1950s Abstract Prints

A very good impression of this scarce color lithograph with strong colors. Signed and numbered 13/90 in pencil. Printed by Christian Kruck, Frankfurt am Main...

A limited edition, hand signed in pencil intaglio etching on French Arches deckle edged art paper. Krishna Reddy (1925 – 2018) was an Indian master intaglio printmaker, sculptor, and teacher. He was considered a master intaglio printer and known for viscosity printing. Krishna Reddy was born on 15 July 1925, in a small village called Nandanoor, near Chittoor, Andhra Pradesh, in India. Reddy studied at Visva-Bharati University's Kala Bhavana (Institute of Fine Arts) with Nandalal Bose, from 1941 to 1946, and graduated with a degree in fine arts. From 1947 to 1949, he was head of the art section at Kalakshetra Foundation and was also teaching art at the Montessori Teachers' Training Centre in Madras. It was at this time that he took interest in sculpture and painting. In 1949, he moved to London, and continued his sculpture studies with Henry Moore at the University of London's Slade School of Fine Arts. In 1950, Reddy moved to Paris and met artist Constantin Brâncuși. Through Brancusi, he was introduced to cafe discussions on art and met many famous artists during studio visits. During his time in Paris he studied sculpture under Ossip Zadkine and engraving under Stanley William Hayter. In 1957, he traveled to Accademia Di Belle Arti Di Brera (Brera Academy) in Milan to study under Marino Marini. In 2016 he was one of the subjects of the exhibition Workshop and Legacy: Stanley William Hayter, Krishna Reddy, Zarina Hashmi...

A very good impression of this color lithograph with strong colors. Signed and numbered 119/140 in pencil by Severini. Printed by Michael Cassé, Paris. Published by L'Œuvre Gravée, P...

Still Life is an original lithograph on ivory paper realized in 1950s by Emanuel Poirier. Signed on the lower left. Edition " E.A." (artist proof). T...

Hayter, Stanley William. WITCHES SABBATH. Engraving, etching, soft-ground etching and scorper, 1957-8, Signed, titled, dated and inscribed '2/5' in pen...

Lithograph, 1954 Handsigned by the artist in pencil and numbered 19/95 Publisher : Klipstein, Berne et l'Œuvre gravée, Zürich Printer : Desjobert, Paris Catalog : Prudhomme 20 65.20 ...

Piège is an original contemporary artwork realized by Guillaume Corneille in 1956. Original Lithograph on vélin paper Hand signed and dated in pencil on the lower margin. Guillau...

Composition is a lithograph on ivory-colorated paper by K.R. H. Sonderborg (1920-1976). In excellent conditions: As good as new. Not signed. K.R.H. Sonderborg (1923–2008) was a Ge...

Hayter, Stanley William. COMBAT SOUSMARIN (Black & Moorhead 233). Engraving and soft-ground etching in colors, 1957. Signed, titled, dated and numbered 2/50 in pencil. Printed on BFK...

Artist: Marcel Gromaire Medium: Lithograph Title: Flammes Intérieures Portfolio: Verve Vol VII No. 27-28 Year: 1952 Edition: 6000 Signed: Signed in the plate Framed Size: 22" x 18 1/...

Le vent et l'eau Signed, dated, titled and numbered in the lower margin (see photos) Edition: 10 (see photo) There were also 25 impressions with the typeface caption of the title below the image From: Eaux, pierres, sables (Wayer, Stones and Sand) Portfolio From the series Phenomena, Portfolio 10 This No. 3 from Portfolio Eaux, pierres, sables Edition: 10 (7/10), there were 25 other impressions with typeface inscriptions below image Other impressions can be found in the following museum collection: An unsigned impression is in the collection of Centre Pompidou, Paris, with the typeset title caption below Accession No. AM 1976-1118 (3) A signed impression is in the Metropolitan Museum of Art From the MMA entry: "Edition without typography printed...

Red Composition is an original artwork realized by Marino Marini in 1953. Mixed colored lithograph. Signed and dated on plate. Marino Marini (1901-1980),was an Italian sculptor. ...

This lithographic poster was printed at the Atelier Mourlot in 1959 for an exhibition of Picasso's "50 Masterpieces" at the Musée Cantini in Marseille, Fran...

This bold color woodcut print is printed on Japan paper and is an artist proof, aside from the edition of 20. Signed, dated and inscribed "artist proof" in pencil by Avery. Dimension...

