Robert Rauschenberg Art

Artist: Robert Rauschenberg Title: L.A. Uncovered # 7 Year: 1998 Medium: Screenprint on John Koller HMP white Edition: 58; hand signed, dated and numbered in pencil Sheet: 32 × 23 1...

Artist: Robert Rauschenberg Title: Red Heart (from 7 Characters) Year: 1992 Medium: Silk, ribbon, paper, paper-pulp relief, ink, and gold leaf on handmade X...

Robert Rauschenberg Test Stone #6 (Blue Cloud) from the Booster and 7 Studies Series (Foster, 45, G:33), 1967 Lithograph on domestic etching paper 47 × 35 inches Edition 7/44 Hand si...

Robert RAUSCHENBERG Port Arthur, Texas, États-Unis 1925 † 2008 Captiva, Floride, États-Unis Samarkand Stitches IV (RR88 – 161). 1988. Samarkand Stitches IV (RR88 – 161). 1988. Orig...

Mark, 1964 Lithograph 15 1/2 x 16” Edition of 42

Lithograph in colors with vegetable dye water transfer on Arches Infinity paper Signed and dated in pencil, numbered in pencil on verso

Tap, 2004 Robert Rauschenberg Lithograph in colours, on Rives BFK wove paper Signed, dated and numbered from the edition of 180 From Artists Coming Together to Benefit Democratic Pr...

Medium: original offset lithograph. This work is also known as "Envelope". Rauschenberg executed this interesting Pop Art classic for Art In America in 1970. It consists of one composition on the front and a different original composition...

A very good impression of this early color offset lithograph on white wove paper. Signed, dated and numbered 8/150 in felt-tip pen and black ink by Rauschenberg...

Rare unopened Robert Rauschenberg designed Talking Heads Speaking in Tongues: In 1983, legendary pop artist Robert Rauschenberg designed the album cover for Talking Heads’ acclaimed studio album, Speaking in Tongues. Rauschenberg’s design features three spinning plastic discs set amidst a collage of images, including a wrecked car, highway billboard, and suburban bedroom that can all be spun to produce different effects. Also included, is a clear vinyl LP...

Robert Rauschenberg is revered as one of the most innovative American pop artists - more avant-garde than Warhol, more audacious than Jasper Johns. In addition to his artistic achie...

A colorful lithograph from the “Stoned Moon” series by American artist Robert Rauschenberg (1925-2008). Born Milton Rauschenberg in Port Arthur, Texas, Rob...

Winning bidder: Try using code FREESHIP at checkout for complimentary packing & shipping (some exclusions apply) Robert Rauschenberg I Love New York Offset lithograph on high quality wove paper 39.25" x 25 inches Limited Edition of 300 (unnumbered) Printed by ULAE Editions, East Islip, New York for the Twin Towers Fund Unframed This is the color offset lithograph poster, depicting the World Trade Center...

Robert Rauschenberg "Untitled (BI-FOCAL)", 1982 original gelatin silver print by Dorothy Zeldman; registered as RR-745 from the archive of Leo Castelli, New York

Paper Size: 32.75 x 25 inches ( 83.185 x 63.5 cm ) Image Size: 30 x 22.5 inches ( 76.2 x 57.15 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Artist: Robert Rauschenberg (1925-2008) Title: Bicycle Year: 1991 Medium: Offset Lithograph on archival paper Size: 26.5 x 39 inches Condition: Excellent Notes: Published by Universa...

Robert Rauschenberg "White Pendulum", 1980 original Polaroid of the lithograph from the archive of Leo Castelli, NY marked 'for Leo'

Original Polaroid of Robert Rauschenberg's Christmas lithograph from the archive of Leo Castelli, NY

Robert Rauschenberg Limited Edition Double Luck Skate board, 2016 Mixed Media Silkscreen on 7-Ply 100% Canadian Maplewood Skate Board 31 × 8 inches Edition of 300 Signed on the...

