Modern Art Abstract Prints

William Tillyer The Ruswarp Suite 1 2023 Etching, aquatint on paper, Edition of 35, Set of 6 Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins) Paper size: 57.2 x 57.8 cms (22 1/2 x 2...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Roy Lichtenstein "Go for Baroque" poster (hand signed and inscribed by Roy Lichtenstein), 1994 Color offset lithograph on wove paper (hand signed and inscribed to Lichtenstein's esta...

Thelma Appel The Magician, 2018 18 Color Silkscreen on 320 gram Coventry Rag paper with deckled edges; accompanied by artist signed COA Signed twice: Pencil signed, titled and number...

A very good impression of this color screenprint. Signed and numbered 200/15 in pencil by Bearden. Catalogue reference: Gelburd/Rosenberg GG#59

This print of a violin replicated several times in black and red across the composition is indicative of Arman's classic technique of recomposition. Transferring the image across the...

14 layer screen print on 410gsm Somerset Tub Sized Satin White paper - finished with matte varnish and glossy, vinyl ink details 27 3/5 × 19 7/10 in 70 × 50 cm Edition of 40 hand-si...

Norman Akers Tears, 2018 Monotype on paper by renowned native American artist (Osage Indian) Signed and numbered 1/1 Frame included Monotype (unique) Pencil signed, numbered 1/1 and...

"Dodge Rebellion Girls" - 1967 Silkscreen on Paper 1967 color silkscreen depicting the Dodge Rebellion Girls by Marc Foster Grant (American, b. 1947). A silhouette of the 'dodge gi...

Chickens In The Wild - Limited Edition Print Giclee By Marc Zimmerman The original painting is in the artist's private collection. The print quality is exceptional. *Please contact...

Chris Ofili (British, b. 1968) Afternoon with La Soufrière (prelude 4), 2021 Medium: Digital pigment print and gold leaf on Somerset Velvet Dimensions: 26.1 x 38.6 cm Edition of 100 ...

Agent X Bellolla (Abstract, Round, Disc, Circle, Warm) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2024 Size: 19x19in Edition: 75 Signed, dated and numbere...

Toco Toucan Toucano (2020) Edition of 150 Nine colour lithographic print on Somerset Velvet 300 gsm. Signed, numbered, and dated by the artist Katherine Bernhardt is a contemporar...

Alexander Calder McGovern for McGovernment (Signed by BOTH Alexander Calder and George McGovern), 1972 Lithograph on wove paper with deckled edges. Hand signed and Numbered by Calder...

Judy Chicago Almost Born, 1983 Lithograph on Rives tan BFK paper (accompanied by original documentation sheet - also hand signed by Judy Chicago) Signed, titled, dated and numbered 6...

Jacques Villon Intimite 1964 Original Reproduction of a Gouache on Velin d'Arches Size: 10x7.375in Signed in the stone Edition: 2,000 Annotated verso Publisher: Mourlot, Paris Printer: Mourlot, Paris COA provided Notarized facsimile of the imprint showing the edition size included Framing in a simple white or black frame made from composite wood with plex and mat available for $90. Please inquiry within. Ref.: 924802-1542 Jacques Villon (July 31, 1875 – June 9, 1963), also known as Gaston Duchamp, was a French Cubist and abstract painter and printmaker. Many important museums include works by Villon in their collections, including the Fine Arts Museums of San Francisco; Minneapolis Institute of Arts; Museum of Fine Arts, Boston; Art Institute of Chicago; Columbus Museum of Art (Columbus, Ohio); Museum of Modern Art, New York City...

Lithograph on vélin du Marais paper. Inscription: Signed and dated in the plate, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° ...

John Shrehane is from England originally but spent many years working in Italy. His practice brings together an energy and elegance that is unique. John says, “I like to express emot...

Jellyfish Eyes - Black 5 is an offset lithograph on paper, 19.75 x 19.75 inches, signed and numbered 144/300 lower right. Framed in a contemporary white frame.