Lithograph, 1954 Handsigned by the artist in pencil and numbered 59/75 Publisher : Galerie Louise Leiris (Paris) Printer : Mourlot (Paris) Catalog : Saphire 138 50.00 cm. x 65.00 cm....

Orignial Skarby Sultana vintage poster. A.k.a.The Story of Little Much. Archival linen-backed Very good condition A. Bright and vibrant, lithograph, no stains, no damage, no...

Nu Debout, Etching on Rives paper 1951 by Zao Wou-ki Printed in 2 colors and 2 plates by G. Leblanc, Paris signed and numbered image 29.7 x 23.7 cm, sheet 29.7 x 23.7 cm Edition 5/50 Provenance: Private Collection United States Literature: Catalogue Raisonné of Zao Wou-ki's graphic works (AGERUP) plate 71 About the Artist: Born in 1920 in Beijing, Zao Wou-Ki attended the National School of Arts, Hangzhou for six years under the supervision of Lin Fengmian...

Voiles à la mer, color Lithograph on Rives paper 1953 by Zao Wou-ki Printed in 5 colors by E. and J. Desjobert, Paris Published by La Hune, Paris signed and numbered image 36.5 x 49 cm; sheet 50.0 x 65 cm Edition 106/120 Provenance: Private Collection Germany Literature: Catalogue Raisonné of Zao Wou-ki's graphic works (AGERUP) plate 81 About the Artist: Born in 1920 in Beijing, Zao Wou-Ki attended the National School of Arts, Hangzhou for six years under the supervision of Lin Fengmian...

Derriere le miroir, no. 87-88-89. Pages 6-7 Terres de Grand Feu, (Land of Great Fire) Color lithograph, 1956 From: Derriere le Miroir, Volume 87-8...

Tempus Fidgets Etching, 1952 Signed in pencil lower right (see photo) Titled in pencil lower left (see photo) During his military service, Gilkey was part of the "Monuments Men" art recovery team The title is a play on Tempus fugit is a Latin phrase, usually translated into English as "time flies". The expression comes from line 284 of book 3 of Vergil's Georgics, where is appears as FVGIT INREPARABILE TEMPVS: "it escapes, irretrievable time". Condition: Excellent Image/Plate size: 11 3/4 x 14 5/8 inches Sheet size: 15 3/4 x 20 9/16 Reference: Portland Art Museum, 82.80.642 Gordon Waverly Gilkey was a printmaker, teacher, collector, and curator. He graduated from Albany College, which is now Lewis & Clark College, in 1933 and obtained a Master of Fine Arts degree from the University of Oregon in 1936. He served in World War II in a special division dedicated to locating and returning art confiscated by the Nazis and to confiscating Nazi propaganda. Gilkey spent the majority of his career teaching printmaking at Oregon State University. He amassed a large collection of prints, primarily by trading work with his colleagues. When he retired in 1978, Gilkey became curator of prints and drawings at the Portland Art Museum and professor and printmaker in residence at the Museum Art School, which is now known as the Pacific Northwest College of Art. Over the course of many years, he donated more than 10,000 prints and drawings from his personal collection to the Museum. Gilkey was crucial in building awareness for and appreciation of works on paper, and was instrumental in creating proper storage and viewing spaces for the graphic arts. In 1993, the Vivian and Gordon Gilkey...

Traces groteaques is an original B/W lithograph realized by the French founder of Art Brut, Jean Dubuffet in 1959. Not signed nor numbered, as issued. Very good condition. The ar...

Abstract Composition is a wonderful color lithograph made in 1959 by an Informal artist. From an edition of 300 copies, this high-quality print represents a geometrical and colorful...

MAURICE ESTEVE 1904-2001 Culan, Cher 1904-2001 (French) Title: The Prince, 1954 Technique: Original Hand Signed and hand-numbered Lithograph on vellum p...

Engraving, 1953 Handsigned by the artist in pencil and numbered 210/250 Catalog : Schmücking 15 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) 41.00 cm. x 32.50 cm. 16.14 in. ...

Alberto Magnelli Composition Lithograph Conditions: excellent 32 x 24 cm 1951 Executed for XXe siècle Published by San Lazzaro, Paris Unsigned and unnumbered as issued

PABLO PICASSO (1881-1973) Visage larvé (A. R. 347) Terre de faïence plate, 1948, from the edition of 100, inscribed 'D', partially glazed and painted, with the Edition Picasso and ...