Robert Rauschenberg Trisha Brown Company (Hand signed and dated), 1989 Offset lithograph (hand signed and dated by Robert Rauschenberg) 36 × 24 inches Sig...

Robert Rauschenberg Untitled Limited Edition Porcelain Plate (Guggenheim Museum), 1997 Porcelain Plate (Limited Edition Exclusively for Guggenheim) 10 2/5 in diameter Signed in plate...

Deposit, 1975 Robert Rauschenberg Screenprint in colours with hand additions in pochoir, on wove paper Signed, dated and numbered from the edition of 200 From the portfolio America: ...

ROBERT RAUSCHENBERG Dream of William Burroughs, 1972 Offset lithograph 34 1/2 × 24 inches Edition 103/150 Signed, dated and numbered in black marker on the front Unframed Wonderful e...

Robert Rauschenberg Lily Scent, 1981 Lithograph 32 x 24 inches SPIII Signed

Robert Rauschenberg Red River (RR 2007.012), 2007 pigment transfer on polylaminate 61 x 73.5 in. The Runts are Rauschenberg’s final painting series, so name...

A very good impression of this color offset lithograph with strong colors. Signed, dated and numbered 230/250 in pencil by Rauschenberg. Published by S...

"At Leo's" is in the Pop Art style that fit Rauschenberg's fun sense of creativity. It is colorful and bold. Studying it seems like a map of extraordinary clues to some great secret. In fact a specific address is given along with a map of part of New York city and the name of a person, Leo. Rauschenberg's signature is on the lower left. Robert Rauschenberg, the irrepressibly prolific American artist, is known as the one who time and again reshaped art in the 20th century. He was a painter, photographer, printmaker, choreographer, onstage performer, and set designer. In later years, it is said, he was even a composer. He defied the traditional idea that an artist must stick to one medium or style. He pushed, prodded and sometimes reconceived all the mediums in which he worked. Similar to the artists, Marcel Duchamp, Kurt Schwitters, Joseph Cornell, John Cage and others, Rauschenberg helped obscure the lines between painting and sculpture, painting and photography, photography and printmaking, sculpture and photography, sculpture and dance, sculpture and technology, technology and performance art. Per the art critic, Jerry Saltz: Rauschenberg invented a new form called the combine. It was not quite a painting nor was it considered sculpture. For Rauschenberg, though, it was like discovering fire it so transformed his art. He used bedding, doors, parachutes, a tire, a stuffed goat and combined them into new forms. One combine, Monogram, features a stuffed goat encircled by a tire atop a horizontal painting. Saltz says, “Rauschenberg is a mischievous Satyr grazing on art history, or the goat is a gargoyle protecting the art. Either way, the title suggests that Rauschenberg was leaving his mark.” And leave his mark he did. He became known as the giant of American Art. Jasper Johns, his sometime lover, said, “Rauschenberg was the man who in this century invented the most since Picasso.” Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. He received numerous awards during his nearly 60-year artistic career. Among the most prominent were the International Grand Prize in Painting at the 32nd Venice Biennale in 1964 and the National Medal of Arts in 1993. He lived and worked in New York City and on Captiva Island, Florida, At 18, Rauschenberg was admitted to the University of Texas at Austin where he began studying pharmacology, but he dropped out shortly after due to the difficulty of the coursework—not realizing at this point that he is dyslexic—and his unwillingness to dissect a frog in biology class. He was drafted into the United States Navy in 1944. Based in California, he served as a neuropsychiatric technician in a Navy hospital until his discharge in 1945 or 1946. Rauschenberg subsequently studied at the Kansas City Art Institute and the Académie Julian in Paris, France, where he met fellow art student Susan Weil...

Tibetan Locks & Keys (Leo Castelli Gallery/Castelli Graphics), 1986 Offset Lithograph Poster 20 × 30 inches Limited Edition of 300 Unframed and unsigned (plate signed) This visually arresting vintage poster was published by Castelli Graphics in conjunction with the exhibition, Tibetan Keys...

