Hans Hartung Art

The 1958 original lithography by Hans Hartung, titled "Composition noir L56" represents a significant milestone in the artist's illustrious career, showcasing his profound exploratio...

The 1958 original lithography by Hans Hartung, titled "Composition noir L60" represents a significant milestone in the artist's illustrious career, showcasing his profound exploratio...

The 1958 original lithography by Hans Hartung, titled "Composition noir L43" represents a significant milestone in the artist's illustrious career, showcasing his profound exploratio...

Original, for the 1972 Munich, Germany Olympics. Linen-backed Art Series poster done For the Olympische Spiele Munchen 1972. The contemporary abstrac...

Farandole is a contemporary artwork realized by Hans Hartung in 1970 Lithograph  Hand signed and numbered in pencil, 1970. Edition 39/75, From Suite ", table XIV, Ediciones Polig...

Hans HARTUNG Black and Yellow Composition Original Lithograph (Maeght / Arte workshop) Printed signature in the plate On paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Gam...

Farandole is a contemporary artwork realized by Hans Hartung in 1970. Lithograph. Hand signed and numbered in pencil, 1970. Edition 35/75, From Suite ", table VII, Ediciones Poli...

Farandole is a contemporary artwork realized by Hans Hartung in 1970 Lithograph  Hand signed and numbered in pencil, 1970. Edition 39/75, From Suite ", table III, Ediciones Polig...

Farandole is a contemporary artwork realized by Hans Hartung in 1970. Lithograph.  Hand signed and numbered in pencil, 1970. Edition 40/75, From Suite ", table X, Ediciones Polig...

Farandole is a contemporary artwork realized by Hans Hartung in 1970. Lithograph  Hand signed and numbered in pencil, 1970. Edition 36/75, From Suite ", table XV, Ediciones Polig...

Farandole is a contemporary artwork realized by Hans Hartung in 1970. Lithograph.  Hand signed and numbered in pencil, 1970. Edition 39/75, From Suite ", table VIII, Ediciones Po...

Farandole is a contemporary artwork realized by Hans Hartung in 1970 Lithograph  Hand signed and numbered in pencil, 1970. Edition 38/75, From Suite ", table IV, Ediciones Poligr...

Farandole is a contemporary artwork realized by Hans Hartung in 1970. Lithograph  Hand signed and numbered in pencil, 1970. Edition 34/75, From Suite "A, table II, Ediciones Poli...

This original lithograph is hand signed in pencil by the artist “Hartung” in the lower right margin. It is also hand numbered in pencil from the edition of 114, at the lower left margin. This lithograph was printed by Erker Presse, St. Gallen and published in a limited edition of 114 signed and numbered impressions by Jean-Robert Arnaud, Paris. The paper bears the blindstamp of the printer in the lower left corner. Note: This subject is one of ten published in the folio ‘La peau des choses’ [The Skin of Things] in 1968. The folio also included works by Huguette-Arthur Bertrand, Cesar, Émile Gilioli, James Guitet...

HARTUNG - original abstract lithograph- Limited editionsigned painting Hans Hartung is commonly presented as a standard-bearer for the "Ecole de Paris" and the "lyrical abstraction"...

Untitled (for the journal, XXe Siécle) Color lithograph on wove paper, 1973 Unsigned (as issued) From: XXe Siecle,, December 1973, No. 41 Published by G. di San Lazzaro for A. Maeght, Paris Printed by Mourlot, Paris Edition 3000 (There was also a signed edition of 75 on larger paper) Catalogue raisonné: Subsequent to Schmücking Condition: Excellent Image/Sheet size: 12 1/4 x 9 1/2 inches "Hans Hartung B. 1904, LEIPZIG, GERMANY; D. 1989, ANTIBES, FRANCE Hans Hartung was born on September 21, 1904, in Leipzig, Germany. He cultivated interests in philosophy, astronomy, music, and religion at a young age before he turned to painting. Early in his career he found inspiration in the works of Rembrandt van Rijn and Francisco de Goya, and later influences included Lovis Corinth, Oskar Kokoschka, Emil Nolde, and Max Slevogt. At just 17, Hartung began to experiment with abstraction, synthesizing the graphic techniques of his artistic models while completely eliminating figurative elements. Hartung entered the Universität Leipzig in 1924 to study philosophy and art history but left to concentrate on painting at the Kunstakademie, Leipzig. While Hartung was advised to pursue further training at the Bauhaus, he opted to study at the Kunstakademie, Dresden. In 1926 Hartung saw an exhibition of international art in Dresden, which exposed him to Cubism and other modern styles that had emerged in France. His encounters with works by Georges Braque, Juan Gris, Henri Matisse, and Pablo Picasso, along with various travels abroad, encouraged him to move to Paris in 1926, where he spent the majority of his time until 1932, although he passed the summer of 1928 in Munich studying under artist and theorist Max Dörner. In 1929 Hartung married the Norwegian painter Anna-Eva Bergman. After several years abroad, they tried to reestablish themselves in Berlin in 1935 but were soon forced into exile by the National Socialist regime. In the years leading up to World War II, Hartung's work reflected his attempts to reconcile chance and control, combining expressive graphic elements with patches of black and color to produce a sense of spontaneity. After the outbreak of the war, Hartung served in the Foreign Legion (1939–40), and later in the Free French (1943–44). He was gravely wounded at the German Front, and one of his legs was amputated. In 1945 he returned to Paris and resumed painting and the following year earned French citizenship. Hartung was a major figure in Art Informel and Tachisme (from the French tache, meaning blot or stain). While Hartung's postwar paintings are generally described as exhibiting a calligraphic quality, his work moved through a series of phases, becoming less spontaneous and more formally aggressive than his work from the late 1930s. In many works of the late 1940s and early 1950s, such as T-50 Painting 8 (T-50 peinture 8, 1950), he applied large areas of color to the canvas on which he painted a combination of bold black brushstrokes and thinner frenetic linear strokes. Hartung received several international awards, including the 1956 award for the Europe-Africa section at the Guggenheim International Award and the International Grand Prize for painting at the 1960 Venice Biennale. His first major group show was organized by curator and critic Christian Zervos at the Jeu de Paume, Paris (1937). After settling permanently in Paris, he exhibited regularly at the Salon des Surindépendants (1935, 1937, 1945). His first solo show took place at Galerie Lydia...

