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1950s Abstract Prints

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Period: 1950s
Constellations, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Linocut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXIe Année, N° 13, Noël 19...
Category

Modern 1950s Abstract Prints

Materials

Linocut

Kandinsky, Composition, Société internationale d'art XXe siècle (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 9.65 x 12.4 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 8 (double)...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

Personnage (Mourlot 244), Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Queneau, Raymond. Joan Miró, Litho...
Category

Surrealist 1950s Abstract Prints

Materials

Lithograph

Picasso, Femme se coiffant, Société internationale d'art XXe siècle (after)
Located in Auburn Hills, MI
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7...
Category

Cubist 1950s Abstract Prints

Materials

Lithograph

Composition (Cramer 24; Mourlot 117), Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró, ...
Category

Surrealist 1950s Abstract Prints

Materials

Lithograph

Kandinsky, Fond Blanc, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miro...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

La femme au miroir (Cramer 35; Mourlot 242), Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, ...
Category

Surrealist 1950s Abstract Prints

Materials

Lithograph

Composition, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph, collage, relief on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Rev...
Category

Cubist 1950s Abstract Prints

Materials

Lithograph

Composition, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

Cubist 1950s Abstract Prints

Materials

Lithograph

Picasso, Composition, La Comédie Humaine, Verve: Revue Artistique (after)
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...
Category

Cubist 1950s Abstract Prints

Materials

Lithograph

Composition (Benhoura 397; Cramer 6; Dupin 40; Mourlot 196), XXe siècle
Located in Auburn Hills, MI
Linocut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Musée d’art moderne de la ville de ...
Category

Surrealist 1950s Abstract Prints

Materials

Linocut

Picasso, Composition (J/Vollard 193; Monod 10485), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut on vélin de Montval-Maillol paper. Paper Size: 17.3 x 12.6 inches; image size: 9.1 x 5.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference...
Category

Cubist 1950s Abstract Prints

Materials

Woodcut

Composition, Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 69-70, 1954. Published by Aimé M...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

Composition, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7 (double) J...
Category

Orphist 1950s Abstract Prints

Materials

Lithograph

Composition in Black and Blue - Lithograph and stencil, 1956
Located in Paris, IDF
Pierre SOULAGES Composition in Black and Blue, 1956 Lithograph and stencil (Jacomet workshop) Unsigned On wove paper 31 x 24 cm (c. 12.2 x 9.4 inches) Edited by San Lazaro in 1956 ...
Category

Abstract 1950s Abstract Prints

Materials

Lithograph, Stencil

Kelly, Composition (Axsom I-a, page 176), Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 110, published by Aimé Maeght, Éditeur, Paris; printed by Éditions...
Category

Abstract Expressionist 1950s Abstract Prints

Materials

Lithograph

Composition, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7 (double) J...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

Composition, Contes de Boccace, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Contes de Boccace, peinture...
Category

Expressionist 1950s Abstract Prints

Materials

Lithograph

Fontana, Composition, XXe Siècle (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°12, 1959. Published and printed under the direct...
Category

Modern 1950s Abstract Prints

Materials

Lithograph, Stencil

Picasso, Composition (J/Vollard 193; Monod 10485), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut on vélin de Montval-Maillol paper. Paper Size: 17.3 x 12.6 inches; image size: 11.4 x 7.9 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné referenc...
Category

Cubist 1950s Abstract Prints

Materials

Woodcut

Lithographie n°9 (Rivière 9; Encrevé/Miessner 54), XXe siècle
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Soulages: Eaux-Fortes, Lithographies, 1952-...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

Matisse, La danse, Douze Contemporains (after)
Located in Auburn Hills, MI
Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...
Category

Modern 1950s Abstract Prints

Materials

Lithograph, Stencil

L 22
Located in Paris, FR
Lithograph, 1957 Handsigned by the artist in pencil and numbered 2/100 Publisher : Hedwig Marbach, Berne Printer : Jean Pons, Paris Catalog : RMM 98 65.50 cm. x 50.00 cm. 25.79 in. ...
Category

Abstract 1950s Abstract Prints

Materials

Lithograph

Léger, Composition, Contrastes (after)
Located in Auburn Hills, MI
Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...
Category

Modern 1950s Abstract Prints

Materials

Lithograph, Stencil

Léger, Composition, Contrastes (after)
Located in Auburn Hills, MI
Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...
Category

Modern 1950s Abstract Prints

Materials

Lithograph, Stencil

Composition in colour - Lithograph, 1956
Located in Paris, IDF
Sonia Delaunay (after) Composition in colour, 1956 Lithograph and stencil (Jacomet workshop) On wove paper 31.5 x 23.5 cm (c. 12.4 x 9 in) Edited by San Lazaro...
Category