Lithograph, 1958 Handsigned by the artist in pencil and annoted HC Edition : 75 ex. Publisher : Maeght Printer : Mourlot Catalog : [Maeght 183 p. 111] 50.00 cm. x 66.00 cm. 19.69 in...

Bords du Lac à Lausanne is an original etching realized by Camille Quesneville in 1955. Good comdition. Artist proof. The artwork is depicted through strong hatching in a well-bala...

PABLO PICASSO (1881-1973) Hibou brillant (A. R. 285) Terre de faïence dish, 1955, from the edition of 450, glazed and painted, with the Edition Picas...

Sol Jonché is an original B/W lithograph on watermarked paper "Arc". Abstract composition by the French artist Jean Dubuffet. From the album of "Theatre du sol" (1953-1959). Editio...

Lithograph, 1954 Handsigned by the artist in pencil and numbered 4/75 Publisher : Galerie Louise Leiris, Paris Printer : Mourlot, Paris Catalog : Saphire 138 50.00 cm. x 65.00 cm. 1...

JUNE WAYNE (1918 - 2011) THE TUNNEL II, 1951 (B.69; G.14; Conway 67) Lithograph, signed, numbered, dated July 1951 and titled incorrectly The Target. Edition 35. 15 3/4 x 19 3/4 inc...

"Braque Graveur" is an original color lithograph poster signed with initials by the artist Georges Braque. It depicts a moth or butterfly landed on a black abstract form. There are b...

Serge POLIAKOFF Abstract Composition, 1956 Lithograph and stencil (Jacomet Workshop) Printed signature in the plate On wove paper 31.5 x 24 cm (c. 12.2 x 9.4 in) Edition San Lazarr...

Original India Feasts of Fairs & Festivals vintage travel poster. Conservation linen backed in very fine condition. Ready to frame. A slight lower fold mark was professionall...

Joan Miro Terres Grand de Feu (one plate from Artigas) Medium: Original lithograph Size: 14.1875 x 19.625 in Year: 1956 Edition: 1,500 Unsigned Printed text on verso as issued Portf...

Original vintage poster “Les artistes décorateurs et le tourisme” at the Grand Palais in Paris. Artist: Jean Colin Full lithograph printed in 1953 by Mourlot, Paris. No paper...

Victor VASARELY Geometric Composition, 1958 Lithograph and stencil (Jacomet workshop) On wove paper 31 x 24 cm (c. 12 x 10 in) Edited by San Lazarro, 1958 Excellent condition

Stanley William Hayter, 'Feu sous L'eau (Fire Under Water)', color engraving, soft-ground etching and scorper with yellow silkscreen, 1955, edition 50 plus 10 artist proofs, Black & Moorhead 221. Signed, titled 'Fire Under Water', dated and annotated 'Essai' in pencil. Dedicated in the artist’s hand 'for Adja & Dove WH Bill 17–5–55' in the top margin. A superb, richly inked impression with fresh colors, on heavy, cream wove paper; wide margins (2 1/2 to 3 7/8 inches), in excellent condition. One of 10 artist’s proofs. Image size 10 3/16 x 7 inches; sheet size 18 1/8 x 12 1/4 inches. Matted to museum standards, unframed. ABOUT THIS WORK In 1950 Hayter returned to Paris and reopened Atelier 17. Works such as 'Fire Under Water' reveal newfound influences, such as that of the Ardèche area of southern France, where he acquired a house in 1951 and frequently visited. Hayter took great interest in the flowing Escoutay River, an experience that parallels the artist and co-director of Atelier 17 Krishna Reddy’s interest in depicting water. While some forms in this print evoke the natural world, the palette of contrasting tones of purple, yellow, black, and white reflects Hayter’s belief in using color intuitively to express emotions and evoke feelings. The sharp white relief lines from the paper and the textural effects realized through soft-ground etching operate in tandem with the sweeping curves and bold colors to give the composition a sense of vitality and dynamism. —edited from the Metropolitan Museum of Art Published by 'La Jeune Gravure Contemporaine', Paris. Impressions of this work are in the following collections: British Museum, Metropolitan Museum of Art, National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...