Paper Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Image Size: 34 x 24 inches ( 86.36 x 60.96 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Paper Size: 34.5 x 26 inches ( 87.63 x 66.04 cm ) Image Size: 34.5 x 26 inches ( 87.63 x 66.04 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Robert Rauschenberg / [editors, Ealan Wingate and Emily Florido], 2010 Robert Rauschenberg 1925-2008 Rauschenberg, Robert, 1925-2008 -- Exhibitions Art, American -- 20th century -- ...

Paper Size: 36 x 22.75 inches ( 91.44 x 57.785 cm ) Image Size: 36 x 22.75 inches ( 91.44 x 57.785 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...

ROBERT RAUSCHENBERG (1925-2008) One of the most influential American artists, having led the direction of contemporary art since his first showings in New York City in the early 1950...

"Statue of Liberty" screen print and collage by Robert Rauschenberg from the "New York, New York" portfolio published by the New York Graphic Society. Signed Rauschenberg...

Robert Rauschenberg Human Rights Award, 1981 Silkscreen and Lithograph with Collage Embossing on Hodgkins Handmade Paper Pencil signed and numbered 73/100 on the front Silkscreen and Lithograph with Collage Embossing on Hodgkins Handmade Paper Published by the Democratic Party...

Robert Rauschenberg at Leo Castelli Gallery 1986: Vintage original Robert Rauschenberg exhibition poster published by Castelli Graphics in conjunction with the exhibition, Robert Rauschenberg: Tibetan Keys and Locks, May 21-June 18, 1986 at Leo Castelli New York. A unique vintage Rauschenberg collectible featuring the artist's signature collage style. Well-sized and suitable for framing. Off-set lithograph 1986. 20 x 29.75 inches. Double-quattro fold-lines as originally issued; minor edge wear to one fold-line; otherwise very good condition (no rips, tears, stains, etc.) Scarce form an edition of unknown; unsigned. First edition, 1st printing; postmarked 1986 on the verso. Artist biography: Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as a true art world rebel rouser...

"Exhibition Poster-Edison Community College" is in the Pop Art style that fit Rauschenberg's fun sense of creativity. It is colorful and bold with a funky frog in the middle. Rauschenberg's signature is on the lower left. Robert Rauschenberg, the irrepressibly prolific American artist, is known as the one who time and again reshaped art in the 20th century. He was a painter, photographer, printmaker, choreographer, onstage performer, and set designer. In later years, it is said, he was even a composer. He defied the traditional idea that an artist must stick to one medium or style. He pushed, prodded and sometimes reconceived all the mediums in which he worked. Similar to the artists, Marcel Duchamp, Kurt Schwitters, Joseph Cornell, John Cage and others, Rauschenberg helped obscure the lines between painting and sculpture, painting and photography, photography and printmaking, sculpture and photography, sculpture and dance, sculpture and technology, technology and performance art. Per the art critic, Jerry Saltz: Rauschenberg invented a new form called the combine. It was not quite a painting nor was it considered sculpture. For Rauschenberg, though, it was like discovering fire it so transformed his art. He used bedding, doors, parachutes, a tire, a stuffed goat and combined them into new forms. One combine, Monogram, features a stuffed goat encircled by a tire atop a horizontal painting. Saltz says, “Rauschenberg is a mischievous Satyr grazing on art history, or the goat is a gargoyle protecting the art. Either way, the title suggests that Rauschenberg was leaving his mark.” And leave his mark he did. He became known as the giant of American Art. Jasper Johns, his sometime lover, said, “Rauschenberg was the man who in this century invented the most since Picasso.” Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. He received numerous awards during his nearly 60-year artistic career. Among the most prominent were the International Grand Prize in Painting at the 32nd Venice Biennale in 1964 and the National Medal of Arts in 1993. He lived and worked in New York City and on Captiva Island, Florida, At 18, Rauschenberg was admitted to the University of Texas at Austin where he began studying pharmacology, but he dropped out shortly after due to the difficulty of the coursework—not realizing at this point that he is dyslexic—and his unwillingness to dissect a frog in biology class. He was drafted into the United States Navy in 1944. Based in California, he served as a neuropsychiatric technician in a Navy hospital until his discharge in 1945 or 1946. Rauschenberg subsequently studied at the Kansas City Art Institute and the Académie Julian in Paris, France, where he met fellow art student Susan Weil...