Abstract Composition - Signs on Yellow is a lithograph realized by  Hans Hartung  in 1972. It comes from the portfolio " San Lazzaro et ses Amis. Hommage au fondateur de la revue XX...

Etching, 1973 Handsigned by the artist in pencil and numbered 71/100 Publisher : L'Herne, Paris Printer : Atelier Crommelynck, Paris Catalog : RMM 362 64.70 cm. x 49.80 cm. 25.47...

Title: L-5-1974 Medium: Lithograph Year: 1974 Signed, titled and inscribed by hand Size: 16.4 × 12.5 on 29.8 × 21.8 inches Hans Hartung (21 September 1904 – 7 December 1989) was a ...

Hans Hartung's 1972 Munich Olympics poster is a visual masterpiece that encapsulates the spirit of sporting excellence. This iconic poster serves ...

Autograph, 1957 Handsigned by the artist in pencil and annotated "Epreuve artiste" Publisher : Hans Hartung Printer : Jean Pons (Paris) Catalog : [RMM 108] 64.50 cm. x 50.00 cm. | 25...

Abstract Composition - Signs on Yellow is a lithograph realized by Hans Hartung in 1972. It comes from the portfolio " San Lazzaro et ses Amis. Hommage au fondateur de la revue XX...

Lithograph, 1970 Handsigned by the artist in pencil and annotated E.A. I-V Publisher : Hans Hartung Printer : Erker-Presse, Saint-Gall Catalog : RMM 261 76.00 cm. x 56.00 cm. 29.92...

Etching and aquatint, 1970 Handsigned by the artist in pencil and numbered 33/75 Publisher : Las estampas de la cometa (Gustavo Gili), Barcelone Printer : Ed...

Etching, 1978 Handsigned by the artist in pencil Publisher : Editions Regard (Paris) Printer : Lacourière et Frélaut (Paris) Catalog : RMM 592 43.00 cm. x 32.50 cm. 16.93 in. x 12....

Artist: Hans Hartung Medium: Lithograph, 1969 Dimensions: 27 x 20.5 in, 68.6 x 52 cm

Hans Hartung ( 1904 - 1989 ) - L 22 - hand-signed lithography, 1957 Additional information: Material: Color lithograph on BFK Rives paper Edited in 1957. Overall edition of 100 copi...

Lithograph Handsigned by the artist in pencil and numbered 2/25 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) 45.00 cm. x 27.00 cm. 17.72 in. x 10.63 in. (image) BFK Rives Pa...

Engraving, 1953 Handsigned by the artist in pencil and numbered 210/250 Catalog : Schmücking 15 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) 41.00 cm. x 32.50 cm. 16.14 in. ...

Hans Hartung Composition with Lines, 1959 Original lithograph (Mourlot workshop) Printed signature in the plate On wove paper 31 x 24 cm (c. 12 x 10 in) Excellent condition

Wood engraving, 1973 Handsigned by the artist in pencil and Annoted "HC" Publisher : Erker-Press (Saint-Gall) Printer : Erker-Press (Saint-Gall) Catalog : RMM 396 LCD3975

Lithograph, 1971 Edition : 2/200 55.00 cm. x 75.50 cm. 21.65 in. x 29.72 in. (paper) 42.00 cm. x 67.00 cm. 16.54 in. x 26.38 in. (image) Handsigned by the artist in pencil Ref : LC...

Artist: Hans Hartung, German (1904-1989) Title: Untitled Year: Circa 1960 Medium: Lithograph, signed and numbered in pencil Edition: 90/100 Size: 26 x 20 inches

Pastel, 1961 Handsigned by the artist in pencil Certificate of authenticity Pastel, graphite and scratching Framed work : 57 x 72 cm Support: baryta cardboard laminated on wood pane...

Title: L-5-1974 Medium: Lithograph Year: 1974 Signed, titled and inscribed by hand Size: 16.4 × 12.5 on 29.8 × 21.8 inches COA provided Hans Hartung (21 September 1904 – 7 December...