Abstract 1950s Abstract Prints

Materials

Lithograph, Stencil

Giuseppe Capogrossi Iconic Comb Design "Superficie 324" Serigrafia
Located in Detroit, MI
"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...
Category

Abstract Expressionist 1950s Abstract Prints

Materials

Screen

Staatliche Werkkunstschule Kassel (Prefatio) Poster /// Bauhaus Josef Albers Art
Located in Saint Augustine, FL
Artist: (after) Josef Albers (German-American, 1888-1976) Title: "Staatliche Werkkunstschule Kassel (Prefatio)" Year: 1957 Medium: Original Relief Print (Letterpress), Exhibition Poster on light wove paper Limited edition: Unknown Printer: Staatliche Werkkunstschule Kassel, Kassel, Germany Publisher: Staatliche Werkkunstschule Kassel, Kassel, Germany Sheet size: 24.75" x 17.63" Image size: 11.75" x 15.63" Condition: A few faint handling creases. Never framed, has been professionally stored away for decades. In excellent condition Extremely rare Notes: Provenance: private collection - Nuremberg, Germany. Poster produced for a special exhibition of Albers' work "Early Pictures from the Twenties and New Works" at the Staatliche Werkkunstschule Kassel from May 28 - June 8, 1957. The image featured on this poster is Albers' 1942 lithograph edition "Prefatio", (Danilowitz No. 103, page 76), from his 1942 "Graphic Tectonics" series of 9 lithographs, (Danilowitz No. 100-108, page 74-79). Printer's imprint upper right. This is an extremely rare poster being if not the, one of the, earliest documented Josef Albers exhibition...
Category

Abstract Geometric 1950s Abstract Prints

Materials

Paper

Kelly, Composition (Axsom I-a, page 176), Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 110, published by Aimé Maeght, Éditeur...
Category

Abstract Expressionist 1950s Abstract Prints

Materials

Lithograph

Braque, Quatre oiseaux, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 115, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

Kandinsky, Motif aus Improvisation N°25, XXe siècle (after)
Located in Auburn Hills, MI
Woodcut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXIe Année, N° 13, Noël 19...
Category

Modern 1950s Abstract Prints

Materials

Woodcut

Leonard Baskin Beautiful Abstracted Figure Wood Engraving
Located in New York, NY
Leonard Baskin (1922-2000) Death of the Laureate, `1957 Wood Engraving Framed: 18 1/2 x 18 in. Signed and inscribed bottom: Death of the Laureate, Ed. 20, For Walter [Rosenblum], Leo...
Category

American Modern 1950s Abstract Prints

Materials

Engraving

The Martinets
Located in Paris, FR
Lithograph, 1959 Handsigned by the artist in pencil and numbered 234/275 Publisher : Maeght (Paris) Catalog : [Maeght 1036] 20.00 cm. x 30.50 cm. 7.87 in. x 12.01 in. (paper) 10.00 ...
Category

Abstract 1950s Abstract Prints

Materials

Lithograph

Braque, Les martinets, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 115, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

Composition blue, red , green and black III
Located in Paris, FR
Etching and aquatint, 1958 Handsigned by the artist in pencil and numbered 5/100 Publisher : Jacques Goldschmidt, Paris Printer : Jean Signovert, Paris Catalog : [Schneider III] 5...
Category

Abstract 1950s Abstract Prints

Materials

Etching, Aquatint

Giacometti, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 98, 1957. Published by Aimé Maeg...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

Giacometti, Composition, Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miro...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

Lithograph n°9 - Original stone lithograph (Mourlot / Catalog raisonne BNF#53)
Located in Paris, IDF
Pierre SOULAGES Lithograph n°9 Original stone lithograph (3 colors- atelier Mourlot) Unsigned On vellum 12 x 10" (31 x 24 cm) REFERENCES : Catalogue raisonné BNF #53 Created in 19...
Category

Abstract 1950s Abstract Prints

Materials

Lithograph

Projet de tapisserie, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 4 (double) Janvier 19...
Category

Op Art 1950s Abstract Prints

Materials

Lithograph

Composition, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7 (double) J...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

Amours légendaires, Surrealist Etching by André Masson
Located in Long Island City, NY
André Masson, French (1896 -1987) - Amours légendaires, Year: 1959, Medium: Etching, signed and numbered in pencil, Edition: 7/30, Image Size: 11.75 x 9.75 inches, Frame Size: 2...
Category

Surrealist 1950s Abstract Prints

Materials

Etching

Kelly, Composition (Axsom I-a, page 176), Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 110, published by Aimé Maeght, Éditeur, Paris; printed by Éditions...
Category