Artist: Robert Rauschenberg (1925-2008) Title: International Very Special Arts Festival Year: 1989 Medium: Lithograph on wove paper Edition: 275, plus proofs Size: 35.5 x 26.5 inches...

Artist: Robert Rauschenberg (1925-2008) Title: Human Rights 1981 Year: 1981 Medium: Silkscreen and lithograph on wove paper Edition: 100, plus proofs Size...

ROBERT RAUSCHENBERG (1925-2008) One of the most influential American artists, having led the direction of contemporary art since his first showings in New York City in the early 1950...

A very good impression of this color screen print and offset lithograph on white wove paper, Signed, dated and numbered 34/95 in pencil by Rauschenberg...

Robert Rauschenberg Earth Tie (Stoned Moon Series), 1969 Color lithograph 48 x 34 inches Edition of 48

12-color screen print on deckle edge paper of a collage of Moroccan street scenes including an orange stand, umbrellas, a motorcycle shop and a F...

Complete Set of 6 Guggenheim Museum Retrospective Limited Edition Robert Rauschenberg porcelain plates dated 1997. Each plate features a different screen printed image of Rauschenber...

Robert Rauschenberg Score, 1970 Lithograph 26 x 19 1/2 inches Edition 51 of 75 Signed This print belongs to Rauschenberg’s “Stoned Moon” seri...

Collage multiple on cream wove paper. Signed, dated and numbered in pencil by the artist, from an edition of 57. With the artist's work number in pencil on verso.

Robert RAUSCHENBERG Cardbirds, 1972 exhibition, rare original poster For the exhibition "Cardbirds" at the Sonnabend Gallery Signed in the plate framed in walnut. 21 x26.5" framed. ...

"Banco", an aquatint from Robert Rauschenberg' s "Ground Rules" series is an exemplary piece where the window moldings become a metaphor for the formal role it plays in anchoring it into a simple, legible grid. A vivid palette with brilliant, translucent greens, blues, and oranges render discrete patches and the clarity of the printing seems more firmly "grounded" than the photographs in their grids. There is a recurrence of artistically self-referential motifs like the central white rectangle with a sign, YOUR NAME HERE, superimposed over the window rather obliquely. In the window of "Banco" reflections become opacities that destroy its translucency, bring back the surface; and across that surface, scraps of imagery drift, bringing back, in turn through their transparency, the illusion of depth. The sheet itself is 41 5/16 x 27 9/16" (105 x 70 cm). This is number 32 from an edition of 44 and has been numbered and signed by the artist. Robert Rauschenberg, the irrepressibly prolific American artist, is known as the one who time and again reshaped art in the 20th century. He was a painter, photographer, printmaker, choreographer, onstage performer, and set designer. In later years, it is said, he was even a composer. He defied the traditional idea that an artist must stick to one medium or style. He pushed, prodded and sometimes reconceived all the mediums in which he worked. Similar to the artists, Marcel Duchamp, Kurt Schwitters, Joseph Cornell, John Cage and others, Rauschenberg helped obscure the lines between painting and sculpture, painting and photography, photography and printmaking, sculpture and photography, sculpture and dance, sculpture and technology, technology and performance art. Per the art critic, Jerry Saltz: Rauschenberg invented a new form called the combine. It was not quite a painting nor was it considered sculpture. For Rauschenberg, though, it was like discovering fire it so transformed his art. He used bedding, doors, parachutes, a tire, a stuffed goat and combined them into new forms. One combine, Monogram, features a stuffed goat encircled by a tire atop a horizontal painting. Saltz says, “Rauschenberg is a mischievous Satyr grazing on art history, or the goat is a gargoyle protecting the art. Either way, the title suggests that Rauschenberg was leaving his mark.” And leave his mark he did. He became known as the giant of American Art. Jasper Johns, his sometime lover, said, “Rauschenberg was the man who in this century invented the most since Picasso.” Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. He received numerous awards during his nearly 60-year artistic career. Among the most prominent were the International Grand Prize in Painting at the 32nd Venice Biennale in 1964 and the National Medal of Arts in 1993. He lived and worked in New York City and on Captiva Island, Florida, At 18, Rauschenberg was admitted to the University of Texas at Austin where he began studying pharmacology, but he dropped out shortly after due to the difficulty of the coursework—not realizing at this point that he is dyslexic—and his unwillingness to dissect a frog in biology class. He was drafted into the United States Navy in 1944. Based in California, he served as a neuropsychiatric technician in a Navy hospital until his discharge in 1945 or 1946. Rauschenberg subsequently studied at the Kansas City Art Institute and the Académie Julian in Paris, France, where he met fellow art student Susan Weil...