Joan Miro - Night Sky - Original Lithograph Artist: Joan Miro Editor: Maeght Year: 1956 Dimensions: 23 x 20 cm Reference: Mourlot 235 Unsigned and unumbered as issued.

Vie ardente du sol - From Theater of the Earth is an original black and white lithograph realized by Jean Dubuffet (1901 Le Havre - Paris 1985) in 1959. ...

From Joan Miro by Jacques Prévert and Georges Ribemont-Dessaignes. Unknown publication size Plate I, from Joan Miro by Jacques Prévert and Georges Ribemont...

A very good impression of this scarce lithograph on Arches. Signed, titled, dated and numbered 14/20 in pencil. Printed and published by the artist, Paris. From "Théâtre du Sol."

Stanley William Hayter, 'Danse du Soleil (Danseuse du Soleil; Sun Dance; Sun Dancer)', color engraving, soft-ground etching and scorper; 1 of 10 artist's proofs, edition 200, 1951, Black & Moorhead 197. Signed and annotated 'Epreuve d’Artiste II/XII' in pencil. Inscribed 'Pour Nesto Jacometti avec amitié' in pencil, in the artist’s hand. A superb, richly-inked impression, with fresh colors, on handmade Arches cream wove paper; full margins (2 3/4 to 4 inches), in excellent condition. Image size 15 7/16 x 9 7/16 inches; sheet size 22 1/4 x 15 inches. Matted to museum standards, unframed. Printed by Hayter and Atelier 17. Published by La Guilde Internationale de la Gravure, Geneva. Impressions of this work are in the permanent collections of the British Museum and the Yale University Art Gallery. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...

Serge POLIAKOFF Abstract Composition, 1958 Original lithograph (Printed in Pons Workshop) On wove paper 31 x 24 cm (c. 12 x 10 in) Edition San Lazarro, 1958 REFERENCES : Catalog ra...

PABLO PICASSO (1881-1973) Sauterelle sur une branche (A. R. 259) Terre de faïence bowl, 1955, from the edition of 100, partially glazed and painted, with the Madoura Empreinte Orig...

Feu is an original B/W lithograph on watermarked paper "Hes". Abstract composition by the French artist Jean Dubuffet. From the album of "Theatre du sol" (1953-1959). In excellent c...

Joan Miro - Bird From the literary review "XXe Siècle" 1952 Edition : 3000 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Reference : M117

Artist: Alexander Calder Title: Derriere Le Miroir No. 141, Cover Year: 1963 Dimensions: 15" x 11" Published by Maeght Editeur Excellent condition

Matisse once said, "The paper cutout allows me to draw in the color. Instead of drawing the outline and putting the color inside it, I draw straight into the color." The hues he used...

Lithograph, 1957 Handsigned by the artist in pencil and annoted HC Publisher : Le musée de Poche (Paris) Printer : Jean Pons (Paris) Catalog : Polieri, 1746 50.50 cm. x 66.00 cm. 19...

Salvador Dali - Don Quixote Reading in his Room - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Detruit. SIGNATURE : plate signed by Dali. LIMITED : 197 copies. SIZE : 4...

Recits is an original lithograph on watermarked paper "Arc". Abstract composition by the French artist Jean Dubuffet. From the album of "Anarchitecte" (1953-1959). In excellent condi...

Le Manteau Léger - From Territoires is an original black and white lithograph realized by Jean Dubuffet (1901 Le Havre - Paris 1985). The artwork is the plate n. 4 from the portfoli...

Artist: Fernand Leger (after) Title: L'Artiste dans le Studio from Douze Contemporains Year: 1959 Original: 1938 Medium: Lithograph with Pochoir on Wove paper, signed and dated in t...

Tchelitchew is an original lithograph on ivory paper, realized by Pavel Tchelitchew and hand-signed. In very good conditions. This artwork represents an autographed dedication by the artist to Countess Pecci Blunt, called Mimì by her friends. In the lower center, we find the address GALERIE RIVE...

Pierre TAL-COAT Abstract Composition Original vintage lithograph poster On paper 62 x 48 cm (c. 25 x 19 in) Edited for the artist exhibition at Maeght Gallery in 1956 Excellent co...

"Still Life" 1950s is a splendid lithograph, engraved by the artist Emmanuel Poirier. The state of preservation of the artwork is excellent. Numbered an hand-signed, on the bottom ...