Abstract Expressionist 1950s Abstract Prints

Materials

Lithograph

Kandinsky, Lyrisch, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miro...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

Bacchanale, back cover from Picasso Lithographe III
Located in Washington, DC
Artist: Pablo Picasso Title: Bacchanale (back cover) Portfolio: Picasso Lithographe III Medium: Transfer lithograph Date: 1956 Edition: 3000 Frame Size: 20 3/4" x 17 3/4" Sheet Size:...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

Composition, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 11 (double) ...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

Braque, Forme, Georges Braque le solitaire (after)
Located in Auburn Hills, MI
Lithograph on vélin papier d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Georges Braque le solitaire, 1959. Published by Editions XXe Si...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

Miró, Serie V (Cramer 36), Derrière le miroir (after)
Located in Auburn Hills, MI
Etching from cuivre rayé après tirage on vélin paper. Paper Size: 15 x 11 inches; image size: 5.91 x 4.92 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné ...
Category

Surrealist 1950s Abstract Prints

Materials

Etching

Les poissons rouges, Une Aventure méthodique, Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

'Portrait of a woman II (Jacqueline Roque)' Cubist Lithograph Print, 1955
Located in New York, NY
Picasso made prints throughout his career, creating around 2,400 works until his death in 1973. Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimension...
Category

Cubist 1950s Abstract Prints

Materials

Black and White, Lithograph

Miró, Woman at the Mirror (Mourlot 242; Cramer 36) (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Joan Miro by Jacques Prévert and Georges R...
Category

Surrealist 1950s Abstract Prints

Materials

Lithograph

Composition, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7 (double) Juin 1956,...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

'Third Avenue Elevated #1' — Mid-century Precisionist Abstraction
Located in Myrtle Beach, SC
Ralston Crawford, 'Third Avenue Elevated #1', lithograph, 1951, edition 55. Freeman L51.4. Signed, titled and numbered '48/55' in pencil. A fine, richly-inked impression, with rich ...
Category

Abstract 1950s Abstract Prints

Materials

Lithograph

Warriors
Located in New York, NY
A very good impression of this color engraving, soft-ground etching and scorper on Johannot paper. Artist's proof, aside from the edition of 200. Signed, dated and titled in pencil, ...
Category

Abstract Expressionist 1950s Abstract Prints

Materials

Color, Engraving, Etching

Matisse, Teeny (Duthuit 723), Société internationale d'art XXe siècle (after)
Located in Auburn Hills, MI
Linocut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Catalogue raisonné reference: Matis...
Category

Fauvist 1950s Abstract Prints

Materials

Linocut

Original Christmas Card, plate signed, collection of Herb Nass, Warhol attorney
Located in New York, NY
Andy Warhol Original vintage Christmas Card, ca. 1957 Offset lithograph card Plate signed on the front (see close up image) Unnumbered Frame included Offset lithograph card, ca. 1957...
Category

Pop Art 1950s Abstract Prints

Materials

Lithograph, Offset

In the style of Henry Moore, Mother and Child in Rocking Chair
Located in Surfside, FL
This is a cast metal sculpture of a woman and child, mother and baby in a rocking chair. It has a patina on a white metal. Not sure if it is steel or aluminum. It is and older vintage piece and has wear to patina where it sits and rocks on table. It is not signed or numbered and there is no foundry mark. Hence it is being sold as being after or in the manner of Henry Moore. Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described "extreme reservations", he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill. At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of "The beginning and the end of history...
Category

Modern 1950s Abstract Prints

Materials

Metal

Composition, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 6 (double) J...
Category

Modern 1950s Abstract Prints

Materials

Lithograph

Miró, Composition (Mourlot 238; Cramer 39) (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Joan Miro by Jacques Prévert and Georges R...
Category

Surrealist 1950s Abstract Prints

Materials

Lithograph

Joan Miro (Plate 2)
Located in Washington, DC
Artist: Joan Miro Title: Joan Miro (Plate 2) Portfolio: Joan Miro Medium: Lithograph Date: 1956 Edition: Unnumbered Frame Size: 17" x 24" Sheet Size: 9" x 15" Signature: Unsigned Ref...
Category

Abstract 1950s Abstract Prints

Materials

Lithograph

La Comedie Humaine VIII
Located in Wilton, CT
"La Comedie Humaine VIII" Lithograph in Color on Thick Wove Paper After The Original. The plates executed under the direct supervision of Pablo Picasso. First edition, 1954. Printed ...
Category

Cubist 1950s Abstract Prints

Materials

Lithograph

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