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...

Original Offset-Print of Hans Ticha and Ernst Jandl

Bambus is a contemporary artwork realized by the artist Fifo Stricker in 1981. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower right margin. ...

Artist: Theo Tobiasse (French/Israeli, 1927-2012) Title: Je Sens monter en moi des chants de plaisir (I Feel Songs of Pleasure Rise in Me) Year: Circa 1980 Medium: Color lithograp...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled by Artist on Etching Press Hand finished with Paper cuts, folds and Metal Leaf 29 x 29 inches framed This p...

Georg Baselitz (German, b. 1938) Schwester Rosi III, 1995/1996 Medium: Drypoint etching on wove paper Dimensions: 80 x 60 cm Edition of 12: Hand-signed and numbered Condition: Excellent

Antoni Tapies (Spain, 1923-2012) 'Nocturn Matinal', 1970 lithograph on paper Manually intervened with pencil by Antoni Tápies in the central part. 24.1 x 42.6 in. (61 x 108 cm.) Edit...

Caucus is an offset lithograph on paper with an image size of 37 x 27 inches, framed in a contemporary, silver-tone frame 50.5 x 40.25 inches. From the edition of 190 - the art is si...

Saint Raphael is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1965-1969....

Robert Indiana HEAL, 2015 Silkscreen on 2ply Rising Museum Board Signed, dated and numbered 5/25 on the front This is one of the last works the artist personally signed before he pas...

This is a 6-color hybrid print by Gerhard Richter offered by CLAMP in New York City. 6-color hybrid print on 260g Rives Handmade paper (Edition of 500)

color serigraphy on Fabriano paper , edited in 1983 Limited Edition of 99 copies Hand signed in pencil by artist lower right and numbered EA ( artist proof ) lower left Paper size: 5...

Untitled (M.254) from the Album 19 suite is a lithograph on paper, image size 20 x 26.25 inches and framed in a contemporary, black wood frame, colors vibrant, initialed 'M.' lower r...

Screenprint on heavy, white wove paper , edited in 1965 Limited edition of 280 copies signed in pencil by artist in lower right corner and numbered 243/280 paper size: : 58,4 x 73,6 ...

Chevauchée - Rouge et Brun (M.541) ("Horse Ride - Red and Brown) is a lithograph on paper with an image size of 33.25 x 23.75 inches, signed Miró lower right and annotated lower left...

Jasper Johns Target with Four Faces (ULAE 55), 1968 Silkscreen in colors on Rives BFK wove paper Signed and dated in red ink and numbered 53/100 (total edition includes ten artist's ...

Thelma Appel Meeting Plaza, 2018 25 Color Silkscreen on 320 Gram Coventry paper with full margins and deckled edges. Accompanied by ARTIST SIGNED, gallery issued Certificate of Authenticity (COA) - hand signed by BOTH the artist and gallery director 23.5" (vertical) x 29.25" (horizontal) Hand signed, titled, annotated & dated on the lower right front - a rare Artists Proof, aside from the limited edition of 75 Unframed This magnificent silkscreen, Meeting Plaza is signed, dated and numbered in graphite pencil on the front from the limited edition of 75. Other examples of this work were exhibited in the 2021 show "New York and No Place Else: Art that Celebrates New York" at the Chashama Foundation, New York, and it was also featured in the invitational exhibition "Women on Paper" in April, 2021 at the Sager Reeves Gallery in Columbia, Missouri. "Meeting Plaza" is a place where people from all over the world are always welcome to meet in peace and enjoyment; an exquisite 25-color limited edition silkscreen done in collaboration with master printer Gary Lichtenstein. The work is evocative of New York's Rockefeller Center and the United Nations, but the flags are abstracted, to emphasize international unity, rather than single out any individual country. The artist explained: "I wanted to convey a city that welcomed all nationalities and all people… The flags for me are a counterpoint to the city’s geometric architecture, and their suggested movement and irregular shapes echo the organic morphology of the people below. I painted an evening sky. It is dusk. Nobody is rushing. People are conversing with each other, walking slowly or gathering in small groups enjoying a calm evening in the New York City…I, too, am one of the people converging at the 'Meeting Plaza' ...” Other examples of "Meeting Plaza" were exhibited in the 2021 show "New York and No Place Else: Art that Celebrates New York" at the Chashama Foundation, New York, and the print was featured in the invitational exhibition "Women on Paper" in April, 2021 at the Sager Reeves Gallery in Columbia, Missouri. Thelma Appel biography A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been working and teaching for more than six decades. Most recently, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams, and she exhibited at the Mattatuck Museum in Connecticut which acquired one of her fabric collages for their permanent collection. Thelma Appel was raised in Darjeeling, India and educated in London, England, at St. Martin's School of Art (now Central St. Martins) and Hornsey College of Art before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design and Art New York art fairs and has been exhibited at Alpha 137...

