Edvard Munch Art

Angor Vhat. 1930. Woodcut and drypoint printed in colors. 11 x 13 (sheet 15 7/8 x 16 7/8). Edition 75, # 22. A bright, colorful impression printed on Japanese mulberry paper, with an irregular bottom margin. Signed and numbered in pencil. Housed in a 18 3/8 4 x 19 1/2-inch archival mat, suitable for framing. ---------------------------------------------------------------------------------------------------- Elyse Ashe Lord was a British artist and illustrator who worked in watercolors and drypoint etching. She studied at the Heatherley School of Art in Chelsea. The first public exhibition of her work was in 1919. Her drawings were exhibited at the Brook Street Gallery in 1921.[ In 1922 she became a member of the Royal Institute of Painters in Water Colours. Various large exhibitions of her works were held during her lifetime. Her images typically draw on the Art Deco movement and ideas of Oriental culture, despite the fact that she never visited the Far East. She was a popular artist, even during a time period when the art market, and decorative arts particularly, was suffering from the economic crisis of the 1930s. She lived in Bexley in Kent. ---------------------------------------------------------------------------------------------- Angkor Wat, in its beauty and state of preservation, is unrivaled. Its mightiness and magnificence bespeak a pomp and a luxury surpassing that of a Pharaoh or a Shah Jahan, an impressiveness greater than that of the Pyramids, an artistic distinctiveness as fine as that of the Taj Mahal. Angkor Wat is located about six kilometers (four miles) north of Siem Reap, south of Angkor Thom...

There's so often a mysterious or evocative atmosphere that permeates Sander's work. Signed in pencil; titled in lower margin in pencil.

The Virgin and the Child is an original Woodcut on cream-colored paper. realized after Albrecht Durer, a reproduction of the early 20th Century from the...

Original lithograph in colours on Arches paper, with full margins, framed Signed by the artist in pencil, lower right on recto Image: 68 x 49 cm, Sheet: 94.5 x 67.9 cm, Framed: 105.3...

Original lithographs in colours on Arches paper, with full margins, framed hand-signed by the artist in pencil, lower right on recto Image: 60 × 45 cm, Sheet: 81 × 60 cm, Framed: 89....

Georges Braque Les Étoiles (Stars), 1959 opens a cloud-like window into a dreamy black and navy sky peppered with playful stars above which a bird, its bod...

Eads Bridge. St. Louis. 1919. Lithograph. Wuerth 596. 19 5/8 x 16 1/4 (sheet approximately 24 1/2 x 18 3/8). Series: St. Louis set. Edition 20. A fine impr...

6 3/4 x 5 1/4 (sheet 10 5/8 x 8 7/8). A rich impression printed on cream wove paper. Signed and titled in pencil. Housed in a 20 x 16-inch archival mat suitable for framing. Maria H...

. Wood engraving. Physick catalog 827. 5 3/4 x 2 3/4 (sheet 8 1/16 x 3 7/16). Proof printed on simili-Japan paper with one side deckle edge. Unsigned. Eric Gill was a painter, scu...

Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat proof printed by the artist. $875. 26 Broadway" is the home of the Standard Oil...

After Marc Chagall L’oiseau bleu (The Blue Bird), 1968 exemplifies the dreamlike compositions and imagery often found in his oeuvre. Below, a small town sl...

The Matador. 1911. Drypoint. Hardie 109. 6 7/8 x 10 7/8 (sheet 7 7/8 x 12). Edition 15. A few scattered foxing marks and slight mat line; otherwise fine o...