Group of nine offset lithographs, 1979, resp. silkscreen on vellum, signed, dated and numbered from the edition of 100 (there were 10 Hors Commerce and an unrecorded number of artist...

ROBERT RAUSCHENBERG 1925 –2008 Port Arthur, Texas 1925 –2008 Captiva Island, Florida (American) Title: Howl, from: Seven Characters, 1982 Technique: Original Unique Hand Signed, Da...

Gift to current owner by artist, Robert Rauschenberg.

A print by Robert Rauschenberg. "Prime Pump from ROCI USA" is a color screenprint on paper and Lexan print from the Wax Fire Works Series. "Prime Pump from ...

Complete Set of 6 Guggenheim Museum Retrospective Limited Edition Plates created in 1997. The porcelain plates feature screen printed images of Rauschenberg's work with screened signature on verso and descriptive card for the set. Sold in its original packaging. Robert Rauschenberg was a prominent member of the American Post-War avant-garde. The artist’s sculpture-painting hybrids known as Combines, broke through the two dimensionality of the canvas at a time when Abstract Expressionism dominated the scene. His seminal Neo-Dada work, Erased de Kooning (1953), consisted of ritualistically wiping out an original drawing he purchased from the famed painter. “I don't really trust ideas, especially good ones,” he once said. “Rather I put my trust in the materials that confront me, because they put me in touch with the unknown.” Born Milton Ernest Rauschenberg on October 22, 1925 in Port Arthur, TX, he was drafted into the Navy during World War II where he served as medical technician in San Diego. After the war, he used the GI Bill to travel to Paris to study at the Académie Julian, where he met his future wife Susan Weil...

Color photograph on kodak ektacolor 78f paper. Hand signed, dated and numbered by the artist. Certificate of authenticity included. Edition of 25. Framed. All reasonable offers will...

Robert Rauschenberg American Mix, 1982 Photogravure Chine Colle on Handmade paper 20h x 26w in 50.80h x 66.04w cm AP 5/12 Iris Editions Signed, Numbered and Dated in pencil

Robert Rauschenberg American Mix, 1983 Photogravure Chine Colle on Handmade paper 20h x 26w in 50.80h x 66.04w cm 22/40 Iris Editions Signed, Numbered and Dated in pencil

Robert Rauschenberg American Mix, 1983 Photogravure Chine Colle on Handmade paper 20h x 26w in 50.80h x 66.04w cm 22/40 Iris Editions Signed, Numbered and Dated in pencil

Robert Rauschenberg American Mix 16, 1983 Photogravure Chine Colle on Handmade paper 20h x 26w in 50.80h x 66.04w cm 11/40 Iris Editions Signed, Numbered and Dated in pencil