Untitled (M.256) from the Album 19 suite is a lithograph on paper, image size 26.25 x 20 inches and framed in a contemporary, black wood frame, colors vibrant, initialed 'M.' lower r...

Chevauchée - Vert Violet Brun (M.543) ("Horse Ride - Green Violet Brown) is a lithograph on paper with an image size of 33.25 x 23.75 inches, signed Miró lower right and annotated lo...

A continuation of the 'Horse Ride' series, The Scholar - Green (M.547), also known as The Literate Man, is a lithograph on cloth, backed with chiffon de Mandeure, with an image size ...

A continuation of the 'Horse Ride' series, The Illiterate (M.549), is a lithograph on paper, with an image size of 33.25 x 23.75 inches, signed Miró lower right and annotated lower l...

We Are The Square Jocular Clan #6 is an offset lithograph, 18.75 x 18.75" image size, signed and numbered lower right, and framed in a contemporary white moulding. From the edition o...

Karel Appel Miss World First Class Pretty (Deluxe hand signed edition of the 1 Cent Life Portfolio, from the estate of artist Robert Indiana), 1964 Lithograph splayed across two sheets on wove paper (Hand signed by Karel Appel) Pencil signed on the lower right front; numbered 85/100 on the portfolio colophon Frame included Floated and framed in a museum quality wood frame with UV plexiglass., bearing the colophon with the edition number page on the back Measurements: Frame: 20.25 x 27 x 1.25 inches Print: 16 x 23 inches This lithograph was part of the complete portfolio acquired from the estate of Pop Artist Robert Indiana, who also contributed a work to the portfolio. Documented prints from the hand signed edition of 100 rarely appear on the market. This is one of them. The work is pencil signed by Karel Appel on the front and all of the prints are unnumbered, as the complete portfolio is numbered on the colophon page - a copy of which is included for provenance. (There was also an unsigned edition of 2000) Chinese American artist and writer Walasse Ting, in collaboration with Sam Francis, assembled a group of the most significant Pop and Abstract Expressionist artists in America, including Andy Warhol, along with the European COBRA artists to create the definitive artistic portfolio of lithographs with accompanying text by Walasse Ting. The Deluxe edition, which features hand signed prints, was published in a limited edition of only 100. This is one of them. Of the 100, editions numbered 60-100, or 40 portfolios, were reserved exclusively for Artists & Collaborators. This hand signed Karel Appel lithograph...

#473 FLOWERS, 2016 Luminogram, Silver Gelatin Print Print size: 30.5 x 40.6 cm Framed: 49 x 58 cm Frame with the classic museum style mount board and black frame/ Print can be shipped unframed - options available with more shipping prices available - please message us for more info/ This is a Unique piece Series: The Self Representation of Light Signed and dated in pen on verso, Certificate of Authenticity provided The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting. "I don't really see photography and pottery or painting or music to really be different to each other. Some are more immediate, some are more subtle. Music seems to be able to control emotions, photography seems to create a satisfying pleasure from just a tonal flat surface. Same with painting. One of the biggest mysteries for me is why all these things manage to control us in some way." - Michael G Jackson...

