman Brewery; a regal stag, dapper in thimble hat and coiled suit of measuring tape, heads towards Saville Row’s Golden Mile; the subtropical splendour of Tresco Abbey has left its island home to perch in the Scottish Isles and The White Chapel Gallery, sits proudly, testament to Britain’s ‘New Generation’ post war art. A teasing glimpse of the continent affirms Great Britain's close ties with its European neighbours; an early Breeches Buoy rescue device symbolises unity in the face of threat and danger. About Kristjana S. Williams: Icelandic born artist Kristjana S Williams studied graphic design and illustration at Central St Martins, and quickly gained critical acclaim as Creative Director of 'Beyond the Valley', a position she held for eight years. In 2011 she began creating fine art pieces as well as illustrating books and designing interior items. Her designs are inspired by nature, and her technique involves digitally and physically layering nature upon nature to mirror the symmetry that exists in all living things. Each piece is its own magical universe of exotic botanicals and vibrant animals. Described by the New York Times as part of the ‘new antiquarian movement’, Kristjana’s three dimensional original work, Limited Edition prints and interior products feature Victorian engravings, which the artist has blended with verdant and exotic flora and fauna to stunning effect. Animals and insects are intertwined with lavish foliage, layered over ancient shipping maps...

Untitled (M.256) from the Album 19 suite is a lithograph on paper, image size 26.25 x 20 inches and framed in a contemporary, black wood frame, colors vibrant, initialed 'M.' lower r...

Chevauchée - Vert Violet Brun (M.543) ("Horse Ride - Green Violet Brown) is a lithograph on paper with an image size of 33.25 x 23.75 inches, signed Miró lower right and annotated lo...

A continuation of the 'Horse Ride' series, The Scholar - Green (M.547), also known as The Literate Man, is a lithograph on cloth, backed with chiffon de Mandeure, with an image size ...

Knox Martin Alice in Wonderland, ca. 1972 Etching with hand-coloring in watercolor on wove paper Hand signed and annotated "AP" on lower front (a unique ...

Chevauchée - Brun (M.540) ("Horse Ride - Brown") is a lithograph on paper with an image size of 33.25 x 23.75 inches, signed Miró lower right and annotated lower left. Miró created...

Karel Appel Miss World First Class Pretty (Deluxe hand signed edition of the 1 Cent Life Portfolio, from the estate of artist Robert Indiana), 1964 Lithograph splayed across two sheets on wove paper (Hand signed by Karel Appel) Pencil signed on the lower right front; numbered 85/100 on the portfolio colophon Frame included Floated and framed in a museum quality wood frame with UV plexiglass., bearing the colophon with the edition number page on the back Measurements: Frame: 20.25 x 27 x 1.25 inches Print: 16 x 23 inches This lithograph was part of the complete portfolio acquired from the estate of Pop Artist Robert Indiana, who also contributed a work to the portfolio. Documented prints from the hand signed edition of 100 rarely appear on the market. This is one of them. The work is pencil signed by Karel Appel on the front and all of the prints are unnumbered, as the complete portfolio is numbered on the colophon page - a copy of which is included for provenance. (There was also an unsigned edition of 2000) Chinese American artist and writer Walasse Ting, in collaboration with Sam Francis, assembled a group of the most significant Pop and Abstract Expressionist artists in America, including Andy Warhol, along with the European COBRA artists to create the definitive artistic portfolio of lithographs with accompanying text by Walasse Ting. The Deluxe edition, which features hand signed prints, was published in a limited edition of only 100. This is one of them. Of the 100, editions numbered 60-100, or 40 portfolios, were reserved exclusively for Artists & Collaborators. This hand signed Karel Appel lithograph...