We Are The Square Jocular Clan #4 is an offset lithograph, 18.75 x 18.75" image size, signed and numbered lower right, and framed in a contemporary white moulding. From the edition o...

Richard Florsheim created this color lithograph entitled “Light and Water” in 1972 in an edition of 50 pieces. Printed by Mourlot Press, Paris, this impression is signed and inscribed “5/50” – the fifth print of fifty. It is in good condition with full original color. The printed image size is 16 7/8 x 23 1/16 inches and paper size 19.75 x 25.50 inches. RICHARD ABERLE FLORSHEIM...

’Bush scene with blue and yellow’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 630mm x 865mm Date - c1975 Condition - Excellent. 10 out of 10. Colour of print...

Acid Rain is a screenprint on paper in unique, trial-proof colors, 32 x 40" sheet size, signed and numbered in the lower right margin ‘TP16/40 Kenny Scharf,’ and framed in a contemp...

Original Zurich, Switzerland vintage poster by artist Hans Erni. In art, vintage posters hold a special place as they showcase artistic brilliance and serve as timeless reminders of...

Terence La Noue New Monuments of Quetzalcoatl, 1976 Offset lithograph on wove paper Signed, dated and numbered 1/500 by the artist on the lower right front (although the stated editi...

Rafael Canogar (Spain, 1935) 'Fuego', 2003 silkscreen, collage on board 59.1 x 48.1 in. (150 x 122 cm.) Edition of 100 Unframed ID: CAN1030-096 Hand-signed by author ________________...

Walter Becker was born in 1893 in Essen, Ruhr, Germany. Considered an important graphic artist of the "lost generation", Becker is well known for his depictions of figures and portraits in a style that combined elements of German Expressionism, Dada, and French modernism. He worked in a variety of print media, including color lincut, lithography, woodcut and etching. After a short military service, Becker studied under the German Sculptor Karl Albiker at the Dresden Academy of Fine Arts. He moved to southern France where he lived and worked from 1924-1935, and was in contact with George Braque, Thomas...

Felipe Alarcon (Cuba, 1966) 'Fantasía superpuesta I', 2005 digital print, silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 Unframed ID: ALA1741-001-106 Hand-signed by ...

AFTERNOON This hand crafted Giclee print on canvas, 'Afternoon', by Vasily Golubev, provides the opportunity to own and enjoy a Golubev masterpiece at a very affordable price. Be...

Space Balls is a unique, trial-proof screenprint on paper, 32 x 40" sheet size, signed and numbered lower right margin ‘TP14/40 Kenny Scharf,’ and framed in a contemporary, white mou...

Joan Miro (Spain, 1893-1983) 'Joan Miró Litógrafo III', 1977 lithograph on paper Velin Arches 250 g. 17.7 x 14.4 in. (44.8 x 36.5 cm.) Unframed ID: MIR2001-009 Hand-signed by author ...

Luis Feito (Spain, 1929-2021) 'Guadarrama IV', 2004 intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Edition of 76 Unframed ID: FEI1051-062 Hand-signed by author

Eduardo Chillida (Spain, 1924-2002) 'Munich', 1994 etching, aquatint on paper gray Eskulan 31.5 x 23.9 in. (80 x 60.5 cm.) Edition of 119 (of which 98 correspond to the Arabic numbered edition). P/A: XX (20) Unframed ID: CHI1038-009 Hand-signed by author It appears reviewed in the catalog raisonné “Eduardo Chillida – Opus P.III. 1986-1996”, Chorus – Verlag. Page 278, cat. 94015. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Richard Florsheim created this color lithograph entitled “Incandescent City” in 1960 in an edition of 35 pieces. This impression is signed and inscribed “34/35.” It is in good condit...